'Dj Fungus' also known as Waawiyekamig (Wah-We-Yah-Kuh-Me) meaning "Rounded Earth"; Born in Colorado, grew up in Detroit. Alaskan Native, Member of the Evansville Village tribe. Been fascinated with music since around the age of 5, playing the piano in my late grand fathers saloon for the alchies. Later, started playing instruments in school, such as snare drum and tenor sax. Started DJ'in in 98', spinnin at various bars, clubs, and parties throughout the Detroit area and later landing a weekly residency at club Carbon in Hamtramck. Quit there to move up to Traverse City in early 2002. Shortly after the move, I gave up drinking and needed somethin to fill my time. What better way than to start producing my own beats? Naturally linked up with like minded heads in the hip hop scene here which lead to the formation of Lake Affiliates in 2004. Over the years, I've either DJ'd for and/or shared the stage with greats such as El Da Sensei, Digable Planets, Phat Kat, Blueprint, Illa J, Invincible, One Be Lo, Brother Ali, Keith Murray, Redman, Illogic, 2Mex, and many, many more. Full length album available entitled "UNDERGROUND KULTURE", featuring mad amounts of talent from across Michigan and beyond so check that shit out! Later linked up with Resa.P and released the CD "Food For Thought", featuring 2mex (Visionaries), El Da Sensei (Artifacts), & Finale.  Been on a hiatus for a minute dealing with life on life terms but most definitely Idle No More.  Expect more bangers and collaborations soon to come.  Miigwech.

Matthew Christensen; a composer of contemporary-classical, chamber, vocal and instrumental music; studies musical implications in psychology, body language, and communications; music characterized by a combination of romantic and modern ideals; fascinated with acoustic manipulation, genre-crossing, and conceptual composition; from Salt Lake City, UT; graduated with a Bachelor's in Music from BYU-Idaho.

March 5, 2015

Re: 	Denver’s Luna Sol to release album “Blood Moon” in the U.S on 4/20

FOR IMMEDIATE RELEASE

Luna Sol is a high mountain stoner rock band, fronted by veteran singer and lead guitarist David Angstrom (Hermano, Supafuzz). Angstrom moved to the mountains just north of Denver in 2012 and started soaking in the strange but relaxed mountain communities around him. Inspired by the local news and folklore, Angstrom started writing the songs that would become “Blood Moon” and put together Luna Sol with local musicians—drummer Pat Gill (The Feds, ’76 Pinto), guitarist and vocalist Shanda Kolberg (The Swanks), and bassist and vocalist Shannon Fahnestock (The Swindlers). 

A drive into the mountains with Angstrom shows that “Blood Moon” captures the removed from society lifestyle of the Rockies. Songs “Leadville,” “Standley Lake,” and “Death Mountain” all come with stories from Angstrom that seem like bizarre mountain folklore, like cautionary tales read to children in books with colorful drawings. Angstrom clearly loves the morbid strangeness with a fascinated curiosity of his new homeland and shares it with us here on “Blood Moon.”

The album was recorded at Sierra Estates in Colorado, and the album artwork was designed by celebrated Denver tattoo artist Christel Perkins of Sol Tribe. The basic tracks were finished in a week, and in keeping with the long-standing tradition of the stoner and desert rock communities, members of the Luna Sol extended family tree contributed additional elements to the recording. John Garcia (Vista Chino, Hermano, Kyuss) adds vocals on “December,” Dandy Brown (Hermano, Orquestra del Desierto) plays bass on “Death Mountain,” Nick Oliveri (Vista Chino, Kyuss, Queens of the Stone Age) plays bass on “Pretty Rotten,” Greg Martin (Kentucky Headhunters) contributes slide guitar on “Death Mountain,” Dean Smith (Supafuzz) plays bass on “Bridges,” Jason Groves (Supafuzz, Asylum on the Hill) plays bass on “In the Shadows,” and Dizzy Reed (Guns N’ Roses) delivers a keys performance on the Hammond B3 for “Your War.”  

The album is dark, heavy, and filled with hooks. You’ll keep the motor running until your song is over. John Garcia calls “Blood Moon” “a dark twisted ride down the mountain… It rocks.”

LUNA SOL’s album BLOOD MOON will be available in the U.S. on 4/20.

