This is so beautiful! It carried me away. Thanks for sharing

Wow, how enjoyable to listen! Outstanding guitar Play!

Gorgeous and warm guitar! It's a great and touching guitar piece!

Beautiful... I like how you change up the different sections of the piece.

amazing. really fine inspiring guitar work

Nadine de Macedo

Dark Matter Conversion

"Backfire" is a song about false friends and wishing that their toxic shoots fire back at them. However, your wish stays a wish, because your pride and dignity keeps you from causing harm. 
Lemonbrew started the collaboration with a catchy and energetic rock progression. I rearranged the song and wrote lyrics and a vocal melody. Later, Flinn joined us to rock out the vocals. Thank you very much for collaborating, it's been a lot of fun!

Lemonbrew: composition, arrangement, synthesizer, programming, production
Nadine de Macedo: arrangement, lyrics
Flinn: vocals

Where to find us:
https://www.myownmusic.de/LEMONBREW/
https://soundcloud.com/nadinedemacedo
https://www.youtube.com/@Flinn_Edits

Cover Illustration by Salvatore / https://www.instagram.com/creative_salvatore13

==== LYRICS ====

You wasted my precious time
on spreading rumours and lies
Shooting me in  a drive-by
drawing me into riptide

I'll catch this ricochet
I gonna... misbehave and disobey,
I wanna... 

Watch how burn your fingers and...
build a castle on quicksand
or wade through wasted land
(Of course I wanna...)

Catch a ball and I fire it back to you!
Catch you out and I fire it back to you!
Catch hell and I fire it back 
And again and again and again 
That's what you make me do!

So I light up a light
To escape from the twilight
Not ready for the limelight
Not ready to start a fight

I'll catch this ricochet
I gonna... misbehave and disobey!

Catch a ball and I fire it back to you!
Catch you out and I fire it back to you!
Catch hell and I fire it back 
And again and again and again 
That's what you make me do!

That's what you make me do!

One day, I gonna be tough
give way for vengeance and grudge
I'll push you into the sludge
Where there is noone to judge

And I wanna... 

Catch a ball and I fire it back to you!
Catch you out and I fire it back to you!
Catch hell and I fire it back 
And again and again and again 
That's what you make me do!

That's what you made me do!

Backfire

To Wivresse, these three Piano Fragments :
1 - Chartreuse verte (0 - 1:40)
2 - Tip-Toes (1.40 - 2:25)
3 - Prayer to the Aesculapian Snake(2:25 - 3:20)

Piano Fragments - Dark Waves Of Bliss

Blood on the Loch

Music by Kontra Sz & Val Akey.
- Kontra Sz: plays rythm guitars, lead guitars;
- Val Akey: drums-, bass- and keys programming (mixing and mastering) + cover art.
Many thanks Kontra Sz for the fantastic guitar play! https://soundcloud.com/kontra-sz

Release date:
12 January 2024

Captive Of Time (collab)

One of my party-pieces is to recite Robert Burns' ode "To A Haggis" from memory.  In 2024, I have publicly recited it 4 times in the course of the week that contained Thursday 25th January.

"But mark the rustic, haggis-fed,
The trembling earth resounds his tread!
Clap in his waly nieve a bled; he'll mak it whistle
And legs and arms and heads will sneid
Like taps o'thristle!"

My tune is a little celebration of the Burns Night season in the UK in the 21st century.

Taps o'Thristle

Jellyfish Palace

Portal To Another World

Chaind

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS:Of The Shimmering Seraphs

The Professor

Well this is another with Greg Willis from Wales on Sax , it's got a Northern Soul sort of sound , hope you like it ! On a similar theme , on the 5th of March me and Charlotte ( Charlie and the Fox ) have a 60s Wall of Sound song out , I tried to get the Spector sound , we'll see whether I succeeded or not ! Greg is on this one too , I can't seem to leave him alone Ha ! Renowned Lyricist Tony Harris ( from Alabama ) and I got together for a lovely song which is out on the 15th of March . After that a new one from me and Gaz Brownie . Thank you so much for giving us your time !

No Album

Different Melody ( feat. Greg Willis )

Different Melody ( Fox and Willis )

The Sweet Breath of Angels  -  Eleyan Di Palma with Queensland Rose

Here's another demo I made with Garageband from the time when I was learning to make songs in a DAW environment. This song has the same chords and melodic progressions as the previously published yarning song here.

Standing In The Wind (Yearning) (Demo 2016)

So nice to play this craisy Musik with Jörg;-))
https://soundcloud.com/joerxworx

Lunatics 166// Then Catch me // Joerxworx & Ratzzz

reversal

Footprints (Instrumental) [Alternative Master]

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher (I am retired now).
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Portal To Another World

Neno J.

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Ingo Bremenkamp

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