wonderful melody and song..;like the change up at 110..great guitar playing ..very moving..

Very beautiful songwriting . Sounds and vocals are amazing! I love your music!

2025

En hommage à mes deux amis de SC: Damga et HyLGZ22 @user-618736932😉qui m’ont permis de ”poser ma voix” sur leurs excellentes pistes!
Instrumental: Damga 
Lyrics: DelhyA, Damga, HyLGZ22 et leurs collaborateurs
Vocals: DelhyA

Je vais oser être vraie
Je vais oser comme Joséphine et me la jouer façon bad gurl
(Je vais oser) et te proposer une romance erratique au son de mes mélodies nocturnes
Même s’il n est que 16h ce dimanche et que le soleil revient
Laisse moi t inviter dans la cathédrale de mes sons ecstatiques
Où je te jouerai la sweet polyphony de mes désirs
Te prenant ainsi dans les phares de mon clair de lune artificiel.

Welcome to my subspace
Où je ne te propose rien d autre que du love dans un magnetic cloud.
J’y ferai l éloge de ta rousseur en attendant que le rouge te monte aux joues
Bien sûr je ne te dirai pas lesquelles, ici je te l avoue…
Au gré de cette méditation guidée, nous allons jouer et nous élever
jusqu’à ce que la dernière goutte soit tombée,
Jusqu’à ce que la dernière goutte soit tombée….

Laisse moi te séduire au son de mes black keys et mes harmonies
Laisse-moi t’envoûter avec my dark smooth melody
Sous la douceur lunaire, je serai ta hiérophante adorée
Sous les étoiles endormies, tu seras bien vite piégé(e)
Au sein des vagues sublimes du storm de nos phéromones
Où tu n auras plus qu’à succomber aux sons de notre attraction musicale….

Ce soir my love soyons fantasques et frivoles
Ce soir my love ce sera juste: « relax and let me take control »

——————————————————
TRANSLATION:

I'm going to dare to be true
I'm going to dare like Josephine and play the bad girl
And offer you an erratic romance to the sound of my nocturnal melodies
Even if it's only 4 p.m. this Sunday and the sun is back
Let me invite you into the cathedral of my ecstatic sounds
Where I'll play you the sweet polyphony of my desires
Taking you in the headlights of my artificial moonlight.

Welcome to my subspace
Where I offer you nothing but love in a magnetic cloud.
I'll praise your red hair while waiting for the red to rise to your cheeks
Of course, I won't tell you which ones, but I confess here...
Through this guided meditation, we will play and rise until the last drop has fallen, Until the last drop has fallen...

Let me seduce you with the sound of my black keys and my harmonies
Let me enchant you with my dark, smooth melody
Under the lunar sweetness I will be your beloved hierophant
Under the sleeping stars you will quickly be trapped
Within the sublime waves of the storm of our pheromones
Where you will only have to succumb to the sounds of our musical attraction…

Tonight, my love, let's be whimsical and frivolous
Tonight, my love, it will be just: "Relax and let me take control"

Electro Goddess (with Damga)

Little Spontaneous Unpretentious Friendly Live Jam 05/25
Alto Sax Klaus-J. Paul (Pauli)
Git Andreas Besinger (Besen)
Original by the legendary J. Coltrane

Naima (Little Live Jam, May 2025) Original by J. Coltrane

Lyrics:
When you try to explain that the feeling is a precious thing
Don’t just give it away its the start of everything
It will break your heart to see how fast the money goes
Then your climbing a wall under fire and you’re all alone

And we all fall down
In this roadkill town

There's a scar on youre face from the fight that you had at school
There's a primitive smile when the memory returns to you
Your were too locked down to reach out to anyone
Now your friends and foes have come and gone

And we all fall down
In this roadkill town
And we all fall down
In this roadkill town

They say love is drug but I’ve had better memories
All you energy goes in a rush like amphetamines
Play it cool, play it cold, play it dumb and then terminate
Leaving feelings of loss curled around you like a snake

In this roadkill town
In this roadkill town
And its all right now
And its all right now 
In this roadkill town

Roadkill Town

Something to keep me warm

Written by Mark.H.F and Heliopolis 5
Guitars by Mark.H.F.
Keyboards, arranging and mastering by Heliopolis 5

This song is a collaboration with my good friend Mark who supplied the files to his super guitar-based rock song Bad Orange. I have remixed his track, taking his guitar riffs and tried to make something which retains the rock feel of the original but is pretty different as well. We are both happy with the result. You can check out Mark’s original Bad Orange track by going to @mfishman71 ( as well as his other great guitar driven tracks, of course ).

Juiced

LYRICS:
There is something there 
Waiting in the dark
Feeding on your fear
Clawing at your heart
Seekers of the truth beware
We are not alone in here
The leaders are now lost
Time is only borrowed
Monsters walk among us
Run and they will follow

Sorrow is a long clear note
Sung by everybody’s ghost
Monsters walk among us
Ubi est deus tuus

How can I believe in our gods when they leave us to live in this seething mass of misfortune and suffering?

Ubi est deus tuus?

Original by David Bowie 1977

Bass, drums, vocal and mix : Little Man
All other instruments : PdB Orchestra

Heroes

Dope cool man-ryonthemic
https://soundcloud.com/rquinlan48
California stop（ryonthemic&Tot.masa)
Words,vocals-ryonthemic
Beat,prod-Tot.masa
Peace&Love from us both🙏🙏

California Stop feat. ryonthemic

I had posted a year ago the row version of this track recorded back in 2015 (https://soundcloud.com/michele-ansani/bosque-redondo)
I thought that, after all these years, it was time to remake it, without altering the melody or the atmosphere.
Regarding the context evoked, see for example here: https://americanindian.si.edu/nk360/navajo/long-walk/long-walk.cshtml

Composed by Michele Ansani (2015-2025).
Bansuri is courtesy by Aahro.
Cover photo: Navajo girls at Fort Sumner, Bosque Redondo era, New Mexico, 1864-1868(?). Palace of the Governors Photo Archives, negative number 038208.

RePosted on SoundCloud: 2025, June 16

Bosque Redondo (final version)*

You tube Jam here:
https://youtu.be/U46dij7HyBo?si=qlMgvn4ISIVljWPM

123 bpm
Tuning 432Hz A
Open: D# A# D# G# C F
Bars: 204

~restring acoustic and get the old and new string sound together

Lyrics

Juice my July
Give me new high
Mind weeds for the free
Give me beat 123
Please

Gather round
Look, a planet
Let's land, it can be us
As us, it's found
Come closer
Here we make sounds
Melifulous mind quietens ego grind
What will we find?
Me?
You?
Us?
Again?
Modern meditative magician
Feeds forever silent grin

Gather round
Listen
The silence, it sends
You see quiet doesn't depend
Only miss-judgement to up-end

It sends more
It sends a silent roar
It sends reality
Pretends nothing 
It sends the real me

It received a flow that only I can know
It receives scenes observed as clean
It needs not pill as ears do swallow
This timeless sound making me less hallow

Juice my July
Give me new high
Mind weeds for the free
Give me beat 123

Rapture from serpent
Wise young owl
Child of my nature
Parental to proud
Still set my bar
Good silent soul mate
I am still aural jar
Your hands have the lid eternally

Gather around each other in silence
Grow as yourself
Best food for true love compliance

Juice my July
Give me new high
Mind weeds for the free
Give me beat 123


Notes
Delay Pedal: 7808 msec - 1 run alternating reverse & modulate settings on the fly - feedback infinite for each hot loop. I use a Boss DD20 and it's great for that. It allows loop of current setting and you are allowed change to an ajacent setting without killing the loop. It in turn kills the original loop when you switch again but it allows for some really cool live delay builds. I go for reverse& modulate regularly as they offer a lot of dream and compliment each other nicely.
In this case the order was

Loop 7808 msec
1 ) Reverse delay run and off
2) Break and change to modulate
3) modulate run and off
4) Add lib
5) More modulate
6 ~ Ad-libbed to end... I disable the original reverse loop at some point 

I've mentioned before .. Whether you use delay or not it's very fascinating to learn the time and tempo relationships in figures and you get a lot from that in my view in your general outlook of music. It maybe paints the symettry and maths that music is another way and shows very nice relationships between BPM and duration. relationships between 60 / 90 & 120 etc become clearer in numbers and maybe offer additional nuggets of understanding it all

Juice my July

listen in it's proper order at https://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharinghttps://soundcloud.com/sonic-textures/sets/scalar-fields?si=a4ded6b0462f4929b3f05def556b0a35&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharingoper order at

The album coming soon to Bandcamp

stall instruments and voices: Jeff Gardiner
modulation, arrangement and all that: jo richter
lyrics: Jeff Gardiner in collaboration with jo richter
image: Jeff Gardiner in collaboration with jo richter

he told me bout the trail in the tunnel
that I'm walking while
I'm thinking other people's thoughts
little voices
like your father's father's father's
farther than the others
all combined and confined to a tunnel of your thinkin
turn that little voice off in your head
he said

you may find it advantageous
in the long run
there's an exit but you gotta take it
while riding on the boxcars full of other people's junk
pulled by trains of thought
on shaky rails

scalar fields pt 3, tensor yields  -- featuring Jo Richter

Flowers.

Written in January 2024.

Published in July 2025.


During the first few months of last year, I was ill with my recurring kidney stone problems.

Fortunately, that passed.

I left some of the compositions I started unfinished, and some sketches were barely started.

This is one of them.

My mother lives in a typical Andalusian house in Seville.

One of the characteristics of these houses is that they usually have a courtyard where there are all kinds of flowering and non-flowering plants.

Obviously, they need to be cared for, watered, fertilized, etc.
My mother loves doing it, and in spring she reaps the rewards of her labor.

I always give my flower icons to the women I follow (I hope I'm not annoying them by doing that), so I thought it was interesting to draw inspiration from all of that to put this together.

17 Tracks native instruments MS2 & Old Xewton forum.
3 XPad 
2 iMini Arturia
1 iProphet Arturia
2 korg IM
1 Ob-xd 
1 flowtones 


Mix: my hear 
Software. Music Studio 2
Hardware.ipad

Cover. A part of the courtyard of my mother's house

Thank you for your comments

Next…. Crossroad

Flowers

I just redid the mix and fixed the drums, and some of the more glaring vocal problems, and got that cool guitar lead to shine a little. It sounds a lot better now.
Please pardon my vocals, this is actually for a female artist. Not autobiographical, just a story. My apologies to Irma Thomas.

You were my angel, and i was under your spell
And you promised life would be a fairytale
But i was no more than your possession
And you put me through hell
Though you called it heaven

And everytime i tried to leave, you’d just wave your hand
And I’d come crawling back on my knees
I would pray you’d treat me better
When you’d smile at me so sad and so sweet

But something’s changed inside, I can see now who you are
and that sweet smile aint gonna get you very far!

Now who’s the one? Who’s down on their knees?
No need to beg, there’s nothing left that you can take from me
You don’t have any power here no more
Well you’ve lost your wings, and I know just what you’re here for
You are no angel, you are a devil, to the core
And you ain’t welcome here no more

Don’t come back inside, don’t put your bags down on the floor
You ain’t welcome here no more

You ain't welcome here no more

lyrics:
I never thought that you would leave
I wore it right here on my sleeve
The wind is blowing though this barely staked out ground
The tents are flapping and the thunders growing loud
I am not reasonable
It was predictable
You’re unbelievable

Im singing songs with all the voices in my head
Theres a family choir above us now
When Ive finished analysing everything you said
I’ll mount the stage and take a bow
Ancestors are judging us
Scientists will study us
Loveless and ruderless
Your unbelievable

I don’t want to cry
I was born to fight
Just not tonight

Unbelievable

Music from the Hill- Indie rock from near Oxford, UK.
Latest Nightshift review Nov 24 http://nightshiftmag.co.uk/2024/nov.pdf
Nightshift review Oct 2023 Top Track http://nightshiftmag.co.uk/2023/oct.pdf
Nightshift magazine demo review (Nov 2022): 
http://nightshiftmag.co.uk/2022/nov.pdf
Nightshift demo review from Jan 2022: http://nightshiftmag.co.uk/2022/jan.pdf
https://linktr.ee/arrowsofthesun

Unbelievable

Arrows of the Sun

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