Hinds Brothers music and Sun Ra Research by John Hinds and Peter Hinds. From the Santa Cruz Mountains in California.

https://www.erikavega.net

De-(com)poser
Mexican 
​Violin
PhD in Oxford
Never been to Japan

Bruno Gussoni (born in 1951) is a flute player who works in the field of free improvisation/instant compositions. He plays several flutes (C flute, alto flute, bass flute, piccolo, shakuhachi, nohkan, shinobue, ryūteki), used to create a unique and personal language producing experimental flute sounds. He is not interested in the use of the flutes as “academic instruments”, he has given up on traditional techniques in favour of extended techniques like un-pitched breaths, multiple sounds, harmonics, overtones, whispers, microtones, keys percussion, and other sounds, all combined with breath, silence, soundscapes… exploring the acoustic possibility of the flutes, in the sound space and in relation with other improvisers.
He played/plays with: Don Cherry, Frank Lowe, Wadada Leo Smith, Jeanne Lee, Peter Kowald, Michel Doneda, Tetsu Saitoh, Edoardo Ricci, Matthias Schubert, Ove Volquartz, Joshua Weitzel, Ulrike Lentz, Anja Kreysing, Jane Rigler, Henry Koek, Christophe Meulien, André Darius, Eugenio Sanna, Iao Aea, Claudio Ferrari, Marcello Magliocchi, Angelo Contini, Guy-Frank Pellerin, Jean-Michel Van Schouwburg, Matthias Boss, Lawrence Casserley, Daniel Thompson, Adrian Northover, Willy Van Buggenhout, Tom Jackson, Adam Bohman, Martin Mayes, Maresuke Okamoto, Bernadette Zeillinger, Diego Mune, Jean Demey, Vanessa Pettendorfer, Angelina Ertel, Eric Arn,  Andreas Eichorn, Elisabeth Kelvin, Herbert Lacina, Edward Reardon, Stephan Brodsky,  Phil Gibbs, Benedict Taylor, Joao Pedro Viegas,  Roberto Ottaviano, Yoram Rosilio, J.J.Duerinckx, Dan Roth, Anton Mobin, Roberto Del Piano, Nicola Guazzaloca, Donatello Pisanello, Michele Barontini, Marcio Mattos, Marilza Gouvea, and many others.
He collaborated with the videomakers Jutta Pryor, Ash Benness, Alexandra Bouge.
He partecipated as flute player on compositions of Cezary Ostrowski, and King Imagine.
He played nohkan for coreography of the japanese dancer Yukino Nono.
Actually he collaborate with Vanessa Pettendorfer in the organ/shakuhachi project, and with King Imagine online projects, including Vanessa Pettendorfer, Markus Breuss, Dararat Chemnasiri, Ana Foutel, Dirk Watchtealer and others.

https://brunogussoni.bandcamp.com/releases
https://soundcloud.com/bruno-gussoni-flutech
https://soundcloud.com/fluctuation
https://soundcloud.com/flutespace
https://soundcloud.com/disaster-area
https://whitenoisegenerator.bandcamp.com/album/clockstop-2017
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA?view_as=subscriber
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA/playlists?view_as=subscriber
http://www.plustimbre.com/releases/0922019.html?fbclid=IwAR2SvTYJjo9f53_PbQozTgTi_ye9klI0wQbt87FexIbKeri4B6Opc-DBDnY
https://gommusic2.bandcamp.com/album/natural-sources
https://archive.org/details/Petroglyph499Nos_Namajs_and_Bruno_Gussoni-THE_NATIVE_CIRCLE
https://kingimagine2.bandcamp.com/album/between-the-universes
https://kingimagine2.bandcamp.com/album/king-imagine-online-sextet-2
https://peteswinton.bandcamp.com/album/japanese-flute-improvisations
https://lessthanone.bandcamp.com/album/wei-e-rose
https://panicgrass.bandcamp.com/.../panic-grass-and-feverfew
https://dirkwachtelaer.bandcamp.com/track/for-bruno
https://brunogussoni.bandcamp.com/album/improvisations-for-organ-and-shakuhachi
https://brunogussoni.bandcamp.com/album/soundodyssee
https://brunogussoni.bandcamp.com/album/breathe
https://plustimbre.bandcamp.com/album/a-castle-of-ghosts

