I smoke like a chimney, drink like a fish and $%&* like a rabbit well lets face it ppl we're no here for a long time we're here fir a good time. Live life for today cos tomorrow you might get hit by an oil tanker!! Satans only keeping that seat warm for me till I decide to return ;)

----- * * * * * * * ----
***EDM/Trance/House / Dance   Producer***
I was a musician for a long long Time ago ( Rock , Heavy Metal, extrem Guitar playing , Synth , Bass,Drums ). I was also a Level Designer / Mapper(UT2004,UT3,UDK) in a free Time. All began after Checking the FL Studio 10 (great DAW) and i decide to make a Music again . But this Time it will be a melodic Dance. 
DANCE AND ENJOY THE LIFE!!!
***Some of the Images are Screens from the Maps i made.***  LittleMOM_Repost is my Account for REPOSTs
****Check me out and Follow if YOU like my music at ***

Mixcloud =>www.mixcloud.com/novakovicmomir

Facebook => www.facebook.com/novakovic.momir

Twitter => https://twitter.com/LittleMOM_Momir
**************************************************************************

For all Directors Cut Digital Downloads - Click the WCM Shop link now

http://www.wcmuk.org/shop/directors-cut

https://twitter.com/DirectorsCutDnB

http://www.facebook.com/directors.cut.5

http://www.mixcloud.com/DirectorsCutrecords/


HERE ALL DC ARTIST LINKS

http://soundcloud.com/ashatack

http://soundcloud.com/tony-damage



http://soundcloud.com/philbee

http://soundcloud.com/dsidedj

http://soundcloud.com/alibiwcm

http://soundcloud.com/kalmdj



DIRECTORS CUT: THE STORY SO FAR…

Directors Cut was originally the brainchild of veteran Drum and Bass DJ Ash-A-Tack & Bassdrive owner DFunk.  Due to the overwhelming success of ‘Bassdrive Tunes’ and the commitment needed for ‘www. bassdrive.com’  Ash-A-Tack continued the DC project alone. 

DC was born from the desire to give a platform to a host of up and 
coming artists whose tracks had caught his experienced ear. 

It didn’t take long to decide that he could combine his love for music 
and Djing by setting up the imprint to release some of the ever increasing stack of good quality music he had acquired while also helping 
these talented producers to be heard.

In 2011 Ash-A-Tack joined forces with partner Damage who is a stalwart 
of the Drum and Bass scene and is experienced in a lot of the behind the 
scenes mechanics needed to get a label from A to Z.

As you read this a host of hot talent has been lined up and in the coming 
weeks and months will be unleashed to wreak havoc on dance floors 
everywhere.

So keep watching this space as we bring you details of upcoming releases 
and artist profiles.

Spain based dj & producers founders of MTM Record Store on the island of ibiza and co-owners of Wax isgud and Isla records. 
They met in Pacha working as sound & light technicians in 2008, looking for a way to enjoy his true passion for the music they decide to organise illegal afterparties and in those long mornings playing together the duo 2VILAS was created. 
As faithful lovers of vinyl music they´ve create their new project - MORE THAN MUSIC ( MTM ) - open since April 2018 where u can find their musical selection and their record labels in exclusive.In the past years they have been releasing music on labels as Organic Music, Politics Of Dancing Rec, Quality Vibe, LifeStyle by Subwax, Jack´s House and Hund Records between others… In his productions and dj sets you can apreciate that the love for the analog, pure and classic, both in his studio full of synths and drum machines, as his vinyl sets. His sound is influenced by the electronic heads Kraftwerk, Depeche mode, Ricardo Villalobos, Petre Inspirescu betweeen others… In the past 2 years they have been traveling from Chile, brasil, United states to Tokyo, India, Berlin, Amsterdam, London, Dublin including the best clubs and brands as Ibiza Underground, Sankeys, Destino, The zoo project, Space Ibiza, Ushuaia, (Rumors by Guy Gerber) (All about the music by Marco Carola) (One night stand by Carl Cox) (Luciano and friends) ( Mosaic by Maceo Plex) (The Martinez brothers and friends)  

Pacha ibiza resident djs since 2016 and regulary playing at ibiza underground Club in the past 2 years including their own showcases …


