Dominique Lewis Stage name Eegle Hy was born on the 13th day of January, where he spent his childhood in the community of top range mountain view. It is in this community he acquired his love for music. He would entertain his family members on his grandmothers patio  by performing some of his favourite songs to the delight of his audience. He continued his love for music throughout school at the age of Twelve (12) while in the seventh grade he performed his first freestyle then wrote his first song "see me inna me Bimma this song was loved by all his peers  to the point he was asked to perform at a birthday party being held in the community which he lived at the time he was called Dr.Flex he performed the song on the black widow riddim. That performance gave him the confidence he  needed to perform on shows it also motivated him to continue writing lyrics.
He recorded his first song gal hot in two thousand and one (2001) at the cave man studios. However one year after leaving school the artist was blessed with a wonderful baby girl so he decided to change his priorities though still very much interested in music he had to put his music career on the back burner because he had a child to take care of and music was not yielding any income at that time. While working in fields outside of music the artist kept up with the music industry as it was his passion to pursue a career as an artist.
 He then move to he Grants Pen community where he started working with One Room Productions with Skatta & Kerron then to Dyre Builders Music where he worked along with Jay Dyre doing a lot of demo tracks and stage shows in the Grants Pen Area which gave him a lot of recognition as an artist and help him to get to perform in venue in other areas. In two thousand and ten after performing at a street clash on Oddman Lane and at Seaview Splash and getting a reception he decided to put more effort in his music career. A lot of persons tried to take his career in hand but most of it was just talk and as it is said "talk is cheap".
 In early two thousand and fourteen (2014) he started working with the Don't Fight It Productions (DFIP) team and producer I Am France. This is where he did collaborations with Fraction gal bubble up and Nuh Thump inna face and also with K-Star Magical touch where he started to do dub plate work for selectors overseas targeting the  United Kingdom market. This is when the artist working with Yellow Youths Sound then word spread to Platinum Links sound with Young Links  and Platinum Links he started dub plates for them as well there a friendship was formed with the artist and Young Links. Young links then started contributing to his career and gave him a project named horny after delivery of the project it was loved so much platinum links asked for a clean version that could be played on the airwaves.

Real, raw and soulful... All words to describe singer / songwriter Shelly Bhushan and her new album, "Something Out of Nothing". S.O.O.N is a roller coaster ride of emotions thoughtfully strung together yielding a soundscape set to Bhushan's lyrics and vocals.

Something Out of Nothing was originally conceived as a concept album anthropomorphizing inanimate objects like a house plant, a computer and the City of NY. But it became so much more. Shelly used those objects as a medium to express desire, defiance, longing, heartache and exhilaration; lyric and music sewn together like patchwork quilt telling a story about living in the most beautiful and tragic city in the world: NYC.

The big tracks are drum and bass driven with crunchy guitar licks and soulful undertones like: "Flickering", "Who Do You Think You Are?" and "Feather". Others are seductive and enveloping like the quiet storm vibe of "Never Let You Go" that lead you to a big chorus drop that reinforce the longing in the lyric. Others have a slinky patience like "Intoxication". The ballads are sparse with room for Bhushan’s vocals to fly, like "Moon" and “Unrequited Love Song”.

Influences range from Donny Hathaway, Pink Floyd, XTC, Michael Jackson, Hall and Oats, Led Zeppelin, Supertramp and many others. Spectators have likened her and her band to a soulful White Stripes, a female Bruno Mars... it's hard to pin down, but the difficulty to classify is the very thing that makes Shelly's music so interesting.

Shelly's been digging in deep, winning praises from the likes of Time Out NY saying, "Critic's Choice! feisty, kick-ass soul from Bhushan and her band... we think she's great." The Deli marked that "Shelly’s lyrics have the ability to capture the human soul, and she knows how to elevate this emotionally through her music." Publications like LIC Notes said, "This Texas native’s lush voice and impeccable phrasing, both of which grab you from the first hook, promise to make her one of the brightest young female stars in NYC."

