A collection of some of my more favourite original recordings - the first few are older, from around 2001, and everything else is from after 2022. I'm not sure how to characterize some of the tracks - there's an unusually wide range of different styles, including jazz, funk, electronic, blues, classical, worlbeat, ambient, experimental, and more. Most have a bit of a description for more info. thanks for listening!

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve. :)

the bestest originals

Drums & Percussion

Some FAVs - Instrumental / Classical

To The Victor, The Spoils

Worldbeat

Vasco Ribeiro Morais (page VI)

BLACKLORDTV

Shock the Algorithm

some music I wrote and performed some time ago, around 2001, and some more recent stuff from after 2022.

Mark Myoozik (all originals)

Trogen Horse ,created Beats lyrics n sing by @lilmsfee @lilmsmustang .Please listen n subscribe

TrogenHorse

revisiting an old favourite with new & improved sound quality, mixing and arrangement. This is basically a repeating chorus, which is pretty catchy, but I’d love to eventually compose the rest of this tune, and have it played by jazz musicians with live instruments one day. This is probably still one of my top 3 favourite tracks, but there’s a couple other versions I’ve posted on here - one with a saxophone playing lead melody: 
https://soundcloud.com/user-432503709/jazzy-ditty-new-med-quartet?in=user-432503709/sets/bestest-ones

and a slower extended version:
https://soundcloud.com/user-432503709/jazzy-ditty-belle-curves-blues?in=user-432503709/sets/bestest-ones

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Jazzy Ditty (trio - piano)

FireSticks

trying out a latin sounding rhythm with various perc layered in. I miss doing this with real drums with my old buds.

Mark's Album

latin perc loop 2

while practicing on the congas one evening down by the lake, this fellow comes up and, without speaking, joins me on the bench and starts playing some amazing melody riffs on the 'sheng' (a Chinese reed instrument). Didn't catch his name, but his playing did all the talking...

Voice Memos

duet with conga & sheng (live - see description)

jamming with some friends with various latin perc. I started this one off, playing on some sweet sounding congas of my friend Alex (the dude playing black drums in the photo. I'm on the left playing mine.) We used to meet every Sunday by the beach - just one of several drum groups I used to jam with back in the day...

here's s few photos of my ever-growing drum collection:
https://www.flickr.com/search/?user_id=28551615%40N00&sort=date-taken-desc&text=percussion&view_all=1

conga jam 3 - fire hydrant saga (Alex & friends)

a 5 minute medley featuring my favourite 20 second bits (roughly) from 10 of my favourite older recordings.
I need to do an updated version to include post-2022 stuff…

TRACK LISTING: 
0:00  -  Jazzy Ditty
0:42  -  Aulde Europe
1:07   -  Multi2dinal
1:46   -  Variations
2:13   -  Belle Curves Blues
2:35  -  Saxofunk/Game Show/Pennywise  
2:56  - Sitar & Santur
3:24  - Funky Junk
3:54  - The Last Days of November
4:48  - Elementus-Mix III

full tracks can be found here: https://soundcloud.com/user-432503709/sets/mark-myoozik

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve.   :)

mark music medley (top 10 tidbits -oldies)

The Art of Collaboration feat. Joe Kay, Tre Trax, Dom Prieto, and Jake Morrow

another of my few compositions created by finding & painstakingly arranging bits of sound samples in GarageBand (adding my own percussion bits throughout). Mixing instruments from both Indian & North African influence (and a hint of Gospel), the two styles seem to blend seamlessly, and I love how it transitions from the more ambient first half into the electronic frenzy in the second half, then back to the dreamy repeating pattern in the closing section. This one's definitely one of my top favourite tracks of the newer (post 2022) recordings.
(flute sample taken from the song 'Neydzan', performed by master ney flute player, Kudsi Erguner, from Turkey)

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve.   :)

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here's some pictures I took: 500px.com/p/mrmark?view=photos
(totally safe site, despite the false warning Soundcloud sticks up if you click on the link)

