Since her European debut with Opera National de Paris-Bastille in 1997, soprano Paula Delligatti has been a regular guest of leading opera houses and symphonies throughout Europe and the United States. She has appeared with Teatro Comunale Firenze, Deutsche Staatsoper and Deutsche Oper (Berlin), Pittsburgh Opera, Houston Grand Opera, New York City Opera, and Opera Pacific as Cio-Cio-San in Madama Butterfly, the Royal Opera House, Covent Garden (London) and the Teatro Comunale di Bologna as Amalia in I Masnadieri and the title role in Bellini’s Norma in Sicily.

In addition, she has appeared at the Opera National de Paris-Bastille and Teatro Comunale Firenze as Ghita in Zemlinsky’s Der Zwerg, Opera Pacific as Donna Anna in Don Giovanni, Atlanta Opera as Magda in La Rondine, Gilda in Rigoletto, and Nanetta in Falstaff, Madison Opera and Seoul Metropolitan Opera as Leonora in Il Trovatore, Mimi in La Boheme, and Alice Ford in Falstaff and the Shanghai Opera as Violetta in La Traviata, and in Boston as Odabella in Attila.

Last season, Ms. Delligatti returned to London to sing the title role in Tosca at the Royal Albert Hall and sang Mariella in Mascagni’s Il Piccolo Marat with Teatro Gratticielo at Alice Tully Hall, both to critical and popular acclaim.

Ms. Delligatti has also appeared with leading symphony orchestras, including the Montreal Symphony (Charles Dutoit), Israel Philharmonic (Yoel Levi), Atlanta Symphony Orchestra (Robert Spano) Royal Opera House, Covent Garden Orchestra (Bernard Haitink), and Cleveland Orchestra for the Verdi Requiem, Boston Symphony (Seiji Ozawa) for Mahler’s Symphony No. 2 and concert performances of Madama Butterfly (Ozawa), Cincinnati May Festival (James Conlon) for Act 3 of Turandot, Avery Fisher Hall as Ghita in Der Zwerg. She has also performed Orff’s Carmina Burana with the Guangzhou Symphony in China.

A native of Uniontown, Pennsylvania, Ms. Delligatti made her professional debut as Fiordiligi in Cosi Fan Tutte with Connecticut Opera. She returned in subsequent seasons as Cio-Cio-San and Donna Anna. She was also a regular guest with Sarasota Opera, appearing as Cio-Cio-San with Sarasota Opera, three heroines in Les Contes d’Hoffmann, and all three heroines in Il Trittico (Giorgetta, Suor, and Lauretta). She has also performed Cio-Cio-San with the Knoxville Opera, The Art and Music Organization of Manila, the Philippines, and Pamiro Opera Company in Green Bay, Wisconsin.

Ransom Note is an online music, arts and culture magazine. We provide a home for readers and writers with boundless enthusiasm, esoteric knowledge, fierce opinions and impeccable taste.

With our core team immersed in all aspects of dance music, we publish news, articles, and interviews covering the greatest in innovative, underground culture from across the globe. We offer regular, exclusive music and mixtapes from our favourite artists, and publish features shining a light on everything from the freshest new artists to the untold tales from rave history.

Alongside this we offer musings on film, books, life, and art, generating some context and controversy as an antidote to the reheated PR that clogs up the internet. Our office is fuelled by Tunnock’s Bars, cat memes, hangovers and a ridiculous, never ending love for our culture.

We're always interested in getting new writers on board – feel free to get in touch if you’ve got a story to tell.

With love until the grave.

As the name states Live at Robert Johnson is the associated label of the respected venue in Offenbach and incorporates what the club stands for. The imprint has been establishing a solid ground for the new Frankfurt sound since 2009. By featuring internationally acclaimed artists LARJ has been providing DJs and audiences with essential tunes in an extensive range of high-quality house music. Laid-back dance-floor awareness with a sense for particularity in sound is what might describe best most of the releases and artists.

The In Sound From Way Out 

Residents: @aaronl_dj ≈ @original-hp ≈ @miazs-1 ≈ @peachystw ≈ @rosie-ama-cain ≈

Pampa Records is a independent record label dedicated to releasing music that's seriously danceable without recourse to the tried and tested ingredients. A home for tunes that will conquer hearts and take root there forever, music that's brave and not afraid to break with convention. The record label is owned by DJ Koze.

Pampa is happy to receive demos at demo(at)pamparecords.com. If we like your music we'll be in touch. But if you don’t hear from us, it doesn't mean that the music isn't good, it just means that it doesn't suit to us and our plans. Thanks for sharing!

Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He was the founding artist on both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

Sound design:
www.matthewdearsounds.com

Label: 
www.ghostly.com

- @audion -

Cooking music since 2012. Uploaded all my albums and some mixtapes here. 

FOR ALL YOUR ANSWERS
info@daviddouglasmusic.com

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