Novo Amor & Ed Tullett - Faux

Brilliance Records and Dumonut Dumont are proud to present Faux by Novo Amor & Ed Tullett.

"Faux is your next playlist addition!" Stereofox

"Our newest obsession" Indiecurrent

"the definition of utter bliss...indie folk perfection" Hillydilly

"a masterful grasp of everything we've come to love about the genre: slow-building, atmospheric, emotionally compelling, and thoroughly enjoyable" Indie Shuffle

"if it came in liquid form, I would gladly take it intravenously" Soundchips 

"a song like a pearl" Gaffa Norway
 
Spotify: open.spotify.com/album/4KNvWUBG5Fzk7PlQZi6Svt
iTunes: https://itunes.apple.com/gb/album/faux-single/id886213215
Deezer: http://www.deezer.com/album/7859889
Amazon: http://www.amazon.com/Faux-Novo-Amor-Ed-Tullett/dp/B00L462BI8/ref=sr_1_1?s=dmusic&ie=UTF8&qid=1403508080&sr=1-1&keywords=Novo+Amor+%26+Ed+Tullett

Novo Amor and Ed Tullett first crossed paths in November 2013, at the Newport date of Ed’s UK tour. After showing an immediate appreciation for each other’s work, Ed, based in Brighton, spent December at Novo Amor (Ali Lacey)’s Cardiff home-studio, writing a record’s worth of material.

Recorded in March and self-produced by the pair in Cardiff, ‘Faux’ is the first realization of their collaborative talent, a swirling combination of their stunning falsettos, giant acoustic swells, and cryptic lyrics. The single, to be released via Norway-based label Brilliance Records, and Dumont Dumont, home to RY X, is an addictive alternative-folk behemoth.

Ed Tullett is currently putting final touches to his new record, ‘Fiancé’, a dark, electronic departure to his early acoustic work, after having remixes of Bon Iver (released on Spotify on the Bon Iver Stems Project album) and Local Natives shared by the bands themselves. 

Novo Amor’s ‘Woodgate, NY’ EP was released in March via Brilliance to rave reviews (6/6 – GAFFA, 8/10 – The 405), after premiering on The Line Of Best Fit. 

Their collaboration is the start of something bigger, as they prepare to write further and look to crafting a full record later in the year.

Brilliance Records is a small indie label out of Bergen, Norway. The label’s focus is to discover and present new brilliant music.

Dumont Dumont is a label based in Stockholm, Sweden. Australian artist RY X was the first artist to be released on the label.

Faux, by Novo Amor & Ed Tullett, was released via Brilliance / Dumont Dumont.

Links:

Ed Tullett
http://facebook.com/edtullett
http://www.edtullett.tumblr.com/

Novo Amor
www.facebook.com/novoamorsongs 
www.novoamor.co.uk 

Brilliance Records
https://www.facebook.com/itsbrilliant 
http://brilliance.no/

Dumont Dumont
https://www.facebook.com/dumontdumontmusic 
http://www.dumontdumont.com

Novo Amor & Ed Tullett - Faux

Pieces (Hushed)

Follow me on Instagram - instagram.com/harrisonstormmusic


iTunes: http://apple.co/1KRMxRM
spotify: http://spoti.fi/1NAQ2LX

Produced and Mixed by Hayden Calnin
Mastered by Andrew Edgson at Studio301

Justin Lewis playing some g tar 
Ruby Whiting on backing vocals.

twitter.com/HarrisonStorm
facebook.com/harrisonstormmusic

Buy on iTunes

Sense of Home

Dear Jane — Artist Statement (Phil Smith & Diana de Rooy)
Dear Jane was written by Phil Smith and Diana de Rooy as an artistic response to the exhibition by Jane Giblin, a celebrated and widely respected Australian artist recognised for her distinctive visual storytelling.
We have no personal or family connection to the subjects of the artwork—this song comes purely from our perspective as observers, interpreting in word and music what we experienced at the exhibition.
The exhibition featured The Mitchell Scrapbook, a curated collection of over 200 ink drawings originally created by Catherine Penwarne Mitchell (1847–1878), later compiled and annotated by her sister Sarah with assistance from their niece Grace. Catherine’s drawings reflect life on Tasmania’s east coast in the 19th century and show stylistic influence from Tasmanian and London Punch publications.
Dear Jane is not a historical retelling, but a creative reflection—our response to the art, the legacy it represents, and the way Jane Giblin re-framed and brought that history to life through her exhibition.

DEAR JANE 
words and music Bi-de Way 2026


[Verse 1]
She found her in an old magazine
A sketch with hands she'd never seen
In parchment lived in black and white
A whisper drawn in the candlelight

[Verse 2]
She paints with the soul of time long gone
With colours that have played upon
Reviving the touch, the hand long still
She breathes again what time would kill

[Instrumental]

[Verse 3]
Her ancestor's stroke in every line
Echoes through brush, through age, through time
And canvas speaks in silent awe
Of a family she has never known

[Verse 4]
She paints with the soul of every time long gone
With strokes that feel of old and strong

[Turnaround]

[Verse 5]
And in every face she dares to revive
The keepsakes quiet, open-eyed
And she paints with the soul of time long gone


[Verse 6]
Is it a memory or just a muse
Makes our ghost pick up their hues
She follows them and they show the way
Yesterday's light on the art of today

[Bridge]

[Verse 7]
And her ancestor's stroke in every line
Echoes through brush, through age, through time
And canvas speaks in silent awe
Of a family she has never known
She has never known 

[Outro]
Dear Jane I hear

I hear your   call

Dear Jane


Dear Jane

Sister

Places

Dive Deep (Hushed)

SØD VEN - COMATOSE

New track "Run" available Feb 22, 2019.

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Boundary Run - Make It Out

julia