From Agra to Zanzibar

Absolutely happy to be able to record with my daughter 

Mia Monterde: transverse flute.
Gaspar Monterde: guitars & keyboards.

impermanence

taking one of my favourite older tunes and continuing to evolve it - this version has a sax for the melody line (originally piano), and a better sounding upright bass. I like the melody on this bopping toe tapper, and there's a bit about two thirds in that gets a little gnarly. this is the one track I would most love to expand on and have proper musicians playing live one day.
Here's the original version, with piano instead of sax:
https://soundcloud.com/user-432503709/jazzy-ditty-new-med?in=user-432503709/sets/album-the-goods

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve.   :)

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Mark's Album (post-2020)

Jazzy Ditty (quartet - sax)

Check the debut and tribute track from SHOCK THE ALGORITHM, a brand new Hard Heavy Rock band from Athens, GR. This debut track is dedicated to all the blessed souls that we lost unfairly in Tempi, 28/2/23 on a train crash. R.I.P. and God bless all these souls, their families and the whole world.

#τέμπη

Shock the Algorithm

Youtube link: https://youtu.be/03e3VHfWTfo

lyrics:
Wings on a Wagon
----------------
We've spoken twice
and roll the dice
i said i'm leaving this town for a day or two
I packed my bags
i'm on a railway track
i'm gonna see you again my love really soon
We're sailing into the unknown, before the sun comes up
Why we've become so distant? i see wings on a wagon
Why there's no line to reach you, we are flying on flamed wings of a dragon
there's only youth around me, only young angels beside me
i said don't worry about me, i see wings on a wagon
the end is near, i felt no fear
i had no time to think about
i saw the flames, i heard some names
and then connection lost for eternity
and i will call and i won't fall, get some rest and sleep well    
and i'll be there and i'll take care, don't worry mom i won't be late...

facebook: https://www.facebook.com/profile.php?id=100090960666086

Rock and Roll Kills

Wings on a Wagon

Wings on a Wagon ( Τέμπη 28 Φεβρουαρίου 2023 )

Video link https://youtu.be/jLB0zbM3dBw

Each winter here in the UK, small birds enact one of natures great spectacles. Each evening flocks ranging from a few hundred to over 100,000 individual Starlings form up into a single flowing entity swirling above their communal roosting sites. 
Why they do this is not fully understood, with theories ranging from a strategy to distract predators, to a grand display designed to draw more birds to the flock for the purpose of maximising the body heat being generated by the mass of the flock in the roost. 
Whatever the purpose of this behaviour it creates a unique and magical aerial display of great beauty.

The track began with the repeating mallet sequence, then the strings and lastly the piano. I'm finding myself increasingly drawn to improvising around basic chord progressions at the moment and this is another product of this approach. I'm  resisting the temptation to quantize or mess around with the midi in post, so it's all as played and of the moment. 

Thanks for listening, it's really appreciated. 

Murmuration

Spring time (Guitar solo)

We did another piece , so maybe we will keep doing it 

Aporia is
Dani Kirby: piano
Bruce Musser: guitar
Dane Renshaw: drums
Mat Ward: electric bass

Aporia #2

'Jazzy Ditty' (https://soundcloud.com/user-432503709/jazzy-ditty-new-med?in=user-432503709/sets/album-the-goods) is one of my earliest and favourite jazz tracks, which I keep revisiting and trying different things with. In this slowed down version, the opening and closing piano parts are the main chorus theme, and in the middle I tried throwing in another older track - 'Belle Curves Blues'. 

There's also an alternate faster version called 'Jazzy Ditty (alto - quartet)', where the piano melody line is replaced by a saxophone. https://soundcloud.com/user-432503709/jazzy-ditty-new-med-quartet?in=user-432503709/sets/bestest-ones

I'd love to eventually expand the main theme into a longer piece, and one day have this played live by jazz musicians. 

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve.   :)

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Jazzy Ditty / Belle Curves Blues (slow, extended version)

more experimenting with arranging sampled sounds & loops. a little slow to build up, but once the horns and hammond organ kick in, it's pretty funky.

