

Listen to "Left to Our Own Devices" here

https://open.spotify.com/artist/10245Q9NZEdn6i5Rzs9zkJ

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clairo aka DJ baby benz
ty for listening <3

'Charm' out July 12th

Purchase/Save the album:
https://clairo.lnk.to/charm

this will not be the best that i can do
this is a pledge
to you, to myself
in freestyle, in verse, and in rhyme.
this was not proofread
this was not corrected
this was not mathematically structured.

through pipe and flame, i remembered who i was
not in the ultimate sense, but in the personal one.
the girl with two strings of thought… interconnecting… interweaving.
all greyscale, all liquid, all hard to grasp.
something that once had been frightening 
was enlightening.

i was a mask of solid glass.
matte, poignant. 
concealing stagnation that devoured me whole.
i met you.
and you were nothing.
simply a mark on a cluttered page.
who knew nothing of my cosmic age.

there were words interchanged from a distant range

images caught in a noose that hanged
so eloquent just as the letters that formed
from the lips that then met like the perfect storm
and at some point these letters began to make sense
like the rhyming that this
this
this
this
this
developed, like love, and that’s all that i’ve got
so here it is, my heart was covered in rot
you cleaned it away just by showing your teeth
you told me you loved me, 
i fell in too deep
the way that you feel may be so far from this
this
this
this
this
this
this
this
this
and it’s easy to miss.
it’s easy to miss.
i love you so much that it makes me cry. i’m scared, worried, and agonised.
i believe if you hold my heart you’ll let it drop
just when i’ve found out how to make it all stop.

so here is a question, from me and to you:
is it okay that i’m in love with you?

Shop SPACE ISLAND Merch & Vinyl: https://linktr.ee/broodsmusic

The fourth full-length from BROODS, Space Island is an exploration of grief and all its many dimensions. In keeping with the New Zealand-bred duo’s unfettered imagination—an element they’ve brought to multiple platinum-and gold-certified records so far—the album’s 10 tracks exist in a surprisingly radiant sonic realm, its aesthetic equally inspired by ’60s sci-fi B-movies and the balmy exotica of composers like Les Baxter.The most high-concept output yet from BROODS—a ten-time New Zealand Music Award-winning act who’ve amassed over a billion streams to date, collaborated with the likes of Lorde and Tove Lo, toured with HAIM and Taylor Swift, and taken the stage at major festivals such asCoachella and Lollapalooza—Space Island came to life during a period of serious upheaval for lead vocalist Georgia Nott. Having married at the age of 21, she went through a difficult divorce soon after the release of BROODS’ previous album Don’t Feed the Pop Monster(a 2019 effort that led to appearances on“Late Night with Seth Meyers” and“The Late Late Show with James Corden”). As Georgia turned to songwriting as a means of processing her grief, she and her brother/bandmate Caleb Nott discovered an unlikely but wholly fitting vessel for that emotional outpouring: the album’s gorgeous constellation of otherworldly beats, swooning guitar tones, and effervescent synth lines. As a result, Space Island introduces a dazzling new intensity into BROODS’ atmospheric indie-pop while providing a powerful conduit for catharsis. 

MANAGEMENT:
Slush Management - Neal O'Connor / Sam Luria

BOOKINGS:
THE AMERICAS - mhayes@apa-agency.com
AUSTRALIA / ASIA - swald@wmeentertainment.com
NEW ZEALAND - reuben@banishedmusic.com

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