BIOGRAPHY

Vertran Sensational songbird Angella Stewart has been thrilling audience for over thirty year’s with her smooth, sultry, melodious tones, hailing from Kingston, Jamaica. Angella is the ‘First Lady’ of a musical family that includes singer Tinga Stewart, Roman Stewart and the late musician Own ‘Fox’ Stewart.

	Angella’s outgoing, people-loving personality enables her to reach out and touch the spirit with her songs of inspiration and love. Angella launched her oversea performance career as an opening act for one of reggae’s most internationally successful bands, Steel Pulse at the Sunrise Musical Theatre in Fort Lauderdale, Florida in 1981. Angella has since then continued to tour the globe from Jamaica, Europe, Canada and the United States.

	Beginning with ‘Ready for the Love’, her first recording produced by U Brown, Angella has worked with some of reggaes renowned producers including John Carol, Willie Lindo, Percy Chin/Jah Life, Owen ‘Fox’ Stewart, Sly & Robbie and Derrick Barnet. Her recording credits are two albums; ‘Good Good Loving’ and ‘Teasing’ for Miami Based Calabash Records, with various singles like ‘Getty Getty Nuh Want Ti’,‘Born to Lose’, ‘Could I Have this Dance’, Mother’s of Creation’ ‘Remember that Sunday’, ‘Makes me Love You’ a Christmas Classic ‘Gee Wiz It’s Christmas, ‘Groove Me’ and ‘Feel So Good’ hit the UK charts. Angella also did a splendid cover of Marcia Griffiths (Survival). Angella have worked with artist such as Mighty Diamonds, Beres Hammond and Neville Lindo.

	Angella’s first international hit, was in 1982 with ‘When Love Comes Knocking at Your Door’ recorded at Dynamic Sound Studios, it rose to the #9 position on the charts in Holland and later it was covered by (Queen Ifrica) and was followed by ‘Breakfast in Bed’ and ‘Just One Look’ which also enjoyed popularity in Europe. Angella won the El Suzie Award, for the Most Promising Female Vocalist Award in 1982, held at the Carib Theatre in Kingston Jamaica. 

Angella went on to enjoy chart-topping success with her 1984 number 1 hit ‘Moonlight Lover’ which also received Best Love Song of the Year awarded held at the Carillon Branch Hotel by the Reggae Connection of WEDR in Miami, Florida. Her original composition ‘Good Good Loving’ remained at #1 for five weeks on the UK Charts. The British Group. Golden Touch later covered Good Good Loving.

	In 1990 Angella crowned Shabba Ranks the King of the DJ’s at CB Smith Park in Pembroke Pines, FL. And in 1996 Angella opened for The Queen of Dancehall (Lady Saw) in Fort. Lauderdale FL.

In 2003, Angella hailed as “The First Lady of Love” enchanted us again with her third album entitled ‘Empress of Love’. The 12-track album was launched at the Head Quarter of JAVAA’S Jamaica Vibe in New Kingston, Jamaica. Jah Life Records, her current record label, base in Brooklyn, New York distributed the album in the United States and all over the world.

Angella now reflects “I was aboard for a while working with the Calabash Company but I think it is now time to reconnect with my fans at home and all over the world. I do think the time is ripe for more of my music to smooth the heart and souls of the people”.

In 2006 Angella tour London with The Ethiopians, Heptones, The Silverton’s, The Melodians, and Big Youth A Foundation Extravaganza an incredible line up and “Blasts from the Past” from Studio One Blvd to Kingston, Jamaica. 

Angella has performed songs from her extensive discography to live audiences everywhere; she will continue to expend herself ceaselessly as Jamaica musical gift to the world. Angella has blossomed into a stable songwriter, singer and music teacher. Angella say’s” It’s better to be there rather than ask someone how the show was." Angella has blossomed into a stable songwriter, singer and music teacher.