-sampled instruments include: rhythm & lead electric guitar, some bass, filtered piano, horns, some drums & perc
-instruments played by me include: organ, drums & perc, a tiny bit of electric piano and bass at the transitions  

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve. :)

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Sneaky Reggae

one of my favourite tracks from the older batch written around early 2001. Or at least it was a favourite for about 20 years until I started writing new stuff in 2022. The violin solo near the beginning is one of my favourite bits I've recorded, but the middle section could use some work since I don't play guitar - everything on this is played on keyboard. I'd love one day re-do this with better sound quality, or even with real violin and guitar.
 
instruments include drums, bass, piano, electric piano, violin, electric guitar, xylophone, organ (all played on keyboard).

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve. :)

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Multi2dinal

re-uploading an old tune from around 2001, remastered from original tape. This is definitely one of the ones I'd love to hear played on real orchestral instruments.

instruments include violin (bowed & plucked), cello, clarinet, accordion, percussion - all synth sounds. 

All comments welcome, and don't be shy to be critical or suggest ideas to help me improve. :)

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

Aulde Europe

This was one of my earliest compositions - from around 2001 - of what I would consider a 'full' song... i.e. not the usual recording of me noodling on a part to build on later and never finishing. The main chorus & verse theme are pretty straightforward and remind me a little of the 'Winter Games' theme by David Foster. But the bridge section in the middle and especially the arpeggio in the closing section are something quite different... arguably my favourite minute or so of anything I've recorded.

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here's some pictures I took: www.flickr.com/photos/mark_boucher/
my best photos on 500px (safe site): 500px.com/p/mrmark?view=photos

The Last Days Of November

I was honoured to get a message from Mark Sartori (@user-83791253-79179570), whose music & guitar playing I'm a big fan of, asking if I might want to collaborate on one of his pieces of music. He suggested I add some percussion to his guitar, and this is what came together. Mark S has since recorded a new, solo version of the song as well. 

Thanks Mark, for giving me the nod to work with you on this really fine & catchy tune. Hope folks dig this pan-Pacific partnership!

Little Wind (Mark Sartori with MisterMark)

Black Leather Pants

Restored ━dans les bois de Gladys

Enjoy the BRAND NEW single from Shock the Algorithm, "RAMONA".
Taken from the forthcoming debut album (Slated to be released mid-2024).
Go grab it digitally via #bandcamp y'all>>> https://shockthealgorithm.bandcamp.com/

Youtube link: https://www.youtube.com/watch?v=ZGvWZ_Gp7Ao&ab_channel=ShockTheAlgorithm

(p) & (c) 2023, All rights reserved.
-----------------------------------------------
lyrics:
Ramona? is this what u really wanna?
Is this the life you have always dreamed of?
Listen your heart and go on!

Ramona? you gotta fight for what u really wanna
maybe you're the new madona
a mother, an actor in "Lavapies"

You don't need to get scared, don't be afraid you're almost there
these bright lights, the diamonds on your dress

Forget the past and make it last, we are getting old you gotta move fast
the whole universe is almost on your feet

Ramona

"In the Bleak Midwinter" by English poet Christina Rossetti was first published in 1872. In 1906 Gustav Holst composed a setting to these verses now sung throughout the world. At this dark time in humanity it is our sincere hope that you will reflect upon these verses with us and ponder the hope and true meaning of Christmas.

Thank you dear Debbie, for your beautiful sensitive music and piano. 
Thank you for this very special journey in music, and in Christina Rossetti`s beautiful poetry.
Arrangement and piano: https://soundcloud.com/debra_buesking
Vocal arrangements and voice: Oddrun Eikli
Studio work: Arne Hiorth
Cover design: Debra

Lyrics:
In the bleak mid-winter
Frosty wind made moan
Earth stood hard as iron,
Water like a stone;
Snow had fallen, snow on snow,
Snow on snow,
In the bleak mid-winter
Long ago.

