Acclaimed international electronic music producer Riki Inocente is a pure self-taught producer, re-mixer and DJ.  This has been crucial to his creative process, organically evolving honing his skills.   His music moves dance floors all over the world.  Riki's releases include a respectful salute with remixes from Chicago house legend DJ Sneak, underground label boss Hector Moralez and Grammy nominee, and house legend DJ Todd Terry.

His Discography includes a rich blend of deep, jacking house tracks with tough bass lines with subliminal vocal messages drawing from influences of his past, growing up in ‘little Chicago’ Sheffield where Northern Soul was a staple part of his childhood memories and his current life living in London.  
World releases on I’m a House Gangster, Magnetic, Robsoul, Inhouse Records, Great Lakes Audio, Beagle Traxx, Gangstarz label, Odour Recordings, King Street Recordings, Mr Jack Recordings, rEJEKTS and re-mixes for Cajmere’s track 'Brighter Days’, Doin' Work Records, Treasured Grooves and Kid Enigma on Blue Town Records.   
Live sets played for ‘Chicago House FM’, ‘House Salad Crew’, ‘Ugly House’, ‘Heaven Music Club’, ‘HAWT’, ‘L*ghtworks’, ‘Corona Sunsets’, ‘Gangstercast Series’, featured in the I.A.H.G ADE 2014 Mix, LIVE03 IAHG, Baut, Amsterdam, ADE, BBC Radio 1, NYC House Radio, Data Transmission, Ibiza Voice, Corona Sunsets Festivals, Ibiza, India, Ldn, Fire Club, London, Gigalum Sunday Sessions, London and Duvet Vous? Bristol, UK.  
Phonox, Ldn, and is a regular player at ADE, Amsterdam including events at, Yokiyo, NL, JD Williams Whisky Bar, NL, and The Bulldog. NL  
Riki headlined for rEJEKTS party at Pacha Ibiza and Sankey’s Soap, Manchester.

Krysko, over the last 19 years, has held some of the most respected and revered residencies within the UK; The Redlight at the original Sankeys Soap, and now The Warehouse Project, where he is the original and longest standing resident.

To truly establish yourself as a respected resident you need to build deep knowledge of these 3 elements; the music you play, the pioneers of this music and the people who you play to week-in, week-out. Krysko really has developed himself in this mould and delivers exactly what any respected DJ should.

Through his career to date Krysko has played the world's most respected nights and festivals throughout the UK, from Sub Club, Fabric, We Love... Space Ibiza, Back to Basics, The Arches, Ministry of Sound, Electric Chair to twice closing the Radio 1 stage at Glastonbury, Parklife, Bestival, Sonar - Barcelona, Secret Solstice - Iceland, Global Gathering, Beatherder, Electric Elephant - Croatia to name but a few… and with regular international dates around Europe and the US including New York, Chicago and Minneapolis. 

Having shared the stage with a plethora of dance music’s most influential individuals including Derrick Carter, Andrew Weatherall, Mike Banks, Theo Parrish, François Kevorkian, Moodymann, Frankie Knuckles, and Chic’s Nile Rodgers. These aren't a random selection, just a small selection of people he has performed alongside and of whom he cites these as his musical heroes. This being a testament to his achievements and respect he has gained through his career.

The youngest ever person to play two Live Radio 1 Essential Mixes from 2000 – 2010, and most recently his third in 2013 for the Essential Mix 20th Anniversary where he played back-to-back with Derrick L. Carter. 

Owner of I Walked By Night record label, which has released music by Tristan Grace (Devon Analogue), The Burrell Connection and Neville Watson. A small back catalogue of released records, including with Paul Woolford on Chicago’s Peaches label.

CANT KILL WHATS ALREADY DEAD:. Why there are tags popping up all over Southern California bearing the name of a long-dead Jamaican gunman / studio musician is beyond us. Why there are new records popping up, supposedly written by said dead gunman and containing references to his crimes only he would know, is even further past us. On his Instagram page, the tagger responsible claims that because of an Obeah hex, he has been possessed by the ghost of TINLEG, and is evidently powerless to keep from writing and recording lyrics, while seemingly in a trance, as well as ditching his own long-time tag to scrawl only "TINLEG" across every available surface. He claims to become sick and nauseous if he ignores the urge to write and record this music, and says that when he complies, he not only feels better but feels "all the way better. Like heroin." Below Wikipedia entry about the dead gunman/ active ghost in question:

Kiko Winston Hubert "Tinleg" Tical (1974-19??) was a JLP gunman during the contentious and violent elections in the wake of Jamaica's independence from England. [3] [4] [5] Jamaican Labour Party thug, smuggler and all-around bad boy yardie by day; respected studio sideman [6] [7] and sound system MC with the S.A.R.S. Mobile Sound truck by night. After a gun battle and subsequent bounty placed on his head over an incident involving another man's wife [8] [9], he relocated to the New York City borough of the Bronx. While there, he recorded an essential vault full of material in a makeshift studio above a Russian fish market. [10] In May of [Redacted], he took an ill-advised return trip to Kingston. While in the notorious Spanish Town section, he was shot and killed on the street in a payroll robbery gone wrong. He was 43 years old. [11] [12] [13] 
Last edited by Wayne Jobson 6 months ago

®️2018 BONEYARDIE$

Booking requests or radio Livestream requests @ info@djmegagirl.eu www.djmegagirl.eu
http://www.facebook.com/djmegagirl

Let us introduce you to DJ Megagirl, also well known as Widia. She is a dandy Dutch-Hindustani lady, who is born and raised in the Netherlands. Not only a dj, but also a great performer who likes to interact with the people  

Dj Start On 13 January 2004, she got her first turntables for her birthday, because it was her dream to play records and perform for people, since her childhood 

* Dj Megagirl: Technohouse/Progressive/EDM

She likes to play and mix different styles, because she feels one style is to boring to play, to listen to and to dance on for whole evening. A little tough with a feminine touch, but also happy, uplifting (party) and floor-filling, popular and non-popular, mix of vocals and non vocals, is her way, music of this time

Influenced by different dj styles as example Melvin Warning, Freemasons, dj Jerrel, but she plays mainly herself of course

You can say that dj Megagirl is a very passionate lady who lives on music and lives to perform as an artist. She gives all her feelings and emotions by playing or dancing on the music. At the most of all, she likes to make the crowd happy with her music. When that happens, she has the time of her life.

On the most of her gigs she get asked to play on prime time, but she can also build up a whole evening with her sounds and on her own.

Dj Megagirl gets her gigs from places like clubs, discotheques, events and business events all over the country and outside like:


Sexy Mother F*cker Zenith (Venray) Time Out (Gemert) Club LA (Amsterdam) Catacombe (Amsterdam, Utrecht) Crazyland (Amsterdam) RAI expo (Amsterdam) Amstel Botel (Amsterdam) Supperclubcruise (Amsterdam) Jhp Fashion (Amsterdam) Girlz 'n Style Club Latido en Club Monza (Utrecht, Amsterdam) Resident City Hall Utrecht (Utrecht) Gogonut Club (Lelystad) Dolce Vita Club (Herten) The Talk (Tilburg), Cafe Cuba (Breda), Café ’t Keldertje (Enkhuizen) Resident 2007 Mambo (Almere) De Bierelier (Enkhuizen) Resident Since 2009 Club Bacchus (Enkhuizen) Stadsherberg (Enkhuizen) Resident 2007-2008 The Club (Enkhuizen) Resident 2006-2008 The Island Texel (NLD) Club TNT (Kreta-Greece) The Club Holland Casino (Enschede) Resident 2007-2010 Exeptionell (closed after Miss Melody) TDF (Berlikum) Zino (Tilburg), Big Queensday event (Grootebroek) Gouden Zooi Bantam (Hoogkarspel) The Merit Awards (Brussel/Belgium) CapGemini (Brussel/Belgium) De Kade (Zaandam) Party Pub (Almere) Hells Angels Party Jachtlust (Goor) Importante voor regeringslieden (Den Haag) TV Reality soap De Gouden Kooi (with Miss Melody) Cafe de Zet Ladies Night (Bergen op Zoom) Cafe de Poort (Bergen op Zoom) Queensday event 2010 Enkhuizen Omini (Lelystad) Supperclubcruise boot (Amsterdam) Sail-event Regatta 2010 (Medemblik) Vijverhut (Callantsoog)  Beachclub Vroeger SMF (Bloemendaal), Smithy's Palace (Eesveen), with Fakir Nuno & Vampire Vincent (from the Uri Geller show), zenith, Experienz (Leuven, Belgium), Skate Area 51 Eindhoven, Club Zozo (Enschede), Club Merlijn (Hengelo) and many more


You can hear dj Megagirl every week and every day Livestream on aprrox 18 radio Livestream stations. For schedule and timetable see: Livestreams

Further on she is since a short time an event manager van The Dutch Record Label Dutch Music Maffia.


Dj Megagirl has, except to play for the crowd inside and outside the Netherlands, more goals she likes to achieve. Therefore she started with producing of her own original songs and is planning to release some tracks next year.

It’s for sure that you will hear more in the future of this dynamic Shejay

Founded in 2013 in Essen, Germany, DEAD MEMORY have become one of the most appreciated rock bands in NRW, which are known for their positive attitude, ingenuity and inexhaustible live presence. 

Whether with soap bubble cannon, golden rain confetti or the permanently entertaining contact to the audience:
DEAD MEMORY redefine entertainment rock. 
 