And most recently, she was recently featured at The New Yorker's, The New Yorker festival which also featured along such distinguished guests and performers such as Lucinda Williams, Lena Dunham , Malcolm Gladwell and many others said, "Shelly Bhushan’s voice is a true standout: soulful and feisty and full. We couldn’t get her song “Something Out of Nothing” out of our heads... ". She hopes you agree.

Cells is Let's Go Outside, Milkplant, and Sone.

LET'S GO OUTSIDE
Steve Schieberl was born in Milan, Italy on December 6, 1977 and is now living in Portland, Oregon. He took the moniker "Let's Go Outside" as a tribute to his fascination with outdoor activities, most notably parachuting. Let's Go Outside started DJing and producing electronic music as a teenager in the early nineties in southern California. His music straddles many different styles; evidence of having grown up with a wide variety of influences. There are hints of IDM, techno, ambient, electro, house, etc, but it never lands itself directly on one genre. The end result is a complex-yet-intuitive mixture of all forms of electronic music, layered atop heavy bass and unshakeable hooks, combined to create something new, yet strangely familiar.  Let's Go Outside releases on Soma Quality Recordings and is the founder of Slant Records.

MILKPLANT
Milkplant is Justin Pennell of Seattle, WA. Employing esoteric concepts and alchemic themes throughout his music, production techniques; Justin seeks to merge the meaningless with the meaningful, the selfish with the selfless, the positive with the negative, the black with the white, the human with the machine, the zero with the one - all manifestations of the great eternal balance. His belief is that when a delicate balance is struck between dualistic concepts a greater reality emerges, illuminating a more meaningful direction in life. Digital culture has both connected and isolated humans simultaneously giving rise to more confusion and fear than confidence and knowing. He seeks to use this digital medium to merge these opposites and to strike a more refined balance, yielding a better understanding of our future while being keenly aware of our past. Justin seeks to offer this platform to allow the participant to find within, the great mystery of existence necessary for all to eventually seek as an evolutionary milestone for further understanding of the universe and our ultimate role within.  Milkplant is also the founder of the From 0-1 label.

SONE
Brian’s first foray into music was drumming in various local punk-rock and ska bands growing up in Wisconsin. Consequently, he discovered electronic music, and after having Chris Liberator melt his mind late one August evening he recognized that it was to be his calling. After nine years of DJing techno in 2006, Brian relocated to Seattle and began producing music. His DJ sets push for the intense builds and disorientating breaks that are characteristic of techno, while maintaining the all-important element of danceability. The "Sone" moniker was born in 2008 as an outlet for production work, which ranges from ambient and dub to big room techno, the majority of his creations. Brian is also the co-owner of the From 0-1 studio and is the Logistics Manager for the budding label.

JDSoundworx
Los Angeles, CA, Melbourne, Sydney, Edinburgh and London- JDSoundworx has announced a new album, "4tune8" Following the recent success of his album "ME GENERATION" along with its lead single, "Yeh! it's all about You"

"4TUNE8" is a crisp, and energetic piece of Raw Rock that finds Delaney with all the knives in his arsenal of skills sharpened to their finest edge. From its mingling of rock textures and sleek pop melodies to its fusion of smarts and catchiness, The lead single "Stand and Deliver" is an on-target introduction to Delaney and the JDSoundworx studio in Melbourne Australia.

JDSoundworx is Delaney's recording studio whose primary focus is the creation and production of music for placement in film and television and for other artists needing songs in the rock and pop fields. JDSoundworx, thanks to J Delaney's songwriting and production talents, is ever growing in its reputation as a source of songs that are geared to commercial requirements without loss of substance and staying power.

Recently, Delaney partnered with pacintmusic.com, the premier A&R firms based out of Los Angeles, CA, to help make even further inroads into the entertainment industry.
The forthcoming "4TUNE8" album and songs like "STAND AND DELIVER DUB-DANCE" are his calling cards and the best advocate a songwriter/producer could offer. Delaney's songs are audio revelations, with crystal clarity in the production of bright, vivacious, hooky pop rock bites.
Delaney is versatile behind the mixing boards, in the recording process and as a songwriter. He's just at home crafting retro-minded 70s rock to the pop flare of the new millennium, not to mention the spectrum of styles in between. And he's always up for a challenge.