IBIZA SPOTLIGHT 
https://www.ibiza-spotlight.com/night/2016/06/feature-top-5-new-faces-watch-out-summer-ibiza

MY IBIZA TV
https://myibiza.tv/interview-with-2vilas/

CLUBBERIA JAPAN
https://www.clubberia.com/ja/artists/6539-2VILAS/

WE SHARE HOUSE UK
http://wesharehouse.co.uk/2vilas-tato-dumond-review/

Info : Info2vilas@gmail.com
Bookings : info@morethanmusic.es

RUN . STOP . RESTORE . 
10.11.2023 Phonoclub
21.09.2023 Humboldthain Berlin
30.06.2019 AVA Berlin 
31.07.2018 IPSE Berlin
03.03.2018 La Macarena Barcelona
01.01.2018 NYE at IPSE Bordell de arts
31.12.2017 House of Weekend
28.08.2017 TBA
08.07.2017 Maze Club Berlin
08.06.2017 Phono Club Berlin
31.05..2017 Club Epic Magdeburg SA
29.05.2017 Well Done SC Circus
30.04.2017 SC Friends @ Suicide Circus
16.04.2017 Welldone @ House of Weekend
01.01.2017 NYE @ House of Weekend
31.12.2016 die Letzte Wiese @ Mellopark
16.11.2016 Welldone! @Suicide Circus
23.10.2016 Afterhour @Magdalena
01.10.2016 Suicide Circus Berlin @ SC-Friends + Jans Bday
30.09.2016 Määähschugge @ Auster Club
04.09.2016 @Sinistra Festival @ Kiekebusch See
20.07.2016 Suicide Circus Berlin / Well Done!
16.07.2016  3 Jahre Tanzman Open Air 
04.07.2016 Crack Bellmer Berlin
04.06.2016 Magdeburg / Fette Boulette @Factory
14.05.2016 Art Weekend / Mahlerstraße 20, 13088 Berlin 
30.04.2016 SC-Friends @ Suicide Circus
16.04.2016 Maze Berlin
02.04.2016 Memories @ House of Weekend
25.02.2016 Der Weiße Hase w/ Benjamin Knows
24.02.2016 WellDone! @ Suicide Circus Berlin
29.01.2016 Barkett Berlin
31.12.2015 NYE-Klangkost @ Kosmonaut
05.12 Well Done! Music Night @ Weekend Berlin
06.11 6 Jahre Klangkost @ Kosmonaut Berlin
30.09 Well Done! @ Suicide Circus Berlin
13.09 Tanzmann Open Air
23.08 Strobo my life @ Kpax 
01.08 Draussen zu Hause - Open Air @ Neue Heimat - Secret Garden 
29.07 Suicide Circus b2b w/Benjamin Knows - Welldone!
27.06 Weekend Berlin - WellDone! Label Showcase
06.06 Kosmonaut - Klangkost Frühlingsfest
30.05 Sanatorium 23
29.05 3 Jahre Blaue Zebras
24.05 KDK Berlin 2015 - WummArt
09.05 RAWClub - Alle werden glücklich
25.04 Sanatorium 23
12.04 Radio Alex
05.04 Nirgendwo Berlin
18.03 Welldone!@Suicide Circus
13.03 Appelgriebsch@Brunnen 70
28.02 Sanatorium 23 w/Benjamin Knows & Lars Vaider
27.02 Blaue Zebras@Dublex Club
25.02 Welldone!@Suicide Circus
31.01 Sanatorium 23 w/Heebiejeebies
16.01 Rave@RAW Club
03.01 Crack Bellmer
01.01 NYE@RAW Club 
01.01 mein Haus am See 

BOOKING:
Booking@welldone-music.com
speak_spell@icloud.com
-----------------------------------------------------------------------
This boy is exactly this, when you are thinking of Berlin Guys: open, lively, colorful, creative and with a carefree attitude towards life, what is almost contagious. And like he always being asked, no! speaknspell are not the name of this guy, and no, it is not the education toy from the old Movie E.T. you might be thinking of.

A big passion for House Music and a big love with old analogue synthesizers, was reason enough to decide to produce music.

