Objektivity(NYC)
BOOKINGS: World (excl. North America): andrew@objektivity.com 
North America: olena@objektivity.com 
Management: olena@objektivity.com


Could Nasser Baker be the next huge talent unearthed by Objektivity boss Dennis Ferrer? We certainly think so. Displaying a real maturity in his productions and a distinct lack of vocal fear, Nasser delivers quality, time and again.
 
Off of the strength of his first ever release and label debut, ‘Salutations EP’ (Objektivity, 2013) came the 2015 'Deadlines EP' (Objektivity), followed by the 'Future Primitive EP (Objektivity, 2016). Keeping it busy in between the original releases, Nasser has delivered a couple of stellar remixes for PMR, Objektivity, Nervous and more. His 2016 endeavour, the ‘Gramercy EP’ on Suara received great reviews and showed off Nasser’s more techier side. Follow-up releases didn’t disappoint. Both ‘Just Like That EP’ (2017, Objektivity) and ‘Say Something’ (2018, Circus) received raving reviews and connected brilliantly where it matters most – the dancefloor.
 
The 2019 marked a collaboration with Yulia Niko on ‘Someone I’m Not’, another banger called “Shake It Shake It” (both on Objektivity) followed by the now classic ‘Bodytude EP’ on Relief. A “rising artist with a sound and musical taste well beyond his years” according to upfrontbeats.com, Nasser choses quality over quantity time and gagain, and Bodytude EP is the proof. Title track ‘Bodytude’ opens the EP is fine style as Baker combines infectious lead synth with hooky male vocals and bumping low-end tones to reveal a lively cut typical of his ever-maturing production style, whilst ‘Pickelhollaback’ introduces a more off-kilter arrangement as layered vocal samples work alongside soaring melodies, driving percussion arrangements and sporadic bleeps and sonic effects go to work to shape up proceedings.
 
Feeding off the success of Bodytude, Nasser releases his ‘Tribes of The Metronome’ on Dirtybird in 2020. The title single's stuttering bassline and simple vocals is an example of how to have maximum impact without being overproduced. The flip side, 'About You' is a tech house track with a house music feel - dirty bass and a playful lead line, accented by a straightforward phrase that proves effective.
 
After taking a couple of months to regroup and recharge in the studio, the next brainchild of Nasser was ready to meet the world. 2021 marked Nasser’s return to Relief with the ‘Funky Uncle EP’ followed by his remix of ‘Whisper’ (Ferrer & Disciples, Defected) shortly after.
 
Currently back in the studio wrapping up the next batch of fresh beats, Nasser is excited for the world to go back to normal and can’t wait to share the dancefloor with everyone once again.
 
Stay tuned!

#SLOTHACID ® 👑🌑☀️
Sacha @ Komi: https://sacharobotti.komi.io
SLOTHACID Label & Apparel: www.slothacid.com
Sacha Web: www.sacharobotti.com 
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Bookings: blachman@corsonagency.com
Mgmt: mgmt@industrymusic.la
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1/2 of THIRD CULTURE w/ Sian
THIRD CULTURE @ Komi: https://thirdculture.komi.io
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>> To send me demos for my label SLOTHACID please use https://tstack.app/slothacid . Thank you XO S