Management Contact
Jamal N. Stephenson
(954) 681-8865
angellastewartmusic@yahoo.com


Denimor is an eclectic band from Turin, Italy with an international attitude. They combine rock music with theatre and circus atmospheres composing fantastic tales set in magic and enchanted places where true feelings and emotions rule. Denimor turn these stories into “melodic undertone sonic” narratives riding rock waves topped with precious symphonic hints. 

The band embraces the ambience of Stanley Kubrick, Tim Burton, and Quentin Tarantino’s films, and inspired by the sounds of Danny Elfman and Hans Zimmer’s compositions, they give life to a Rock Circus where they perform as the main characters. 

“Fabulous Fantabulous Circus” is the name of an ambitious artistic project in disguise: a surreal Circus set in the late 19th century. Allegoric characters and musicians in costume introduce the audience to a visionary dimension, where space and time cease to exist. Not only are the spectators actively involved in the show, but they also become a mirror of the characters’ emotions in their search for happiness, as the tale unfolds among hidden dangers and lures.

This artistic project started in 2009, and throughout the years has seen remarkable collaborations such as the ones with the world famous quick-change artist Arturo Brachetti, the Italian Master of Magic Luca Bono, and former Cirque Du Soleil artist Igor Matyushenko. The band also played the renowned stages of Heineken Jammin’ Festival 2011, Rock in Roma 2012 (opening act for The Cure) and Sziget festival 2013.

Denimor toured outside national boundaries in the spring of 2012 (UK, France and Belgium) and have just finished recording their rock opera at the prestigious Transeuropa Recording studio, with music producer Fabrizio “Cit” Chiapello. Their first single and video 'Wonderful Top Hat' has been released in September, 2013. Their debut CD will be out in 2014.

1983 - Meaningful Correlations in Random Data
OUT NOW on @honestworkrecordings !
https://honestworkrecordings.bandcamp.com/album/meaningful-correlations-in-random-data

V/A - No Hope, No Fear (198319831983 - Trustno1)
OUT NOW on @kri-records
https://krirecords.bandcamp.com/album/no-hope-no-fear

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Contact: dj198319831983@gmail.com
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198319831983 is an alias of electronic music artist Jakob Bekš, whose early music trajectory traces a familiar arc: from the urgency and radical politics of hardcore punk to the immersive futurism of electronic music. Born and raised in Ljubljana, Slovenia (then Yugoslavia), Bekš came of age amid shifting political and cultural tectonics—formative tensions that continue to reverberate through his work.
 
A key figure in Slovenia’s underground scene, he co-founded the now-defunct but highly regarded Scienceofuse collective and label (2006–2016), and was instrumental in co-curating Gumitwist—a seminal series of club nights at Ljubljana’s Klub K4 that became a stop for global innovators like A Guy Called Gerald, Legowelt, Modeselektor, Morphosis, etc. His finely tuned sensibility behind the decks earned him residencies and regular appearances at key nights throughout the region.

From 2015 to 2020, Berlin became a base for further experimentation. There, he launched Imaginary Radio Stations, a boundary-blurring sound narrative and event project developed with collaborators CP-AK and Evano, hosted at club Maze. This cross-border platform embraced live performance, installation, and improvisation, folding experimentalism into the dancefloor.

Working across multiple aliases—including TPROACH and Age of Revolt—he navigates a wide terrain: from atmospheric electronica and deep techno to angular electro and leftfield club mutations. In 2021, he founded Honest Work Recordings, a boutique label inaugurated by his debut full-length album Microdosing Dystopia, a record that fuses finely distilled emotional snapshots with textural depth and rhythmic precision. Whether through releases on KRI Records, De/Fragment, Voiceless, or via his own platforms, 198319831983 delivers music that is restlessly aesthetic yet conceptually grounded, his work moves with sonic intent and lingers with emotional depth.

