Name: Symphony of dreams ( Best life ) by RebelTramp in ETERNALLY GRATEFUL TO THOSE WHO SUPPORT MY MUSIC 2
Duration: 3 min 11 s
Description: This one is living your dreams here and now, doing living your best life. Shaun D Charlton on vocals.

Added to playlist, ETERNALLY GRATEFUL TO THOSE WHO SUPPORT MY MUSIC 2 https://soundcloud.com/gothic-funk/sets/eternally-grateful-to-those?si=e543c6ed1ab34e47a6fe5972118e34f6

ETERNALLY GRATEFUL TO THOSE WHO SUPPORT MY MUSIC 2

Just like "Analog Funk", the foundation of this song was developed by Impulse, who supplied some of sounds through the Arcade plugin. These particular tracks were later condensed into a single .m4a file, a process that took multiple attempts to complete. This alleviated the need to download the Arcade plugin onto my computer but also came at the expense of restricted control over individual instrument parameters. Granted, this was a sacrifice we willingly made.

I asked Impulse to record Digital Funk at a slightly faster tempo than Analog Funk to reflect the hurried nature of the digital world. On my end, I restructured some chord changes and section durations and carved out brand new passages for more variety.

Impulse: synth and bass programming, samples, songwriting, arrangement

Sinny: synth, bass, and rhythm programming, nose whistle, kalimba, Wavedrum, octo-snare cajon, djembe, talking drum, tambourine, maracas, jam block, samples, arrangement

Digital Funk

Team Work

I've been in love with making slow synth covers of songs, here's another late night version of a classic: Mr. Blue by the Fleetwoods, released in 1983

Lyrics: 

Our guardian star lost all his glow
The day that I lost you
He lost all his glitter the day you said no
Now his silver turned to blue

Like him, I am doubtful that your love is true
But if you decide to call on me
Ask for Mr. Blue

I'm Mr. Blue 
When you say you love me 
Then prove it by goin' out on the sly
Proving your love isn't true
Call me Mr. Blue

I'm Mr. Blue 
When you say you're sorry 
Then turn around, head for the lights of town
Hurting me through and through
Call me Mr. Blue

I stay at home at night
Right by the phone at night 
But you won't call
And I won't hurt my pride 

I won't tell you 
Why you paint the town 
A bright red to turn it upside down
I'm painting it too
But I'm painting it blue
Call me Mr. Blue 
Call me Mr. Blue 
Call me Mr. Blue

Mr. Blue

Progressive funk rock by the Dragonsail Puppets

Glory Come Down

When it's still cold but you have the feeling that nature is awakening.

Johan Clymans 

Early spring

4 Overdubs of Waldorf Rocket synthesizer

Please listen to the metal version produced by Vulgate Empress, too:
https://soundcloud.com/adz_vulgateempress/vulgate-empress-wolfgang-foag?in=wolfgang-foag/sets/rock-and-metal-vol-4&si=0173d4094ccc4e4f94ccb43a45d1c6bc&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

LP017   Rocket Etüden

Immer bewegt 110

Microdosing

This one is living your dreams here and now, doing living your best life. Shaun D Charlton on vocals.

Symphony of dreams ( Best life )

Just Don't Mislead Me

Avi Loeb is no stranger to controversy. The prolific Harvard University astrophysicist has produced pioneering and provocative research on black holes, gamma-ray bursts, the early universe and other standard topics of his field. But for more than a decade he has also courted a more contentious subject—namely, space aliens, including how to find them. Until relatively recently, Loeb’s most high-profile work in that regard was his involvement with Breakthrough Starshot, a project funded by Silicon Valley billionaire Yuri Milner to send laser-boosted, gossamer-thin mirrorlike spacecraft called “light sails” on high-speed voyages to nearby stars. All that began to change in late 2017, however, when astronomers around the world scrambled to study an enigmatic interstellar visitor—the first ever seen—that briefly came within range of their telescopes.

The object’s discoverers dubbed it ‘Oumuamua—a Hawaiian term that roughly translates to “scout.” The unavoidably cursory examinations of this celestial passerby showed it had several properties that defied easy natural explanation. ‘Oumuamua’s apparent shape—which was like a 100-meter-long cigar or pancake—did not closely resemble any known asteroid or comet. Neither did its brightness, which revealed ‘Oumuamua was at least 10 times more reflective than one of our solar system’s typical space rocks—shiny enough to suggest the gleam of burnished metal. Most strangely, as it zoomed off after swooping by the sun, the object sped up faster than could be explained by our star’s waning gravitational grip alone. Run-of-the-mill comets can exhibit similar accelerations because of the rocketlike effect of evaporating gases jetting from their sunlight-warmed icy surfaces. But no signs of such jets were seen around ‘Oumuamua.

