The latest songs from the Fantastic Artist's/Bands on Soundcloud.

AB Playlist 116 Part 1

Old Textures - Variations

Old Textures

Some of my Soundcloud Favourites #125

PERSONAL GOODBYE TO THE VINYL WORLD

The Latest songs from some fantastic Artist's/Bands and a few of my own.

Playlist 124

HAUNTING DREAMS ALWAYS IN MY MIND

Nouveautés : Classique

WORLD COLLECTION OF JERK DOGS' WISHES

Idematoa - Main Playlist

--- solaric psychalovic indie rock song for lovers and survivors :)---

Don't miss the music video:
https://www.youtube.com/watch?v=6f5CdoW0qBI

Words And Music By René Methner, 
Recorded and Produced by Para Lia, Mix By Para Lia With Thommy Hein, Mastered By Thommy Hein in the Thommy Hein Tonstudios Berlin. 
Cover Artwork: Georgia Moschogianni (@tzo-moschogianni)

Follow Para Lia: 
► Facebook: https://www.facebook.com/paraliamusic 
► Instagram: https://www.instagram.com/paralia.music 
► Tik Tok: https://www.tiktok.com/@paralia00 
► Folge dem YT-Kanal: https://www.youtube.com/c/paralia 
► Website: https://para-lia.de/de/ 


saw you stumble along on an empty field
jumping over all the black holes of pandemic fears
filled with the collateral damage
no empty gaps
it’s not easy to find a direction
when the world turns mad
when the whole world turns mad

don’t give yourself away
sunchild
don’t surrender to these days
sunchild

the moment you see the horizon it starts to slip away
get your head up into the stars to light your way
saw you stumble along on an empty field
chased by pandemic rabbits
but you were better in hitting the hook
so it seems

don’t give yourself away
sunchild
don’t surrender to these days
sunchild

Sunchild

A cool little tune called "The Icehouse ".  Escape with me to this little jazz club in Minneapolis.

Step inside the frostbitten echo chamber of Three Photons’ latest release, "The Ice House"—a haunting blend of analog soul and spectral blues. This track doesn’t warm you up—it chills you in the best way.

Image obtained from the Icehouse website
Written by TJG January 2023
Mix 1: February 11, 2023
Mix 2: March 18, 2023 - adjusted stereo mix volume using api 535 LA
------------------------------------------------------------------------------------------------------
Lyrics

Verse 1
Stella by Starlight
Escaping the real life
Touched by the stardust
She found her real lust
Won't you come on down?

Refrain
Playing all the standards, at the icehouse
Watching it all go down, at the icehouse

Verse 2
Caught in the spotlight
I'm faking the real life
Touched by the starlight
Escaping the real life

Refrain
Playing all the standards, at the icehouse
Watching it all go down, at the icehouse

Verse 3
Stella by Starlight
Escaping the real life
Won't you come on down?

Refrain
Playing all the standards, at the icehouse
Watching it all go down, at the icehouse
Playing all the standards, at the icehouse

-------------------------------------------------------------------------------------
Technical Details

Rhythm Guitar: Gibson ES 335
Lead Guitar: Fender Jazzmaster
Guitar Amplifier: Vox AC15….set as clean I can get it. 
Bass Amplifier: Fender BXR 60 (not great, but with me since 1997)
Fender pedal board: Line 6 delay; Fender clean boost

Percussion: Pearl Hi Hat with Zildjian symbols – played with brushes 
Percussion: Pearl Cajon – played with brushes

Mics: a pair of Royer r10 ribbons for guitar and a Neumann TLM 67 for vocals
Mic preamps: API 312
Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

The icehouse

https://hotterthandecember.bandcamp.com/track/final-destination

Final Destination [Synthwave]

My Lyrics that inspired Glen are listed below.
Vocals, Music and Mix by Glen Granthem.

NOTHIN' LIKE THE SOUND	
OF RAIN COMIN' DOWN	
ON A COLD WINTER'S MORNIN'	
WHILE YOU'RE SLEEPIN'	
	
NOTHIN' LIKE THE SOUND	
OF BACON FRYIN' IN A PAN	
WHEN YOUR WAKIN' UP	
ON A COLD WINTER MORNIN'	
	
(CHORUS)	
WINTER RAIN COMIN' DOWN	
WHILE THE WORLD GOES ROUND	
WINTER RAIN COMIN' DOWN	
NOTHING LIKE THAT SOUND	
	
TO COLD TO GO OUTSIDE	
TO BORED TO STAY INSIDE	
A TIME OF FRUSTRATION	
AND A LITTLE DEPRESSION	
	
WE LONG FOR A SUNNY DAY	
SO WE CAN GO OUT SIDE AND PLAY	
BUT THE WINTER RAIN	
KEEPS COMIN' DOWN	
	
(REPEAT CHORUS)	
	
MY FRIEND, DON'T DESPAIR	
A REVIVAL IS SPREADING	
AND SPRING IS COMING	
CAN YOU FEEL IT IN THE AIR	
	
(REPEAT CHORUS - OPTIONAL)	
	
2023 © BMI Lyrics by Tony Harris

Winter Rain - Collab by Tony Harris & Glenny G's "One Man Band" - Original

Debut single with the new acoustic trio, published 20/3/23
Music video, directed by Antti Koskela available here:

https://youtu.be/50od3PM_Jr8

Krissi - Ikitalvi

ESCAPE TOWN
Backing Track: Paploviante
https://soundcloud.com/paul-racle/funk-rock-town-paploviante
Vocals: Emily Coy - Escape / Fire
https://soundcloud.com/freevocals
Lillithe: Synth, Wah Wah Guitar, Effects, Arrangement, Production and Mix

Escape Town - Lillithe & Paploviante

Thanks a lot my friend for 80 tracks, its a Joy to make Musik with you
https://soundcloud.com/joerxworx
hope you people like it;-)

Lunatic 80 Day Dreamer/ Joerxwoerx&Ratzzz

Lunatics Nr.80 Day Dreamer/ Joerxwoerx&Ratzzz

C-Piazza Barberini

K2 and the Three - drums, percussion, bass
@k2andthe3 / @k2-kara

Cosmic Keanu - mix, guitar and vocals

Mastered by Hobocop (OfficerMurphy)
https://soundcloud.com/metrocityrecords

Personal Jesus - Johnny Cash Cover (K2 and the Three & Cosmic Keanu)

Free Download for future collaboration !

- Spitfire Audio - LABS - Vintage Keys : The Seventy Three (Fender Rhodes)
- Spitfire Audio - Ólafur Arnalds Chamber Evolutions - Chamber Waves
- Spitfire Audio - BBC Symphony Orchestra Pro - Bassoon
- Spitfire Audio - Spitfire Appassionata Strings - Violins Legato
- Spitfire Audio - Albion II - HornEuph
- Spitfire Audio - Contemporary Drama Toolkit - Electric Cello
- Spitfire Audio - Contemporary Drama Toolkit - Combi Textural
- Spitfire Audio - Albion - Solstice
- Spitfire Audio - Originals Rare Flutes
- Spitfire Audio - Spitfire Studio Strings - Celli(6) Legato Performance
- Spitfire Audio - British Drama Toolkit - Alto Sax
- Heavyocity - Foundations Emotive Choir

Magnifique interprétation de Wilfried Hanrath !

Wilfried Hanrath - Re - Imagining Old Textures By Idematoa

Thanos - Keys
Thannasis - Bass
Petros - Drums
Bill Barek - Guitar
Christos - Vocals , Lyrics

TASCAM DR-100

IN TO THIS WORLD

Franck Douvin joue sur une flûte PRIMA SANKYO Sayama en argent massif avec une embouchure en argent massif et cheminée en Or 9K "Faulisi" PARIS

- Spitfire Audio - LABS - Vintage Keys : The Seventy Three (Fender Rhodes)
- Spitfire Audio - Ólafur Arnalds Chamber Evolutions - Chamber Waves
- Spitfire Audio - BBC Symphony Orchestra Pro - Bassoon
- Spitfire Audio - Spitfire Appassionata Strings - Violins Legato
- Spitfire Audio - Albion II - HornEuph
- Spitfire Audio - Contemporary Drama Toolkit - Electric Cello
- Spitfire Audio - Contemporary Drama Toolkit - Combi Textural
- Spitfire Audio - Albion - Solstice
- Spitfire Audio - Originals Rare Flutes
- Spitfire Audio - Spitfire Studio Strings - Celli(6) Legato Performance
- Spitfire Audio - British Drama Toolkit - Alto Sax
- Heavyocity - Foundations Emotive Choir
- Arturia - CS80

Old Textures - Variation Avec Franck Douvin

short string arrangement test

(Written by Terry Reeves)
Terry Reeves: Vocals
Gary Reeves: Drums/Vocals
Hans-Michael Albers: All other instruments, Arrangement, Production

Video: https://youtu.be/kg9qOAl6KNM 

Although we all may want to continue with our creative pursuits for ever, age has a way of catching up with you in ways that you hadn’t envisaged.  Our 3-piece garage band still enjoy creating and recording new tracks but as time goes on, we’re all  becoming acutely aware that each song is taking a little longer than it did previously, the input required a bit more energy than the last.  Factor in all of the daily ‘looking after yourself’ stuff and you start to realise there's less and less time to do everything that needs doing.