"It is the magic between, what makes his sound so special, and  the audience could feel and see it when ever he play"

All started with Hip Hop and Rap Music! From first little steps in their early days, he have spent many time of collecting vinyl and playing Rap, Soul, Funk, Ragga and Dancehall tunes on small venues, the passion of club music became more and more deep for him.

After some years he moved to Drum and Bass and Techno and the sound influences became more and more dark flavors. 
But it is like it is, the main engine for over 10 years deep in the clubbing scene was always straight jacking house music. And this is where all the love comes from. It is pure soul!

When he are playing in a club, the sensitive feeling for the moment is never missing. Show some love for speaknspell!

one of the most influential Psytrance producers from Israel has arrived at the next level of his musical evolution, breaking new grounds.Fatali has become an international trademark for prime party music since he kick-started his career with a highly acclaimed debut album at the age of only 18. Thanks to an outstanding creative energy he managed to re-invent his style release by release, little by little making a transition from Psytrance to Progressive Trance.The change has been taking place in Eitan Carmi for quite a while: “It took me some time to understand and to decide what I really want to bring back into my sound”, the popular producer explains.A turning point in the course of this consideration is marked by his two gigs at the legendary Tshitraka Festival where he headlined the ‘Progressive-only’ main floor in 2006 and 2007.This was also the beginning of the creative relationship with Blue Tunes Records, the renowned label run by the original promoters of this event. A relationship that eventually established yet another mile stone in Fatali’s long-lasting career:The “Well Come” EP, released in early 2013. Full of rousing offbeat hooks and with a twist of Electro, the tracks still have the highly energetic essence of Fatali. It is this magic vibe that made him the first Trance artist to play in South Korea in 2006, and that brought him to the stage of Japan’s epic SOS Festival. His magical knack for innovative Trance music even made him being invited to Hollywood’s Avalon club where he played in front of 4000 ravers, and made his remix album “Re:Construct” being voted as Best Compilation Of The Month by DJ Mag in 2007.Another EP is already in the pipeline at Blue Tune Records, including cooperation tracks with some leading Progressive Trance colleagues.Also an international release tour has been announced. All signs point towards a really bright future for lovers of Progressive Trance!