Maja Solveig Kjelstrup Ratkje, composer and performer (born Dec. 29th 1973 in Trondheim, Norway), finished composition studies at the Norwegian State Academy of Music in Oslo in 2000. Her music is performed worldwide by performers such as Klangforum Wien, Oslo Sinfonietta, The Norwegian Radio Orchestra, Fretwork, TM+, Cikada and Vertavo string quartets, Quatuor Renoir, Ticom, crashEnsemble, Pearls for Swine Experience, Torben Snekkestad, Marianne Beate Kielland, SPUNK, Frode Haltli, POING and many more. Portrait concerts with her music has been heard in Toronto and Vienna, she has been composer in residence at festivals like Other Minds, San Francisco, Nordland Music Festival, Bodø, and the Avanti! summer festival.

Ratkje has received awards such as the International Rostrum of Composers in Paris for composers below 30 years of age, the Norwegian Edvard prize (work of the year) twice, second prize at the Russolo Foundation, and in 2001 she was the first composer ever to receive the Norwegian Arne Nordheim prize. Her solo album «Voice», made in collaboration with Jazzkammer, got a Distinction Award at Prix Ars Electronica in 2003.

Ratkje is active as a singer/voice user and electronics player as well as studio engineer, as a soloist or in groups such as SPUNK or Agrare. Other collaborations are with Jaap Blonk, Joëlle Léandre, Ikue Mori, Zeena Parkins, Stephen O’Malley, Stian Westerhus, Lasse Marhaug, POING and the metal band Trinacria. Ratkje has performed her own music for films, dance and theatre, installations, and numerous other projects. In 2003, she played a leading part in her own opera, based on the texts from the Nag Hammadi Library. In 2005 she performed the voice solo part of her first big work for orchestra, commissioned by Radio France. She has also been soloist with Klangforum Wien and Oslo Sinfonietta.

Her scores are found at the Norwegian Music Information Centre and her records are released on Tzadik, Rune Grammofon, ECM, Kontrans, Asphodel, Important Records and others.

Das Projekt „JUSTMUSIC“  dient der internationalen Vernetzung von Musikern und deren Genres mit dem Ziel die Grenzen der Stile und Nationen zu überwinden. 
Künstler unterschiedlicher kultureller und/ oder musikalischer Herkunft verbinden einander durch authentisches, gemeinsames Spiel und improvisieren frei.
Der Verein „limmitationes“ ist Gründer und Hauptorganisator der „4 States Sessions“, insgesamt sind es 9 Organisatoren und Kooperationspartner aus Zentral-, und Südosteuropa.
60 Musiker aus Österreich, Ungarn, Slowenien, Polen, Tschechien, Russland, Spanien, Taiwan, den USA und Argentinien aus den verschiedensten musikalischen Bereichen (Jazz, Ethno, World, Hip Hop, Klassik, Electronic, usw) bilden den Pool und haben zugesagt, mindestens einmal jährlich bei einer Session dabei zu sein. An 6 europäischen Veranstaltungsorten, darunter die Europäische Kulturhauptstadt Maribor 2012 im Februar,  gibt es Treffen im Rahmen der 4 States Sessions (ursprünglich waren es 4 Länder)  bei Festivals oder Konzertabenden, um miteinander über die musikalischen und nationalen Grenzen hinweg zu improvisieren. 
Die Idee hinter den 4-States-Sessions
„Warum in die Ferne schweifen, wenn das Gute liegt so nah“.
Die europäische Musik-Szene ist in den letzten Jahrzehnten stark beeinflusst von den USA und England, jeder Musiker will nach London oder New York.
Mitteleuropa jedoch hat seit dem Fall des Eisernen Vorhangs ein unglaubliches Potential: Hier existiert eine hohe Dichte an sehr gut ausgebildeten Musikern auf vergleichbar kleinem Raum.
Das Projekt „4 States Sessions“ bietet Künstlern eine Bühne zur freien Improvisation in unter der hierarchiefreien Supervision der „alten Hasen“ im alternativen Musikgeschäft und in der Neuen Musik.

Yo souiri is following