Gal does pretty much all of the admin. work on our page (listening, commenting, re-posting and the like) and for various reasons, fitting all of this in has become a somewhat impossible task for him.  That is not to say he doesn't still enjoy interacting with all of you but is finding that he no longer has the time nor stamina to carry on.

For myself, as the one who generates the material, songs are taking longer to write and develop.  For Hans, who so brilliantly arranges and produces them, fitting the process in with his real life responsibilities certainly doesn’t get any easier.  

Consequently, we are announcing our retirement from active involvement here on SC.  As the song explains, we don’t really want to stop. It’s more a case of having to.  For family archive purposes, we still plan to record and upload songs from time to time but since we won’t be around to provide any return support, know it is wholly unreasonable to expect any listens or comments.  You have all given so much already.    

We never expected the last 10 years to happen the way they have and want you to know that it's been a journey the entire Reeves’ family have enjoyed so very much.  None of this would have been possible without the support of our many friends here on SoundCloud, whose encouragement has buoyed us through the difficult personal times. We’ve had an absolutely wonderful ten years and we wouldn’t have missed it for the world.  We wish all of you the best of luck in your future endeavours.  From the heart, to one and all, thanks so much for everything.  
(Terry Reeves)

Tens years passing, with many distant lands
Unexpected friends, using voice and hands
Sharing music with freedom of thought
Expression of kindness, always giving support 

Chorus:
I had the best time
No regrets to call
Look back to look forward 
Only sideways to fall

Fame has a limit to a number of choice 
Happy to share, no need for Rolls-Royce 
Talent not in question, music to give
Opinions from many, helping each other to live

Chorus

SoundCloud a vehicle, movement of skills
A decision of finance, no room for old thrills
Changing future, believe a much younger need
Stopping communication, no longer to feed

Chorus

I want to thank you for calling 
I don’t wanna say goodbye
I apologise for high notes falling 
I don’t wanna say goodbye 
I will try to keep music installing 
I don’t wanna say goodbye
I don’t wanna say goodbye                  

Time for a smile, to all the friends passing by
No need to regret the chancing look of an eye
Many comments exchanged, a feeling of strength 
No regret of creation, our garage band of length

Chorus

I DON’T WANT TO SAY GOODBYE     - CRIPPLE CLUB

Below is an insightful article on an organization looking to bring about meaningful change as it pertains to our legal system here in the U.S. and how it perceives certain natural psychedelic drugs:

"Psychedelics are represented in the media, on the stock market, and in academic journals, but there’s a tie-dye elephant in the room: they’re still illegal. An organization that believes every human should have the right to use psychedelics wants to change that."

"The Mind Army(https://mindarmy.org) is a non-profit organization working to move the needle on the legalization of psychedelics with lobbying, social pressure, and celebrity influence. With the mission of “fighting for the right to pursue happiness,” it is currently petitioning the Drug Enforcement Agency to deschedule ibogaine, a powerful alkaloid that has been shown to help interrupt addiction. The Mind Army believes it has been incorrectly scheduled because the plant-derived psychedelic has been proven to be non-addictive."

"At this critical moment – in the middle of a suicide, addiction, anxiety, and depression (SAAD) epidemic – we don’t have time to wait before the most healing substances on the planet become available to the masses. Right now, when the human race needs healing more than ever, we’re demanding that people be allowed to legally access safe and effective psychedelic medicines that interrupt negative thought patterns and addictions. Mind Army has assembled the top legal experts in drug policy and reform to create immediate access for researchers and patients."
You can read more of the article here: https://www.forbes.com/sites/amandasiebert/2022/07/01/inside-vision-treks-the-mind-armys-psychedelic-retreat-takes-strangers-into-the-desert/?sh=7a9a2ec82153

Cover art entitled Psychedelic Skull by Sint3tico
https://artstn.co/m/9eV6y

Mixing decks used to perform this set: Pioneer XDJ-XZ.
https://www.pioneerdj.com/en-us/product/all-in-one-system/xdj-xz/black/overview/

All tracks purchased from www.beatport.com, www.bandcamp.com, or provided directly by the artist or label.

