🔥🔥 Beautiful Performance Neno J.🔥🔥
👏beautiful Title & composition 
👏so calming..the electric also sounds great 
👏👏👏👏Bravo Nenad👏👏👏👏

Beautiful cascading guitar effects, really soothing sound

WHAT I CAN SEE IN A FRACTAL CHERRY

Cast of characters:

Llanpsych-- @llanpsych -- Tez – Takamine acoutic and Gibson Les Paul electric guitar, composition, lyrics, mix, and production
Mistermark-- @user-432503709 -- Mark – jaw harp, vocals, production, mix, and editing     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 for voices that include bagpipes, Celtic flute, and Hammond B3, along with the bagpipe and "off with her head" outro
TexMex Shaman– @texmex-shaman –Stephen– mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – four string Fender Precision bass

This song started as a rough recorded by Tez on his acoustic and electric guitars. He also wrote the lyrics right off the bat, and introduced them to the rest of The Eclectic Collective by singing them as a rough, too. His vision for this was to create a song that sounded like it could've been recorded at Headly Grange (recording place of several Led Zeppelin albums). He also wanted it to feature instruments that wouldn't sound out of entirely out of place in Feudal Age Britain (between 1000-1600 C.E.) to carry the spirit of his lyrics.
  Tez always writes songs that are fun to learn and have cool changes, so we all jumped in with both feet. Ken was first up with his Bonham like big, bad beat. To that, Josh added his P-bass, which he used a plectrum on, something he rarely does, trying to sound like JPJ to match his Ken's energy. JJ came along next, adding his colourful mix of raucous organ, time period relevant Celtic flute, and outro bagpipes. He did the entire outro, in fact, including the "off with her head," line, too. 
  Once the music was all laid down, Tez tapped Mark to sing the humorous lyrics. Mark came through with flying colors on the vocal performance, as always, too. Mark also added the textural, boingy-sounding jaw harp in the chorus sections.
  Now that it was all in the can, Two of our master producers Tez and Mark mixed it, then asked the third, Stephen, to do the final mastering. It should be noted, too, that Mark also contributed significantly to the production, too, with his masterful editing skills.
  This was a really fun tune to put together, as we always have fun working on Tez's seeds. He is telling the tale of lust between two Feudal era peasants. Of course, it's rife with ribaldry, being as Tez is British. We hope you enjoy listening to this a much as we enjoyed creating it.

Original yrics by Llanpsych:

Verse 1
Working in the fields
All summer long
Glowing like the sun
Oh so fit and strong 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove

Verse 2
Loving in the dusk
Lying in the hay
Drinking hot cider
Till the end of the day 
Feudal Woman
I like the way you move
Feudal Woman
I want to plough your groove

Feudal Woman Blues (The Eclectic Collective)

This Is A Hybrid Track..  i made a beat with Bitwig and Arcade,  I used AI For arrangment, I used Ace Studio And Autotune/Fx for the vocal..  And i finally did some chopping, restoration and mastering In Cubase..  And i used Canva for the "ArtWork"   Enjoy  :O)

Music Is Life (Icebreaker)

Bolero

I can see further at night

GOODBYE OLD WORLD
WHEN THE TIMES THERE WERE A CHANGIN’
BUT THE SHIP SHE NEVER CAME IN  

BAD NEWS BLOWING IN THE WIND
SWEET LORD WHERE HAVE YOU BEEN

WHAT CAN I DO?
WHERE CAN I GO?
BAM BAM BAM BAM 

GOO DAY NEW WORLD
SUNSHINE TURNING GREEN
SUNK THE YELLOW SUBMARINE

CASTLES OF SAND A’ CRUMBLING
BANG BANG SISTER MORPHINE

WHAT CAN WE DO?
WHERE CAN WE  GO?
BAM BAM BAM BAM

WHAT CAN WE DO?

SHOW MUST GO ON

WHAT CAN I DO?

Original composition by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100

Fractal

Sakura Road Of Memories

A more aggressive and uplifting version. Click here for the original version.  https://soundcloud.com/hpcnw-902952/psycho-circuit

Psycho Circuit : Mind Drift

*Listen w Headphones!

Let this song be your safety-Rope
when you climb these mountains.
My thoughts are always w you my old friend!
~ LS
--------------------------------------------------------------------------

Vocals by Gary Reeves
Spoken words by Terry Reeves

Lyrics /Short version.
(Written by Terry Reeves)

I was walking down Mare Street, Hackney
Climbing boots and back pack on
Looking for a song of mountains
I had climbed them many times before
Challenge may help to find another door

I’ve climbed arduous N.H.S mountains
Planted flags a'top of wedlock peaks
Hung upside down on magical fountains
With my muscles springing major leaks
--------------------------------------------------------------------------

Check out the original track here
https://soundcloud.com/mountain-songs/mountain-man-cripple-club
--------------------------------------------------------------------------

Sample used

Synth (Remixed / Slice & Diced / Reversed)
Kimbra - Back To You

Intro sample
Movie / Leave her to heaven (1945)

Remixed by LS/2025.

Gal-vanize Feat Gary Reeves

Box Number Eleven approved remix and embellishment by @sailingthewavz

Do You Want Some? (SailingthewaVz Remix)

Words and Music Dave Rose
I reloaded this yesterday but it seems to have gone astray, probably something I did, Doh.

Paul Rose Guitars and Keyboards
Me Vocals, Guitar, Bass and Drums
Lyrics

Looking at old photographs, well I had to laugh out loud
Looking at the hair and the clothes
What were we thinking of

Oh and how the world was changing
And we were being left behind
Like being carried along inside a whale
To another place in time

We all left school for the dole apparently no one wanted coal
And on the Tyne they were no longer building ships
They had all sailed East where it was cheap

Oh and how the world was changing
And we were being left behind
Like being carried along inside a whale
To another place in time

But looking at these photographs doesn't reflect none of that
These faces that I see and that I'm looking at
They're all smiles and attitude and laughs
We've all moved on and sadly some of us are long gone......

Photographs

Here’s another old favorite song of mine, written by Baker Knight in the 50’s and recorded by many folks before and after Elvis’ most famous version, released in 1970. Once again, this is one of my stripped down recordings taken from an i-phone voice memo and transplanted to GarageBand for this final mix I threw together in homage to The King. Interestingly, Baker apparently originally wrote this as a gospel song, about the true King, but I think by now we all just read it as a simple and emotive love song, one of many done so masterfully by Elvis. I hope some folks will enjoy this quick take on it.
🥳This goes out as a special happy birthday wish to my dear friend and partner in all things musical, Nat Daniels. Thanks for all your support and inspiration.🤠

The Wonder of You

The Wonder of You (Elvis cover)

Original by The Beatles (1970)
I used a piano backing track on this

I have been sick, and my voice is not completely healed yet, but it is what it is :)

Let It Be (Cover)

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Undercurrent

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher.
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

(Don't follow me here, best on my main page ;)

Fractal

Neno J.

Recent comments

Ingo Bremenkamp

ambicumber

ThrillMonkey

Vocalatti

Related tracks