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Electro Vein
Techno Brain
Trans Marsthon Legs￼
Short Thoughts
Clean Sound
Deep Bass

Biography
Filip Abramczyk,known professionally by his name Pysh, is a Polish DJ and music producer, living in Berlin. His performances have permanently recorded in the lineups of the largest Polish music clubs and festivals, which was acknowledged by a chapter devoted to him in the book "30 years of the Polish techno scene", placing him among the undisputed leaders. In his  achievements so far, he has shared the stage with leading artists of the world electronic scene, such as Eelke Kleijn, Robag Wruhme, Guy J or Kollektiv Turmstrasse.

The breakthrough moment in his career was the year 2010, when immediately after the release of his debut EP, he won the first place in the remix competition for the song "Regenerate", organized by Book Shade. His approach to electronic music was appreciated by both Polish and foreign promoters, thanks to whom his productions could be heard  all over the world, under the aegis of such
labels like Ritter Butzke, Jeahmon, Click, or Einmusik.

In addition to balancing between the house, indie and melodic genres in his productions, sets and live acts, Pysh interweaves ethnic and folk sounds, which are a kind of hallmark of his work. He uses ambient sounds or samples from old cassettes, which in his remarkable arrangement create a surprising form, constantly rousing the audience  all over the world to dance.

Paris, early ‘90s. The city was a schizophrenic beast—half-glamour, half-decay—where raves exploded like molotov cocktails in abandoned warehouses and smoke-filled basements. It was beautiful chaos. Somewhere in the thick of it was Julien Veniel, better known as D’Julz, spinning records with the focus of a surgeon and the cool detachment of someone who had seen it all.
Then came New York, 1993. A city that didn’t sleep but didn’t really dream either, at least not back then. Veniel—young, hungry, and too talented to ignore—found himself in the depths of sweaty dancefloors, perfecting his craft like a prizefighter working the heavy bag. The kicks were tighter, the grooves deeper, and his sound—dub-infused, stripped-down, relentless—started to carve its way into the foundations of house and techno.
But Paris called him back. By 1997, he was behind the decks at the Rex Club, launching Bass Culture, a night that would quietly and ruthlessly become one of the most enduring parties in dance music. You could feel it in the air, heavy with smoke and sweat: something was happening. And week after week, D’Julz delivered. The music wasn’t just played; it was installed into your brain, a groove so potent it hijacked your nervous system.
The production side came next. 20:20 Vision, Ovum ,Circus Company. Robsoul. ,Rekids. Big labels, underground credibility. Tracks and remixes that hit like slow-burning dynamite—deceptively simple, brutally effective. DJs hoarded his records like they were holding nuclear launch codes.
Then there was Circoloco—DC10 . Ibiza’s sacred asylum for the beautifully deranged. D’Julz became a fixture for 7 years, a reliable madman behind the decks, controlling both the main room and the red terrace like a general marching his troops to the brink of delirium. His sets were measured doses of euphoria and dread, dubby basslines colliding with pulsing techno rhythms, all delivered with a sly grin and the calm of someone who knew.
By 2009, Bass Culture Records was born. A label as lean and unforgiving as its founder—no fluff, no filler, just raw, stripped-back house and techno that knew where it came from and where it was going. Over 70 releases later, it’s clear: D’Julz doesn’t miss.
Now, decades into this strange and relentless trip, D’Julz is still at it. The tour schedule is insane—Bali, Berlin, New York, and back again. Clubs and cities blend together, but the mission never changes: find the groove, ride it hard, and don’t let up until the lights come on.
D’Julz doesn’t care about trends. He doesn’t care about fame. He’s a purist, a craftsman, a man obsessed with the sound—the deep, pulsing, unstoppable sound. Three decades in and he’s still there, calm and unflinching, dropping records that hit like a gunshot in the dark.
If you want to understand D’Julz, don’t bother asking questions. Just listen. The truth is buried somewhere in the basslines.

lean back and enjoy a never ending detour with us. we can’t guarantee to reach any destination,
but you won’t regret the travel..

•••

feel free to send us your mix anytime!

D.KO Records co-founder
released on Rawax, Bass Culture, My King Is Light, Cyphon, Freerange, …

Booking requests: thomas@sonicsoulagency.com

City: Warsaw
Music: Dark Disco, Indie Trance, New Beat

Residency:

- Smolna
- Transformator
- Be Kollektiv,
- Las Festival
- Tauron Nowa Muzyka


Projects:

- Szukam Dark Disko
- The Cat Club

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