Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Atmospheric - Yamaha RM1x - Roland MC-307 
Techstep

Dark as farq.

More mixes online at mixcloud http://www.mixcloud.com/fugly666/

to book heist
Chris@uaagency.co.uk

Heist, also known as Strider if you’re looking to go way back into his discography, has been dominating, innovating and revolutionising speaker bins for 20 years now. No matter the year, his tunes always felt relevant, yet discernibly his, and in many cases were integral in pushing the limits of the Drum and Bass spectrum a bit further and a bit deeper than the status quo. His sound has travelled the ins and outs of the Drum and Bass super-highway many times, maturing as it grew from its humble yet bad and bashy beginnings found on classics like ‘Company 7’, ‘Beetle juice’, ‘Philly Styler’ and ‘Iron Hide’.

Also a badboy DJ for just as long (longer than heist in fact - he was dj’ing in the early 90’s under a different synonym). It’s tunes like ‘Go to work’, Sleep in ya eyes and ‘Don’t hold back’ as well as his high-octane DJ sets, that propelled him into super-stardom way-back-when. And in the minds of many, solidified Heist as a bonafide legend resulting in too many collaborations, endorsements and appearances to list. 
Having graced the catalogues of many iconic, foundational labels like Playaz, Charge, Ganja, V, Digital Soundboy, Frontline, Full Cycle, Philly Blunt, Low down deep and Metalheadz! All one needs to do to understand why Drum and Bass royalty like Dillinja, Hype, and Goldie, took notice so early on is…listen. Listen to any of it! It’s as though Heist had the foresight to be as fastidious about what he released to others as he has been about what he releases on his own signature imprints, Sumo Beatz, Calypso and Co-Lab.

Receiving previous critical acclaim whilst engineering for DNB forefather and legend, Goldie, as well as on his own celebrated productions, Heist has found a home for most of his current output on two-time award-winning label, Low Down Deep Recordings. Big things are coming on the label from Heist, like the cheeky ‘Bug Patrol’ and also ‘Felt Rich’ both doing dance floor damage from a host of DJ’s and support on BBC Radio 1, Kiss FM amongst other radio stations for both of these tracks and most likely more Heist bangers! Some exciting future projects are also in the works for a few labels that have yet to see the likes of Heist...The return of Sumo Beatz is also in store, with a bunch of ‘select cuts’ he has been just waiting to get out there on his own label. If history serves, there’s truly no telling what Heist will cook up next or how hard his freshly-brewed baselines will hit, but the future does look bright for the now DNB legend, to say the very least. With a plethora of music in the works as well as tour dates across Europe and the globe actively brewing in the cauldron, 2025 is looking deadly.

I release music on my own label now, check it here:
https://soundcloud.com/pseudosciencerecordings/
https://pseudosciencerecordings.bandcamp.com/
http://hybris-music.com

UK/ EU Bookings:  
james@evolutionartists.co.uk

All other inquiries:
hybrisdnb@gmail.com

Label and events by Black Sun Empire

Please only use the Demo Dropbox link below for sending us demo's.

He’s the techno punk, the unboxable nomad: Berlin DJ, producer and label owner Alex Ridha, better known as BOYS NOIZE, made his DJ debut at the age of 15, taking a teenager´s love of house and techno to a global scale. Accolades have been bestowed by Rolling Stone, who named him one of the "Top 10 DJ's Who Rule The World" and Beatport, who elected him “Best Electronic Act” 3 years in a row. He´s rocked the world's biggest stages, lit up Coachella three times, took Lollapalooza by storm, and headlined festivals and clubs on every continent – from Berlin techno temple Berghain to Fuji Rock in Japan to Justin Vernon’s Eaux Claires Festival in the woods of Wisconsin.

As an artist and producer, Ridha has created a sound and a vision that’s peerless, uncompromising, and enduring – respected in the scene, banging from underground to mainstream, it flies in the face of convention at every turn. He’s remixed Depeche Mode, Daft Punk, David Lynch, Feist and Nine Inch Nails, collaborated with Snoop Dogg, Erol Alkan, and Jarvis Cocker, worked on Mark Ronson’s “Uptown Special” and on the soundtrack for upcoming Oliver Stone’s Snowden, and released group projects with genius pianist Chilly Gonzales (Octave Minds), Skrillex (Dog Blood), and Mr. Oizo (Handbraekes). The list of names alone speak volumes about Ridha’s multifaceted approach.

Ridha is also the heart of Boysnoize Records, the label that he started back in 2005. Founded originally in order to retain his full artistic freedom while releasing his own music under Boys Noize, The Berlin-based anarchist collective —and it’s sub-label, BNR Trax— became a home for multidirectional quality electronic music and is responsible for more than 150 releases incl. Strictly Raw (2015), Out Of The Black (2012), Power (2009), Oi Oi Oi (2007) and Octave Minds (2014).

"... and the spinner will spin. and the bass will be thunder subterranean. and the river will rise as raindrops. from berlin. my favorite electronic house music in the world. immediate. throbbing." - Justin Vernon (Bon Iver)

“One of the most prolific and brilliant artists.” - Zane Lowe (Beats 1)

"BOYS NOIZE makes brilliant music. He doesn´t make a lot of music but when he makes it it´s always CLASS." - Annie Mac (BBC1)

"BOYS NOIZE is the only DJ who can play underground techno for 30,000 people." - 2MANYDJS / Soulwax



https://linktr.ee/renelavice

A little bit about René LaVice

From the humble beginnings of finding out about Drum & Bass music via the late night broadcasts on Toronto’s College Radio stations (88.1FM & 89.5FM) while growing up, René has travelled worlds away from where he started. Flash forward a decade or so, René’s own productions are now hailed around the world as some of the genre’s most iconic and innovative records in electronic dance music. He’s flown worldwide performing shows and cultivating the sound of Drum & Bass as a true tastemaker and leader in the genre. 

As though coming full circle, René was approached by the BBC about creating his own specialist show on Radio 1, so in 2017, following in the footsteps of legendary former hosts Fabio & Grooverider, and Friction, René is now the Drum & Bass representative on the world’s biggest platform. 
 
As a producer, René LaVice’s sounds are unmistakable. Known for combining different styles and influences with his own sensibility, his music has a thumbprint which stands out in the mix. Nowhere could this be more evident than in his first breakthrough track ‘Headlock,’ which took the scene by storm and turned heads of tastemakers worldwide onto what would soon become one of dance music’s most exciting producers. Since then, René’s made a string of hits, such as The Calling ft. Ivy Mairi, a musical hybrid unlike any other which was A-Listed on Radio 1 for weeks and hit the billboard top 40 dance chart. 

Renowned for his remix track record and ability to turn a song upside down, he has remixed an impressive roster of artists such as Diplo, DJ Fresh, Craig David & The Prodigy, making him a highly sought after remix artist.  He released 3 albums on the illustrious Ram Records which earned him the respect of young fans and veteran DJ’s alike. 

Having the support of touring Drum & Bass royalty such as Andy C, Goldie & Randall combined with attention from Radio presenters and tastemakers such as Annie Mac, Mistajam, Zane Lowe, Nick Grimshaw, Greg James, and Scott Mills is like a dream to any young producer and René’s skills as a performer and a DJ have been consolidated thanks to touring all around the globe and turning even the most unlikely shows upside down. Known for crowdsurfing at his gigs, he may sound like a bit of 
an anomaly when it comes to dance music. The excitement he feels from his music is as captivating as it is infectious. Having performed shows at major festivals such as Glastonbury, Download, EDC, and world class venues like Brixton Academy, Fabric, and Alexandra Palace, René has evolved into one of the most exciting headlining acts in dance music. 

Now living in London, UK, one can only speculate where René LaVice’s journey through music will lead next.

Established 1996. Bringing you the full spectrum of d&b...

Robarto is following