Create music Play music Dance to music. I’m a Psytrance lover who has been in the scene since the early 90’s and still love it as much as ever. Hope you enjoy the tracks. Play LOUD!! ❤️🎶❤️🎶

Redd Kross have always been too good, too perfect, too true, to believe. Mythic. Could this tuneful hardcore punk EP really be the work of a brother band with the 15-year-old on vocals and guitar and the 11-year-old on bass? Did Redd Kross really open for Black Flag? Could Jeff and Steve really have been born and raised in the Beach Boys’ hometown of Hawthorne, California, and did Jeff really see the Beatles live in 1966? Did one of them, dressed in Gene Simmons makeup, really kill a Bruce Springsteen impersonator onstage? Is that really their hair? Could Researching the Blues, their first studio album in 15 years, be not just the hottest thing since Cher went solo but the best start-to-finish Redd Kross record ever?

Somehow, the answer to all the above is improbably, wonderfully, beautifully YES. Long have Redd Kross rocked, and long have critics, devoted fans, Rodney Bingenheimer and fellow musicians from Seattle (Nirvana) to New York (Sonic Youth) to Driftwood, Texas (Butthole Surfers) to Hollywood (everybody) bowed before the Kross and their self-aware pre-spandex Glam bubblegum garage psychedelic Cheap Trick/Kiss/Revolver post-Kim Fowley rock and roll. Degenerate, sweet: tongues in cheek, song-long winks.

Commercial success may never have been theirs (if time and space had been aligned correctly, they’d have been blitzing ballrooms in the early ’70s instead of opening for Stone Temple Pilots in the early ’90s), but Redd Kross have endured and endeared because they’ve always had the best possible attitude: smarts, smiles, and total commitment to live hair-spinning showmanship.

Like fellow legendary Great American John Waters, they’ve devoted their career to making subversive entertainment in a high pop celebrity style, reintroducing in their especially golden late ’80s/early-’90s period such forbidden classic-rock tropes as melodies, harmonies, ripping musicianship, and primary colors-stuff that had (largely) been ditched in the underground rock’s post-punk, No Wave, hardcore, and sensitive-egghead scenes. Redd Kross then spent the ’90s making one great misunderstood record after another until enough shit had caked the fan that in 1997 they pretty much called it quits.

But you never quit being brothers. And so here’s the next Redd Kross album-produced and mixed by younger brother Steve earlier this year after it was mostly written by older brother Jeff in 2007-08, and recorded in that same period with the band’s current lineup, who’ve re-engaged in live performance since being lured back into action by an excitable Spanish promoter.

They’re too nice to say so themselves, but attention must be paid to this band, to this great album, Researching the Blues, which, like a pair of great pants, is tight and the perfect length. By the time you’re two minutes and 51 seconds into the second song, “Stay Away From Downtown,” and the band is breaking into the sha-la-las, you will be running around the room with your hands in the air. As the fourth song, the Brian Wilsonian “Dracula’s Daughters,” ends and the dynamic mid-’60s Beatles jingle “Meet Frankenstein” launches into its first chorus, you will be mass-texting all of your friends with the good news. By the final four songs-”The Nu Temptations” (Stooges-worthy riffs! Cowsills counter-harmonies! And more!), the “Surrender”/Noel ‘n’ Liam rockers “Choose to Play” and “Winter Blues,” and the stunning summer psychedelic power pop that is the closing “Hazel Eyes”-you will know the truth. You tried the rest-but now you’ve had the best. The McDonalds were educated at Rock ‘n’ Roll High, and they’ve stayed true to their school. Here’s to their beautiful reunion! Redd Kross Forever!

My name is Franke and I am just a pretty frank chick no pun intended and a I'm a doc not the medical kind but I work in medicine and health......that is all!

Inspiring music producers worldwide with dope sounds. 

Our sounds are used in music, film, TV and more. clients include Nate "Danjahandz" Hills, Rodney "Darkchild" Jerkins, and countless other well known and upcoming producers from across the world. Our "808 Warfare" plugin was recently featured on Genius Deconstructed series - as used in a Disney movie soundtrack by Chloe X Halle.

Pretty Badman  Jazzy is a Zambian -based Afro- R & B, Soul singer and Songwritter from Zambia . He embarked on his music career in 2015 Pretty Badman Jazzy grew up in Zambia,Chingola , during a musical era where soft RnB music was reigning with the likes of Runtown , Patoranking, Nonso Amadi , being the top played musicians. In September 2017, he released his first body of work called “I Need You Back” and just a few months later he put out a follow up single known as “No Mind Them”, which has been his most successful work so far. Pretty Badman Jazzy  self-taught himself to write his songs and He makes it clear that he draws his lyrical inspiration from moments of extreme emotional phases such as heart break, and sensual pleasures. He currently has no strong public affiliation with any other artist and bears a mystical impression to his persona. cites Pretty Badman Jazzy as his major musical influence. He is also inspired by the likes of Drake, Shakka, Justin Bieber and Bryson Tiller. He also looks up to Nigerian artistes like Wizkid, Wande Coal, Maleek Berry and Fela for his afro- influence.

Pretty Tomboi Gang is a collective of professional women who are elite leaders and unique visionaries in their respective fields. The women of PTG come from all walks of life, but share a specific connection to the tomboy lifestyle and culture. We support, unite, empower each other. The work posted are collective mixes by PTG DJs featuring PTG artist!

Electronic textures, intimate revelations – that’s the fundamental formula of Natalie Walker’s evocative, elemental, bluntly emotional new album, Spark (Dorado Records).    Spark finds the Indiana-born, Colorado-based singer-songwriter, whose prior work has been heard on Grey’s Anatomy, Ugly Betty, Bones, 90210, Smallville and Entourage, among other places, hitting a new creative plateau. With her richly expressive vocals floating in elegant, spacious instrumental settings, Walker explores powerfully personal territory on tracks like the reflective “I Found You,” the questing “Sunday Afternoon,” the gorgeous life lesson “Mars” and the delicate first single, “Uptight.” She also shows her adventurous side, feeling the rush of a humid Brooklyn night in the sensuous “Cool Kids” and diving headfirst into desire on the swooning “Against the Wall.” 

Spark – which also includes a ravishing cover of the Smashing Pumpkins’ “Galapogos” – occupies a sonic sweet spot between pop and electronica, but it’s more attuned to the demands of her storytelling than to any musical pigeonhole.  Walker crafted half the tracks with Ted Bruner (Katy Perry, Ke$ha, Plain White T’s) and half with Dan Chen and Nate Greenberg of Stuhr (Mya, Nicole Atkins, Bebel Gilberto), the Brooklyn-based production team behind 2008’s With You and her 2006 solo debut, Urban Angel. Yet Spark is remarkably consistent; its jewel-box arrangements never crowd the song, incorporating eclectic instrumentation such as MiniMoog, vocoder, Fender Rhodes, cello and harpsichord .   Creating it, however, was a bit of a journey. Walker flew to L.A., meeting with a string of writers, but didn’t click with any of them. Then she encountered Bruner. “I walk into Ted’s studio – it’s dark and he’s got a discoball going,” she remembers. “Instead of saying ‘Let’s come up with a hook,’ he wanted to know about me. He asked all kinds of questions. I got impatient, but he said, ‘I can't work with you if I don't know your story.’ Then I got it.” Bruner’s unorthodox route led to the incandescent song “I Found You.” “I revealed things about myself in that song that I’d never said publicly,” she relates. “But Ted refused to let me include a single detail that wasn’t true.” The song crystallizes Walker’s deep connection with the physical world, notably the awe-inspiring night sky of Colorado. 