About ODNT
Old Dogs New Trax Limited is a new company spearheaded by hit singer songwriter David Martin. As part of the Arnold Martin Morrow songwriting team, his songs have sold in excess of 30 million worldwide and among the hits include; Barry Manilow (Can’t Smile Without You) Number 1 in the USA, Guys and Dolls (There’s A Whole Lot Of Loving) Number 1 in the UK and no less than four songs recorded by the King of Rock and Roll Elvis Presley. David is delighted to have linked up with two new names to the songwriting world, Graham Noon and Ian Williams.
David Martin
''I am delighted to have discovered and introduce my two good friends Graham Noon and Ian Williams to you all. They are both talented singer/songwriters, Graham has played with an array of artists over the years; Geno Washington, Jimmy James, PP Arnold and Eighties band Blue Zoo. Graham also has his own busy working recording studio 'Eversfield Studio’ Recent years have seen his songwriting skills develop, the evidence of which, can be heard below. Ian Williams is what we term a 'late developer' in the world of music. A successful businessman, his obvious and natural singing and songwriting skills, have played second fiddle to his working life. Launching this site enables me therefore, to not only bring new songs of my own to the music business but to also introduce the special talents of Graham and Ian .. I hope our songs strike a chord and as a precurser to exploring our website I thought this little 'story behind the song', might inspire any new writers who log in.
Truth is, I had no idea that a card I was given from a close relative, would inspire me to write a song 'Cant Smile Without You'. A song that would eventually reach the Number 1 spot in the USA, as recorded by the legendary superstar Barry Manilow. Neither did I know that the song would be recorded and performed by a host of other artists including The Carpenters, Englebert Humperdink, Boyzone, Andy Williams, and would also feature in a stage production of the same name, starring Chesney Hawkes  which toured the UK. The musical,“Can’t Smile Without You” featured Manilow songs, and was produced by theatrical impresario Bill Kenwright! The song has also been featured in a number of big feature length movies including Four Weddings and a Funeral, Hell Boy 2, Male Gigolo, Starsky and Hutch and is currently in the new Bruce Willis movie.
All of this happened via my own original recording of the song and the belief of my publisher at the time Arthur Braun, who worked for the Dick James Organisation. It was Arthur who took the song to Music Mogul Clive Davies, boss of Arista Records, and it was Clive who persuaded  Barry Manilow to record it. All of this just goes to show, that any song we write may have such a potential fate and if we believe enough, then our dreams can come true. I hope you enjoy exploring ODNT and remember that from little acorns large trees can bloom and blossom and in the launch of this new Website, we believe we have some musical treasures waiting to be discovered."
Selection of Artists and song numbers attributed to the pen of DM:
HIT SONG SALES 30 MILLION WORLDWIDE
Elvis Presley...     4 songs
Cliff Richard…     2 songs
The Shadows …  2 songs
Barry Manilow.. . 1 song
David Essex…     2 songs
The Carpenters…1 song
BBC Choir …       1 song
Guys and Dolls... 10 songs
Butterscoth …     10 songs
Jack Jones …      1 song
Mamma Cass...    1 song
Sandy Shaw...      1 song
Englebert H …      1 song
Cilla Black …        1 song
Wayne Newton     1 song
Graham Noon
Music was always around the NooN household from an early age, Graham’s grandfather a choir master, composer and fellow member of the Royal College of organists. His great aunt Gladys a session violinist for the BBC in the 1930’s and his father a saxophonist. In his teens Graham developed his skills as a musician, keyboard player, playing at gigs from an early age with his father and various bands. Aged 19 the opportunity arose to support U2 at an outdoor festival (Knebworth). U2’s debut album BOY had just been released and Graham played to a 20,000 strong crowd. From that day on he knew music would be his focus in life.
Throughout the 1980’s Graham’s career flourished working with the likes of Chris Squire’s (YES), Andy ‘O’ from New Wave band BLUE ZOO, Enid Williams (Girl School) and Dave Parsons (Sham 69). At this time Graham also developed his production skills working in various studios as an engineer / producer. In 1985 a song writing partnership with Andy ‘0’ lead to a publishing contract with Warner Brothers Publishing. Throughout the 90’s Graham continued his musical career and also forged a new partnership with Akai Musical Instrument Co and in 1999 he became UK President of the Akai Corp.
In 2001 Graham set up Eversfield Recording Studios in Horsham West Sussex. It was at the studio that he met up with his ODNT partners Ian Williams and David Martin.
"Graham is delighted to announce the release of his new solo album NOON - 100 YEARS ON"

1. You're Worth It
2. Inevitable
3. I Can Wait for Love
4. 100 Years On
5. Love Won't Let Me Down
6. I Don't Wanna Fight
7. Hole in the Head
8. Searching
9. Your Love's Still Living in Me
10. Familiarity
11. The Story so Far
12. Thank You
www.noonmusic.co.uk
Buy on iTunes
Ian Williams
Ian is a successful business man, with Car Dealerships in Surrey and South London. He joined the Motor Industry in the mid-seventies after being sponsored by a Croydon Car Dealer who provided support and sponsorship, while he was a young Speedway Rider for Wimbledon Dons. A far cry from anything musical.  Ian's racing career began at a very early age, with him joining Junior Grass Track at 12 which led to him becoming the British Junior Grass Track Champion at the age of 15.
A family man with 5 children and 3 grandchildren, Ian has always been a music lover and played guitar and keyboards in his bedroom as a young boy. Despite family encouragement, he never had the urge to sing or perform publicly. His two sons and three daughters all sing very well and it was while collecting one of them from a singing class in Brighton, that a new chapter in Ian’s life was to open. They needed to write a song as part of their home-work and Ian thought ; 'I might as well give it a go'. 
So, as a  ‘late starter, Ian ‘kinda’ stumbled into the music world by being inspired to write a song ‘A Little Like You’ for his late father who had died at a very young age. He sent a basic ‘cassette’ demo off to a music publisher who loved the song and Ian’s FIRST attempt at songwriting, amazingly, resulted in a publishing deal.  Since then, fuelled with enthusiasm, Ian has taken his songwriting a little more seriously and has now a catalogue of ballads and love songs, based around his family and personal experiences, which he would like to share with you. 
Ian was introduced to Graham Noon shortly after Ian’s 1st song was published in 2002. This has been a fruitful and very enjoyable relationship where he and Graham have not only become very good friends, but meeting up has enabled them to work together in providing professional arrangements and productions of Ian’s songs at Graham’s studio in West Sussex. 
Ian is very proud and privileged to join Graham and the ‘Master’ Singer Songwriter David Martin, in their new Venture ‘Old Dogs New Trax’.
Belmont Garage
36 Station Road, Belmont
Sutton, Surrey SM2 6BS
Tel: 0208 6435451
Web: www.belmontgarage.com
 
