I'm beautiful...You are too...Support yourself...Music calms the soul... Don't be depressed... Honey, be yourself... Don't let anyone judge you or anyone else... Srry my pic's blurry...(its meh)...Plz follow meh...Bai my precious loves... Repost this plz... :3

Professional DJ since 1987, now internationally acclaimed DJ, producer, remixer, promoter, radio DJ, label owner, artist manager and record reviewer for OurHouse magazine, IDM magazine and Resident Advisor.

Underground music has always been a passion for Dean Facer, initially when he was a teenager Dean would immerse himself in the soul, jazz funk and hip hop scenes via the early pirates radio stations such as Jazz FM, Solar and of course when Kiss FM was still a pirate station and then when the early house sounds starting filtering over to the UK from Chicago and New York, Dean then knew that music was his calling in life.

Dean started to DJ back in 1987, after a few years playing in London and surrounding areas he started to build up his reputation for superb mixing and excellent track selection. In 1994 he started to play the harder side of house music and quickly became a very successful Hard House DJ throughout the UK and Europe, and now plays all around the world. In 2004 he changed the style that he plays and he now concentrates on the pure underground side of House music and showing his versatility he plays everything from sultry jazzy vibes and deep house to full on tribal and tech house, minimal and techno depending on the night / festival he has been booked for and with his passion for discovering unknown artists and tracks from across the globe his sets are always fresh and exhilarating.

Dean has also promoted some of his own nights that have proved to be very successful. Nights such as the legendary “United Colors Of House” which began back in 1994 and has been re-launched as a weekly club night. Also, Syvässä a night of the best sultry deep house, and the cheekily named “Bash Yer Bishop!” as well as earlier success' with “Slamm” and “Pure House” (Co-promoted with DJ Magazine / DMC's Lewis Dene).

Radio is another area that Dean has been involved with frequently, both local and national. Dean used to do regular guest slots on “Saturday Late”- CRMK 89:8 FM and then went on to host the hugely popular "United Colors Of House" show on CRMK 89:8FM on Sunday evenings between 19:00-22:00 hrs (UK time) which is streamed on the United Colors Of House website, as well as this he guests on national stations such as Germany’s Kiss FM, Hungary’s FM Czéski, Norway's Radio Pluss, Italy's Klubb 105, Holland's Club Madnezz and Switzerland’s Radio 24. 

The success of the United Colors Of House show can be seen with list of the world’s elite DJ’s that had submitted guest mixes for the last hour of the show including the likes of DJ Sneak, Sven Väth, Wally Lopez, David Duriez, Trentmøller, Josh Wink, David Guetta, Kerri Chandler, Sonny Wharton, Deepgroove, Quentin Harris, Darren Emerson through to legends of the underground house and techno scenes such as Anja Schneider, Slok, m_ferri, Dave Slide, Re-Zone, Shonky, Dan Ghenacia, Guy Gerber, David Gausa, Modunique, M.A.N.D.Y., and Jussi-Pekka Parrika

Dean has now passed the reigns of the weekly United Colors Of House over to his co-host Oz, who continues to the show in the same format every Sunday evening between 19:00-22:00hrs and Oz is now joined by Adam J, although Dean does intend getting back in the radio studio for a new weekly show very soon.

Also recently set up is Dean’s new label, Veena Recordings, which of course will feature tracks from Dean himself as well as tracks signed from all over the world and covering all quality styles of underground house and techno.

As well as his DJing, Dean is now also a well-respected producer and remixer, gaining support from the worlds leading DJ’s with releases and remixes out on labels such as: 
Absolutely Records (Italy),
Öften Grüven (Canada), 
Moonbeam Tribal (Russia), 
Helvetica Noir (Switzerland), 
Tidy Trax (UK), 
Action (UK), 
Dial-Emma (UK),
Meaty Moosic (UK) 
and the hugely successful white label series called “FAT”.   

“Waitin” FAT 002 (The Guinness ad) this was reviewed in Mixmag & given the 4 dancing men, as well as Lisa Lashes saying that it was her favourite remix of all time.

“Boys Like U” reviewed in Muzik by Mark Kavanagh & NCM by Sarah G, and was signed to the Tidy Trax compilation album “The Annual” that was released in May 2001, and gained huge support from the likes of Fergie, 
The Tidy Boys, Nick Rafferty and the rest of the Hard House elite.

“Fun & Games” reviewed in Wax by Johnny Dangerous who gave it 7/10. 