Setlist:
1. Oxyflux, Radikal Moodz - Fancy Footwork (Juggerknot Remix) 
2. Inpsyde Out - Druid's Drop (Warp Engine Remix)
3. Mascalito & Braingineers - Mascal In The Brain (Original Mix)
4. Shadow Shaman - Jan Shmuts (Original Mix)
5. Fantazma - Wild Tales (Original Mix) 
6. Shred'er & Xipe Totecs - Morning Pétanque (Original Mix)
7. Render, Zeridium - Riot in a Teacup (Original Mix) 
8. Huracan - Dark Matter (Original Mix) 
9. Z3nbugs - Primal Instinct (Original Mix) 
10. Siloka, Wubba Lubba - Fortune Cookies (Original Mix)
11. Radikal Moodz, Gandhabba - Rebel System (Original Mix)
12. Rugrats - Reality Check (Original Mix)
13. Ninesense, Hydra-E - Fight the Powder (Original Mix)
14. Cronyx - WoBedelic (Original Mix)
15. Mutaliens - BooBoo Lala-Land (Inpsyde Out Remix)
16. Nukleall, Adrenaline Rush - Hallucination (Original Mix)
17. Rugrats - Zone Approach (Original Mix)

The Mind Army | 148 BPM

Jacques Hotteterre (1674- 1763)
Alto recorders dúo, enjoy! 

Rondeau, Gay (Première suite de pièces, op.4, 1712)

Remastering of two pieces already posted: "I am yourself" and "Juste avant l'automne"

2 Piano Pieces

That feeling when you pass through the clouds and enter the space called the Ether

Alone In The Ether

Mind Blowing

Klassik

Hello… so have you ever noticed certain things about yourself that never change? This song, ‘Just Like I Always Do’ is about that very thing. I found myself  outside the other day, playing with rivulets of snow melt. Making channels with a rake, for the water to run down and I laughed… my feet were soaking wet and I was having a grand old time. Reminded me of a time in kindergarten, when I arrived late to school, soaked to the bone, as I was playing in the rain along the way. So that playful side of me has not changed at all. I also noticed, like flowing water, how vital it is for me to keep moving. A fluidity when it comes to living and learning about life. Recently, singing has been like that for me. Bear with me on this. A little backstory: As a kid, I had a brief stint in my middle school choir. I did not want to join the choir, that’s for sure. The music teacher had picked us out, after brief singing auditions. After our first performance, my mother, God rest her soul, told me I did not have to go back to choir anymore, if I did not want to. Out of the 50 kids on stage, I was the only one not singing. I just looked down so no one could see my mouth… except my eagle-eyed mom. Simple as that, I was done with it. There were other things I wanted to do as a precociously rebellious kid, running around the neighborhood, as it were. Now, half a century later, I have been learning to sing on my own. It has not been easy uncovering that latent voice of mine. Looking back, sometimes I wish I had stuck with it as a kid. So about a decade or so ago, this dude I worked with asked me if I’d show him some stuff on guitar. His mom was a musician and music teacher and he grew up with music in his life. He was always singing and playing guitar. As we hung out, he noticed I never sang and asked me why. After basically dodging his question, he told me the only thing stopping me from singing was me. Talk about a hard lesson to swallow. So now, bringing us up to speed, I had some fun exploring my nascent singing voice on this song. The image is of me and Garnet running the hills in early Spring. Hope you like it and thanks for listening. Take care, Mark

Lammbone's Album

Just Like I Always Do

Decided to do a second part of The Haunting. Don't forget to look under your bed before you go to sleep tonight 😊👻

Artwork by Jason Engel 
https://www.artstation.com/jason_engle

Free download if you like it :)

Thank you for listening ♥

The Haunting Part II

This song was written by Tez (Llanpsych)some years ago, I believe. he wrote it about a Loki-like trickster character. Little did he realize at the time that it applies perfectly to AI, too. So, with that in mind, we added the high harmonies to my vocals to give them a robotic quality. 
  Tez is also playing that ripping guitar you hear throughout. Ken (K2 and the Three, K2 and the Four) came up with perfect rocking drums for it, too, as always. He also arranged and helped me sing the oohs and aahs throughout, too. You'll hear me on the bass, organ, and vocals on this one. This is really Tez's song, though. We hope you like it.