Our God, heaven cannot hold Him
Nor earth sustain,
Heaven and earth shall flee away
When He comes to reign:
In the bleak mid-winter
A stable-place sufficed
The Lord God Almighty —
Jesus Christ.

What can I give Him,
Poor as I am? —
If I were a Shepherd
I would bring a lamb;
If I were a Wise Man
I would do my part, —
Yet what I can I give Him, —
Give my heart.

All verses (1872)

    In the bleak mid-winter
    Frosty wind made moan
    Earth stood hard as iron,
    Water like a stone;
    Snow had fallen, snow on snow,
    Snow on snow,
    In the bleak mid-winter
    Long ago.

    Our God, heaven cannot hold Him
    Nor earth sustain,
    Heaven and earth shall flee away
    When He comes to reign:
    In the bleak mid-winter
    A stable-place sufficed
    The Lord God Almighty —
    Jesus Christ.
    	

    Enough for Him, whom cherubim
    Worship night and day,
    A breastful of milk
    And a mangerful of hay;
    Enough for Him, whom Angels
    Fall down before,
    The ox and ass and camel
    Which adore.

    Angels and Archangels
    May have gathered there,
    Cherubim and seraphim
    Thronged the air;
    But only His Mother
    In her maiden bliss
    Worshipped the Beloved
    With a kiss.
    	

    What can I give Him,
    Poor as I am? —
    If I were a Shepherd
    I would bring a lamb;
    If I were a Wise Man
    I would do my part, —
    Yet what I can I give Him, —
    Give my heart.

In The Bleak Midwinter | Debra Buesking and Oddrun Eikli

Inspired by the feeling of trying to ease a troubled mind by taking a walk during the cold early darkness of winter.

Midnight Stroll

Wandering In The Ash Grove

I have some friends in Toronto who are serious students of West African Malinke drumming. This is an excerpt of a performance their band - Bolokelen - did in Kensington Market several years ago. I got to be a guest drummer on the Dun Dun (more specifically the Sangban - the colourful drum seen on the right side of this photo, played with a stick). Not my usual drum of choice (that would be Djembe or Congas) and it showed at times!

This photo is from the popular Afrofest show in Toronto, and the dancer is Tapa Diarra, a Malian singer now living in my home town Montreal. The fellow in the orange poncho is my best friend Frank, seen playing Dun Dun here.  :)

Just wanted to put up a few examples of my Latin & African drumming from back in the day since I am a drummer/percussionist first, but I don't have much here on Soundcloud.  apologies for the poor sound quality.

here's s few photos of my ever-growing drum collection:
https://www.flickr.com/search/?user_id=28551615%40N00&sort=date-taken-desc&text=percussion&view_all=1

Live in Kensington

Bolokelen (live West African drumming performance)

Mostly just me playing about, but there's a bit of Charlie Villiers' guitar in there too, notably giving the outro a little touch of class.

~Lyrics~
We were sitting in your back garden 
Clouds were drifting across the sky 
You turned to me and smiled
I think you had a tear in your eye
And then taking my hand you whispered,
“When I get this high,
I sometimes get the feeling I might be just about to die!”

Then with a shrug of your shoulders 
You told us about the butterflies
That there’s no way of them knowing
That their wings look like eyes
And if you consider the caterpillar
It’ll come as no surprise
Just how very little we all know about our lives

[Chorus]
Baby you kill me, all night long
Baby you’re killing it all night…

Later on that evening
the sun was streaming through the trees
You have to just surrender to life
At moments like these
We were kicking through the fallen leaves
In the pale winter sun
And though I tried to hide it, I always knew this day would come

I recall the very moment 
You didn’t even hesitate
It was written in the heavens
And written all over your face
But the storm is in the distance
The sky is a luminous pink
You can lead me like a horse to water…

[Chorus]
🎸 🤩

Baby You Kill Me

I wrote this song for my son who went to Australia a while back. Before he went we went camping and surfing over to the west of Ireland to the Maharees, beautiful place. We camped in the dunes, lit a camp fire, cooked burgers, drank beer and later we lay on our backs watching the stars. The sun when it sets in the West of Ireland is Golden as it sinks into the sea. I am comparing the Golden Sun to my Golden son. 
Beautiful Memory in Song. 

