Compositeur arrangeur : Philippe SEGUINARD
Auteur mélodiste : Guillaume DULER
Lyrics :
Rêves embrumés éphémères danses
Poussières de nuit voilées de silence
Dormir sur la Lune
Voleurs de vent  souffleurs de nuages
Flou d'amours denses à l'état sauvage
Dormir sur la Lune
Apprivoiser nos murmures
Abandonner nos armures 
Dormir sur la Lune
Caresser nos sensations
Effleurer nos émotions
Dormir sur la Lune
Nager sous l'eau delà des courants
Flotter de rives en rives en rêvant
Dormir sur la Lune 

Foggy dreams, ephemeral dances
Night dust veiled in silence
Sleeping on the moon
Cloud-blowing wind thieves
Blur of dense wild love
Sleeping on the Moon
Tame our whispers
Abandon our armor 
Sleeping on the Moon
Caressing our sensations
Touching our emotions
Sleeping on the Moon
Swim underwater beyond the currents
Floating from shore to shore dreaming
Sleeping on the Moon
© Guillaume DULER / Philippe SEGUINARD  2022

Dormir sur la Lune   TRANSLATED

Composed & Produced by: Chivicke
HomeStudio Productions ©2024
Image: Mat Brown

Loving You 66 Minutes Every Hour

Shifting Visions( new mix)

Bikes have so much fun, except for when they wait for the next bike ride.

A Bike's Life

Poumon vert

Original music, arrangement, piano, organ; J.J. Terrell on.soundcloud.com/ErEWw3bHuvBBFXuw7
All guitars and final mix by Neno J.

Waiting for Noah (collab J.J. Terrell & Neno J.))

Eclipse Stereo

One Acoustic guitar, some Celli and Vibes. 
This track was originally called 'So, misogyny, racism and corruption are OK after all' after the orange nutter was re-elected in a democracy.
Robert Llewellyn pointed out that this was a waste of a lovely track. 
I was watching the latest Professor Brian Cox BBC documentary programme 2 'Dark Planets' in his series 'Solar System' and I changed the title to celebrate the amazing reality of our universe and our staggeringly brilliant scientific ability to perceive it. The best in humanity is inspiring.

Dark Planets

Cast of characters:

Mistermark-- @user-432503709 -- Mark – backup organs (Wurlitzer and B3), VST steel drums, vocals, lyrics, composition, production, mix     
J.J. Terrell-- @j-j-terrell—JJ-- Yamaha Genos 2 electric piano voice and lead organ
Llanpsych-- @llanpsych -- Tez – Epiphone Les Paul electric guitar
TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Telecaster electric guitar and mastering
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums and percussion
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass

This song began with Mark, who fleshed out the entire thing, from the rhythm section, to the organ that you hear in there, to the lyrics and vocals, before he laid it on the rest of us. We all got a chuckle from the tongue in cheek humor of the lyrics, and were excited to work on a song about an anachronistic adventure of a soulful caveman. 
  Ken was first up with his version of the the beat, finding the soul in the rhythm. Josh was next up, of course, using his "normie" bass for the his version of the line. Once the rhythm section was in place, it was JJ's turn to shine, adding his slick, soulful e. piano to the mix. 
  Now that they had a solid foundation on which to play, Stephen and Tez added their guitar magic to the mix. Stephen with the rhythm and the fills, and Tez with the ripping solo at the end. Mark also added the festive VST steel drums that you hear throughout at this point, too. Now that the music was laid down, he perfected his awesome vocals to complete it.
  It was in the can at that point, and just needed Mark to throw a pro sounding mix on it. Then, Stephen mastered it in his always expert way to finish it off.
  Mark wanted to record an old skool classic Soul song (a la Al Green), which he did, all on his own. But then, once he unleashed it onto the EC gang for their interpretation, they ran with it in a whole new, almost tropical direction, and it was decided to release 2 versions of the song, both of which you can find on Mark's page. Stephen does double duty on guitar for both versions. 
  This was a real team effort, even though it's really Mark's baby. The Eclectic Collective has many different methods of creating music. This one was a great exercise in trying to bring about Mark's vision. We hope you enjoy listening to it as much as we enjoyed creating it.
Original lyrics by mistermark:

Walking through this concrete jungle
I’m just trying to stay out of the way 
just me and ol’ Rex, my furry companion 
we been fielding funky looks all day
then somebody saw me kicking rocks with my bare toes
he said buddy have you lost your way?
then I sat right down and I started to cry
and this is what I had to say…

I’m a caveman, I can’t catch a break
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say 

Sittin’ in my man cave watching the clock crawl
there's nothing good on my tv 
my big grubby hands can’t flip thru the channels
i cant even hold a cup of tea
I was chatting on the phone making plans with a lady
a little bit of company
but my date split QUICK when I opened the door
man I wonder what’s wrong with me

I’m a caveman, I can’t catch a break now
the ladies say I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

The big city’s fine but something’s on my mind
I feel a little incomplete
I miss my old club, for rustling up some grub
and the touch of grass below my feet
I’ve been around longer than all your creation, 
like the rocks and trees and streams
I wanna get back home, where forever I’ll roam
even if it’s only in my dreams

I’m a caveman
I can’t catch a break 
everybody says I’m so passé 
I’m a caveman, it’s too much to take
I’m ancient history or so they say

I’m a caveman, 
must be come kinda mistake
everybody says I’m so passé 
well I’m a - a caveman
It’s too much to take
but I’m gunna get back some day

Caveman (Eclectic Collective)

Chills (2025)

01 - Spitfire Audio - Ólafur Arnalds Stratus - Matrix - Rhythmic Waves
02 - Spitfire Audio - Lea Bertucci - Acoustic Shadows - Trumpet - Decay Swell
03 - Spitfire Audio - Lea Bertucci - Acoustic Shadows - Timpani Crescendo
04 - Spitfire Audio - Lea Bertucci - Acoustic Shadows - Cymbal Roll
05 - Spitfire Audio - Aperture Strings - Refractions - Tremolo
06 - UVI - FALCON - Attack EP88 - Space Roadelay
07 - Soundiron - Voice of Wind - Adey - Sustain vowel - Oo p
08 - Sonuscore - The Orchestra Complete - Flute Sustain - Violin 2 - Staccato - Viola - Staccato - Double Bass Staccato - Horn Sustain
09 - Spitfire Audio - Olafur Arnalds Stratus - Matrix - Looped Rhythms
10 - Spitfire Audio - Lea Bertucci - Acoustic Shadows - Tenor Trombone - Decay Swell
11 - Spitfire Audio - Symphonic Organ* - Full organ and 1 Others
12 - Spitfire Audio - Woodwind Evolutions - A simple Start
13 - Spitfire Audio - Spitfire Solo Strings - Violin [1st Desk] - Legato (findered) with Eventide - Blackhole Reverb - Nebula
14 - Spitfire Audio - Fragile String Evolutions
15 - Heavyocity - Intimate Textures - Texture Designer - Org Celli Combo 02
16 - Audio Imperia - Nucleus - Solo Oboe Legato
17 - Spitfire Audio - Tundra Atmos - Atmos

* : Rugby School Chapel Organ

Fragile Tales [Part 3]

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher.
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols