Telharmonic is the only sound generating module....  

Patch Notes:  Using Mangrove Formant output into a VCA which has slow LFO modulation (ramp wave). This is fed out into another VCA which has an AD envelop (rhythmic gates from Stillson Hammer mkii). This 2nd VCA output then goes into the Telharmonic FM input. The H output feeding Optomix Ch 1 and then to Clouds with Blend at 50%. The P output feeding Optomix Ch2.  

Both channels of Optomix have strike inputs and AD envelopes to open/close the VCA. These AD envelopes are from Quadra and have some random applied to Decay amount via Expander. The Decay is also tweaked by hand.

Batumi LFOs are mixed with Samara and sent to various parameters including Mangrove Freq input and barrel input, Telharmonic Centroid, etc. 

Stillson Hammer is sending pitch CV into Telharmonic Tonic input and Degree input.  Tonic is sequenced at x4 clock and range is changed by hand from 0-8v to all other settings (0-2v, 2-4v, etc). Tonic sequenced is also toggled from Fwd to Rnd.  Degree is sequenced at /4 clock. All sequences are quantized to Dorian mode.

Octone sequencer triggers some gates and sends pitch to Clouds. 

Knights Gallop is striking Optomix based on 8x clock. The Pattern input is modulated with LFO.  

 Telharmonic P output (Optomix Ch2) is sent to mixer Ch1 and has random LFO shape into Pan CV.  Clouds output, which is Telharmonic H to Optomix Ch1 to Clouds, is send to Ch8.  Both channels are fed via Aux into DLD. 

Then just wiggle and tweak...

Telharmonic Generative Patch

Xinshu is an experimental playground for Ambient and Electronica. The Baudrate is his Dark Ambient mirror image.  All the music is created with modular synthesizers at the core of the work.

Telharmonic Generative Patch

Xinjoe