A few seconds of the intro and im in. Great vocals. Always lovely to hear a real kit. Wonderful acoustic sound/tone. Beautiful chords and leccy geetar melodies. Touches of piano/keys (that counter melody on the second verse, ooh) and different guitar layers all add to make the track a triumph. Fabulous passionate build at the end. If youve done this on ya portastudio, I know how much time and bloody hard graft it would have taken. It all feels human and I love that.

Written by Pete
Pete-Guitar,Bass,Keyboards,Backup Vocals
Paul-Drums
Carl Nielsen-Vocal

Unknown album (8/25/2023 4:32:06 PM)

Take Me Back

Song about love as a shelter against inclemency of life (translated lyrics below).

By means of some weather sounds, I oppose precise dark parts to more colored ones, with serious work till 3:25 when I had fun jamming, so you can skip to 4:20 & enjoy great outro !!

Clarinet was borrowed from my sister for summer practice. Reed & keywork managing is difficult for a beginner, & home cohabitance was set on serious risk, but with painful effort I got something presentable, or so I hope, as not willing to repeat soon...

Pic: edited eyefish photo taken by my other sister during one of my hard summer rehearsals.

LETRAS / LYRICS

ENTRA SIN MIEDO / COME IN WITHOUT FEAR

Fuera hay truenos; / Outside there are thunders;
entra sin miedo. / come in without fear.

Fuera hay viento; / Outside there is wind;
entra corriendo. / come rush in.

Soy tu refugio protector; / I am your protective shelter;
entre mis brazos estarás mejor: / whithin my arms you’ll be better:
ven a buscar mi calor. / come to find my warmth.

Dentro hay fuego; / Inside there is fire;
entra a verlo. / come in to see it.

Dentro te espero, / Inside I wait for you,
entra sin miedo. / come in without fear.

ER22HC02 - (C) Ruizzo 1995 - (R) Francés Records;) 2014

Entra sin miedo (No clarinet was harmed)

This is the second collaboration I’ve worked on with the very talented Mark Spruce (Original Spruce).  

This is a folk song exploring the boundaries between this world and the spiritual world and tells the tale of an encounter with a Robin in a churchyard. 

Lyrics by Mark Spruce
Music & performance by James Whiteman. 

Best with headphones. Hope you enjoy it. 

Take care

James 

Lyrics:

Sky light Grey 

I stood in the church yard
Cold winters day
My back to the beach tree
Sky light grey

On the branch above me
Cock robin perched 
He sang then stared intently 
I returned his gaze

He repeated his song
And looked again
I smiled and nodded
Like we were friends 

I turned so slowly
As he moved to another branch
Eyeball to eyeball 
Repeat performance 

We both stood still
Locked in our game
He moved on once more
To repeat his refrain

I turned one eighty
When he landed behind me
My smile got wider
My heart got lighter
Watching each other
I'm absorbing this experience 

Then he came closer
We had circled the tree
A mystical moment 
This bird and me

You said your father
Would return
In the spirit of a robin
Watching over us one day

As I stood in that churchyard
Lost in that moment
I felt your father 
Came back to say

I'm here, I'm still here
I will always be here


Mark Spruce copyright Feb 2024

Further info:
The first collaboration is on the Original Spruce site called ‘Old Brock’ (music and performance Mark Spruce: lyrics James Whiteman).

Sky Light Grey (Collaboration James Whiteman & Original Spruce)

Chris Lyrics & Vox
Mike Instruments & Back ground Vox

Dead Roses Wild Christopher & Unguided Express

NOVEMBER from Autumn A Symphonic Poem

Пісня про цей світ, війну та людські почуття

Війна В Моїх Вікнах

Merveilles. (translated after the French text)

Vidéo : https://youtu.be/szflIdLROGY

Texte:      Sanzen
Chant :     Orelya
Musique : Alain Illos

Moi, je vais devant moi, 
tant que je vois le ciel.
Que je pense et que j'aime,
 l'air, les fleurs, le sel.
Un brin d'herbe tressaille, 
au sommet des collines.
Et dans le ciel vaste,
c'est mon coeur qui défaille.
Quand nous étions amants, 
quand nous étions aimants, 
sous le ciel lourd d'octobre, 
quand la nature se change.
Et je vois, dans les prés, 
la splendide fraîcheur. 
Et flotte dans le vent, 
les images délivrées.
Moi, je vais devant moi, tant que je vois le ciel. Je fais un pas de plus, l'air, les fleurs, le sel.
Solo
Les brins d'herbe qui tressaillent, 
la céleste harmonie.
Quand la nature se change, 
quand je pense et que j'aime.
Quand nous étions amants, 
au sommet des collines.
Que dans le ciel vaste,
nous voyions des merveilles.

Wonders

I go ahead, 
as long as I can see the sky.
That I think and love,
 the air, the flowers, the salt.
A blade of grass twitches, 
on the hilltops.
And in the vast sky,
it's my heart that falters.
When we were lovers, 
when we were loving, 
under the heavy October sky, 
when nature changes.
And I see, in the meadows, 
the splendid freshness. 
And floating in the wind, 
delivered images.
I go ahead, 
as long as I can see the sky.
 I take one more step, 
the air, the flowers, the salt.
Solo
The twitching blades of grass,
 celestial harmony.
When nature changes, 
when I think and love.
When we were lovers, on hilltops.
 When in the vast sky
 we saw wonders.

Merveilles avec Orelya

Fake Paradise Redux feat. Emily Coy
Vocals Emily Coy
https://soundcloud.com/stemstore/emily-coy-fake-paradise-redux-gg-vocals
Paploviante: Music, E Bass, Synth, Mix and Mastering


Fake Paradise Redux feat. Emily Coy

An instrumental with a twist for all the Latin lovers out there ♥️

Dipping A Toe In Salsa Dip

LYRICS 
I heard her coming in at midnight
I said honey where you been
She said I've been to the movies
With Sue and my best friend Janine

She said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said what was the movie
And she said I don't know
I didn't take no notice
It was just somewhere to go

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

Instrumental

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said why was you talking
Is there something I should know
She said now honey don't be silly
But her face just let it show

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I heard her coming in at midnight

Fade




Coming in at Midnight

White Lies

Just trying to make sense of the chaos.

Simple, heartfelt songs.

White Lies

Jonathan Runcie

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