“Just Because…” this was signed up for the Tidy Trax compilation as well as “Boys Like U”. It was also reviewed in DJ by Simon Eve and played on Radio 1 by the late John Peel.

“Re:-Born” FAT 003 is the track that has created a massive buzz on both sides of the Atlantic. The Tidy Boys said that this was their biggest record on their ‘01 tour of USA, and also had Judge Jules rushing back to the stage to ask Rob Tissera about the track at Gatecrasher’s Summer Soundstage and support from DJ’s worldwide and was highly placed in the “Hype Chart” in 
DJ Magazine.

“What The Funk” Gained huge response everywhere, and signed to Dial-Emma records. Also included on the Insomnia 2 compilation CD released in March 2002, mixed by the Stimulant DJ’s and supported by everyone from Fergie, The Tidy Trax, Sarah G, Lisa Lashes, Anne Savage etc.

“Honey, I Drugged The Kids” Released on Hard Trax and huge everywhere including Anne Savage charting it as one of her biggest tracks in Ibiza 2002 as well as John Peel opening his Radio 1 show with it on 10/7/02.

“Playin’ With Fire” Big in the hands of Rob Tissera, Anne Savage, Andy Farley, BK, Ed Real, Charlotte Birch and Lee Haslam. 

Dean gained huge support for his Hard House tracks from DJ's such as Lisa Lashes, Anne Savage, Fergie, The Tidy Boys, Sarah G, Rob Tissera, Andy Farley and the legendry John Peel etc. 

First release on Veena Recordings was a 3am style dark dubby tech-house number titled "United" and is already getting big support from the likes of Sonny Wharton, Hernan Cattaneo, Chlöe Harris, Kenny Wee, Sharam Jey, DJ Shield, Linus,  Afroboogie, Piliavin and Zimbardo, Stama, and a select few others, and made a high entry in the DJ Magazine Hype Chart. Released in Feb 2006 and jumped into the top 20 of the DJ Magazine “Hype Chart”. “United” has now been signed for a full worldwide release on the London based, Axis Records for release in early 2009.

Dean Facer's 3am Mix of the latest track from Moonbeam feat: Amigo "Basic Instinct" on the Russian label, Moonbeam Tribal Records, due out at the end September and already supported & played by Sonny Wharton, Hernan Cattaneo, Deepgroove, Yves Eaux, Pete Tong, Sam Ball, Stama (Erase Records, Greece), Linus (Exun Records, Germany) etc and was released in September 2006.

Next came an anthem of a remix on BP Zulauf’s label, Helvetica Noir, the track called “Far West” by DJ Kramer & Mike Gianani and was a driving tech house monster and a firm favourite with most of the worlds foremost tastemaking DJ’s including Chus & Cabellos, Kenny Wee, Sharam Jey, DJ Kramer & Mike Gianani and of course the label boss, Bp Zulauf himself.

Then came a remix that Dean did for one of his favourite labels, Öften Grüven Records based in Montreal, Canada. It’s a track by Electric Circus called “Blackboard”. The remix was finished in early May 2008 and was released in November 2008. Big support came from DJ’s such as Fred Numf, Q-Burns,
Kenny Wee, Deepgroove, Sonny Wharton, Phunk Investigation, Chlöe Harris, Pete Tong, Dan de Leon,
Oz, Jalebee Cartel and Christian Paduraru to name a few.

Following on from this was a remix for a label that Dean has supported for many years, the Moscow based, Underground Systems. The remix was for the DJ / producer from Belarus, namely, Igor Shep.
His EP called “Moon” is a great slice of tech-house and Dean’s mix give it a nice “old school” vibe that gained support from DJ’s: Rulers Of The Deep, Henri Köhn, Reza, Phil Hooton, Q-Burns, Fred Numf and Full Body Sound System’s Damon G.

