All submissions to Haiku 257:

http://www.naviarrecords.com/2018/12/05/naviarhaiku257-daybreak/

To participate:

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)

- Publish your song on Soundcloud and message me privately with the track's URL (if you don't have Soundcloud or can't message me, visit www.naviarrecords.com/about/naviar-haiku for more options)

- Include the assignment number in the title of your track, for example “Title of your track (naviarhaiku145)”

Your track may be included in Naviar's weekly podcast and monthly free (pay-what-you-want)compilation. Please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Haiku #257: daybreak; / from the middle of the rain / a skylark song

a project in collaboration with the 2021 Musikfestival Bern -  “schwärme”

the sound of a swarm of insects approaching, gathering mass, and then passing you

Swarm [disquiet0502]

Disquiet Junto Project 0503: Sing Song
The Assignment: Record a song using only your voice transformed beyond recognition.
https://disquiet.com/0503/

Nancys Haiku (disquiet0503)

More on this 503rd weekly Disquiet Junto project — Sing Song (The Assignment: Record a song using only your voice transformed beyond recognition) — at: https://disquiet.com/0503/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0503-sing-song/

Disquiet

My back left lower Wisdom Tooth is still growing [disquiet0503]

[disquiet0504] Niatilopotrem

Ring your Piano

Ring Your Piano disquiet0505

Work in Progress

This track is part of the Disquiet Junto project – Line Out (The Assignment: Share a track, get feedback, and give feedback) – at: https://disquiet.com/0505/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0505-line-out/

Disquiet Junto | Line Out - disquiet0505

i deeply enjoyed playing with Daniel Díaz' sample pack; i figured to zoom in, splice brutally but neatly in order to transform them but keep them recognisible  - there's occasion distortion and a little compression but fundamentally this is made up of a number of layers of the sounds looped and granulated and looped an granulated.

More on this 507th weekly Disquiet Junto project — In DD’s Key of C (The Assignment: Make music with 10 acoustic instrument samples all in a shared key) — at: https://disquiet.com/0507/

Tracks made with samples created generously by Daniel Díaz.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0507-in-dds-key-of-c/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Cs [disquiet0507]

Memories of lost love tend to haunt us, appearing suddenly in the mind and bringing an unexpected sting.  Often it's the good memories that sting the most.  This is the super fun topic I chose for this week's Disquiet Junto prompt.

The prompt was to record a song that is a sequel to another song.  For some reason I immediately thought of "Fred and Renee Make Love" from the Lost Highway soundtrack.  This is one of my favorite movies and I've been wanting to try my hand at more cinematic music lately.

The original is the background music to a love scene, so I imagined the sequel to be Fred remembering that moment.  It's somewhat soft and intimate but also tinged with darkness and, like all memories, distorted in multiple ways.  My composition doesn't compare to the original but I think I tell the story with the sound design and overall mood.

Intrusive Remembrance - disquiet0512

More on this 515th weekly Disquiet Junto project — Talking Cure (The Assignment: Write music for a psychotherapist’s waiting room) — at: Disquiet Junto Project 0515: Talking Cure

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0515-talking-cure/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Image credit: Lamont Hall, Smith College, Northampton, Massachusetts. Waiting room, 1956. Public domain.

The Talking Cure (Disquiet0515)

The Assignment: Complete an asynchronous trio begun by two other musicians.
Based on the earlier works of Morgulbee and Krakenkraft
Morgulbee – A-minor-drone-disquiet0525
Winterer – Droneminer-disquiet0526

I missed the deadline on this one.
The photograph by August Sander is one of the seeds that lead to the song. I know it from the book About Looking by John Berger.
Much more to be said, but also easily too much.

More on this 527th weekly Disquiet Junto project – Magic Number (3 of 3) (The Assignment: Complete an asynchronous trio begun by two other musicians) – at: disquiet.com/0527/

On Their Way - With Krakenkraft and Morgulbee (disquiet0527)

i made this earlier before i saw the haiku. early morning, rain on the window, it seems to fit.

two synths - helm and a live 10 vocoder synth. improvised and a bit of processing in audacity

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Together with Basho, Onitsura (1661–1738) helped redefine the haikai no renga (linked verse) and elevated it into a literary genre in its own right. Around this time, the opening stanza of this collaborative linked poem (hokku) started appearing as an independent poem, which Masaoka Shiki will rename haiku in the 19th century.

“A good poet” is someone who can make a verse interesting.
“A master” is someone whose verse does not sound interesting but has a flavor deep inside.
A still higher stage is when a poet has reached the utmost of the art and his poem presents neither color nor fragrance.
Only at that stage can one be credited as having achieved the quintessence of haikai.

(Uejima Onitsura)

Seven days to make music in response to the assigned haiku: to participate visit http://www.naviarrecords.com/about/naviar-haiku

 

Deadline: 12th December 2018

haiku by Uejima Onitsura https://terebess.hu/english/haiku/ryokan.html

picture by Aaron Burden https://unsplash.com/@aaronburden

floating rain - naviarhaiku257

This track was created for the Naviar Haiku group.
257 week haiku
naviarlab.tumblr.com/
Yamaha mx 49 + guitar reverb pedal tc hall od fame

2018-06-12

daybreak; from the middle of the rain a skylark song (Naviarhaiku 257)

This track was created for the Naviar Haiku group.
257 week haiku
naviarlab.tumbir.com/
*** Skylark song, is a public domain recording from Freedownload.org. Rain and thunder are my personal recordings.

Daybreak - From The Middle Of The Rain A Skylark Song (Naviarhaiku 257)

Naviar Haiku 257
Daybreak (abstract)
daybreak;
from the middle of the rain
a skylark song

haiku by Uejima Onitsura https://terebess.hu/english/haiku/ryokan.html
picture by Aaron Burden https://unsplash.com/@aaronburden

Daybreak (abstract) (naviarhaiku257)

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Daybreak (abstract) (naviarhaiku257)

dirigent2 (also as "project dirigent")

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