To Loeb, the most plausible explanation was as obvious as it was sensational: taken together with its possibly pancakelike shape and high reflectivity, ‘Oumuamua’s anomalous acceleration made perfect sense if the object was in fact a light sail—perhaps a derelict from some long-expired galactic culture. Primed by years spent pondering how we might someday find evidence of cosmic civilizations in the sky’s depths, he became increasingly convinced that, with ‘Oumuamua, the evidence had instead found us. In late 2018 Loeb and his co-author Shmuel Bialy, a Harvard postdoctoral fellow, published a paper in the Astrophysical Journal Letters arguing that ‘Oumuamua had been nothing less than humanity’s first contact with an artifact of extraterrestrial intelligence.

The paper has been a smash hit with journalists but has fallen flat with most of Loeb’s astrobiology-focused peers, who insist that, while strange, ‘Oumuamua’s properties still place it well within the realm of natural phenomena. To claim otherwise, Loeb’s critics say, is cavalier at best and destructive at worst for the long struggle to remove the stigma of credulous UFO and alien-abduction reports from what should unquestionably be a legitimate field of scientific inquiry.

The observations suggest this unusual object had been wandering through the Milky Way, unattached to any star system, for hundreds of millions of years before its chance encounter with our star system.

“For decades we’ve theorized that such interstellar objects are out there, and now―for the first time―we have direct evidence they exist,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate in Washington, in November 2017.

Immediately after its discovery, telescopes around the world, including ESO’s Very Large Telescope in Chile, were called into action to measure the object’s orbit, brightness and color. Urgency for viewing from ground-based telescopes was vital to get the best data.

Oumuamua (First Contact Album Version)

🌎 Connect + Social Networks
Instagram: @alexisdok
Twitter: @alexisditullio

🎶 Listen on Spotify:
https://open.spotify.com/artist/4IOtdiCd73wIemVB8suaeA?si=bEu1NAmFTDGWGVnEPkoCkw

🎼 Latest Songs and DJ Sets
Soundcloud: https://soundcloud.com/alexisdok
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Arboles Blancos EP

Arboles Blancos (2mod Sara Remix)

I was in love with West Side Story from age 5 on. 
This is a free interpretation of Somewhere.

Original soundtrack from West Side Story written by Leonard Bernstein, lyrics by Stephen Sondheim. 

Edit: I am so sad Stephen Sondheim died a few days after this release. So I declare this interpretation as my tribute to him. Thank you so much for your everlasting romantic poetry Mr. Sondheim. Rest in peace. 

Vocals and backings created and recorded by Neli CoKo.
This song is not available on Bandcamp and not for commercial use.

Somewhere From West Side Story Covered By Neli CoKo

Don't let the MUSIC INDUSTRY FOOL YOU, the best tunes around today are #UNSIGNED, #INDEPENDENT & #UNDERGROUND!
>
And don't let anyone tell you what music to make or how to make it, JUST MAKE IT….DO WHAT YOU FEEL!
:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
I’M TOO SCARED TO DANCE
I’M TOO SCARED TO DANCE
>
I ONLY DANCE WHEN I DANCE WITH YOU
YOU GIVE ME CONFIDENCE, ENOUGH EXUBERANCE
I ONLY DANCE WHEN I DANCE WITH YOU
YOU OPEN EVERY DOOR, YOU SWEEP ME ON THE FLOOR
I ONLY DANCE WHEN I DANCE WITH YOU
YOU TAKE MY BREATH AWAY, YOU TAKE MY BREATH AWAY
I ONLY DANCE WHEN I DANCE WITH YOU
THE PEOPLE FADE TO GREY, THE PEOPLE FADE TO GREY
I ONLY DANCE WHEN I DANCE WITH YOU
AND SINCE YOU CHANGED THE LAW, I’M CRYING OUT FOR MORE
>
TOO SCARED TO DANCE
>
I THINK I’M DEAD INSIDE
IT’S THE REASON WHY I HIDE
EXPLAINS THE PARANOIA
TOO AFRAID TOO SLIP AND SLIDE
>
I’M KIND OF TORN INSIDE
I NEVER CAN DECIDE
UNTIL YOU GUIDE ME TO THE FLOOR, AND SAY,
RELAX, ENJOY THE RIDE
>
I ONLY DANCE WHEN I DANCE WITH YOU
SOMETHING IN THE AIR
THERE’S SOMETHING IN THE AIR
I ONLY DANCE WHEN I DANCE WITH YOU
SHE SAID, TRY NOT TO CARE
IGNORE THEM, LET THEM STARE
PRETEND YOU’RE UNAWARE
OF THE EYES THAT ARE EVERYWHERE
>
MY ONLY HANG UP
MY ONLY HANG UP
I’M MUCH TOO SCARED
I’M TOO SCARED….TO DANCE
I’M MUCH TO SCARED
MY ONLY ONLY HANG UP
I’M TOO SCARED….TO DANCE
I’M MUCH TOO SCARED
MY ONLY HANG UP
I’M TOO SCARED….TO DANCE
I’M MUCH TOO SCARED
MY ONLY HANG UP
I’M TOO SCARED TO DANCE
MY ONLY HANG UP
>
MY ONLY HANG UP
I’M TOO SCARED TO DANCE
MY ONLY HANG UP
I’M TOO SCARED TO DANCE
MY ONLY HANG UP