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Discography:

V/A - Chilli Space 4 (Stashman & The LSD Anarchist - Ode to orangebud) - ŠKUC Ventilator 2007 - CD
V/A - Chilli Space 5 (LSD Anarchist - SMUR 86) - ŠKUC Ventilator 2008 - CD
V/A - K4 Format '09 (Tha Disko Don - Protodisko) - K4 Format 2009 - CD
V/A - Chilli Space 6 (LSD Anarchist - The One) - ŠKUC Ventilator 2009 - CD
V/A - Chilli Space 7 (LSD Anarchist - Meditation Candy) - ŠKUC Ventilator 2010 - CD
V/A - Chilli Space 9 (LSD Anarchist ft. Lil' Chill - Snuggle Time) - ŠKUC Ventilator 2013 - CD
V/A - Chilli Space 10 (LSD Anarchist - Restless Souls) - ŠKUC Ventilator 2014 - DoLP
V/A - Chilli Space 11 (LSD Anarchist ft. Lil' Chill - 528) - ŠKUC Ventilator 2015 - DoLP
V/A - Sezam vol.2 (Tha Disko Don - Ingenuity)- Digital
V/A - Stiropor vol.2 (Tha Disko Don - Clairvoyant) Stiropor 2015 - Cassette
V/A - Chilli Space 12 (Balconia Q - Somango (w/ Stashman, Žiga Murko, Jan Gregorka)) - ŠKUC Ventilator 2016 - DoLP
V/A - Gibanica vol.2 (1983 - Continents) - Klub K4 2017 - CD
V/A - Electro City Ljubljana (1983 - Zero compromise) - Elektroliza 2018  - DoLP
Age of Revolt - Grasping at Hope - Age of Revolt 2018 - digital
Age of Revolt - Children of the Engineered Age - Age of Revolt 2018 - digital
TPROACH - Transmissions from Nonexistence - TPROACH 2018 - digital
TPROACH - Kinship and Harmony - TPROACH 2018 - digital
TPROACH - Detractors and Revisionists - TPROACH 2019 - digital
TPROACH - Utopia Postponed - TPROACH 2019 - digital
Imaginary Radio Stations - IRS C60 vol.1 (w/ Evano, CP-AK)- Imaginary Radio Stations 2019 - digital & cassette
V/A - V as Peace (IRS - Arp Way There, IRS - Bowel Movement, w/ Evano, CP-AK)) - Voiceless 2020 - DoLP
TPROACH - Omnibus 8 - Omnibus - digital
V/A - Diversenia EP (1983 - Give us back our future) - Origin 2021 - digital
1983 - Microdosing Dystopia - Honest Work Recordings 2021 - digital
V/A - Senzorama vol. 1 (1983 - Realignment) - ZARŠ 2021 - digital
V/A - Tehnopolis (TPROACH - Fear as Instrument) - Tehnopolis 2021 - digital
V/A - Tehnopolis XXII (Age of Revolt - Prolonged Isolation) - Tehnopolis 2022 - digital
V/A - Chilli Space 17 (198319831983 - Emotional Contagion) - ŠKUC Ventilator 2023 - CD, digital
TPROACH - Obscene Establishment - TPROACH 2023 - digital
V/A - Trust the Rust vol.1 (198319831983 - Long distance transportation) - KRI 2023 - digital & cassette
TPROACH - Memories in Exile - Honest Work Recordings 2023 - LP, digital
SunnySun & Moska - Milka (Looting Businessmen Money Grab) - Honest Work Recordings 2023 - digital
O! Kult - Zvestoba (198319831983 ReKick) - KRI 2024 - LP, digital
Age of Revolt - Fake Everything EP - Tehnopolis 2024 - digital
V/A - Chilli Space 18 (198319831983 - Longing for Another Realm) - ŠKUC Ventilator 2024 - CD, digital
198319831983 - ...and we thought it was all about PLUR ! - AAP001  2025 - digital, lathe cut
Age of Revolt - Polluting the Discourse - De/Fragment 2025 - digital
V/A - Prbit4Bizzy (198319831983 - Chaos Magick) - Prbit Records, digital
1983 - Meaningful Correlations in Random Data - Honest Work Recordings 2025, digital
V/A - No Hope, No Fear (198319831983 - Trustno1) - KRI 2025, LP, digital

Early influences from rock, metal and blues, later branching out into solo instrumental guitar (as well as multi-instrumental) and folk music from around the world.

