Disciples Of Tone - These days there's a definite Buzzcocksy/Ramonesy thing going on. Mostly now its vocals, guitar, bass & drums - the electric saxophone has taken a sabbatical. Maybe its a question of distilling/refining/honing it all down. For those so attuned there's still psychedelia, 'krautrock', rockabilly within the punk rockery. They do like The Cramps and Dexy's and the B52s and Syd Barratt's Pink Floyd and they've certainly heard of Dick Dale & Link Wray. The soundtrack to Forbidden Planet lurks in the shadows threatening to engulf each song.

How to be a mastermind when dealing with people
1) Don't appear to be smart: The moment a person discovers a plot or a game that was played against him he quickly tries to prove to his enemies that he was smart enough to figure out their plan and that's completely wrong. A real mastermind will make his enemies feel safe by acting like a fool. He will let them go on with their plan while appearing to be completely vulnerable and then in the right time he will strike back where there will be no time left for a counter attack. Its the same as running from a thug up until you lure him to a dead end where you have previously agreed with the police to wait for you there. That thug will feel safe because he will think that he is in a position of power and as soon as he reaches the place that you wanted him to reach he will find the police waiting for him. You might not want to appear too smart as well in order not to make new enemies, see Why do people become jealous
2) Don't ever reveal your way of thinking: Out of the desire to show off their power many smart people make the mistake of revealing the way they think. Intelligence is not measured by your IQ alone but its also measured by your ability to control the emotions that can prevent you from being intelligent. Even if you know the right thing to do you will still do the wrong thing if you didn't manage to control your emotions. When you don't show how your mind work your enemies will get surprised by your actions instead of preparing themselves for them. If an enemy solider saw you holding a knife in a battle field he might approach you with confidence but if you surprised him with an RPG it would be too late for him to take an action
3) Learn how to do nothing: I have seen geniuses and extreemly smart people who have been played, made to look like fools just because of their impatience. While working on a plan that they fully understand they lose patience and do something stupid only to end up looking like fools even though they are really smart. The man who wins is the man who can stay calm enough until all facts and data become crystal clear. Being unable to tolerate irritation and bad feelings will only let you do something stupid and you will lose the battle even if you can win it. In short, learn how to be patient.
4)Don't let anybody know where your Achilles heel is: As you grow up you will discover that today's enemy may be tomorrows friend and vise versa. A real mastermind will never give his week points to close ones because he knows that one day one of those close ones might become his greatest enemy. Instead, give people facts that strengthen your reputation and make you appear like an omnipotent person. As these facts circle around your enemies will give up on finding your weak points
5) Use your enemies without asking them for a favor: If you knew that two friends are plotting against you then don't panic. Instead use one of them as a messenger without letting him know anything. Whatever piece of info you want to pass to that other enemy can be done through the first one and vise versa. If someone who was very smart was plotting against you then instead of showing him that you are smarter than him just take advantage of his intelligence, give him indirect clues that would let him reach the conclusions that you want him to reach. If a person was an over thinker then you need to do nothing other than giving him something to think about. In short, you can use your enemies without letting them know what's going on
Be a Kind mastermind
The reason i am teaching you this stuff is that there are mean people out there who will back stab you whenever they get the first chance. I am not asking you to be mean like them but i am just asking you to be smarter than them not to let them harm you.

Its the same as learning Kung fu not for the sake of harming others but for the sake of threatening the bully who targets you.

Be kind, have honor and in the same time be a Mastermind

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Whizz Kid are J-Kane (Belgium) and Harold Nono (Scotland)

The debut album from Whizz Kid, "There's Conjuring To Be Done" on Bearsuit Records (BS026 - 2014) is now available from Bearsuit Records, i-Tunes, Amazon, Spotify etc. - or here :
http://bearsuitrecords.bandcamp.com/album/theres-conjuring-to-be-done

contact :
whizz_kid@live.com

https://soundcloud.com/bearsuitrecords

*

Whizz Kid - “There’s Conjuring To Be Done” (BS026) 

An amazing LP! I really urge you all to get hold of it… you’ll  love it! (Phil Vickery - “In-Tune” BCfm)

These whizz kids sure sound like they’re having a blast and you’ll easily find yourself caught up in their happy party tunes. A children’s album for adults? Or maybe it’s an adult album that the kids can get into as well? No matter. Either way, it’s a refreshing concept, flawlessly executed, and a total joy from beginning to end. (Jeff Penczak - It's Psychedelic Baby Magazine) 

“There’s Conjuring to Be Done” never ceases to entertain and have you pressing the repeat button to re-imagine the experience all over again. I’m of the firm belief that its authors (Yo Yo Nielsen and J-Kane) are mischief makers and that what lies within will astound, amaze and amuse all who enter its fried domain.  (The Sunday Experience)

There’s Conjuring to Be Done” is both organic and electronic, instrument-driven and toytronic, landing halfway between Lullatone and Twink.  As such, it’s an immensely appealing, happy sounding record. (A Closer Listen)

Whizz Kid and “Kid Santa” from the album “There’s Conjuring To Be Done” - from the marvellous Bearsuit Records label (Tom Ravenscroft - BBC 6 Music)

Experimental music is often a double-edged sword, but in the case of Whizz Kid, I was positively surprised. Especially the first 4 tracks [they] are pure genius! (Pascal Thiel - DisAgreement)

So delicious! Tubular Bells for toddlers! (Weerthof)

This is a lovely thing! [“falling out of trees…”] (Fenny - “On The Wire” BBC Radio Lancashire)

I’m liking this! [“Summer Bubbles”] (Marc Riley  - BBC 6 Music)

*

Whizz Kid - "The Yellow & Blue" (EP) :

To say that Whizz Kid defy genre categorisation would be beyond the realms of mere understatement. Avant-garde electronic genius might be a more apt way of defining what they're about. (Whisperinandhollerin)

Much like other Bearsuit artists, Whizz Kid sound like they’re in a world of their own but they possess the spirit of the BBC Radiophonic Workshop allied with the sweetly nostalgic noise of Black Moth Super Rainbow. 
(Leonard’s Lair)

The Yellow & Blue EP by Whizz Kid is an interesting and compelling piece of work. Whizz Kid make an interesting blend of dreamy funk fuelled breakbeat and smokey electronica that sounds like it came from the back of beyond. (The Sonic Mine Field)

Whizz Kid you slyly suspect may well prove to be in time the labels impish enfant terrible. Impishly inspired. (The Sunday Experience)

This really is an EP well worth a listen. "The Yellow & Blue" is a great window into the darker side of electronic music. (Digitalgig)

“Summer Bubbles” : a jubilant piano-and-glockenspiel-laden romp from Whizz Kid (Textura)

Whizz Kid’s tracks all have something seductively foreboding about them. (Altsounds)

Child like melodies (courtesy of bubbly synth and xylophone respectively) with threatening distorted bass vocals. strangely intriguing. (Tasty Fanzine)

"Summer Bubbles" : Sparky's magic piano gets treated with anti psychotic medication after getting trapped in the grooves of a Riuchi Sakamoto record. Curiously unsettling. (Bluesbunny)

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In the elliptical world of modern, non-vocal electronic music, Lipsis goes about constructing meaning. The Whitstable born-and-bred artist, currently residing in south-east London, has been at this game for the best part of five years, setting his sights on creating a series of mood-pieces which perfectly capture fleeting emotions, thoughts or concepts. Unwilling to be circumscribed or pigeon-holed, the nature of Lipsis' abstract compositions means they cannot be ascribed any form of readily definable meaning. But significantly, this very fact opens up an appeal to the listener in terms of a deeper, sensual understanding which goes well beyond spoken language, finally demonstrating the power of the imagination. To those who argue for a purely formalist approach to music - as among the 'purer', less representational of the art forms - Lipsis would counter that this is what his art is: essentially, the tracks are irreducible and limitless in their plurality, grasping at a hidden truth, whether brooding or life-affirming, waiting to be retrieved. Yet, as much important art tends to prove, the materiality and experience of the external world provide vital impetus for the artistic effort. It is only later that these ideas and feelings become subsumed in the final creation, a thing in itself transcending the sum of its constituent parts and motivations. 

With two releases to date, 'Modern Myths' (November 2006) and 'Community' (February 2008), both released on the n5MD all digital division Enpeg, Lipsis has achieved a significant amount in the years he's been around. In his music, deep pad sounds cascade with blippy glitches and intricate drum rhythms creating a wonderful array of layered soundscapes. Much of the work's emotional strength is to be found in the careful interplay between competing drum textures and subtly apparent melodies - not conflicting, not wholly intimate - which exist in an unresolved tension, forever threatening to undermine the very unity the music wishes to affirm. Lipsis has been keen to address the diverse and disparate nature of the modern, urban milieu by going about organizing a regular night of electronic music in and around Whitstable and the east of Kent. The aim of the project has been to explore the potential of electronic music as a unifying force in an individualized modernity. The power of non-vocal music is that it can speak to everyone in a language which all can understand and on a powerful, primal level of existence. And yet, the interpretation among the crowd refuses to be pinned down: each time it is different and individual, lending an important sense of vibrancy and variety to the collective group. 

Addicted to knob twiddling and thoroughly disparaging of the whole 4/4 party banger thing, Lipsis' music is a collage of noise. It might not be to everybody's tastes, but the ideas and urgency behind the creation embody the kind of passion and desire that so frequently in music nowadays, especially in the commercial sector, gets left by the wayside, substituted instead for short-term goals and materialistic, superficial ambitions. 

Lebanese & International singer,3 times World Music Award winner,Best selling artist in MENA.
   Join me on my life’s journey and explore my everlasting passion for the arts and music. Together, we can enter this world and you'll discover intricate details of my background and the small elements that when added up, form my career up to the present. It's with sincere hope that this will give you a chance to know me better. In case you have additional questions, send me an e-mail and I'll get back to you as soon as I can. 

ELISSA—Biography and Career

Elissa was born in Deir Al-Ahmar and raised in Bekaa Valley, a land known for its fertile landscape and infamous history.
At the tender age of 10, Elissa began participating in social events and had a role in the kids' festival at Mont la Salle, which was hosted by Sandy Oshakji. As she grew up, her passion developed and she grew more and more involved in the art scene by acting in theater plays, namely with well-known songwriter Wassim Tabbara and later, with the "Théâtre de 10 Heures". Having studied Political Science at the Lebanese University, she had a natural knack for her first play's tendency for political critique, and her talent, though in its infancy, left a lasting impressing on that initial audience. 
Her theatrical beginnings opened way for her to experiment with other modes of expression and soon found herself singing in front of audiences. In 1992, she participated and won a Silver Medal in "Studio Al Fan". The show was broadcasted on LBCI, one of the most renowned TV stations in the Middle East. Following this gentle, yet encouraging success, Elissa began performing in concerts, driven by her tireless determination until 1999, when Lido Productions released her first album, "Baddy Doub", distributed by EMI. Elissa’s debut on the commercial music scene was an event of considerable significance. The album was a success, and featured a smash hit with famous French gypsy artist, Gerard Ferrer. The release of "Baddy Doub" brought the musical talent straight to Cannes, where she participated in the International Music Festival of 2000. 
Following her success at the International Music Festival, Elissa released her second album, "We Akhertha Maak", which included the immense hit duet, "Betghib Betrouh", sung with Lebanese superstar Ragheb Alama. The emerging singer’s third album, "Ayshalak", was also quite successful and its musical quality was considered a big leap forward in her music career. In the making of "Ayshalak", Elissa took advantage of the significant momentum gained during her previous two albums and managed to surpass expectations at an amazing rate. The video clip of the album’s hit single and namesake was filmed in Paris, directed by acclaimed French director Fabrice Begotti. Elissa was officially dressed and made up by Christian Dior Paris for the video, marking the first time Dior collaborated with an Arabic artist. 
Hot on the heels of the well-received third album, Elissa continued her fiery path and sent shock waves through the music scene when she teamed up with the world-famous Irish singer Chris De Burgh. The collaboration of these two talents resulted in the historic duet, "Lebanese Nights". The hit song was included on De Burgh’s 2002 album, "Time is Everything". 
2002 brought Elissa more consecration as she was awarded with the Murex d'Or award for Best Female Artist. And her, "Ajmal Ihsas" clip won the best video clip at the Arabic Music Awards, which took place in Dubai. To top off an outstandingly successful and memorable year, Elissa was also included in the anthology book, "100 Pioneers of Lebanon". The singer was celebrated alongside artists such as Fairuz, Wadih El-Safi, and many other celebrities who have left their everlasting mark on the Lebanese cultural, political and social landscape.

