@user-936947521: Thanks Frans, I'm glad you like it!

Fantastic and beautiful guitar playing ✨🎶

Beautiful improvising over the chordal framework and flow of the song. Perhaps the angel weeps not for joy or sadness, but simply for being in the presence of such beauty.

🔥🔥Beautiful song and Title  ..🔥🔥
👏beautiful composition & arrangement 
👏so soothing & captivating 
👏beautiful production 
👏👏👏👏👏Bravo Nenad 👏👏👏👏👏

Another super piece my friend. Wonderful flow to everything. Crisply recorded

Daily Drops

This song was originally intended to be sung. In the end we were unable to match the meaning of the lyrics with that of the music. Pefhaps one day we will take it up again. In the meantime, here is the instrumental version.

Where I´m Going?

"Indiano"

Hi there. This is a result of me toying with one drum loop from looperman.com, some fl studio presets, and um... just a *tiny* bit of crazyness. (ok??) :) I had lotsa fun. :D 

Hope you enjoy! 

Credits:
➤ DavidCicaloMuse from looperman.com (a place full of royaltyfree sounds) was the author of the drum loop I used. (categorised under Trip Hop genre)

One Glimpse of a Whirlpool

Vidéo :https://youtu.be/xdtHBwg182w

 Naufragé. (Translated after the French text )

Texte de Sanzen 
Chant : Liora
Musique : Alain Illos

Tel celui qu'on oublie,
que l'aube n'émeut plus.
Celui pour qui le soleil,
pâle, est devenu.
À travers sa ruine,
l'horizon semble un rêve.
Pour lui qui ne voit plus,
dont la voix affaiblie.
Celui qui disparait,
pour qui le temps n'est plus.
Quel appel, quel amour,
quelle terre pour lui ?
Toi qui voyage au pays des morts,
en quête de secrets, de lumière, d'espoir.
Quels mystères oubliés, pour quelle identité ?
De ta vie naufragée, qui pour se rappeler ?

Shipwrecked

Like the one we forget,
that dawn no longer moves.
The one for whom the sun,
has become pale.
Through his ruin,
the horizon seems a dream.
For him who can no longer see,
whose voice is weakened.
He who disappears,
for whom time is no more.
What a call, what love,
what land for him?
You who travel to the land of the dead,
in search of secrets, of light, of hope.
What forgotten mysteries, for what identity?
Who will remember your shipwrecked life?

Naufragé avec Liora


Cast of Characters:

~Mark F-- @mark_f_2019 -- Ibanez EBH1005MS modified three string bass guitar, composition

Llanpsych -- @llanpsych -- Tez – Gibson Les Paul electric guitar end solo, production, and mix

TexMex Shaman–@texmex-shaman –Stephen– Fender Telecaster foundational rhythm electric guitar

J.J. Terrell–@j-j-terrell – organ and synth

Cgmaness – @user-419254289-15129531 – Chris – electric guitar

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums, percussion, lyrics, and main vocals

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –- PRS SE semi hollow body wah guitar, and ooh aah vocals at the end

This song began as a bass composition recorded as a stem by Mark. He named it after a hang out spot he and his friends used to go to as teenagers to drink beer and smoke bowls. He shared it with JJ, who turned it over to the Eclectic Collective so that we could have our way with it. However, Mark didn't use a click track to record it, so when he sent it to us, Ken had to come up with a drum beat based on Mark's structure, to which Mark then redid his bass part. That takes a lot of imagination on Ken's part when we do something that way.
    The first one of us to lay down a part for it was Chris, who added some really freaky textural guitar. Ken was next up, completing the rhythm section with his mighty drums. Ken then redid his part to better match the bass, thus completing the rhythm section with his mighty drums. Then, Stephen laid down the gritty, underlying rhythm guitar that runs throughout. Josh was up next, adding his melodic wah guitar to the mix. JJ came along soon after and laid down the magical synth that runs throughout. Last, but not least. Tez dropped the fiery solo towards the end. 
  Once the music was all laid down, we thought it could use some vocals. So, Ken jumped in, singing the lyrics he'd written for it. He also thought it could use some oohs and aahs at the end, so Josh recorded them as a five part harmony. However, choosing to only use the highest thee parts in the song, our expert producer on this one, Tez, decided to make a coda out of all five. So, stick around for a treat at the end!
  This is the third song the Eclectic Collective has done as a collab with Mark F. He's a very talented solo bassist, whose other music worth checking out on his page, as well. We hope you enjoy listening to this song as much as we enjoyed creating it. 
Original lyrics by K2 and the Three:

Be one of us
Be one with us
Be one of us
Be one of us 

Strangers to this town
You know we’re all around 
Away from home… Away from home

Get on the bus
Get on the bus!
Be One with us
Be one of us

She puts on her Sunday dress
I must confess
It’s all on me, here
It’s all on me, yeah

Away… here
Away… here

At Pryer Manor
Our dull Nirvana 
At Pryer Manor..,

Woo!..yeah!!!

Pryor Manor - Eclectic Collective w/ Mark F

'she'
https://www.instagram.com/one.man.verity.show/reel/DE_JUp-OGc7/

note: another shitty live phone recording

She's sweet. Petite. A tasty treat.
She screams scenes out in her sleep.
And, often, they repeat. 

'I can't take it anymore!
Get off me! Let me off this floor!
Untie me! Open up that door!
Set me free! Give me back control!' 

Weep with me,
for she has seen and been
through some sheeeit.
She's strong, not weak.

