When it comes to early forms of ambient used in a musical context, the roots can be traced back to early 20th century French composer and pianist Erik Satir – albeit not in the manner we know today. His work is considered a precursor to Ambient and other styles of minimalism through his modest ‘furniture music’. This is a form of music that serves the purpose of creating a background atmosphere during dinner parties. Satir didn’t produce these compositions in order to hog the attention of the listener, and that sentiment already sets the foundation of what would later become ambient music.
On the subject of compositions, it’s safe to say that classical avant-garde and experimental music were heavily influential in the formation of ambient as composers from these genres embraced minimalism and unorthodoxy.

Text source: https://www.stereofox.com/articles/ambient-music-explained/

I thought it would be interesting to see how Erik's music may have sounded today if he was still alive, with access to technology we take for granted. 

The original length of the piece at 28mins is also interesting, as who has 28 minutes to relax and listen to a whole composition of music these days?

The image was made using www.dreamstudio.ai
 
Kit used:

MacBook Pro M1

Ableton Live 11 Standard

Arp Groove Oddysey - VST Synthesiser

Valhalla Shimmer - VST Reverb Filter

Voxengo Stereo Touch - VST Effects Unit

Isotope Iris 2 - VST Sample Synthesiser

Erik Satie - Gnossienne No.1 (Extended) - FOV Re work

Main DAW :  Studio one pro 7    Mixcraft pro 10 studio    Ability pro 5

As Field of View, my electronic music persona, I channel emotions and experiences into soundscapes, inviting listeners to immerse themselves in a journey of introspection through evolving melodies and intricate rhythms.

Erik Satie - Gnossienne No.1 (Extended) - FOV Re work

Field Of View