Media Contact/US: 
Steve LaBate / Baby Robot Media
stevelabate@babyrobotmedia.com
http://www.babyrobotmedia.com/

Jeroen Robbertsen (1969) has been fascinated by music his whole life. At the age of 7 he starts listening to Jean Michel Jarre, Emerson Lake and Palmer, Vangelis and Pink Floyd following the start of piano lessons at the age of 8. After a short break during highschool he continues to attend piano lessons at the age of 17 which is shortly followed by the purchase of his first synthesizer, the Roland Juno 106. Robbertsen gradually expands his bedroom studio to escape into his own dreamworld by creating soundscapes and compositions. In his spare time he studies music theory at the Schumann academy for four years (major piano). In this theoretical part of conservatory he studies subjects like music history, harmony, solfèg, composition and music analysis. At this point he develops a passion for classical music. By analyzing Bachs fuga's and the sonates of Beethoven and Mozart he discovers the genius of these composers. His love for classical music expands when Robbertsen starts exploring modern composers like Strawinsky, Moessorgski, Debussy, Philip Glass and Arvo Pärt. Glass and Pärt in particular are still a major source of inspiration for him to this current day. Early 2000 Robbertsen starts studying graphic design and even though he sells his equipment his love of music remains ever present. When during his studies Robbertsen discovers dance music this brings to life a new spark in his passion for music. At parties like Dance Valley, Extrema and Awakenings Robbertsen intensely enjoys the music and the vibe, meeting new people and dancing to inspiring electronic music. Through a Dutch website for dance music lovers Robbertsen gets in touch his fellow producer René Mans.
In 2007 Robbertsen discovers Ableton Live and is instantly hooked to this program. He starts producing music and soon realizes that with today's enhanced technology the possibilities for producers are endless. He can do more now with a laptop and Ableton than he could ten years ago with a room full of synthesizers. In 2009 Robbertson moves to Amsterdam where music once again gets a central role in his apartment and in his life. Starting  early 2010 Robbertsen starts working with René Mans on a regular basis under the moniker of Mans & Robbertsen.

Michael Poe began forming his musical interests at an early age. He was fascinated by the use of electronic instruments in modern music and began listening to progressive rock groups such as Emerson, Lake and Palmer and Rick Wakeman in the 70's. It was his mother who introduced him to the experimental electronic tones of Brian Eno and Kraftwerk. His appreciation for these creative styles carried on through high school and followed him into college.

During his time at Ohio University, Mike began to create electronic compositions to accompany modern dance pieces and also began to develop his styles as a DJ. His style concentrated heavily on the dark industrial sounds of Front 242 and Skinny Puppy. He added many styles to his DJ repertoire and began to introduce ambient tones and atmospheres to his DJ sets. The Orb was a major influence, which gradually led him to spin more ambient dub styled tracks.

In 1993 he moved from Athens, Ohio to Columbus where he introduced his unique style and catalog of recordings to the Columbus scene. He began working with Rob Engel to create atmospheric dark ambient music that became the Midislut project with Mike spinning under the Midislut name. In 1994, he released “Ambiento”, a mix tape of selected ambient tracks, which created a buzz among the underground scene. Shortly after the release of “Ambiento,” Mike was spinning in chill out rooms at many of the now legendary ele_mental parties.
Mike followed his release of “Ambiento” with “Project Blossom” in 1995. Mike  provided his own compositions at the ele_mental sponsored “Boron” in August 1996. Mike was also involved in electronic music composition in the Columbus area. Contributions include the 21/22 Corp. compilation "Fusion No.5" and "Trace Ele_ments4 EP", a collaboration with Bone Tribe Productions, and an appearance on Black Music's "Adventures in Modern Recording" CD with an industrial jungle track titled "Cycle_7.1".

During July of 1996, Mike began to work at the groundbreaking downtown club, Mekka. He immersed himself in the club tracks he heard from such DJ’s as Mike G, Kevy Kev, and Rob Engel along with many of the guest DJ’s who graced the decks. It wasn’t long before Mike teamed up with Doughboy, and spun “Twilight Sundaze,” where he played Chicago house and techno. Mike made Mekka his home for over four years, and attributes much of his appreciation and love for the music to his stay there.

Beginning in 1998, Mike made guest appearances at Red Zone and played at many of the “Clockwork Sundaze” events that have made Doughboy famous. He opened for many of the DJ world superstars, such as Josh Wink, Marco Carolla, Charles Feelgood, and Terry Lee Brown Jr. Mike also held simultaneous residencies at both FM and Clique through the Millennium.
In December of 2000, Mike traveled to Germany and played two New Years dates in Jena and Altenburg. Upon returning to the states, Mike teamed up with Kate Hazelbaker to start “Barcelona DJs@11,” which blended the eclectic tastes of a tapas restaurant with deep house and lounge style tracks.

Mike is a member of the Quality! crew often sharing the decks with his mates Jason Lyman, Jeff Pongonis, and Steve Keck.

BIOGRAPHY-X

How it began: 
Massimo Giulietti  “known as Final-X“ was born in Locarno and he lives in Vira Gambarogno, a small village close to the lake “Lago Maggiore” in the South part of Switzerland. 
He was driver by his sister in the world of electronic music and he was so fascinated by the work of the DJ, that in 1999 he started his own career buying his first LPs and practising and developping the basic DJ techniques.