Rave

Weeping Angel

ThrillMonkey/AnandaTuk collaboration

Check out AnandaTuk's music at: https://soundcloud.com/user-11396379

Be Like That -with AnandaTuk

I once went horse riding not far from the Canadian border in Washington State. Cowboy hat, chaps, the lot. The guy in front yanked his horse's reins when it started to eat grass, causing it to kick backwards hitting my horse... which set off at a gallop. Yee ha! Unfortunately, the expedition leader was cross, accusing me of showing off! Nevertheless, it was exhilarating. 

All the guitar parts were played on a Duesenberg Paloma

Four Horsemen

ATTENTION Disclaimer:  The music track that I’m playing lead & improvising over is not mine and I do not own it. The track is created by YT Jam Tracks and all credit goes to him for the music track creation which I have listed below. Check out YT Jam Tracks on YouTube and Bandcamp. The links below are to the original material by the artist.  

Obtained from: YT Jam Tracks
YouTube site: https://www.youtube.com/channel/UCdMqonsla0BK21Fnf9Qx5Wg
Backing Track Title: Sweet Melodic Rock Backing Track in G Major
YouTube Track channel: https://www.youtube.com/watch?v=2sZtool2-BE
Bandcamp website: https://ytjamtracks.bandcamp.com/track/sweet-melodic-rock-backing-track-in-g-major-3

Date: 2/14/25
Song Title: I Do For You V11
The lead, improvising over the track was done with the following;
Picture with Track: Is the Gear I used to play through
Guitar Used: Ibanez Premium RG921QMF with HH configuration
Color:  Blue Quilt
Strings: Ernie Ball Super Slinky 9-42 and Hybrid 9-46
DAW: Reaper
AmpSim: JST ToneForge Jeff Lomis
Preset: Shy Noon Clean
Interface: Focusrite 2i2 2nd Gen

Raw: What does RAW mean to me, not having undergone processes of preparing, finishing, refining, or mastering: It is what was recorded at that time in its current state.
Comments: Please follow if you like, comment if you like and I’m opened to feedback to improve my playing, recording, mixing etc.  Thanks for listening \m/.


I Do For You V11

 "Fragments of a Quantum Reverie"**

In the year 2142, humanity unlocked the ability to decode dreams into raw electrical signals and dissolve them into the quantum fabric of spacetime. The process, known as "Quantum Reverie Mapping," was meant to be a tool for understanding the subconscious. But when Dr. Kaede Mori, a reclusive physicist, tested the technology on herself, something unexpected happened.

Her dreams—once private and fleeting—were shattered into fragments and scattered across the quantum void. When she reassembled them, they came back... altered. Alien landscapes, impossible geometries, and voices speaking in languages no human had ever known filled her mind. It was as if her dreams had merged with echoes of other realities.

Each night, Kaede ventured deeper into this fractured dreamscape, piecing together fragments of something vast and unknowable. Were these remnants of parallel worlds? Or whispers from a higher intelligence encoded within the quantum field? As the line between dreamer and explorer blurred, Kaede realized she might not be dreaming at all—but awakening to a multiverse hidden within her own mind.

Fragments of a Quantum Reverie ：Dreamscape by MODEP (on Rasberry Pi 4 ) &Modular

Sipping coffee at dawn watching time slip away
Want to step out of the rat race, please God answer my pray

Coping with the mundane every single day
This self painted picture won't fade away
Searching for meaning beneath this charade
This life with myself isn’t an easy one, I’m afraid

Bills on the table memories untold
Life of existence emotions on hold

My mind's a mixtape running loops on repeat
Sometimes it’s familiar and sweet

Coping with the mundane every single day
This self painted picture won't fade away
Searching for meaning beneath this charade
This life with myself isn’t an easy one, I’m afraid

My clock hammers seconds that merge into years
Holding back reality, fighting back

Coping with the mundane every single day
This self painted picture won't fade away
Searching for meaning beneath this charade
This life with myself isn’t an easy one, I’m afraid

Sentinel

South (Original)

Hell on High – Original Motion Picture Soundtrack scores a revisionist Western where the canyon fire is judgment, confession, and revelation all at once. Saloon pianist August Reed (our narrator) watches a thirsty town held in the fist of Luther Brand, a mine and water baron who finds “beauty in the blaze” when the gorge finally burns. Across fifteen tracks, the album shifts between soulful saloon songs, hard campfire harmonies, and wide, cinematic score: August’s gentle “Little Lights in the Valley,” Mara Linwood’s flinty work-song “What My Hands Can Hold,” Calder Pike’s posse anthem “Keepers of the Line,” and Brand’s chilling creed “Beauty in the Blaze.” Instrumental cues ride the posse through chaparral, follow August saving children through smoke, and carry Brand to his last choice at the gate, ending in a quiet reprise as the town walks the ash of Hell on High and counts what’s left worth saving.

Mara’s Ledger

Another fateful encounter ...
EHB 1000S and Jazzy Jen
HX Stomp, RC-3, 2i2, Logic
Studio B (main 2)

I've Got What You Want Alright

Guitarist, multi-genre composer, keyboard & bass player (mostly self-taught). Music librarian and philosopher (I am retired now).
Music is new dimension of life.
“That is an artist as I love artists, modest in his needs: he really wants only two things, his bread and his art - panem et Circen.”
― Friedrich Nietzsche, Twilight of the Idols

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Weeping Angel

Neno J.

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