Hello World (The Transatlantic Trio)

Atlanta’s “Bog Witch” and Boise’s “Mystic Tape Deck” announce the release of a new collaborative single, “Dogs of Chernobyl” to mark the anniversary of the Chernobyl Disaster.

Following the April 26, 1986 nuclear accident, the City of Pripyat was evacuated. The residents were forced to leave their pets (including domestic dogs) behind.  

Nearly 40 years after the accident, the descendants of these dogs are still living in the Exclusion Zone and a study is currently taking place. 

Scientists are sampling the DNA of the dogs. Apparently, their DNA is irregular in some interesting ways.

Wendy writes “I couldn’t sleep one night and picked-up my phone to surf when I noticed an article about the radioactive dogs of Chernobyl.  Right away it seemed like a song.”  

Wendy invited Mystic Tape Deck to collaborate with her in creating the sonic pallet for this song, the proceeds from all sales of which will be donated to the Clean Futures Fund. 

The Clean Futures Fund relies upon donations to provide medical supplies, vaccines, and food for the dogs living in the Exclusion Zone.  

Donate $1 or more to the Clean Futures Fund via Bandcamp and receive a download of the single: https://mystictapedeck.bandcamp.com/track/dogs-of-chernobyl

Find out more about the Clean Futures Fund:
https://www.cleanfutures.org/dogs-of-chernobyl/

Wendy DuMond: Lyrics, Acoustic Guitar, Vocals
PS Perkins: Electric Guitars, Bass, mallet snare, cymbal stack, midi
Ron Thomas: Drums, hand drums, shakers
Song by Wendy DuMond 
Produced, engineered, and mixed by Mystic Tape Deck
Mastered by Sid Hagan

https://soundcloud.com/mamby-p
https://soundcloud.com/mystictapedeck
https://mystictapedeck.com
http://www.okthenrecords.us/

Dogs of Chernobyl

Donate

"Dogs of Chernobyl" - Bog Witch + Mystic Tape Deck

With all the "Breaking News", especially concerning the lawsuits against FOX (US) in the Dominion and Smartmatic lawsuits revealing all the duplicity and hypocrisy from the talking heads of rage-baiting opinion personalities (not real reporters on FOX), Can democracy be destroyed by false claims reported as truth? I'll let that question be answered by Ray's song. Ray did all the music and wrote the opinion piece (lyrics) and I just embraced the intention of Ray's analysis of the wonky state of global media and hoped a little edge and passion in the vocal would drive the message home. Be careful what you choose to believe, and the sources you decide are credible. Caveat Emptor.

Lyrics:
I've been thinking about the state of the world
The networks want to feed ya
I'm talking about the global media
It's all enough to drive a sane man to  distraction
All they give us is a knee-jerk reaction

You know it's easy to forget how much they need ya
Those people behind the desk in the global multi-media
It's all a ratings game, the news reports are all the same
A pretty face, every hair in place,
But what they tell ya is just another knee-jerk reaction, uh- huh
A knee-jerk reaction, uh- huh
Knee-jerk reaction

Instrumental

I wonder how much they conspire to deceive ya
Photoshopped and over-dubbed is the norm in global media
Images you see have no real attraction
No bearing to the truth, it's just a knee-jerk reaction

Knee-jerk reaction (x6)

Mmmmm they say the truth will set you free,
But where's the truth in what I see?
Knee-jerk reaction
Take the news and wrap it 'round,
Once around, maybe twice around
And spew it out for us to see,
Then spew it out for us to see
There is no truth in what I read
knee-jerk reaction (x6)

Knee - Jerk Reaction (Brookes And Wigmore)

Photo : Marielle Lemaire - Ariège - France

Marcher, c'est des captures d'images, des sentiments qui se composent, se transforment, se ruminent en de douces pensées. Dans l'enlacement continu du parcours, cette source de satiété physique offre une richesse grandissante à l'esprit. La pérégrination ancre nos sens dans cette réalité.

Walking is capturing images, feelings that are composed, transformed, ruminated in sweet thoughts. In the continuous embrace of the journey, this source of physical satiety offers a growing richness to the spirit. The journey anchors our senses in this reality.

Ce projet se compose d'un prélude, d'une pièce principale, de cet interlude suivi de son postlude.