Most recently Dean was commissioned to do a remix for the legendary Italian duo, Phunk Investigation, on their remake of Joe Smooth’s all time House anthem, “The Promised Land”. The original mix was launched at the Amsterdam Dance Event 2008, with the remix from Dean now complete and support for the remix coming in from the DJ elite such as; Bob Sinclar, Paul van Dyk, Judge Jules, Eddie Amador, Hector Romero, Danny Rampling, Chus, Johan Gielen, Robert Graf, Tom Schaffer (Beatport), Alan Thompson, Flash Brothers, Pete Gooding, Dave Lambrechts, Bogdan Taran, Sharp & Smooth, Lewis Dene, Sonny Wharton, Kenny Wee, Lys, Oz, Jalebee Cartel, Sakke Haaranen (House amigo’s), Stonemason, Anne Savage, Reza, Jonathan Ulysses, Lenny Fontana, Re-Zone, Alex Flatner etc.



recent tracks:-
Dean Facer - Waitin’ – FAT 002
Dean Facer - Boys Like U – Smokin’ Productions
Dean Facer - Fun & Games – Meaty Moosic
Dean Facer - Just Because… - Action
Dean Facer - Re:Born – FAT 003
Dean Facer - What The Funk – Dial-Emma
Dean Facer - Honey, Drugged The Kids – Hard Trax
Dean Facer - Playin’ With Fire – X-Trax
Dean Facer - United – Veena Recordings (now signed to Axis Records)
Dean Facer - Deeper Again - United Colors Of House
Dean Facer - "untitled" - Veena Records

recent remixes:-
One Eyed Jack - Let’s Rock (Dean Facer’s One For The Road Mix) – Meaty Moosic (UK)
Transistors – Backwards Bitch (Dean Facer Mix) – Tidy Trax (UK)
Moonbeam ft: Amigo – Basic Instinct (Dean Facer 3 am Mix) – Moonbeam Tribal (Russia)
DJ Kramer & M. Gianani – Far West (Dean Facer East End Dub) – Helvetica Noir (Switzerland)
Electric Circus – Blackboard (Dean Facer Dub) – Öften Grüven (Canada)
Igor Shep – The Moon (Dean Facer Mix) – Underground Systems (Russia)
Phunk Investigation ft: Kwesi – The Promised Land (Dean Facer Dub) – Absolutely Records (Italy)


also Dean’s productions have featured on numerous albums around the world including:
Euphoria – Hard House
The Tidy Boys Annual (featured two tracks from Dean)
Keep It Tidy 3
Insomnia 2


Hi there, Due to the popularity of this page and the mixes all reaching there download limits so quickly we have moved the Cultural Vibes mix page to culturalvibes.co.uk. Its almost identical to this page and offers the same service but with no limits. There are lots of mixes up already and over 100 hrs to go so check it out now !