I'M TOO SCARED TO DANCE

Enter a fast paced space travel mode at which light rays from varying sources pierce through the stark cold darkness of gravity's grip.
Expose yourself to the compulsion of beats. 
[Can any of you guess what message lies behind the symbols on the Album's upper left corner?]

Naked Galaxy

Interdimensional Highway

Musician surfing the musical waves. RT is a solo project. I make music that I want to hear and hopefully others will enjoy. Part of the light and lines music collective. New project coming soon with SDCharlton

In the WRONG PLACE at THE WRONG TIME with THE WRONG MINDSET, apparently making THE #WRONG #MUSIC, but it feels #RIGHT to ME!

Highly unlikely more than one of my tunes will ever be heard by more than a handful of listeners, so just for the record here is an incomplete list of artists my music has been compared to by other musicians, depending on which tunes they heard, StevenVellou (Gothic Funk)

RESIDENTS, PHILIP GLASS, DAVID BYRNE, FRANK ZAPPA, THE BEATLES, BAUHAUS, SISTERS OF MERCY, DAVID BOWIE, LOU REED, CAPTAIN BEEFHEART, PARLIAMENT, SYD BARRETT, PINK FLOYD, PSYCHIC TV, NEU, MOMUS, MINISTRY, CHARLES IVES, BEACH BOYS, KINKS, THE FALL, JOY DIVISION, DEPECHE MODE, GARY NUMAN, LEONARD COHEN, STONE ROSES, GIORGIO MORODER, GEORGE CLINTON, THE CURE, DALIS CAR, JOHN ASTLEY, KILLING JOKE, ALIEN SEX FIEND, ROBERT FRIPP, DEVO, B52’s, IAN CURTIS, FAD GADGET, TALKING HEADS, GORILLAZ, MIKE PATTON, JON ZORN, LES CLAYPOOL, STEVEN REICH, TOM WAITS, THE EX, TOM CORA, THE CAKE, NAPOLEON XIV, KEVIN AYERS, ROXY MUSIC, FRANK TOVEY, RUPERT HINES, ROBYN HITCHCOCK, DEVIN TOWNSEND PROJECT, SPARKS, BILL NELSON, JOHN CALE, TRIO, JULIAN COPE, HEAVEN 17, LLOYD COLE, TUBEWAY ARMY, FRONT 242, NITZER EBB, COCKNEY REBEL, SHRIEKBACK, VICTOR SNOW, GORDON LIGHTFOOT, THE THE, BABYBIRD, JOHN LENNON, ULTRAVOX, DAN DEACON, BACH, SQUEEZE, ANDREW ELDRITCH, IGGY POP, MIDNIGHT OIL, BILLY CHILDISH, BUTTHOLE SURFERS, VELVET UNDERGROUND, LOVE AND ROCKETS, ART OF NOISE, LOOK PEOPLE, CABARET VOLTAIRE, PRODIGY, et al.
>
Don't take sides and I'll respect you for it; take sides and I'll treat you with the same contempt I treat anyone with a mob mentality, because mob mentality invariantly betrays an underlying intolerant right-wing mentality!
>
#SUPPORT gathers #MOMENTUM when #RECIPROCATED!
>
My tunes are ten times better than you might imagine!
>
A lack of listens proves nothing, other than the fact that no one is finding your tunes; it does not prove, as some believe, that your tunes must be crap, so don’t ever take such a ridiculous notion on board—on an internet FLOODED with music no listens rarely has anything to do with the quality of your music, your creative talent, is almost always down to the fact that the right audience can’t find your music, because finding it is now as difficult as finding a needle in a haystack!
>
SOMETHING FOR EVERYONE, EVERYTHING FOR SOMEONE!
>
For diversity and consistency, I am not hesitant in saying my Soundcloud pages house the most inventive creations on here. There are others making fabulous tunes, but no one is more prolific while maintaining a high standard of pole to pole invention, and that applies to the lyrics too. I won't escape obscurity and oblivion, but that proves nothing, the internet is way, way, WAY overcrowded with unsigned music, way too much mediocre stuff, which obscure anything exceptional out there; the wood hidden away behind lots and lots and LOTS of trees, and no one has the time to look for needles in haystacks, to find a diamond in the rough, it's just way too big a task, not humanely possible!