Martin Ikin's Upcoming Gigs
Mon 11 Nov, 19 
tbc, gold coast, Australia

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DJ’ing since 1990 and Producing music since 1991, Martin Ikin previously known as;  DJ Mayhem, Indigo, Soul Purpose, Migrant.. and loads more, has spent his life releasing records on many labels and under many aliases. Including, Defected, Nervous, OFF, Get Physical, Exploited, Zrecords, 3Beat, MOS, SwingCity, Hed Kandi, Soulfuric, Sony, Island, Atlantic..etc etc.
Martin's remix credentials include names such as Mariah Carey, Jamiroquai, Joey Negro, MAW, Grant Nelson, Hardsoul and many more...
Trained studio engineer and jazz pianist Martin stepped away from producing and engineering for others and launched his own label Soul Purpose Records in 2003, as a stable for his own productions.
2005 saw Martin adopted his label name "Soul Purpose" as his DJ & Production/Remix moniker, dropping the old school "Mayhem" tag from the early 1990's 
Now Djing & Producing using his real name for the first time ever! Martin kicks of with a Monster release on Andre Crom's OFF Recordings. Watch out for lots of brand new music coming from Martin on some of the biggest labels in the game including more on the mighty OFF Recordings.
As a musician and producer Martin draws his musical influences from the likes of Stevie Wonder, Herbie Hancock, Oscar Peterson, Azymuth, Donny Hathaway, Jeff Lorber, Roy Ayers and legendary house masters like Mr Fingers, Marshall Jefferson, Derek May & Kevin Saunderson.


https://linktr.ee/MikeChenery

Norwich (UK) based DJ/Producer, silent partner @dancefirstthinklater

Bass (JoeFlow Remix) OUT NOW!
bit.ly/SYNCBASSRM

Never-ending, infinitely complex yet self~similar. Simple processes repeated over and over driven by recursion. The sound of Chaos.

^^^Everything is connected^^^

Synchronized Records is a brand-new label operating in Los Angeles, California. 

Founded by Joe Flow in August 2019. Synchronized Records is an Electronic  Dance Music Label. Our roster consists of DJs, vocalists, producers, rappers, engineers, instrumentalists.   

JoeFlow's release Let Go Debuted and hit #3 on the Beatport Techno top 100 and #12 Overall!! 
bit.ly/JFLetGo

Send Demos to 
synchronizedrecords@gmail.com

You can also send tracks direct to our inbox.

Roster:
@djjoeflow
@MostWantedAudio
@Memori3music
@hesh-lifestudio
@itsgaragelife
@blvckeverythingofficial
@Known2Own
@MrWildFire

Passionate organizers of audiovisual dance experiences. Enjoy the music!

Gaudium's Upcoming Gigs
Sat 10 Dec, 16 
Out Bauru, tba, Bauru, Brazil
Sat 17 Dec, 16 
Dantesk, Eurexpo, Chassieu, France
Sat 11 Feb, 17 
Iboga 20 Years, Øksnehallen, Copenhagen, Denmark
Sat 18 Feb, 17 
Central Park, Babette Club, Zurich, Switzerland
See the full listing here 
 http://gigs.gigatools.com/u/Gaudium

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2004 was the year that two old friends, Andreas and Denis, decided to hit the studio to have some fun. After a couple of days the first tune was created and they were both very happy with the result. They decided to continue making music together and so Gaudium was born. Gaudium is the Latin word for satisfaction which is basically what music should be to the ears.

Both Andreas and Denis have been involved in several music projects before they decided to start producing together. At the end of 2004 the Swedish record label Spiral Trax heard a Gaudium track that really caught their attention and that became the start of the first album Nordic Nature. The album was released during the summer 2005 and received great reviews from both fans and critics all over the world, some even claiming it to be the best progressive release of the year (!)

The year after the album was released turned out to be a very productive time for Gaudium and they released tracks on labels like Flow, Plusquam, Sinn-Tech and Yellow Sunshine Explosion. Remixes on tracks by artists like Ace Ventura, Sensifeel, Visua and Symphonix were also made. 

Gaudium creates music that can be described as progressive psychedelic trance with elements of both house and techno. This attracts an audience that is used to the sounds of Spiral Trax, Iboga and Digital Structures as well as the crowd that are more familiar with harder progressive house such as Marc O’Tool and Krüger & Coyle.

In 2006 after the sad news that Spiral Trax label group stopped existing Gaudium went back to the studio to focus on not going down with the ship. A new album started to take shape and a record deal with the highly respected Danish label Iboga was made.

Gaudium is a name you will hear a lot from in the future. New remixes, performances around the world and fresh material produced for the second album will be presented. Stay tuned and make sure not to miss any of it :)

Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene. 


In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike. 

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Robbix is following