Elissa’s fourth album, "Ahla Donia", recorded with Super Audio System, was released in May 2004. It broke record sales around the Middle East and the beloved artist won the World Music Award for Best Selling Middle East Artist. As a result, Elissa was recognized as the first Lebanese to win the award and went on to win the Murex d’Or for not only Best Lebanese Singer, but also Best Video Clip for her hit song, "Hobak Wajaa". 
At the time, the technique of using Super Audio was the latest innovation in sound technology and it was the first time a Middle Eastern artist used such superior sound technology. Artists who had previously relied on the Super Audio System included: Sting, Andrea Bocelli and Pink Floyd. 
Elissa’s fifth album, "Bastanak", confirmed her status as one of the best female musicians emerging from the Middle East as she reined in yet another World Music Award for Best Selling Middle East Artist. International photographer Mathias Clamer, who also worked on Elissa’s previous album, did the CD’s photo-shoot.
Elissa’s sixth and seventh albums, "Ayami Beek" (December 20, 2007), which reached number one for more than three months and remains in the charts today, and "Tesadaa Bemeen" (December 26, 2009), continued the singer’s success and officially marked her as an unforgettable idol in prominent music history. 
Nearly two weeks after "Tesadaa Bemeen’s" release, the album immediately became the best selling album in the history of Rotana, as well as the most successful in Elissa’s career. The widely well-received album skyrocketed to the number one spot as it sold record quantities in Lebanon, Egypt, the United Arab Emirates, Jordan and the rest of the Middle East. 
"Tesadaa Bemeen" was Elissa’s album that received the most awards and compensation. In the eyes of her fans and the music industry, Elissa’s new release was far from disappointing, and reached the number one spot in France’s largest music store, Fnac, in the Musique du Monde section. Elissa received her third World Music Award Big Apple Award, Jordan Music Award, Middle East Music Award and many others for "Tesadaa Bemeen".
"Tesadaa Bemeen" includes thirteen songs between Lebanese and Egyptian dialects created from Elissa’s numerous collaborations with a handful of renowned writers, composers and music arrangers. For the album’s glamorous artwork, international photographer Matthias Clamer photographed Elissa on location at Pena National Palace in Sintra, Portugal. 
The singer has surpassed expectations and risen above the rest of her generation’s talented celebrities, achieving full-fledged star-status. Elissa is more than just a shooting star; she’s a monumental icon whose mark on the Lebanese, Middle Eastern and international commercial music scene will undoubtedly push boundaries and stand the test of time. 
Elissa is passionate about her work and remains truly inspired by her audience. This everlasting passion shines through in her many notable events. Since the first album, "Baddy Doub", which was released in 1999 and brought her considerable success and a spot in the International Music Festival of Cannes in 2000, Elissa has been ever-gradually rising to the top.
In 2001, she took part in Jordan’s "Fiesta Latina". She also performed at the great pyramids of Egypt with British luminary Sting. Additionally, she was the only Arabic artist to perform in front of former United States President Bill Clinton at the Stars Charity show in Dubai. She was among global idols like Queen Rania of Jordan and the Crown Prince of Dubai Sheikh Mohamed Bin Rachid El Maktoum.
In 2002, Elissa took the local music scene by storm when she sang with world-famous Irish singer Chris De Burgh. Their smash hit duet, "Lebanese Night" was written by De Burgh during a trip to Lebanon two years previous. The Irish wunderkind was inspired to write the song when he spent a starry evening dining at the famous restaurant Abdel Wahab. De Burgh chose Elissa as a partner to perform the magical song with him. The song was recorded and produced by Chris Porter, the legend responsible for a multitude of hits by international artists such as George Michael and Robbie Williams. 
That year brought substantial success for Elissa, as she went on to win the Murex d’Or award for Best Female Artist. And without fail, 2002 ended just as prominently as it started when Elissa was called upon to inaugurate the opening of Kuwait’s Virgin Megastore with Sir Richard Branson, the founder of the famous stores. The opening of Virgin-Cairo followed the prestigious event in Kuwait. Her clip, "Ajmal Ihsas" won an Arabic Music Award for Best Video Clip in Dubai and Elissa’s long-winded, successful run continued into 2003, when she signed a deal with Pepsi.
The contract with Pepsi, a soda drink close to the singer’s heart, made Elissa the official female star for Pepsi in the Arab world. She filmed the advertisement for Pepsi X in Spain and in 2004 the singer filmed the regular Pepsi commercial advertisement in Rome with world-renowned director Roger Spottiswood. Subsequently, the Lebanese starlet shot two advertisements with American pop star Christina Aguilera for Pepsi for the World Football Cup and Downloaded. Both advertisements were shot in Los Angeles with prominent director Tarsem Singh. 
In September 2003, Elissa was commissioned for a performance at the Hope Charity gala, which took place in the Royal Albert Hall, one of London 's most prestigious venues. Other artists that performed that night included Spanish dancer and choreographer Joaquin Cortes, Italian singer Zucchero, and British pop singer Sarah Brightman, making Elissa the sole representative of the Middle East. Further projects in 2004 included the Ray Ban campaign, while from 2005 to 2006 Elissa took on the Corum campaign, the LUX and then Vogue sunglasses. Elissa remains Ambassadress for Corum till today.
In 2005, Elissa received the World Music Awards for the sales of her unforgettable "Ahla Dounia" album for Best Selling Artist from the Middle East. The star-studded ceremony took place in Hollywood’s exalted Kodak Theater with the presence of notorious music icons including: Beyonce, Maria Carey, Usher, Santana, Bon Jovi and many others.