Final-X the DJ: 
the enhanced performances through lots of exercise grats him access to one of the best club at the time in Ticino: Alcatraz in Riazzino, spots him among the crowd as the new comer DJ allowing him be either the Alcatraz Team in May 1999.
Constantly improving his image and his technique at the consolle, Final-X gets spotted by different promoters and clubs as a headliner for major events in clubs all over the Switzerland.
In the new Seven Club in Gordola (CH) Dj Final-X covers from the start many organizational rules: not only is the resident Dj, but he’s also part of the committee that chooses the Trance guest DJs. He has his own Radio programme on the well-known italian RTO radio called Mainfloor.
In 2004 Dj Final-X feels a big change in what was the Trance Music and in the EDM scene. So without wasting anytime and influenced by the tracks coming out on the Armada-Coldharbour, he started proposing a new style of Progressive-Trance music, gaining his own identikit at the consolle. He proposes different opening and closure hours which were mind-blowing for the audience.
He sets important goals as l’Amnesia Ibiza (Spain) for the Cream Event, the Club Illusion Lier (Belgium), The Street Parade Zurich (CH), The Trance Gate in Milan, The Summer Dream Ponte Capriasca (CH) and The Vanilla Club where he is at the consolle for the opening at the well-known Dj Markus Schulz (USA).
www.djfinal-x.ch

Final-X and the Production: 
In 2009 Final-X attends the Electtronic Music Production in the SAE institute in Milan. Having succesfully passed his exam, he sets up his own home-studio producing his personal work.
In 2011, in collaboration with Redrum (Renato Amadò), he wins the remix contest of Daji Screw’s for the track “Out Of Your Love” getting a contract with Dreamfalls records.
At the moment Final-X is working on the project Juice Crew (pseudonym of the Dj Final-X, Bo51, Anthony S) which is to launch two Progressive-Trance tracks gaining two contracts with the record company the Black Hole recording with Along The Street and Redux-Nexgen records with FeelGood.
www.soundcloud.com/final-x

Final-X and the Global Juice: 
This is a music project created in 2010, by Dj Final-X and BO51 (Fabio Bosia), to create and direct specific event in the EDM scene. Between 2010 and 2011 the project managed to host important international guest such as Sied Van Riel, Claudia Cazacu, Sean Tyas, Sophie Sugar, Fabio XB... In 2014 David Gravell and Alexander Popov they were booked for the first ARMADA night in the South Part of Switzerland.
For the second year running Global Juice Project gets it's Love Mobile, a 28 meters long vehicle, with on board 140 people at the Street Parade in Zurich. Dennis Sheperd, Ronski Speed, Cressida, Ali Wilson, where among some of the guest for the edition 2012-13 who highly appreciated the Juice Mobile.
In order to mantain quality and continuity in the EDM, Global Juice is extremely active in the network with a monthly Podcast on Itunes (Global Juice Podcast) and a monthly Newsletter which gives information on the events in the area, news from the music and production world. Both managing to register a good number of followers.
www.globaljuice.ch

stay tuned…

Contact: 
info@djfinal-x.ch
info@globaljuice.ch
http://dj.beatport.com/final-x

Welcome to the official SoundCloud Profile of DJ Kevin Klein.
Experience Kevin Klein in the mix, get in contact and get all neccessary facts and infos about and round about the unique Deejay and electronic music presentator.

Respect to all of you that have
supported me over the years.....

Enjoy! 


A babe of the 70ies, a child of the 80ies. Kevin Klein was early influenced by electronic sounds. When he discovered his favor for dub, theme and synthetic music. Acts like Paul Hardcastle, Kraftwerk or later Prodigy in the early 90ies had a massive influence..  Cruising through the local clubs and raves, he got fascinated more and more by the technical performance and presenting of music by Deejays, So, it was just a matter of time, two innocent turntables and a little mixer found their way to the ambitioned electronaut. Soon he was invited to his first gigs. A small Outdoor Rave in a Querry was an impressive experience. The same as the legendary THE BOAT party on the Baldeney lake, Essen. 
Kevin Klein saw the great potential in the fast growing scene and initialized his first own parties. to build up his own platform. After a short time he  worked out a clearer concept and started finally his famous  DATA 69 party series at Wuppertal, Germany in 1999. Beside famous guest deejays like Thomas Schumacher, Mike van Dijk, Oliver Huntemann, Timo Maas, Oliver Klein, Nathalie de Borah, Melanie di Tria, to name but a few, Kevin Klein also invited new talents. Many new names got the chance to proof their skills.. Some of them are still part of the little DATA 69 family. 
Kevin Klein still rocks through the clubs with his so very unique grooving vibes. So be surprised what happens in the near future...

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