I'm an amateur composer, arranger, and music producer from the USA. I specialize in mashups and retro video game soundtracks.

If you can't wait for Neil Cicierega's next "Mouth" album, give my mashups a try and hopefully you'll like them almost as much as you like his.

Greenheart formed late 2007 and started by doing some recordings which we put on MySpace. We’d been wanting to put an album out for a year or so and decided to try and get something finished in time for the Edinburgh Fringe 2009 where we were busking and playing a couple of shows. Stuck for a name for the album we named it after the place where we live and work. 


The only dijeridoo I’d ever heard before I heard Scotty Moorhouse play was on Kate Bush’s The Dreaming tune on The Whole Story, and of course Rolf. I didn’t like either, so I was knocked out when I heard him play – I’d asked him up to the studio do some dij on a soundtrack I was doing for Darren Conway’s short “The Slip”. Something about it grabbed me and we soon found out we could work together really 
well and so formed a band. Initially it was a really fresh and basic sound; me on acoustic guitar, him on dij. 


Later I heard about KT Tunstall’s looper and in my usual way just went and tried one out and bought it. This was at a time when the 95 pounds were a fair amount of cash to me so I must have liked it. It expanded the sound as I could do several guitar parts, rhythmic, clicky parts and bassy parts. I had a nice guitar on loan, an old pre-CBS Fender Strat that sounded really good looped. Next day we had our first recording session, and came out with the album versions “Spanish” and “Bone”. We just sat there in studio playing whatever felt good and with Cubase in record. Listening back later it was obvious what was good and what was shite. I added the drums using Nian’s kit (Nian was Milltown Brother’s drummer and is a good friend to both of us). The drums were a bit tricky, (no hihat stand) but we improvised. We put the two tracks up on MySpace. It was Feb ’08. Oh yeah.


Next session of note was at the end of March. Djalu was the dij and there must have been an enchanted evening in the studio because about half the basic tracks on the album were recorded that evening. I think we were trying to record a few tunes to get a gig at a Lancaster vegetarian café called “The Whale Tail”, who never got back to us. “The Sirens”, “Walk in the Park”, “Rise and Shine”, “Banjo”, (next album hopefully), and “Round the Fishtank” just seemed to materialize out of thin air that night. These were also posted on www.myspace.com/greenheartsongs too, in April ‘08 probably.

We decided it was time to make an album and that we needed to take some CDs to the Edinburgh Fringe to sell as we were busking and gigging up there, but also just so we could have a deadline important enough to get on and get something finished and made. So we went back to the MySpace tracks and finished them properly. We also added a couple of new things – Lemongrass and Waggawagga. We also did some recording with a local female choir, “Dot Crotchet and the Raging Harmonies” and “Garai Pano” was too good to leave off. 

Most of the natural sounds on this EP album were recorded round here – the birds in Lemongrass were from the canal at Deep Cutting on the Galgate – Lancaster stretch of the canal; the water sound is a little brook near the wind turbines on Caton Moor. The gulls at the end of Round the Fishtank and beginning of The Sirens are from Tarnbrook Gullery above Abbeystead, and the geese and waterbirds on Waggawagga are from Leighton Moss. These Waggawagga geese must have had an argument and we inadvertently recorded it, they did seem grumpy. But then again it was early.

Rhubarb City is a good album we think, and we are very proud of it. 
There are several local musicians and artists who make the album sound the way it does – special thanks to Richard Young – drums on Rise & Shine and Lemongrass; Mia Wilson – posh vocals on Bone; Lee Hilton for her brilliant and completely spontaneous performance on Lemongrass, Dot Crotchet and the Raging Harmonies for singing up and Justin Murray for additional engineering, energy and chimes. 