3 - Sur Le Chemin - Avec Franck Douvin

"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

Marco Lucchi : electric organ
Night Note : synthesizers
Jacques Lemaire : synthesizers

Marco Lucchi, Night Note & Jacques Lemaire - Spring has sprung

a track by Marco Lucchi reworked by Jacques Lemaire

Jacques Lemaire - The Golden Eternity [variation]

itwasthewires : synthesizers
Marco Lucchi : synthesizers
Jacques Lemaire : synthesizers

Jacques Lemaire - Massif du Vercors [Sustain - Marco Lucchi - itwasthewires]

Challenge was to make one of my shorter songs with one of my longer lyrics, so I 'had' to craft it into an amalgam of 9/4 and 4/4 signatures. Thus, it may feel crazy on verses but I hope also catchy on refrains.

Letra / Translated lyrics:

Sólo pido no tener deseos (Ya no quiero imaginar)  /  I ask only not to have desires (I don’t want to imagine anymore)

¿Puedes explicarme qué es lo que me pasa?  /  Can you tell me what happens to me?
Señor, llévate de mí esta confusión.  /  Lord, take away this confusion.
Quítame el don de la inteligencia,  /  Take the gift of intelligence from me,
pues si no pensara tanto, sería feliz.  /  because if I didn’t think so much, I would be happy.

Siento que este mundo me es extraño,  /  I feel this world is strange,
estoy a disgusto con mis sentidos.  /  I get displeasure from my senses.
No puedo comprender su funcionamiento,  /  I cannot understand their functioning,
ni siquiera amoldarme a él.  /  nor even get used to it.

Sólo pido no tener deseos,  /  I ask only not to have desires,
ya no quiero imaginarme nada.  /  I don’t want to imagine anything anymore.

Esta situación siempre es pasajera,  /  This situation is always temporary,
pero se repite una y otra vez.  /  but repeats itself again and again.
Este malestar de cuerpo y alma  /  This discomfort of soul and body
me hace desear dejar de ser.  /  makes me wish to stop being.  

Pienso entonces en todos los que me quieren,  /  Then I think of all those who love me,
o al menos en los que a veces lo parecen…  /  or at least about those who sometimes seem to…
¿Por qué es tan difícil la coexistencia  /  Why is coexistence so difficult
en medio de una sociedad inteligente?  /  in an intelligent society?

Sólo pido…  /  I ask only…

No deberías dejar pensar a algo imperfecto,  /  You should not allow something imperfect to think,
sino limitarlo a cumplir su función social.  /  but limit it to fulfilling its social role.
Sólo quiero ser un engranaje más, señor,  /  I only want to be one more cog, Lord,
en tu rebaño de almas, sin preguntas.  /  in your flock of souls, without questions.

Esta vida que me has dado, señor,  /  This life you have given me, Lord,
me tortura, de modos insospechados,  /  tortures me, in unsuspected manners,
a buscarle un sentido a mis dudas,  /  to look for a sense to my doubts,
lo cual, tal vez, sea precisamente su fin!  /  which, maybe, is precisely its purpose!

Sólo pido…  /  I ask only…

ER43FI10 97-18

Sólo pido no tener deseos (Ya no quiero imaginar)

ROCKING IN THE NIGHT - Re-Mastered Sept 2020
Written, Performed & Produced by Andrew Borderick
Copyright 2019/2020 AB Music All rights reserved.
Mastered by Soundcloud Sept 2020
YouTube https://www.youtube.com/watch?v=7aswmJvnP6Y

EVERYBODY'S GONNA HIT THE GROUND
GOT A TICKET TO A GREAT BIG SOUND
AND THE SIGN SAYS RAIN HAIL OR SHINE

NOTHING'S EVER GONNA MAKE ME STOP
DANCING ROCKING LIKE THE BLITZRIEG BOP
THERE WILL BE ROCKING AND ROLLING ALL NIGHT

YOU KNOW IT MAKES ME WANT TO FLY
WHEN I'M ROCKING IN THE NIGHT
AND IT MAKES ME FEEL ALIVE
I'M HEARING SOUNDS I'VE NEVER HEARD BEFORE

WE MIGHT END UP DANCING WITH THE COPS
ROCKING ON TO THE JAILHOUSE ROCK
AND THE JUDGE SAYS ROCK ON ALL NIGHT

YOU KNOW IT MAKES ME FEEL ALIVE
WHEN I'M ROCKING IN THE NIGHT
OH I MUST BE HYPNOTIZED
I'M HEARING SOUNDS I'VE NEVER HEARD BEFORE