The new album "Welcome To my Fairytale" her label debut on Timezone Records and follows the 2015 album "Cinderella", 
whose singles "Lipstick On The Mirror" and "Only One Try" were played on various radio stations in Germany. 

The record was also able to convince internationally with over 12,000 streams worldwide. 

  
DEAD MEMORY take a courageous step forward on the new work and explore new tonal realms. 

"Welcome To My Fairytale" takes the listener on a journey out of everyday life - with rocky and rousing songs,  which stand out from the previous works of the band.

Discovered deep within the Duran Duran vaults, TV Mania’s Bored With Prozac and The Internet? blends television samples and looping rhythm tracks to create a sonically sophisticated collection of songs that serve as the perfect soundtrack to the Facebook age.

Conceived in the mid-‘90s by Duran Duran’s keyboardist Nick Rhodes and guitarist Warren Cuccurullo, Bored with Prozac was culled from a collection of tunes recorded when the band were on hiatus from their day jobs. Using samples from such disparate sources as The Outer Limits and the British TV show Planet Fashion, TV Mania’s pastiche of cool beats and melodic hooks proved more prescient than its creators could anticipate at the time.

“It was innocently masquerading as an art rock project, but there was a deep concept behind it all,” explains Cuccurullo. “We were envisioning a world where a family would give up their day-to-day privacy and allow their existence to be televised to the masses, and this was two years before Truman showed and four years before Survivor. Now everyone is giving away their most intimate details online and on reality TV.”

Originally created for the Broadway stage as the music to a “bizarre TV soap opera,” the tracks tell the tale of Cathy and Ray (named from the cathode ray tube) and their two children Sassy and Snoop, a fame-hungry family who gives away their freedom to scientists in exchange for reality show fame. Depressed and obsessed, Cathy indulges in a diet of pharmaceutical pills, while her religious husband is plagued with nightmares and visions manifested in a game show hosted by the devil. Their video game-addicted hacker son and fame-hungry daughter are along for the ride, inspiring songs such as “Beautiful Clothes,” “I Wanna Make Films” and “People Know Your Name” in the process.  The songs aligned fortuitously with the family’s story to become pivotal plot points to the family’s lives.

At the time, the Internet was in its infancy, as was the concept of pharmaceuticals as a solution to everyday problems.  Reality TV existed in the form of MTV’s hit The Real World, but the concept of bored housewives, teenage moms or overly tanned denizens of the Jersey shore starring in their own series seemed the stuff of science fiction, as did ordinary citizens sharing their daily thoughts and passions via Twitter, Blogspot or Flickr.

“In 1996 the Internet was still in its infancy but I anticipated it was the start of a rather big phenomenon,” Rhodes explains. “I was fascinated by communication and how things were becoming more instant and this was decades before all the sites we have now to communicate in different ways. “

A few months after Rhodes and Cuccurullo were done recording Bored with Prozac, a little show called Big Brother hit the airwaves, and nothing was ever quite the same. “We looked at each other in absolute disbelief,” says Rhodes, “It was an idea that was in the ether at the time. We decided to lock it in the bottom drawer whilst we changed the story.”

As time went on, a fortuitous discovery of the original tapes proved songs such as the dreamy trip hop-tinged “Euphoria,” the guitar-grooved “Beautiful Clothes” and the exotically soundscaped “Grab the Sun” sounded as modern today as the time they were recorded.

Says Rhodes, “When I found my DAT tape of masters I thought ‘Wow, this sounds unbelievably contemporary.’ It’s literally like finding a painting and blowing the dust off of it. Times have certainly changed since we made the record, but the subject matter that inspired this album happens to be at the forefront of today’s world, so the songs have weathered the test of time in a strangely beautiful way.”

Bored With Prozac and The Internet?, with creative direction by Andrew Day and front cover illustration by Vania Zouravliov,is being released in a vinyl boxed and gatefold edition through The Vinyl Factory and digitally via The Orchard/Beatport on March 11, 2013. The boxed limited edition will include exclusive Polaroid photographs shot and signed by Nick Rhodes, screen-printed artwork, a personally authored note by Warren Cuccurullo, and an oversized glossy booklet featuring exclusive imagery. The Vinyl Factory collaborates with musicians and artists to create premium vinyl editions. In 2012 the label released records by artists including Florence + the Machine, Roxy Music, Massive Attack, David Byrne and Martin Creed.

SYNOPSIS
In America, social scientists and anthropologists are searching for answers to why family life has degenerated so badly in recent times. After studying online national census forms, they randomly choose one family, from over a million volunteers, to be Test Group101.