This is a remix.

Golden Son

Cast of characters:
Tea R. Sea @tea_are_sea -- Terry – Synthesizers, beats, composition, production, and mix
The Mysterious Decibel -- @themysteriousdecibel – MD – First vocals and lyrics 
Llanpsych–@llanpsych –Tez–Electric guitar
TexMex Shaman–@texmex-shaman –Stephen– Electric guitar, mix, and production 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, lyrics, and vocals at the end
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–five-string fretless bass

This song began with Terry sharing an intriguing Eastern sounding synth and minimal beat with Ken, who added a really solid beat to bring out the strong rhythm of the song. Once they had a solid foundation and skeleton, they shared it with the rest of the Eclectic Collective. I added my five string fretless bass in a dubby line that was inspired by Tez's hot skank part. Then JJ poured his magic into it, too. Stephen came up with the shocking dynamic lift towards the end, and Tez piled on to light it up. 
  Then MD got a hold of it and wrote and sang some of his trademark, fun lyrics and vocals in the first part of the song. Ken, not to be left out of the melodic experience, added the vocals at the end. 
  After we all had everything in the can, the Texas Tea combo of Stephen and Terry produced and mixed the whole thing down. This wasn't their first rodeo mixing a project together, and it really shows in the end quality. They also have several duo projects up on both of their pages that are worth checking out.  
  We think the end result is reminiscent of Massive Attack and Thievery Corporation, two big influences on a few of us. We all hope you enjoy listening to this song as much as we enjoyed creating it.

Lyrics by MD:
Time again and on, and on, and on, we fall in slumber
Dreams never wait
Ashes to ashes we all fall down 
Ooooo Circles break
Ashes to ashes we all fall down
When we wake
When we wake
Is this a new Simulation?
When I wake
When I wake

Lyrics by Ken:
Feed the flame or the fire flames out

Coherent Fire (Eclectic Collective with Tea R. Sea)

how many steps to you ??

These clouds hang 
Woven over head 
Winds move as pressured from a friend 
Shaded or clement
We are in or casting about 

A plateau gaze
Fall to the ocean 
Breathe the salt water 
Now decay
As tempest tides roll and row your corpse to shore 
You disappear and reappear 
Theory's made an anchor to carry

Until we fold 
And fragment away 
We sweat in our sorrows and saccharin 
We burn in our angst and the sun 
And our hearts beat 

A plateau gaze
Fall to the ocean 
Breathe the salt water 
Now decay
As tempest tides roll and row your corpse to shore 
You disappear and reappear 
Theory's made an anchor to carry

85 - Single

Flower Face

Play it loud 🔥

This is  the first one of the Debussy punk serie, instrumental pieces composed throughout these two latest decades !


Loony De Bussy : composition , guitars, bass, drums programming 

Nataly NGM : art cover 🧡

VENUS ON MARS / Debussy punk n°1

Cleaning the basement today I realized it's been about 10 years since I last played any of my drums, so I dusted them off and recorded a little something. I also found my old flute which hasn't been played in even longer, and added that to the mix. The didgeridoo is played by me too, though I can't really play it properly. This is a pretty rough take slapped together in a couple hours, but had fun messing around. :)
Best experienced loud(ish), with headphones

instruments played:
  -Wind:  flute, didgeridoo 
  -Drums: djembe, congas (2), talking drum
  -Percussion: maracas, cowbells, calabash, small log drum

here's a version with (my) voices added. See which you prefer...
https://soundcloud.com/user-432503709/flute-loops-jam-with-voices

Image designed & created with Dall-E

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here's some pictures I took:
https://500px.com/p/MrMark?view=photos

Flute Loops & Jam (*original version*)

same as previous upload, but with (my) voices added. see which you prefer...