In December of 2005, Elissa received the Murex d’Or for Best Lebanese Artist and Best Video Clip for her hit classic, "Hobak Wajaa".
On November 15, 2006, Elissa received the World Music Awards for the second year in a row for the sales of her "Bastanak" album. The ceremony took place in London’s Earls Court. Elissa was in the company of Michael Jackson, Paris Hilton, Beyonce, Andrea Bocelli and many other recognizable talents.
The Lebanese Music syndicate honored Elissa for her musical achievements and for being the first Lebanese artist to receive the World Music Awards two times running.
Elissa was also the ambassadress for the World Gold Council in collaboration with L’Azurde, effectively putting a beautiful image with one of the world’s most desirable metals
Subsequently, Elissa was chosen by French company Georges Stahl to create her own perfume in 2007. The fragrance "Elle d’Elissa" was created, marking yet again another first: The first international perfume for an Arab artist. Elissa’s first perfume was followed by a second essence, "L’Eau d’Elissa".
On August 9, 2007 she performed at the prestigious Sporting Club in Monaco. While in 2008, Elissa became the ambassadress for Samsung Mobiles.
In 2008, the singer was included in Arabian Business Magazine’s 100 Most Powerful Arab Business Women list, for the second consecutive year. She was also part of the 500 of World's Most Influential Arabs list. 
Since then, Elissa has created a very powerful image for herself forcing a place for her in the spotlight. The artist is also endlessly desired and sought for by all prestigious brands.
Elissa received her third World Music Awards in Monaco on May 23, 2010 for her album "Tesadaa Bemeen" for Best Selling Artist from the Middle East.
In June 2010, Elissa received her third Murex d’Or as Best Lebanese Female Artist.
In November 2010, she was awarded for Best Arab Female Artist in the Jordan Music Awards, which took place on Amman’s Dead Sea shore, and a few days later she received the Big Apple Music Award for Best Female Artist in the Middle East (This award is an international one based in New York), the Middle East Music Award and received 4 awards from the Student celebrity awards.
In March 2011, Elissa became a goodwill Ambassador for IMSAM, an intergovernmental organization under the United Nations based at U.N Headquarters in New York. She resigned in 2012.
Esquire Magazine named Elissa "Woman We Love" in 2011. It was an important moment as it was the first time Esquire had chosen Elissa out of their Middle East line-up.
To top off all these achievements, she was voted in the Arabian Business Magazine as one of the 100 Most Powerful Arab Business Women in 2012 and the 500 Most Influential Arabs.