Belmont Garage 2
Highview House
Epsom Downs, Surrey KT18 5QB
Tel: 01737 379555
Web: www.belmontusedcars.co.uk

Was signed to one of those big record companies, briefly a long time ago. Now I make music. 

This is intended as a site for select sharing of creative concepts, recordings in progress and band rehearsals. If you've stumbled in here from the general public, please note that these are demos and works in progress - not officially intended for public listening yet. (But since you're here, you are welcome to listen).  

Comments welcome; feel free to follow or send a message. Some of these are just idea sketches & your comments may help us decide which ones to follow through on. 




WHO’S THAT JACK ?
Jack de Marseille, de son vrai nom Jacques Garrotta, est né le 19 décembre 1965. Il vit à Marseille.

Connu avant tout comme pionnier de la musique électronique, il a contribué, dès la fin des années 80, à l’émergence de la scène électronique française. Le succès de ses sets lui valent d’être élu meilleur DJ français en 1998 par Coda, premier magazine consacré exclusivement aux musiques et cultures électroniques depuis 1996. L’année suivante, c’est Trax qui le classe numéro un.
Souvent estampillé, de manière réductrice, « DJ house », Jack de Marseille pose problème aux gens qui cherchent à le cataloguer.En écoutant ses sets aux influences multiples, reconnaissables entre tous, on comprend qu’il résiste à toute nomenclature. Son identité est marquée par l’énergie des rythmes et des couleurs qu’il juxtapose, mixe, fond et dynamite en réponse au dancefloor, qu’il considère comme le cœur, la destination de sa musique. Une sensibilité exacerbée mais aussi profonde, à fleur de peau, révélée par des accents deep plus doux, plus sensuels.

JOUER AVEC LES LIMITES…
Refusant d’être catégorisé, Jack joue avec les limites. De la même manière qu’il a toujours révélé un penchant pour les sports extrêmes, tels que le ski acrobatique qu’il pratiquait assidûment ; ou les sports pratiqués à l’extrême, comme le tennis, dont il a d’ailleurs abandonné l’enseignement pour pouvoir se consacrer exclusivement à la musique. 

UN TOURNANT DÉCISIF…
En mai et juillet 1992, Jack co-organise les soirées Atomix à Marseille, à la Friche de la Belle de Mai. C’est la première fois qu’une rave party a droit de cité, et le succès de ces soirées est d’autant plus spectaculaire qu’ayant lieu en ville, elles sont accessibles au plus grand nombre.
L’affluence est record, l’atmosphère surchauffée. La carrière de Jack de Marseille prend alors un tournant décisif après des interventions mémorables : c’est la première fois qu’il joue dans un événement hors club et devant une assemblée aussi nombreuse. Sa musique y trouve une amplitude complètement nouvelle et l’énergie de ses sets est décuplée.
Le buzz autour de ces soirées, au cours desquelles il rencontre Laurent Garnier, est tel qu’il est aussitôt contacté pour jouer aux Transmusicales de Rennes dès décembre 1992.

