@myopus: Danke Gerhard, freut mich von Dir zu hören!

Alle Achtung mein Lieber, Du entwickelst Dich zu einem wahren Filmmusiker. Hervorragend!!!

Diese Streicherlinien sind toll - voller Sehnsucht und Wärme.

I like the experiments in your laboratory. Your alchemy is mesmerizing...

Halo! Had my account hacked but started a new one. Good music can't be stopped! I just adore this channel and your artistry!

Great experience working with the extremely talented Pascal Hennig https://soundcloud.com/user-650933542
a.k.a https://soundcloud.com/kallypso-65180009
artwork by comfreak

The Gravity Of It All

Pascal Hennig & Jeremy J. Saks - The Gravity Of It All

“Second Passacaglia for String Orchestra” was completed in July, 2022 in Fairview, TX. 

From the composer's publisher Creative Spirit OnLine: "Brooks’s Second Passacaglia unfolds broodingly over a 17-bar, slowly moving bass line in cellos and basses, while the variations above increase in movement and intensity until finally arriving at a subdued and haunting final cadence."

The work is in one movement. Performance time is about 10 minutes. 
Printed and electronic scores and parts are available from www.CreativeSpiritOnline.com
A virtual recording of this work is posted on www.soundcloud.com/robert-john-brooks.

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

Contact information: 
Email: robtjbrooks@yahoo.com 
Web: www.soundcloud.com/robert-john-brooks
Web: www.CreativeSpiritOnline.com

View/Purchase Score

Second Passacaglia for String Orchestra

In 2000, a children's orchestra took part in the "Prix de jeuness", a European music competition.
For this I composed a story of a Brazilian street child ("Manolito")consisting of 7 pieces. The "music box" was the centerpiece of the story. Manolito, the street kid finds the music box in a garbage dump looking for food. I wanted to orchestrate it "better" again, but I'm not satisfied yet. 
Warning: this version is not suitable for children's orchestras!!

Die alte Spieluhr (the old music box) Theme from Manolito

Hiya Peoples! 😊

As seeds, budding plants, shrubs and bears awaken from the depths of winter in the Northern Hemisphere and Spring comes, we're delighted to finally Release a New Track for Spring of 2023! 😎  
   
We call it 'Awakening'. 

And thank goodness that as usual, the fingers of Tim Elliot are on his Telecaster and mine on the ancient Upright Grand Piano .

and together, they work their magic as we continue to explore the sonic landscape together through Improvisation.

Of course this can only happen within a space of Deep Listening.  A place Musicians can go in their totally individual inimitable ways.                      
                                                                                                                               
In our case, we almost immediately found ourselves being 'Led' into a Tonal Awakening....
Subtle grooves that were an outer manifestation of the Joy we were experiencing as we explored the spaces in between the notes.  😊  

Of course, the very best kind of Awakening is to one's own inimitable Truth, no matter the noise and apparent confusion all around. And sure... there's all kinds of negativity and nonsense in this ol world, but who needs to Awaken to that? It's more than obvious!
 
Far better to explore and express one's unique Creativity! To share the Love one feels for whatever they're passionate about, through their Music! 😉

May you enJOY what Tim and i have been up to lately. 


© Gary Courtland-Miles & Tim Elliot 2023
℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Arranged and MiXed by Anomon

Awakening *

Morceau cool....symbolique 
Amitiés Musicales
#jmantoni

Symboles

Goodnight

Midnight Talking (For two guitars)

Some Dark Magic

Where The Land Meets The Sea

To quote Josh
"This is a song that began as a bass line I came up with on my four string fretless over a looper. I shared it with Ken (K2 and the Three [and Four], Stephen (Tex Mex Shaman), and Tez (Llanpsych) through BandLan, which we're all on. Ken came up with some perfect drums, as always, to prop up the whole thing. Tez added some killer guitar solos, which you can hear more towards the end, with the ripping tone. Stephen then came in and added the talk box guitar and wah guitar that you hear playing the hook more towards the beginning. It's my first song ever featuring a talk box, and I'm amazed with the part he came up with. It's a major line against my minor bass line. I love how it sounds! Stephen also was kind enough to mix the beast for us, which turned out to be a herculean task. But he was up to it, and a fine job he did, too. It was an honor and a pleasure to work with these guys. We all hope you enjoy it as much as we did making it"

High Noon - with Entheogenic Psychonaut (Josh Clary), K2 and the Three, and TexMex Shaman

An other smooth thing with my Friend Joerxworx.
We all can be happy to have him here on SC
https://soundcloud.com/joerxworx
Big Big Thanks for this

Lunatics 103 Reflexion / Joerxworx & Ratzzz

After the gloom of the last few days, I thought I’d lighten the mood a little; yesterday’s melody sounds very different in today’s context.  And there you have it, context is all (or nearly)!  A day of reading, research and composition awaits.

06 May 24 Leit Relief

All these tracks are composed, or orchestrated by me, (self taught non-professional)All rights are  reserved. I used Finale 25, with Garritan Sound.
The pictures  are painted by me or made by AI Canva.  If You are interested in the scores, please write me!

Die alte Spieluhr (the old music box) Theme from Manolito

Paint-Germain

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