Chrissy is a genre-bending DJ/producer with releases on Hooversound Recordings, Sorry Records, Classic Music Company, 17 Steps, Dansu Discs, Pets Recordings, and more. He’s known for his friendly demeanor, big smile, and unwavering support for new artists and marginalized communities in our scene—traits that shine through in his expansive, multi-genre DJ sets. His selections often center on rave music, Chicago house, and disco, but his multi-decade career has ranged from jungle to footwork to freestyle. This unique form of story-telling has brought him to venues such as Panorama Bar and Fabric, as well as prior residencies at Smartbar in Chicago, and San Francisco’s oldest and most storied queer club, The Stud.

Also known as a well-regarded voice on dance music history, Chrissy ran the popular “My Year of Mixtapes” blog, posting original genre-focused DJ mixes every week for a year. He wrote the liner notes for Hardcore Traxx: Dance Mania Records 1986-1997, compiled the forthcoming Montreal disco retrospective Move Up Energize for Unidisc Music, and has written on dance music history, queer history, and advice for young musicians in Mixmag, Beatportal, DJ Mag, Red Bull Music Academy, XLR8R, and Electronic Beats.

His latest venture is a new record label called Maximum Airtime: a DIY, grass-roots, anti-corporate operation featuring upfront, melody-forward rave bangers from ABSOLUTE., Coco Cole, Tim Reaper, Fear-E, Guchon, Hard Ton, Mister Wallace, and more.

Chrissy is also a mainstay of dance music radio, dropping in for regular guest mixes on BBC 6 Music, NTS, Rinse FM, and The Lot Radio. His monthly Maximum Airtime radio program airs every third Thursday on Dublab.

“Chrissy is one of my fave people in music. He's not only extremely talented and a walking talking dance encyclopedia, he is also someone whose stance I really respect…he actively tries to debunk the gatekeeper mentality that dance music is sadly still haunted by, all with a really constructive approach and positive attitude, truly opening doors for newer blood.” — Violet

“Chrissy is one of the best DJs to ever walk the earth and I am just going to keep saying it until everyone agrees with me.” — The Blessed Madonna

“One of the most versatile and knowledgeable DJ/producers on the planet” — Jerome Hill

“The living embodiment of a ‘DJ’s DJ’” — Mixmag

booking -
eu + uk + row: info@romansworld.com
australia: james@watartists.com 
general enquiries/send me promos: 
bamboomusik@gmail.com

Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

Bookings Worldwide:  pete@wearee.nl 

SABO Tulum Sunset 2024, MX https://tinyurl.com/yc6w96xb
SABO Live at Airhouse Festival, South Korea https://tinyurl.com/seh4jzet
SABO Live at Camino Riviera, SD http://tinyurl.com/7d5s5hn6
SABO Azulik Umay set: https://youtu.be/kxoaoa7Ct9w

Bio:
Sabo’s music is a journey into sound, a sonic landscape that crosses several musical borders with mixtures of tropical poly-rhythms, warm bass frequencies, rich percussion, lush tribal vocals, and smooth organic textures. When listening you will undoubtedly find yourself resonating with his intention, imagining yourself dancing in an Amazon rainforest, on a moonlit Tropical beach,  or on a desert plane for a Saharan sunrise. Behind the decks, his innovative approach to each DJ set makes him a consistent stand out at festivals like Burning Man, Coachella, Lightening in a Bottle, Shambhala, Fusion, Symbiosis, and Further Future. He is also the label boss of “Sol*Selectas Records” which is successfully re-defining a new vein of dance music. It was the Top 10 Best Selling Deep House label on Beatport in 2016 and 2017, several #1 release in 2018 til present, and with every release breaking into the Top 10 charts of their respective genres. The label captures a wide array of sounds, drawing influence from our native roots,  and combining these traditional styles with the modern sounds of electronic music. With a stellar roster of underground DJs and producers  from all over the globe, Sol Selectas deep tribal sound is guiding its listeners into the future realm with positive intention.

my baby: https://soundcloud.com/criminalbassline

berlin based. bassline focused.

#CB023 I Trilingo - Disco Brother EP  
https://go.protonradio.com/r/rlEV19uY_n5Eg

https://linktr.ee/criminalbassline

Music for keyboard synths by Carolyn Schofield.
Contact - fiafiellfm@gmail.com  
Bookings - Simon at niceagencyaus@gmail.com

My Cousin Kim is following