Castalia once wrestled a bear just to say they've tasted the scales of fresh river salmon straight from a Kodiak's teeth. Look to your left and you'll wonder what was right about that last song you listened to. Wrong. You'll be humming Castalia. Formed in 2010, (which scholars have noted as North Carolina's best year in history) ... (no relation) Castalia is not a Greek word for 'Tour van' but they do need one if anyone would care to make a donation. Once described as a neutral room temperature breast milk substitution for small infants, the labrynth of notational superhighways this group continues to produce can only be described as red dye #5. The Farmer's Almanac listed Castalia as the highest yielding source of malnurished rocks in 2013. Castalia wishes you a merry day.

Skinny Puppy formed in 1982 from the partnership of cEvin Key (Kevin Crompton) and Nivek Ogre (Kevin Ogilvie) in Vancouver, British Columbia, Canada.

Key was dissatisfied with the pop direction of his then-current band Images in Vogue and began Skinny Puppy with the intention of doing something more raw and experimental. The duo recorded their first self-released cassette Back & Forth in 1984, with help from Dave "Rave" Ogilvie. This was the beginning of a long partnership between Skinny Puppy and Rave, who would serve as their producer until 1993, again in 1995, and was occasionally listed as a member of the band in album liner notes. Back & Forth drew the attention of Vancouver startup label Nettwerk, who signed the band later that year.

The dark electro-pop styles of the debut EP, Remission, and first album Bites the following year, earned the band a fervent fan base. This era saw the creation of such now-immortal underground hits as "Assimilate", "Smothered Hope", "The Choke", "Dead Lines", "Last Call", and "Far Too Frail".

Dwayne Goettel, who played synthesizers and samplers, joined Skinny Puppy in 1986. Classically trained as a pianist/keyboardist, Goettel had previously worked with the synth pop band Psyche, among others.

Their audience expanded with a distribution deal with Capitol Records/EMI, while Play It Again Sam issued a number of their releases in Europe. Their production values continued to improve with the addition of Goettel on Mind: The Perpetual Intercourse in 1986 and Cleanse Fold and Manipulate in the year that followed. "Dig It", "Addiction", "Chainsaw", "Stairs and Flowers", and "Deep Down Trauma Hounds" are prominent songs from this period.

Skinny Puppy toured for three years in North America and Europe; a live performance at Toronto's Concert Hall in 1987 was released on VHS in 1989 and CD in 1991 as Ain't It Dead Yet?

Over time, the band became outspoken advocates for animal rights, and used the European Head Trauma tour and North American VIVIsectVI tour to draw attention to the issue. The title of the album, VIVIsectVI, released in 1988, was a pun intended to associate vivisection with Satanism (i.e. the "666 sect"). The album's lyrics dealt with criticism of pollution, chemical warfare, deforestation, rape, cocaine addiction, and the promotion of sexual abstinence to stop the spread of AIDS/HIV. The lead track "Dogshit" was released as a single in 1988 under the name "Censor" (due to censorship issues, radio stations urged the band to change its name for radio airplay) while the single "Testure" (which denounced the vivisection of animals for research purposes) reached No. 19 on Billboard's Hot Dance Music/Club Play chart in 1989. A music video was produced for "Testure" featuring footage of a man being tortured by monstrous-looking surgeons, augmented with clips from The Plague Dogs and Unnecessary Fuss, and included a statement denouncing vivisection. Key and Ogre were arrested for "disorderly conduct" at a 1988 concert in Cincinnati, Ohio after an audience member, believing the stuffed animal Ogre was "vivisecting" to be a real dog, called the police.