Her eighth studio album "Asaad Wahda" released in June 2012 was number one for the first two months in all the Middle East charts and is still in the top 5 till now, with the release of the first Video Clip in January for the title song "Asaad Wahda".
In December 2012, Elissa was chosen to be one of the Judges of the X Factor Middle East; it was on air the first 4 months of 2013.
On the 23rd of June 2013 Elissa received two Murex D’or, for the best Lebanese singer and Best Arabic song "Asaad Wahda". This prestigious event, considered as one of the biggest celebrations of the TV industry in the Arab World, took place at the Casino Du Liban with the presence of many local and international artists.

On 21 November 2013 Elissa received the BIAF Award ( Beirut International Award festival) as an appreciation for her successful career as a Lebanese artist

Elissa's Most Famous awards :

A Silver Medal over the course of 'Studio Al Fan' Show.
1992 

The Murex D'Or award - Best Lebanese Female Artist of the Year. 2002 

Best Arabic Female Singer - Zahret El Khaleej Magazine. 2003 

Best Selling Album for a female singer in Egypt - Al Ahram Newspaper. 2004 

LG Music Festival Award. 2004 

AUST University Honoure - Lebanon. 2005 

WORLD MUSIC AWARDS- Best selling Middle Eastern artist - AHLA DOUNYA album.' 2005 

The Murex D'Or award - Best Lebanese Female Artist of the Year. 2005 

Best Arabic Female Singer In Al Aghani Radio Station - Egypt. 2005 

Best Character of the Year - Zahret El Khaleej Magazine. 2005 

Best Video Clip Award for the song 'Hobbak Waja'. 2005 

Best Female Artist of the Year Award. 2005 

WORLD MUSIC AWARDS - Best selling Middle Eastern artist - BASTANNAK album.' 2006

An Honorable Award from the Professional Artists Union of Lebanon. 2007 

Middle East Music Award - Best Female Arab Artist 2008 

Murex d'Or Of Best Lebanese Song & Video Clip 2008 - "BITMOUN"

The nb.1 most searched arabic artists on GOOGLE.COM 

BIG APPLE MUSIC AWARDS - Best Artist in the Middle East - 2010

WORLD MUSIC AWARDS - Best selling Middle Eastern artist - TISADDA' BI MEEN album.' 2010

STUDENTS CELEBRITY AWARDS Lebanon - 2010 (4 awards for 4 nominations; Best Lebanese Female Singer/ Best Album " Tisadda' Bi Meen"/ Best Lebanese Song "Aa Bali Habibi"/ A 4th Achievement Award

The Murex D'Or award - Best Lebanese Female Artist of the Year. 2010

The Murex D'Or award - A Honor Award For All Her Awards in 2010 

JORDAN AWARDS -Best Arabic Female Artist - 2010

Regional Ambassador for the UNICEF in the Middle East & North Africa - 2011

The Woman We Love” award of the “Esquire” men’s magazine - 2011

Middle East Music Award (DgFest) - Best Female Arab Artist 2011

Middle East Music Award (DgFest) - Best Arabic Video Clip 2011 - Tisadak Bimeen 

Murex D'Or award: 
Best Lebanese Female Artist of the Year 2012
Best Arabic song "Asaad Wahda"


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