INVENTIVE, AUTHENTIC, DIVERSE MUSIC, INVENTIVE, AUTHENTIC, IMAGINATIVE LYRICS, but those are the last things the vast majority of listeners are looking for these days!
>
Me, I'm awestruck by musicians who can't be pigeonholed, who don't conform to any borders, who don't think about which direction each new creation will take, they just go wherever that creativity takes them; pure, on the fly, innovation, imperfect but 100% authentic, as far a way from manufactured, recipe book, regurgitation, as it is possible to get, totally unforced, inspirational and way, way, WAY outside the box! There ought to be a place for such creativity, there was at one time, but a mercenary music industry put an end to that, leaving us with a situation where those who deserve the most adoration for the talents receive the least!
>
Will this ever change, will a yearning for TRUE underground, creativity unique to the individual, ever return, or has the spoon-feeding gone to far this time, is its grip so vicelike nothing can break it!
>
I make #INVISIBLE music, perhaps it feels that way to you too!
#Overlooked, #Underrated, Dismissed Without A Listen!
>
When Soundclouders follow me or click like without leaving feedback, what is it they are hoping for? That I come listen to their tunes and heap praise on them, what? I mean really, what is the point of following someone, what is the point of liking one of their tunes, if you don't actual think they are deserving of feedback, if you don't think the tunes are as good as what you do???

EXPLODING THE MYTH THAT UNSIGNED IS UNSIGNED BECAUSE IT’S INFERIOR TO SIGNED MUSIC!

>
UNTIL this MYTH is blown out of the water we don’t have a cat in hells chance of breaking through. #TheMyth  is the BIGGEST obstacle that stands in our way, it is the FIRST hurdle we must get over, it is the message that should be going #VIRAL, it’s down to each & every one of you to make that happen!
>
#ExplodeTheMyth
>
Listening to just one of my tunes tells you nothing about my creative approach, listening to ten of my tunes will still tell you very little, listen to a hundred of my tunes and the penny will start to drop, but it's only after hearing 500+ of my creations and collaborations that your eyes will widen in amazement! 
However, if you don't have unlimited eclectic taste none of that applies, and the reality is, who, in this world, is going to listen to every tune I've created, no one--if even one tune is heard from beginning to end it's a minor miracle, because sadly, there is a belief that unsigned means inferior, but I've heard enough tunes by the rest of you guys to know that's a myth, that's bullshit, we create some of the most inventive, authentic, imaginative tunes out there!
Give me unsigned, independent and underground music over signed, safe, predictable, recipe book, music any day of the week!
>
I MAKE TUNES NO ONE WILL EVER LISTEN TO!
>
Some musicians & music fans don’t want to hear music from the past because they would have to acknowledge IT’S ALL BEEN DONE BEFORE!
>
Finally come to terms with the fact that I'm PLAYING TO AN AUDIENCE OF ONE, and even I have to FORCE myself to listen!!!
>
My music and lyrics are all about different, but if no one listens no one will EVER know! 
#StevenVellou

I CREATE TUNES ON THE FLY; NO FORMULA, NO PLAN, NO DIRECTION; THEY JUST HAPPEN--I'M IGNORANT OF THE RULES INVOLVED IN THE MUSIC MAKING PROCESS, SO I'M NOT BOXED IN BY THEM, WHICH IS WHY THEY ARE SO VARIED AND UNPREDICTABLE!
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Meaningful yet tongue-in-cheek tunes that can’t be #PIGEONHOLED!
Great production ISN'T my forte, accomplished musicianship ISN'T my forte but #UndergroundInvention, #InfiniteDimensions & LYRICS are!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Now I don't personally believe I'm in the same league as #Bowie, other than my lyrics, more often than not, making more sense, but I do think I share his ability to adapt to different genres, and his endless, diverse, creativity, just not quite on the same level.
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I'm not proficient/accomplished on instruments, & I have other musical limitations, but most genres come natural to me, and I much prefer having that unforced ability to being highly accomplished on instruments, highly polished on production, or having the perfect voice!
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If I didn't feel I had my own approach, if my music was easy to pigeonhole, I would have quit music a long time ago!
Never been about fame & fortune, just about pushing the boundaries without actually intending to push the boundaries; creativity that's second nature not formula! 
Yes, I want to reach an audience but making money from my music means nothing to me!
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NOT saying I’m THE MOST #talented musician on music promotion sites but I will say I’m one of the most #UNDERRATED! Even so, I would much rather be underrated than overrated!
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Symphony of dreams ( Best life )

RebelTramp

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