 The intensely personal attributes of the material, though, made Walker feel reticent. This – along with what she admits is a bit of burnout after a decade of songwriting – delayed her return to the process. At last, though, she resumed work with Chen and Greenberg – and returned to L.A., where she wrote three more tracks with Bruner.   Among these was the revelatory “Sunday Afternoon.” “That song was serious therapy,” she says. “It’s about my journey away from conventional religion.”  At 20 or so she eschewed formal services; instead, she’d spend her Sundays drinking beer, strumming guitars and singing made-up songs on a rooftop with her best friend.  She called these sessions her “church.” Later, she traded in her six-packs of Heineken for snowshoeing jaunts in the Colorado Rockies. The song describes “looking for God on a Sunday afternoon,” and it’s clearly something she still does in her own way, whenever she can.  Like her spiritual pilgrimages, Walker’s musical search has taken her to an array of locales, including Philadelphia, where she sang in the trip-hop outfit Daughter Darling before going solo, meeting up with Brooklyn-based Chen and Greenberg, and journeying to  L.A. in search of a new muse. During that time she’s gathered such champions as Jason Bentley (of trendsetting L.A. noncommercial station KCRW); electronica luminaries King Britt and Thievery Corporation; and Sofia Coppola, who placed Thievery Corporation’s remix of Angel’s “Quicksand” in her film Marie Antoinette.  

It has also seen her incorporate an array of influences – not only homegrown hip-hop and indie pop but also the classical music and bluegrass she gravitated to as a child. She has explored them all over the years, but on Spark she is clearly in command of her deepest musical instincts – and ready to sing about her own life and convictions with unprecedented candor.


Magda is amongst the most high-profile and in demand artists, having proven herself as a consistent, adventurous and exceptional performer, with a knack for bringing music together in unexpected ways.
Magda's realm as an artist pans far beyond the typical role of DJ and producer. With an open mind, Magda will try her hand at whatever feels right – from music technology collaborations and events to producing premium Tequila - creating a truly unique, multifaceted expression of herself.
Born in Poland and raised in Detroit, Magda discovered beauty and inspiration in Detroit’s raw urban landscape. In 1998, she joined the Minus label and began touring as Richie Hawtin's main DJ.
Since her first international tour in 2003, Magda established herself globally as an artist known for pushing musical boundaries and expressing her unique style. She released her forward-thinking DJ mix album 'She's A Dancing Machine' in 2006, followed by her debut artist album ‘From The Fallen Page’ in 2010 among other single releases. Magda’s remix work includes Plastikman and Depeche Mode and DJ mix albums for Fabric, Balance, as well as a BBC Radio 1 Essential Mix, among others.
In 2006, Magda established the Items & Things label and booking agency with Troy Pierce and Marc Houle.
In 2017, she launched the Perm event series in Berlin. Sitting pretty at the crossroads between art and club culture, Perm was a collective initiated by Magda and established in the name of artistic cross-pollination with a very strong multimedia aesthetic. Guests included Atom TM, Burnt Friedman, Jan Jelinek, and Cristian Vogel.
Recently, Magda has produced and performed alongside T.B. Arthur as Blotter Trax. The Blotter Trax live show combines modular synthesis, live improvisation and rhythmic exploration. Performance highlights have included live audio- visual duets with video artist Lillevan (Morton Subotnick, Christian Fennesz) and a recent club tour of Japan which saw the duo performing live and transitioning into Magda’s signature DJ sets.

hiya dawgz i love making musicz and all that fun junkz

also i work in vidyagamez in japanz it'z pretty exciting homiez

Every decision you make opens up a thousand new paths. With every word you say, you get thousands of rocks rolling. Every moment you experience, a thousand beautiful things reveal themselves to you.
Birger Nießen has a problem. He can not decide. Growing up close to Cologne, several hearts are beating in his chest to this day: for film music, EDM with analog synth sounds and grooving beats as well as catchy pop. Because for Birger, there have always been a thousand beautiful things to discover in music.
Birger made a virtue out of this problem. He combines elements of film, electronic and pop music to a unique sound.
Comparable perhaps with a clash of soundtracks to "Stranger Things" and artists like M83, Hannes Bieger, Solee and Woodkid.
Birger lives in Cologne where he runs a recording studio and produces music for various artists in addition to his work for "A million pretty things" and his band "Souvenir Season".

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