South West of England Club Promotion/Dj Collective CULTURAL VIBES came into being on Saturday 3rd October 1992 at the Quay Club in Plymouth Devon. Back then most of the S-West was Hardcore raving mad, with the speed of the music increasing in BPM almost by the week. The emerging Rave scene had found a true spiritual home down in the S-West of England and Plymouth seemed to “have it” particularly well with 2 huge world-class venues, The Academy & The Warehouse. However by mid 1992 the heady days of earlier Rave Promoters like Extreme, Wasp Factory & Alpha had been replaced by a much harder, faster and darker sound as S-West crews like Essence and later Revelation took the emerging Jungle/Hardcore sound to the masses with huge success. During the spring & summer of 92 Nottingham's renegade Free Party Collective DiY had made a big impression on local boy Dave Green. The full DiY crew played at a string of events in and around Exeter and Bath that summer culminating in the free party scenes finest hour, Castlemorton. The music the DiY  DJ’s played was still underground & trippy, but was slower, groovier and much more House Music orientated. Very similar to a born again moment Dave Green realised this was the future for him, and set about trying to get involved. After first dabbling in designing & producing Rave clothing he took the very first money from the clothing venture and headed off to the big Universe Rave on September 11th 1992. There the DiY team had their own separate tent for 12 hours and that night a very nervous & wasted Dave Green asked his favourite DJ, Simon DK if DiY would come to Plymouth and play for him. The answer was in the affirmative and 4 weeks later Cultural Vibes was born and a promising clothing venture was dead and buried.
 On the opening night @ the Quay Club 285 curious people crammed into a tiny forgotten little club on Plymouth's historic Old Quay and proceeded to tear the roof off. Timing was certainly one of the reasons for Cultural Vibes immediate success; it just seemed to be the right time for change. It also helped that the all-new British House explosion was just underway with labels like Guerrilla, Boys Own, Limbo and Cowboy all starting to release some top notch home grown records, gaining lots of valuable press. Add to this an incredibly healthy US House scene with labels such as Strictly Rhythm and Murk, and Italian labels like UMM and Creative plus a large measure of original House and Acid classics and the Vibes musical cocktail was complete. From the outset Cultural Vibes went off in a massive way. During the 8 crazy weeks @ the Quay club numbers went as high as 358 which was actually quite dangerous in a club licensed for 200. After all the great music it’s the intense heat that most people seem to remember. The free frozen fruit also sticks out along with the pretty young girls that shared it out at midnight. But it’s the photographs taken at the Quay Club that really show what an influential club it was.  Pictures from the nights show the dance-floor packed full of soon to be Dj's, Club Promoters, Musicians, Music Writers, Club Wear retailers, Record Shop owners, Video Game designers, Photographers, Film Directors, and future SW Scene leaders all wide eyed with broad their sweaty smiles. It really was a seminal time for everyone that went there. For sure something special and unique had happened in Plymouth, but no one could have predicted then, just how far it would all go!  (The original Quay Club Photo’s can be found @ “The Cultural Vibes Appreciation Society” page on Facebook)
During the Quay Club run Cultural Vibes was entertained by Dj Haze ( Joe Waterfield, played every week) and Dj’s Phil Jubb, Geoff Van Dyke, Ian Smith & Will & Johnnie from the Lazy House sound system, Mr Dee, Pad e & Barry from Happy Shopper, Scottie and Dan Rayner with the last tune @ the Quay played by Dave Green. Another full time resident for the run was Andrew Chinn who would remain the door picker/greeter/friendly face/man to know, forever. Eight weeks of absolute mayhem would sadly have to stop, as the numbers were way to big for the venue. Watching the ceiling drip sweat and condensation continuously onto the lighting system was scary as was the queue for the toilets.  Also a fractious relationship had developed with the Quay Club management over Cultural Vibes split of the door and this also helped spell the end of the Quay Club run. Once the decision was made there was only one place Dave Green wanted to take Cultural Vibes, and that was to his favorite club in the world, The Warehouse on Plymouth’s infamous Union St. 
Quite possibly one of the best club venues on Earth the Warehouse was a huge converted 1930's Art Deco cinema. (Once the largest cinema in the south of the UK) Pretty much a white elephant for years due to its immense size, it had been reborn as Rave venue in 1989 and for those that went there regularly it was truly hallowed ground. However due to a rising amount of drug related violence (then called taxing) the venue had seen better days as the masses that traveled from all over the S-West to Plymouth for the big raves had suddenly dwindled. By Dec 92 The Warehouse was completely up for grabs on Saturday's and thanks to some canny behind the scenes maneuvering with the help of Happy Shoppers Fleur and Plymouth dance legend Lee Reynolds Dave Green found himself about to run the club of his wildest dreams. One major hurdle remained though, how to put 300+ people in a venue that could hold 2500 and make it feel both comfortable and still look good. A great meeting of minds created the solution as Dave Green and Dan Thompson from Kaos Design trialed a few failures but came up with a total winner in the end. By stitching together a hoard of white army camouflage nets and utilising the 3ton-ceiling winch and later the underused Dj Egg/Booth they created the perfect indoors party venue. Finally just like their beloved free party scene, (which the Thatcher government had only just outlawed) Cultural Vibes had a giant legal tent of their own.  All they needed now was DiY.
The DiY crew really did put the icing on the Cultural Vibes cake as Jack, Pezz, Simon DK, Digs & Woosh, Emma and Pip made regular monthly missions to Plymouth throughout 93 to help create the Cultural Vibes ethos and sound. Unlimited help and support also came from Mark & Jess Darby who ran the highly influential Mighty Force Record Shop/Label in Exeter.  As well as supplying all the Resident Dj’s with their vinyl, Mark & Jess helped immensely with the early bookings, enabling Dave to find his feet as a fledgling promoter.  Phil Jubb was one of the staff at Mighty Force and the shop would go on to introduce Dave to a host of future Vibes Dj’s. One of these was Exeter resident, Mighty Force regular and future dance music superstar Tom Middleton.  As well as playing Tom designed a string of catchy Cultural Vibes flyers throughout 1993 and his quirky, humorous take on the flyer genre seemed to catch the zeitgeist. As the weekly numbers steadily grew, so the giant camouflage net was raised to yet another level, opening up more of the vast Warehouse venue up to the public. This continued regularly right up until the first Luv-Dup night when 750 people finally saw the whole venue opened up and Cultural Vibes shift into yet another gear. 
Resident Dj’s for 1993 @ The Warehouse were Dj Haze, Phil Jubb, Duncan Parks, and later Verdi (Dave Green) and Mr Dee. 
Guest Dj's that played throughout 1993 were: Jack, Pezz, Simon DK, Digs and Woosh, Pip, Emma, Shane and Jamie, Clinton, Choci, Ian lazy Smith, Will & Johnnie Lazy House, Mike Shawe, Mike C, Jon Dasilva, Nero, Andy Finnie, Danny Ayres, Mark & Adrian Luv-Dup, Froggy(RIP), Jay Baker, Tigger, Dj Rush, Richie Rundle, Tom Middleton, Mr Mullatto, Sonny, Steve Proctor, Phil Asher, Noel Watson, AJ, Charlie Hall, Hazel B, Geoff Van-Dyke, Gary Marson, Matt Perry, Bongo Pete Isaac, Roy The Roach, Judge Jules, Gordon Kaye, John Kelly, Lee Fisher, Pascals Bongo Massive(RIP), Girls on Top, Kelvin Andrews,  Justin Garrett, Andy Roberts, Patrick Smoove, Al McKenzie, Phil Gifford, Mc/Dj Ribbz, John Mcready, Chris and James, Ashley Beedle, and Iain McKenzie.
The Chillout Room - During the 2nd half of the year The Fruit Bowl played host to the newly formed Freestyle Collective (Bloodshot, Kooki, Pes) Bongo Pete Isaac, and Children Of Kaos Dj’s (Andy Compton, Ritchie Piggot, Dj Flex (Chris Hart) and Paul Honey)
to be continued ................