James & Scotty
Rhubarb City
Sept ‘09 





Ethelscull is Amelia Peel. Amelia began recording songs back in 1999 in her kitchen in Decatur, GA, after purchasing a Fostex X-12 four track. Amelia is also an artist of many mediums and has established herself with her unique techniques of drawing. 

influenced by art and music and a loner gypsy like upbringing, in her youth she grew up to a wide variety of 80s pop radio and new wave.  she wanted to learn how to play the drums but was given piano lessons instead. she
grew up in pop radio, 80s new wave... metal and the 60s and 70s folk rock her mother would play. honestly, it was the best time for music. teenage rebellion and skateboarding, making odd friends and the angst of running away lead her to bands like Minor Threat and 7 Seconds. All the while still living up to The Cure.
 D.I.Y punk ethics and bands like Sonic Youth in music magazines with sections dedicated to "underground" music in the late 80's set a pace of the road she would soon follow.  120 Minutes on MTV  opened yet another door to a huge array of bands that are still an influence to this day from the UK and all over.
Amelia was active in the 90's Riot Grrrl movement and wrote many fanzines. Started playing bass and guitar in bands with other girls from school. Purchasing a four track was the start of a long road of music experimentation and growth as over the years the music got a bit stronger as well as not so improvise, yet always maintaining a dark personal aura. Amelia, being a rather quiet person, found doing everything herself was more fitting than working with others. Yet, moving to Atlanta proved productive as she was now surrounded by more artists and musicians that opened up opportunities including singing backup vocals on Treephort's record 'Enchanted Forest' which was produced by London May in 2004.

Ethelscull has self-released three cds on her own DIY label Kittenwhip: ‘Thanatos’ in 2002, ‘Ribbons into Hysterics’ in 2003 and what would become her last, ‘Sentimentalia’ in 2006. 
Kittenwhip also released one experimental music compilation titled Mood-Swing Theater: Volume One which featured many experimental artists from around the globe.

Grace and Favors was the first new music from Ethelscull since 2006’s' Sentimentalia’. 

~Grace and Favors~
Released February 14, 2019 on Marly Records and Crooked Tree (Brazil)

Ethelscull is not dead

"Kind of old-school post-rock / psych / goth / ambient / and some post-punk thrown in for good measure" - Eric.M.Place 

Ribbons Into Hysterics review from Gaz Webzine (2003) 
"The album is bewitching, dreamy and melancholic. It has a lot of sonorous and reverberating sound details. I am fascinated by the depth of the instrumentation and intonation. The guitars hover above landmarks of gloomy, drowsy and creamy. Ethelscull's voice is simply enchanting and precious. Her voice is an indispensable part of the album."

Cds can be purchased through my Etsy: https://www.etsy.com/shop/Mimiseed



Ugoluna

Born in Caracas whilst living in many countries, this Spanish-Italian descendant currently based in London has been in touch with music from a very young age, raised on a musical background that varies within Rock, Punk, Pop and Fusion Jazz to even the darker edge of Industrial and Metal music, Ugo was enchanted with many musical instruments, particularly Drums and Percussion's, let alone being very faithful to these instruments even today.

His first connection with Electronic Music started in the early 90 ́s from Drum n’ Bass, Jungle and IDM and then into the late 90 ́s with the whole Rave scene. It was in the year of the millennium when he branched out and stormed into the world of Production and Djing. As a live performer it became second nature to Ugo rewarding dance floors with his very own deep and uplifting style, which is very similar to his drumming sessions. Composing and re-creating groovy rhythms with rare complex structures which offer a wide range of suggestive landscapes, all this characterised by the most epic elements of sound has been the drive of Ugoluna ever since. 

His introspective productions with a deep and intense vibe were the key on his inclusion on Henry Saiz’s label “Natura Sonoris”, releasing his first EP “World Solo Take One” at its beginnings. The Natura Sonoris label started a musical landscape holding different artists that shared a similar vision, a vision influenced by different elements: the power of Techno with the precision of Minimal and the hypnotic structures of Trance let alone the evocative melodies of I.D.M.

Since early 2004, Ugo has been offering various live sessions with many young, inspiring and established artists from the Electronic music scene throughout cities like Madrid, Dublin, Bristol, Caracas and London.

Chandra Bình is following