The family are secretly transported and installed in an isolated, futuristic, intelligent designer home, where they have every modern convenience at their fingertips. There is no need to ever leave, according to all previously gathered data, as life inside the house is ideal. The family are monitored 24 hours a day, Big Brother style. They are allowed virtual friends, under controlled conditions, but must remain within the house, continuing to live their lives as if nothing has changed (in reality not much has). All food and supplies are ordered online; deliveries arrive hermetically sealed, and the family have absolutely no physical contact with the outside world, which is now considered the ultimate contemporary luxury. They also benefit from having a full virtual staff, who are generally extremely efficient, and cater to the family’s increasingly eccentric requests.

Most things in the house are operated by voice command, or can be activated via the internet. This usually runs smoothly, but if the system goes down chaos prevails in the house, as no one knows how to perform any of the simple tasks anymore. They do have computer access to the outside world, although news coverage and social networking are prohibited.

The dysfunctional family pretend to live out the dream life in front of the scientists, but the flaws are astounding and make compelling viewing. Although the GMRA (Genetic Modelling Research Association) had promised to keep all information entirely confidential, due to a phenomenal financial offer from a network, after seeing the results of the fi rst couple of days, they relinquish their former agreement and license the daily footage for TV and internet rights, completely unbeknownst to the family. The show attracts more viewers than any other in history; it is translated into 30 different languages and causes intense international debate.

Much of the discussion is about why the family would have allowed their lives to be put under the microscope (the producers decided not to inform the public that they did not have an agreement with the family or the rights to use the footage for anything other than research purposes). Others marvel at whether it may be possible to rehabilitate the family and return them to normal life after the ordeal is over.

The world watches as the situation in the house becomes increasingly unmanageable, but at a crucial point when things are reaching meltdown, the entire broadcast system crashes and all screens go blank. At this time, the mother is suffering an overdose incident, and the father is having an hallucinogenic episode, where he believes the family have all turned on him and he has no option but to submit to the Devil, who is the only one powerful enough to overcome their problems.

The daughter is dressed as a super sexy starlet; obliviously living out a melodramatic scene from a Hollywood movie; and the son is hacking into the scientist’s system to find out the truth about the results so far, in a desperate attempt to understand his family and himself…In an operatic crescendo the scientists enter the house in panic, fearing public outcry if anything bad happens to any of the family, and a massive lawsuit from the family themselves once they find out the truth about the broadcast.

The TV lawyers are first to arrive and approach each member of the family to tell them what a huge success they have become, brushing over all money and broadcast issues, asking them to sign waivers to fi nalize all paperwork and conclude their time in the house. The father suddenly realizes that people know who he is and in his deluded state, wanders out of the house to greet the adoring public…It is cold, flat and empty, but not in his imagination. The mother is thrilled that people have seen her suffering and rushes outside to beg for help and forgiveness. The daughter is elated that she may already be famous and prepares herself for her grand exit from the house and entry to the world of red carpets where she hopes to receive instant movie offers. The son is still in front of his computer, barricaded into his room and is watching the whole thing unfold live as the feed has been restored. He puts on his gaming gear and slowly walks outside, where he realizes that he is in the centre of a giant video game, he fi nds himself absolved from his isolated world and able to relate to people outside his room for the first time. The family all bond over their desire to be famous for being what they are.

A world designed with you in mind.

BLUE SOAP is a radio plugging company established in 1999.  Instrumental in launching Elbow, I Am Kloot and Tompaulin, we progressed to become a purveyor of independent artists including Jim Reid of The Jesus & Mary Chain, Mogwai, The Walkmen, Stephin Merritt, My Morning Jacket, Goldblade, Kings Have Long Arms and many other independent artists. 

Our team have worked across all sectors of the music industry from the live scene to record labels, local independent stations to national radio brands. We've amassed a collective fifty years experience and established an enviable network of contacts, ensuring Blue Soap is one of the most respected and successful radio plugging and PR companies in the UK.  

We took the name 'Blue Soap' from the b-side of The Associates' single 'Message Oblique Speech'.  As admirers of both Billy Mackenzie and his unique and maverick approach to music, we took inspiration from his ethos.  It summed up what we wanted to achieve.  Our mission is to champion the underground of great but often overlooked artists who are striving to get heard in a world dominated by corporate labels and media.

"I'm always impressed by the diversity and quality of the music that the Blue Soap team plug/promote/love/bring to the table..."
Tom Hingley - Inspiral Carpets/The Lovers

"Blue Soap not only have a great rosta of bands but they are approachable, DIY and truly independent in a time when all those words have been stolen by marketing monkeys and made devoid of all their beautiful meanings..."
John Robb - Goldblade, The Membranes, Louder Than War

"Blue Soap have been a pleasure to work with. They embraced the music and philosophy of our label and have secured airplay in Britain and America for our debut releases. Always available, always helpful, always professional."
Carl Hunter - The Farm, The Justice Collective, Creative Director at Label Recordings


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