Baby
You gotta tell me
What's gotten into you
Lately
You've been saying
You're feeling the blues

I hear you saying
For the tenth time it's the last time
You wanna be away from home
Yet two days later
You pull out no stops
To make feel all alone

I don't wanna blame
Don't feel ashamed
We ain't feeling no glue
But I'll fight for you

I know I deserve more
And so do you
Tell me, what's gotten to you
I know you can't be crazy
Tell me, baby
And I'll fight for you

Maybe we won't make it
Maybe we will
Who can tell tomorrow's tale?
You gotta see what we have
Over what we don't
Our dreams ain't for sale

I don't wanna blame
Don't feel ashamed
We ain't feeling no glue
But I'll fight for you

Yeah, baby
I know it's sounds crazy
But I'm still crazy for you
I'm waiting
For you to tell me
And I'll fight for you


Album - Heart to Heart (C)2020
Song - Bring The Sunshine Back Again
Music - Russell Lucas and  Sreyashi Mukherjee
Vocals and Lyrics - Sumi (Sreyashi Mukherjee)
Arrangement and Production - Russell Lucas
Mixing - Romano Erafficci

I'll Fight For You (EP - Heart to Heart)

Don't Leave Me Babe

The Playground - Robert Grigg & Combstead

Crimson Betrayals is an EP that consists of four symphonic metal songs.
Release date: 27th of April, 2022.

A Karma Law

MOKA LEE 

she looks at you, no sigh
tomorrow  might be right
sees everything you do
sometime seems so hard 
when you ask for one , one more

She never asks, wait 
Wait for  another move
was always there when
when you let you go
when do not forgive, Moka Lee 

you ‘ll recognise, you ‘ll recognise when she comes 

the darkness around you and hurt you
the darkness that highlights your dreams
pinwheels that move windless and clepsydras where the salt is suspended
every moment is not just a moment, but the pleasure of infinity Moka lee

sleezy skeezy but not so easy 
nasty but not fine
another day she‘s gorgeous
dazzling  and really smart 
she is so tough 

She whisks you away to your everyday
When she wants she appears 
don’t try to defy 
is she darling ? no, no, no

you ‘ll recognise, you ‘ll recognise when she comes

Moka Lee

Trashed

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Moka Lee

buddhabarbie corporation