don't judge me, just stop-look-and-listen to me honey'! d^_^b

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As a DJ he has never let the crowds down and has never made a compromise in his sound, but still managed to progress through the years and fuse Tech House and Techno in a bowl of psychedelic groove.

Brought up in a family and circle of musicians, Toton was encouraged to pick up an instrument from an early age... and then came the passion for the more extreme side of music, industrial with a deadly dose of Hardcore Punk and Death Metal on that pot.

From Metal to Techouse and Techno, it has been an interesting and a bumpy road for Toton in his 19 years of DJ career, a mountain of expe- rience that has kept him at the forefront of the unique scene in Kosovo.

Currently busy in the studio producing music, expect a lot coming from him. Toton has played in and out of Kosovo, Switzerland, Germany, UK, Macedonia, Albania and Serbia.

Avigail’s career is as diverse as it is rich. She is a multi- talented performer known primarily for her wonderful music theatre and cabaret performances. She has also worked in TV, is in demand as a teacher/ vocal coach, musical director / director and has an illustrious career as a voice over artist and session singer.

On stage Avigail has performed in musicals such as Cats, Godspell & Elegies for Angels Punks & Raging Queens (World Gay Games). She has sung in concerts such as the All Star Tribute to Stephen Sondheim, Follies & Twisted Broadway. On TV her credits include Heartbreak High and Always Greener. She was Musical Director/ Director for the prestigious Australia Day Lunch, & has directed everything from Jerry Herman’s Milk & Honey in a staged concert version to Pirates of Penzance for North Sydney Boys Centenary. She also produced, musically directed, co-directed & performed in the very successful & hilarious spoof: Musical of Musicals: The Musical!

Avigail has toured with some of the best international artists from Sammy Davis Jr to composer John Bucchino & she has also had a series of very successful one woman shows including Follow the Yellow Brick Road ( A Musical Journey with Harold Arlen), Fingerprints & Hey World Here I Am – The Streisand Story which have been both critically & publicly acclaimed nationally. Good Girl/ Bad Girl, her new one woman show will be launched in 2014.

Avigail is also a highly respected educator. She was Head of Music at NIDA from 1993 to 1997 leaving that position to set up and develop in 1999 NIDA’s hugely successful one year Music Theatre course which she headed until the end of 2010. Avigail’s teaching is highly sought after & she is in constant demand from institutions and organisations both nationally and internationally. She currently takes workshops/ master classes in the art of Story- telling through song (music theatre),  cabaret & voice overs.

Avigail has worked everywhere: from Carnegie Mellon University, Pittsburgh USA , nationally in every state at acting schools & festivals like the Adelaide Cabaret Festival & Festival of Voices ( Hobart) for example, & she consults for the Talent Development Unit for the NSW Department of Education.

As a voice over artist & session singer, Avigail has lent her vocal expertise to themes & episodes for TV shows such as Farscape & Rush, as well as innumerable award winning advertising campaigns both nationally & internationally. She has been a judge of the Sydney Cabaret Convention & more recently the Cabaret Showcase & a member of the judging panel for the Young Australian of the Year.

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