During the late 1980s and early 1990s, the band members also worked on various side projects. Key and Goettel were involved with The Tear Garden (a collaboration with The Legendary Pink Dots), Doubting Thomas (an outlet for their non-Skinny Puppy instrumentals), and the rock band Hilt. Ogre struck up a friendship with Ministry's Al Jourgensen and joined Ministry and some of its side projects on their live tours. For Skinny Puppy's fifth album, Rabies, released in 1989, Jourgensen joined Rave as producer.

Their next album, Too Dark Park, was released in 1990. The album is built on the harsh electronic rock of previous albums, yielding the singles "Tormentor" and "Spasmolytic". Environmental degradation was a major theme on songs such as "Nature's Revenge" and "Shore Lined Poison" while layers of background noise grew to a crescendo on the album's closer "Reclamation".

The album that followed two years later, Last Rights, pushed the dark noise of Too Dark Park further into experimental territory. In 1992 the single "Inquisition" was released. Another single, "Love In Vein", was made but not released until some of the remix and b-side material intended for it appeared on Brap: Back and Forth Series 3 & 4 in 1996. The "Killing Game" video and tour backing film were directed by William Morrison.

Ogre, Key, and Goettel signed a contract with American Recordings and moved to Malibu, California in 1993 to record The Process, a concept album inspired by 1960s cult The Process Church of The Final Judgment, with Roli Mosimann producing. Artistic and personal differences caused Ogre to leave Skinny Puppy in June 1995. Goettel was found dead of a heroin overdose in his parents' home two months later. The Process was eventually completed with Rave, released in 1996, and dedicated to the memory of Goettel. It was an overall stylistic departure from their previous albums, prominently featuring untreated vocals, guitar, and more accessible song structures. The liner notes that accompanied the CD included thank-yous to "Electronic Music Lovers" and "Puppy People" followed by the words "The End" in bold type.

Several collections were released while Skinny Puppy was dormant, including Brap: Back and Forth Series 3 & 4 in 1996 and The Singles Collect and B-Sides Collect in 1999. Nettwerk commissioned a remix album in 1998; titled remix dystemper, it featured classic Skinny Puppy tracks re-worked by a diverse range of artists, including IDM pioneers Autechre, alt-metal band Deftones, rapper/hip hop producer Guru and Industrial mainstay KMFDM. Ogre and Mark Walk also took part, contributing a breakcore remix of "Dig It" and an updated version of Remission's "Smothered Hope" with new vocals by Ogre.

In 2000, Ogre and Key reunited and performed live as Skinny Puppy for the first time since 1992 at the Doomsday Festival in Dresden. The live album Doomsday: Back and Forth Series 5: Live in Dresden was released in 2001. Key joined ohGr on drums for its 2001 tour, while Ogre appeared on the track "Frozen Sky" on Key's 2001 album The Ghost of Each Room. The first new Skinny Puppy track in several years, "Optimissed", appeared on the Underworld soundtrack in 2003. Ogre, Key, Mark Walk and various guests, including Danny Carey of Tool and Wayne Static of Static-X, recorded the band's ninth studio album, The Greater Wrong of the Right, released in 2004 on Synthetic Symphony, a sub-label of SPV, their European distributor since the mid-1990s. The new Skinny Puppy sound was in a similar vein as The Process, with a somewhat more rock-oriented style. Skinny Puppy toured North America and Europe in support of the album in 2004. Skinny Puppy toured Europe again in 2005, and returned to the studio to complete their next album, Mythmaker, which was released in January 2007.

According to a news posting on the official Skinny Puppy website, the band's next studio album was originally slated for release in October 2009, but the release of this album was delayed due to insolvency issues with the SPV label (thus leading to Ogre naming the 2009 tour the "In Solvent See" tour). These issues were not expected to be resolved until the end of 2009. However, the "In Solvent See" Tour took place as planned.

In May 2011, Skinny Puppy announced that they finished recording a new album titled HanDover, which was released in October of 2011.

A live album, titled Bootlegged, Broke, and In Solvent Seas and recorded on the band's 2010 European tour, was released on June 12, 2012 by Metropolis Records.

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