See the original for details: https://soundcloud.com/user-432503709/flute-loops-jam

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here's some pictures I took:
https://500px.com/p/MrMark?view=photos

Flute Loops & Jam (*voices version*)

Our first Welsh language track🏴󠁧󠁢󠁷󠁬󠁳󠁿😎
Sosban Fach (Little Saucepan) is a Welsh folk song given a good rocking up by The Recursives
Neil - Vocals 
Al - Bass
Bri - Sax
Tez - Guitars and production
Ken - Drums (K2 and The Three)
Many thanks to Ken for adding the pounding drums :))))
https://on.soundcloud.com/VJQ1ztA9BNB5ig8Z8 (K2 and the Three)
uTube video of The Recursicves playing live
https://youtu.be/Jd4YW18BjEU?feature=shared

Sosban Fach - The Recursives with K2 and The Three

(Written by Terry Reeves)
Terry Reeves:  Lead Vocal
Gary Reeves:  Drums
Hans-Michael Albers:  All other instruments, Arrangement & Production
Video: https://youtu.be/oZEpxaFQm5o 
Working with Hans is always an inspiring process.  The music relationship both Gal and myself have formulated with him over the last few years has never grown stale, because he is so endlessly innovative when interpreting the songs we regularly wing over to his studio in Hamburg.  By contrast, what we say to each other on these occasions is always the same.  “It’ll be nothing like we’re expecting” is our mantra and, sure enough, what comes back never is.  His arrangements are always - and I do mean always - so much better than anything we could possibly have imagined.

It was during what has become a regular exchange of emails that Hans said something which became the inspiration for this song.  He runs his own company, in what could be described as both a creative but stressful industry - advertising.  Not so long ago, his frustrations with certain clients was getting under his skin, feeling that far too often he was wasting his time and energy on those who supplanted boldness and enthusiasm for unnecessary worry and reservation. “It takes loop after loop after loop of needless discussion which means nothing really happens…”, was how he put it.  Having had to tolerate many similar frustrations during my working life - I’d  retired some years before due to ill health - I knew precisely how he must be feeling.

His cri de cœur of “Loop after loop after loop” stuck in my mind and the next time I picked up my guitar, strumming random chords in the way I often do, these were the words I sang.  So this song for my wonderful friend Hans is from the heart and one I hope will bring a quantum of solace for all he is forced to tolerate in his working life.

Finally, must again thank those who still listen, like, comment and repost our music.  We are filled to the brim with gratitude for all your kindness.  (Terry Reeves)

Trapped in a box of daily communication 
No artistic ideas or a mental lubrication
Many words, no meaning, lots being said
Endless discussions to confusion instead

Loop after Loop after Loop……….

Brand to establish and how to perform
Boldness of thinking keep all ideas warm
A number of reasons changing direction
Knowing what to do, Christ resurrection? 

Loop after Loop after Loop………..

Nothing is new it’s all been done before
Takes someone special, see what is more
Easy to reject asking for a new approach 
Ignoring integrity and trust never to poach 

Loop after Loop after Loop…….

Time to find strength, weakest of moments
Gripping tightly to your thinking component 
A Kelly surprises and helps with inspection 
Encouraging power combining self-deception 

Loop after Loop after Loop……..

Loop After Loop - CRIPPLE CLUB

DONTE X BLACKLORD X $B X CRAZZY G


#sundayvibes #sundayfunday #sunday #sundaymotivation #sundaymood☀️ #sundaymornings #sundaymood #sundaythoughts #தமிழ்பரிசுத்தவேதாகமம் #sundaymorning #sundaybrunch #biblevasanam #sundayquotes #happysunday #sundaychill #sundays #sundaybest #sundayfeels #sundayselfie #holybibleverses #blessingword #truegod #sundayevening #sundaydinner #sundaybumday #sundayservice #weekendvibes #sundaybreakfast #sundayfun #sundayinspiration

Flute Loops & Jam (original version)

mistermark