Well ….. synths, composition

https://on.soundcloud.com/n1u9HxZB74wW7FYv6

Surfers like Us ….. guitar, co-composition

This piece is a continuation of our previous track titled „Deep Ocean”. We invite you to explore the depths of the ocean. It’s a delightful journey, but also a disturbing one. You will find there not only beautiful underwater landscapes, but also dangerous places. Light and unearthly colors pass into darkness. We hope we have expressed all this in our music. Thank you for your time!

Deep Ocean: Exploration (w/Well)

Hello, Everyone! Do you like surf rock? Do you like the soundtrack from „Pulp Fiction” and „Kill Bill”? I try to combine surf rock with other styles of music: with indie, psychedelic, space rock, ambient, electronica… 
All pieces on my profile were written by me (unless otherwise noted in the description) 
I hope you enjoy the vibe 😎🎸

COLLABORATIONS 

I co-found a duo with my friend from Sweden, Håkan (WELL ) on synthesisers. We have recorded several tracks together, which you can easily find on my profile and on WELL's profile. My friend and I are trying to combine ambient music or space rock with a surf guitar sound in our project. Our collaboration continues 😎 Please check out Håkan’s profile on SoundCloud:

https://on.soundcloud.com/QqMQiooju5M6WSFx7

I also recorded a few tracks with my friend from Poland, Marcin Jakubowski. He is a great composer, musician and producer of electronic and ambient music. You can listen to our tracks  „On the open road to north”,  „Drifting Away” and „Space Crash” on SoundCloud 😎

https://on.soundcloud.com/bMxPLfRnmm7MaPk69

Notable are my collaborative tracks with my friends under the banner of The Eclectic Collective. We recorded nine tracks together (compositions of my own making): Surf Dance/ A Time Race/ The One/ See You Soon (in a better world)/ Tell Me The Truth/ Sweet Rainy Day/ Flow Of Life/ Between Sun and Moon/ I Feel the Same as You 😎 
This music goes beyond surf rock and into psychedelic territory with the help of incredibly creative musicians such as Josh Clary (bass), Ken Karasek (drums), J.J. Terrell (keyboards), Carl Culliton (vocals and guitar), Tez Terril (guitar) and Stephen Watkins (guitar and sitar) 🌞 Listen to our songs on Josh Clary's profile:

https://on.soundcloud.com/zRWZiu92GW5C8Sv27

A special project is the track "Ghost Train" which was recorded in a quartet, with Håkan (WELL), Josh Clary and Tez Terril. It's psychedelic ambient based on a trance beat, synths, bass and guitars!🌔

https://on.soundcloud.com/9xhTU5uo5phBPj8A6

Another notable one is the project with my friend from Kansas City - Nathaniel Ehrnman. Together we created a quiet track called "Good Days”. Nathaniel added his guitar parts (slide and baritone) and harmonica to my track. His unique playing style gave the song a folk character 🍀 Please check out Nathaniel’s profile on SoundCloud:

https://on.soundcloud.com/KmSiEyaRZLmFxWGTA

In the next track called 'Clouds', our friend Bill Brooks (Remnant60) joined our duo (Nathaniel and me) on synthesizers. This combination of different musical styles gave an interesting final result, so I invite you to listen to the both songs (produced by Remnant60)🍀

A short time later, another project followed: "Between Us”. Bill Brooks (Remnant60) added his synthesizers to my guitar part and also took care of the production of this song! This is how the combination of surf music with electronica came about. 🌔
Our next collaborative piece between Bill Brooks and myself is titled: „Things Change”. Bill added his synths and bass to my guitar track and also took care of the production and mixing. The end result is available on our profiles! 😎 
Our latest track so far is “Surf Odyssey 2025” where Bill added his synths, second guitar and “ocean sounds”, and handled the mixing and production! 😎🏄🏼‍♂️ Please check out Bill’s profile (Remnant60) on SoundCloud:

https://on.soundcloud.com/Bcfbq2vJq8vZqUXM7

In 2025 I recorded two tracks with Andre (noxpox), a friend of mine and a great musician (synths, bass) from Germany: „Meltdown of the Ego” and „Surfin’ Marrakech”. He is also the producer of the both pieces. You can find many other interesting tracks on Andre’s (noxpox) profile:

https://on.soundcloud.com/RebtnaZDvscdseHA8

Enjoy surf music in a new version! 🔆🎸

MANY THANKS for listening, commenting, reposting and support 😊

Artur / Surfers like Us  

[ All rights reserved ]

just passionate, not professional at all, home studio

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

Curly Compositions from a German Composer.

My bio does not matter at all.
Just listen. 
Be the sound. Be music.
Just be.

booking/inquiries : tocovervisch@gmail.com


08.07 Pointe Lafayette (Solo)
28.06 Charbon Collectif, Bagnolet
21.06 Chaton indépendant (Vélvélé)
14.06 Non Jazz (Stéphanie Lotion )
08.06 Tour Orion, Milieu Studio (Stéphanie Lotion)
06.06 Plateforme Paris (solo)
04.06 Olympic Café (solo)
29.05 Ground Zero (Stéphanie Lotion)
25.04 Furium, les Nouveaux sauvages ( Stéphanie Lotion)
19.04. Non Jazz, Cantine pas si loin (solo)
25.01 Vanilla café, cmptrmthmtcs (Stéphanie Lotion)
21.12 Pan café (solo)
13.12 Théatre Berthelot, Montreuil, Collectif Coax et Instants chavirés (Stéphanie Lotion)
30.11 La Berge, Saint Aignan, 41 (Stéphanie Lotion)
05.11 Olympic café, Sport National (solo)
19.10 Tour Orion, l'Amorce des consignes (solo)
02.10 Shakirail, dernière de vaagues de chaleur (Stéphanie Lotion)
28.09 Festival l'Ode Mère (Stéphanie Lotion)
20.09 Consulat (solo)
12.07 Sport National Café de Paris (solo)
27.06 Beaux arts Paris (Stéphanie Lotion)
01.06 Le boulingrin Rouen (solo)
13.06 Beaux arts Paris performance avec Margot Bernard
05.06 l'international (Vélvélé)
04.05 Feux avec (Stéphanie Lotion et Vélvélé)
16.04 Instants Chavirés (solo) Quasi
16.03 à DOC performance avec Laure Mathieu 

__
12/01/24 Chapelle Port Royal avec Stéphanie Lotion 
13/12/23 Pointe Lafayette avec Velvélé (silence kills concerts)
10/11/23 Zorba, (La sale pépinière) solo 
03/11/23, Café de Paris, Sport National avec France Connect
26/10/23 Supersonic avec Velvélé
18/08/23 Pallistock festival 
11/04/23 Instants Chavirés, solo show

Main DAW :  Studio one pro 7    Mixcraft pro 10 studio    Ability pro 5

Yan Grooger, artiste belge né en 1987, Créateur de sons électroniques depuis 1998.Signatures en 2015 de plusieurs singles sur des plateformes comme Beatport,Spotify, itunes...Sa discographie comprend des titres tels que Slow Motion, Human et Vis pour la musique, auto-production des albums L.P.E et easter eggs en 2025, On peut retrouver sa musique sur des services de streaming majeurs, ce qui témoigne de son activité en tant qu artiste indépendant. Il a également une chaîne YouTube où il partage ses créations.

Keep creating, this world needs music! 

infos:
grooger.yan@gmail.com

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.