EVERYBODY'S GONNA HIT THE GROUND
GOT A TICKET TO A GREAT BIG SOUND
AND THE SIGN SAYS RAIN HAIL OR SHINE

YOU KNOW IT MAKES ME WANT TO FLY
WHEN I'M ROCKING IN THE NIGHT
AND IT MAKES ME FEEL ALIVE
WHEN I'M ROCKING IN THE NIGHT
OH I MUST BE HYPNOTIZED
I'M HEARING SOUNDS I'VE NEVER HEARD BEFORE

Rocking in the Night

ROCKING IN THE NIGHT - (see info for video link)

HERE SHE COMES-THERE SHE GOES
Written, Performed & Produced
by Andrew Borderick Copyright 2015/2019/2020
Re-Mastered by Andrew Borderick OCT 2020

THEY WERE THE DAY'S WE'D GO OUT AND MEET ONE
A FRIEND AT THE BAR OR SWIMMING WITH YOU YOU YOU YOU
REMEMBER THE DAY'S OF THE OLD DUKE BOX
WHEN WE DANCED THAT NIGHT WHEN I MET YOU

GONE ARE THE DAY'S IT'S ALL ABOUT FACE'S
A CLICK ON THE NET AND I CATCH YOU YOU YOU YOU
MAY'BE WE'LL FALL IN TWO PLACE'S
TAKE A CHANCE ON YOU AND WHAT IS TRUE

HERE SHE COMES THERE SHE GOES

EVERYONE'S OUT FALLING ON THE WEEKEND
OTHER'S ARE HOME SURFING FOR YOU YOU YOU YOU
TAKE SOME TIME AND WE MIGHT BELIEVE IN
THAT SOMEDAY YOU'LL FIND THE ONE FOR YOU

HERE SHE COME'S THERE SHE GOES

Here she come's there she goes

HERE SHE COMES-THERE SHE GOES

I am a frozen statue, watching seasons come and go, feeling changes, doing nothing, forever...
Last movement of the rock symphony, where I pay tribute to, and play, my mom's spanish guitar.
Main theme (bass E1-A1...E1-A1-E2...), appears all along the album, and also main themes of other 3 movements sound here as refrains (Vienen y van / Hora tras hora) which are thus sung over 4 different musics ;) E-Ruizzo project is finished, what's to come?... below translated lyrics.

SE NOTA (PRIMAVERA EN EL POLO)  /  ONE CAN FEEL IT (SPRING AT THE POLE)

Se nota… después de seis meses  /  One can feel it… after six months
el sol amanece y se nota…  /  the sun dawns and one can feel it …

En el despertar del zorro ártico,  /  In the awakening of the arctic fox,
en el fluir de los glaciares se nota.  /  in the flow of the glaciers one can feel it.
En el nacimiento de icebergs,  /  At the birth of icebergs,
en los acantilados poblados de aves.  /  on the cliffs populated by birds.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy sitio de paso.  /  I’m a transit point.
Hora tras hora, los meses pasan,  /  Hour after hour, months pass through,
un sitio de paso soy.  /  I’m a transit point.

Se nota… como cada mañana,  /  One can feel it… as every morning,
que la primavera ha llegado al Polo.  /  that spring has come to the Pole.

Se nota…  /  One can feel it…

En la migración del narval,  /  In the migration of narwhal,
en el aliento del viento,  /  in the breath of the wind,
en las nubes que huyen de él, se nota.  /  in the clouds that run away from it, one can feel it.

En el canto de las sirenas,  /  In the singing of mermaids,
en las inflorescencias de hielo,  /  in the inflorescences of ice,
en el paso del noroeste se nota.  /  in the Northwest Passage one can feel it.

Vienen y van, no me hacen caso,  /  They come and go, they don’t listen to me,
soy para todos un sitio de paso,  /  I am a transit point for all of them,
(soy) una estatua de hielo (soy),  /  (I am) an ice statue (I am),
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Vienen y van…  /  They come and go…

¡¡¡ La frecuencia diaria del proceso estacional  /  The daily frequency of the seasonal process
me permite hacer estudios estadísticos !!!  /  allows me to do statistical studies !!!
Ja ja ja ja ja ja jaaaa !!!  /  Ha ha ha ha ha ha haaaa !!!

Vienen y van…  /  They come and go…

Hora tras hora, los meses pasan,  /  Hour after hour, months pass through, 
nuevos migrantes, nunca se cansan,  /  new migrants, they never get tired,
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).
(soy) una estatua de hielo (soy).  /  (I am) an ice statue (I am).