UNE CARRIÈRE QUI DÉCOLLE DANS LES PLUS GRANDS FESTIVALS…
Dès lors, il est booké dans plus grands évènements et festivals électroniques de la planète : Boréalis à Montpellier, Astropolis à Brest, Sonär à Barcelone, Dance Valley à Amsterdam, I love techno à Gand, Energy en Suisse, Soirées Mayday au Mexique et en Allemagne, Nature One et Timewarp en Allemagne aussi, Sziget à Budapest, Creamfields festival à Buenos Aires, Global Gathering en Angleterre, La Fiesta des Suds et Marsatac à Marseille…

ET LES PLUS GRANDS CLUBS :
Devenu incontournable, il multiplie les résidences et est invité dans les clubs les plus prestigieux : Le Rex et le Palace à Paris ; le Trésor et le Berghain à Berlin ; les Space, Pivilège, Amnésia et Pacha d’Ibiza ; le Roschteflager et le Weetamix en Suisse ; le Fuse à Bruxelles ; le Café d’Anvers ; les Ministry of Sound et Heaven de Londres ; The Arches à Glasgow ; The Area à Montreal ; le Love E Club à Sao Paulo ; le Volar à Honk Kong ; le Roxy à Prague ; le OTV à Zagreb ; le club IT, le Now and Wow, le Club More en Hollande ; Le Matis à Bologne ; Le Rachdingue, le Sale del Sel et le Ku en Espagne…

SUR LES ONDES…
Il est accueilli en résidence sur Radio FG, Couleur 3 (CH), Radio Grenouille (Marseille), et produit des mixes pour de nombreuses autres : Radio One (UK), Radio Bruxelles, France Inter, ainsi que pour des stations chinoise et russe…

DE DJ À PRODUCTEUR
Fort de ces expériences multiples, il se décide à composer sa propre musique et produit ainsi, en 1997, Submerge, son premier titre, sur Ozone, le label de Oxia et Kiko, sur lequel ils furent aussi les premiers à signer The Hacker.
Cette nouvelle orientation de sa carrière motive la création de son label Wicked Music en 2001. Jack veut se donner les moyens de faire profiter de son succès en produisant d’autres artistes. Il signe, entre autres, EDP, David Carretta, Trisomie 21, 2 Rare People. En 2002, il sort aussi son premier album Free my music (Wicked Music / Wagram) qui s’écoulera à 16 500 exemplaires.
Les années suivantes sont denses. Jack de Marseille est booké aux quatre coins du monde et continue de produire de nombreux remixes pour des artistes aussi prestigieux qu’Audio Bullys, P.Diddy, Slow Train, The Advent, Anthony Rother. 2JACK4U (Wagram) et d’autres nombreuses compil mixées reflétant la diversité de ses orientations musicales sont aussi éditées sur son label. 

2006 : MARSEILLE, LE RETOUR AUX SOURCES…
Et à un format temporel plus long dans lequel la musique prend le tempsde s’épanouir, de transporter son public et de le faire redescendre, devient d’ailleurs l’étalon du nouvel album de Jack de Marseille.

2009 : INNER VISION, CONCEPT ALBUM…
Produit avec la complicité de Sébastien Rexovice -ingénieur du son et ami de toujours- Inner Visions est conçu comme un voyage intérieur mélodique, inspiré, dans lequel l’artiste essaye de retrouver la diversité de sa culture musicale et la dynamique de ses DJ sets. Il y métisse ses constantes deep house et techno de Detroit, les rythmiques dub berlinoises, renoue même avec les voix sur un des titres… L’album propose aussi plusieurs niveaux d’écoute : très chill à bas régime, il révèle des accents dancefloor dès qu’on monte le volume, confirmant les talents de producteur de Jack de Marseille et son souci de bousculer les gens, de toucher les âmes et de faire danser les corps.
Pour asseoir l’univers dans lequel il cherche à nous immerger, Jack a tenu à créer des liens avec d’autres artistes pour que sa musique résonne par-delà les sons, dans les esprits. Dans la pochette du disque, Aline Soler pose en quelques vers l’écho du verbe en regard du travail du musicien, comme une manière de l’éclairer. La langue est concise, bute sur les mots, répète les rythmes... Le visuel de l’album, reproduisant une peinture de Vika Prokopaviciute, artiste russe, ouvre les portes d’un univers mental à la fois figuré et abstrait, coloré et inquiétant, stylé et psychédélique…

Il est là, sûrement, le champ ouvert par Jack de Marseille : proposer des destinations nouvelles de la production de musiques, satisfaire son publictout en déplaçant ses attentes pour l’emmener ailleurs, le faire rêver… Mais toujours en rythme...

Charles Mesnier


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