Hora tras hora…  /  Hour after hour…

Se nota…  /  One can feel it…

ER37 PA04 RUIZZO ©1996 ®2020

Now all 44 songs I wrote with mom's guitar in my university years have been arranged and posted, 
after 8 years of E-Ruizzo project, which I'm about to finish. I plan to stay here, commenting as 
usual, and post future and still not scheduled songs from another profile. That's all, no alarm!

Maybe you played this version before? https://soundcloud.com/esemanolain-ruizzo/se-nota-piano-version

Se nota (Primavera en el Polo)

Firstly on easy listening 6/4 bars, I cut some notes out of the main theme so as to give it dynamism, and finally obtained a prime amalgam of 17 quarter notes. I hid any recognizable thing in the accompaniment, and for the organic lines (voice and guitars) I tried the strong rhythm would not fix too much the melodies, first paying a lot of attention, and finally ... just letting me go.

Translated lyrics:

Oídos sordos (17 negras)  /  Deaf ears (17 quarter notes)

Quiero gritar todo lo que siento, estando solo;  /   I want to shout out everything I feel, being alone;
pero gritándolo al viento y si no contesta,  /  but shouting it at the wind and if it doesn’t answer,
dime, ¿de qué me sirve? (bis)  /  tell me, how does that help me? (bis)

Todos los vientos conocen mi historia  /  All the winds know my story
pero no hacen nada.  /  but they don’t do anything.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

He estado aquí y allí gritando como un loco,  /  I’ve been here and there screaming like a madman,
pero todo sigue igual.  /  but it’s all the same.
¿Será que no me oyen? (bis)  /  Perhaps they don’t hear me? (bis)

Quiero gritar…  /  I want to shout out…

Ahora sé que no sirve de nada;  /  Now I know it’s no use;
el viento sois todos que callais al verme,  /  all of you are the wind, silent when you see me,
y dejáis que hable y hable,  /  and letting me speak and speak,
y dejáis que hable y hable y hable.  /  and letting me speak and speak and speak.

No creo que vuelva mañana  /  I don’t think I’ll be back tomorrow
a escuchar vuestro silencio.  /  to listen to your silence.
Quiero encontrar a alguien. (bis)  /  I want to find someone. (bis)

Quiero gritar…  /  I want to shout out…

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)
Image: "Red eared cactus", photo by Ruizzoidman

Oídos sordos (17 negras)

Five steps (each one with two parts) progressing along 3 minutes thru different styles: rock, psycho, pop, hard..., and finally back to the psychopoppy ones.

Letra / Lyrics:

No siempre he estado aquí (soy imperfecto) / I have not always been here (I am imperfect)

Cuando tengo frío, o tengo calor, / When I feel cold, or I feel hot,
cuando tropiezo, me quemo, o siento dolor… / when I stumble, I burn myself, or feel pain …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

Me siento extraño / I feel strange
donde tendría que estar a gusto, / where I should to be comfortable,
y me reconforto / and I feel better
cuando me relaciono bien con el mundo. / when I relate well to the world.

Empiezo a pensar en el tránsito; / I start to think about the passage;
que no siempre he estado ni estaré aquí; / that I have not always been nor will be here;
que mi vida es un entretenimiento / about my life being an entertainment
en el viaje a otro sitio. / along the trip to another place.

Y descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
si la meta de todo lo que hago / if the goal of everything I do
es comer y respirar, / is to eat and breathe,
¿qué clase de razón tengo en la cabeza? / what kind of reason do I have in my head?
¿qué soy yo dentro de este juego? / what am I within this game?

 descubro lo profundo / And I discover the deepness
entre tanta superficialidad, / among so much superficialness,
y me pongo a pensar, / and I start thinking,
y empiezo a pensar… / and I start to think …

y  empiezo a pensar que no siempre he estado aquí, / and I start to think that I have not always been here,
y que todo en este mundo es ajeno a mí. / and that everything in this world is alien to me.

Pienso que este cuerpo / I think that this body
que me sirve para moverme / I use to move myself
no es todo lo perfecto que debiera. / is not as perfect as it had to.

©1995 E-RUIZZO – ®2013 FRANCÉS RECORDS ;)

Image: "Rocky sprout", photo by Ruizzoidman

No siempre he estado aquí (Soy imperfecto)

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