Best of SoundCloud June 2025

E-Nobody Anticipated

We all need moments to disconnect from everything and just breath.
Todos necesitamos momentos en los que desconectar de todo y simplemente respirar.

Day Break

Dystopia- Short Movie main theme. Now on Fetchflix

This is the story of a young woman looking for her husband in the city devastated after a modern civil war caused by an evil and greedy leader.

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental. And for those who did not get it, Fetchflix TV is also fictitious.”

Music: Syrel
Photography: Meta AI

Musical notes: I was probably high when I composed that one because I can’t refer to anything I listened to or everything I listened to. Too much camomile probably. Cheers

Dystopia

This is your life

It slips across the skin like water,
no edges, no beginning.
A breath not yours,
a gesture remembered but not lived.
Faces pass through you —
soft as mist, sharp as regret —
and somewhere beneath them all,
a silence grows,
where once there might have been a name.


Mask of the Mimic

This is an old traditional Malagasy song,
we did for you 

Kitana on vocals 
Rina on piano

Mifankatiava ihany
Raha mbola velona aina
Tsy misy toy izany ny mampifaly saina

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina re

Ny maty efa lasa
Tsy azontsika antsoina
Isika no mikasa
Ny ratsy hadinoina

Koa raha tsy fotoana ela
No hipetrahana eto
Andeha re
Andeha re mba hifamela
Andeha hifamela mba tsy harahin-tsento
Mba tsy harahin-tsento
Andeha re(Andeha re)
Mba hifamela
Mba tsy arahin-tsento

tranlation:
Let’s love one another
While we are still alive
There’s nothing more joyful than that for the soul

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

The dead are already gone
We can no longer call them back
It’s up to us now
To let go of the wrongs

So if our time here
Is not for long
Let us go
Let us go and forgive each other
Let us forgive, so no sorrow remains
So no sorrow remains
Let us go (Let us go)
To forgive
So sorrow won’t follow

Cover Solika - Mifankatiava ihany | by Kitana and Rina

Guitar, vocals, arrangement - Lizzie Taypen
Photo - Dunavon Woods - Lizzie Pentland
Recorded early this morning on my phone, a simple take when it was quiet.
I am finding it quite difficult to play my guitar now because of my arthritis, so  good to play a little. 
Happy Solstice to all of you!!

She moved through the fair ( Trad Cover)

Brought to live from Vinny’s Lounge and Gambleteria. On the outskirts of Las Vegas. Song by my bandmate Ian Stephen https://www.youtube.com/watch?v=CMRSDBTAeDA

Lyrics

I WAS WATCHIN' A DVD OF ELVIS, IN 1977 IT'S ONE YOU'LL NEVER SEE
IT NEVER REALLY WAS A DVD, I MADE A COPY FROM A TAPE
THAT SOMEBODY GAVE ME, AND ELVIS IS STILL GREAT
 ALMOST 30 YEARS LATER

THE KING LOOKS ALL PUFFY AND FAT, BUT NOBODY IN THE AUDIENCE GIVES A CRAP
ELVIS LOOKS LIKE HE'S ALREADY DEAD, HIS BLUE BLACK HAIR IS RUNNIN' WITH SWEAT 
HE HANDS OUT SCARVES TO HYSTERICAL CHICKS, ALL THE WHILE LOOKS BLOATED UP AND SICK
BUT WHEN HE SINGS "HOW GREAT THOU ART", IT'S SOMETHING THAT TRANSCENDS ART

LET ELVIS FREE, ON DVD 
1977, JUST BEFORE HE WENT TO HEAVEN

YOU CAN'T REWRITE HISTORY, IT'S SO MESSED UP IT'S SOMETHING TO SEE
MAYBE ONE DAY WE'LL GET TO SEE IT, IF PRISCILLA AND LISA MARIE WILL FREE IT (SHE'S DEAD)
NOBODY CAN TAKE THAT AWAY, IT'S A REAL PERSON AND THAT'S OK 
THESE MODERN DAY ENTERTAINING FOOLS CAN'T COMPETE
ELVIS IS TOTALLY COOL

LET ELVIS FREE, ON DVD 
1977, JUST BEFORE HE WENT TO HEAVEN

Let Elvis Live

Montage et photographies :
@ 2025, Chartrand Saint-Louis
Lien vers la vidéo : https://youtu.be/wXjJ3SuvvQs

Musique :
@ 2025, pièce de piano, titre : "Pressentiment", par Chartrand Saint-Louis; Arrangement (orchestration) par Albert,  1:22 min.

Mixage, révision et sonorisation par Albert

Pressentiment

"Pressentiment", par Chartrand Saint-Louis; Orchestration par Albert [lien vidéo]

English-Columbian musician Vanessa Forero is based in a mountain area of Columbia and was featured in a UK TV feature documentary New Lives in the Wild, about her life and work.  

No One's Singing Today  (Cover)

My EP SUPERNOVA contains two Japanese songs, and this is one of them. I have never released a song in Japanese before, but I took the plunge and decided to release these. It's a song recorded in one take with my acoustic guitar and vocal. The tempo is middle tempo (I didn't use the metronome function so I don't know the BPM). 3m58s. The main genre is Folk. This is a gentle and slightly blue song. Link to major platforms : https://linkco.re/E2aRhZS6

Lyrics : (Alright)

悲しい湖を通り過ぎ
僕は明日へと辿り着く
もし僕が人生を捨てたなら
あなたは三度笑うでしょう

Let forever be
Let forever be
Let forever be
Let forever be
Let forever be
Let forever be
Let forever be

見知らぬ人に笑われて
僕は明日から戻るでしょう
僕の果てなき探究は
きっとあなたへと帰ってゆく

Let forever be
Let forever be
Let forever be
Let forever be
Let forever be
Let forever be
Let forever be

涙を見たくて
涙を流したくてOh
僕は僕は
きっと戻るね

悲しい湖を通り過ぎ
僕は明日へと辿り着く
もし僕が人生を捨てたなら
あなたは三度笑うでしょう

Let forever be
Let forever be
Let forever be
Let forever be
Let forever be
Let forever be
Let forever be

FOREVER BE

with many thanks to Christelle on vocals, me on classical guitar


in the rain

Video 1 Link: https://www.youtube.com/watch?v=RBr8TqD-5JM
Video 2 Link: https://www.youtube.com/watch?v=G07dKdLDArM
Video 3 Link: https://www.youtube.com/watch?v=yLE_WN30v8c
Video 4 Link: https://www.youtube.com/watch?v=Ko3ewIQPHV8

Garden of Transformation (Remix 2025) & Video Link

Produced in the
ARAPA Music Studio
Sydney - Australia
24.9.2025

Artwork:  #azcreativestudiosydney

No Time For Second Place

Rock song written, performed and produced by Sean Ferree

Betrayed

If you use generative AI in any form to create "your music", don't bother with my profile, you are not welcome here.
AI music generation detector: https://www.submithub.com/ai-song-checker
I do not support the use of generative AI in music creation. I will not support people who use such technologies nor will I use them. The two songs I posted only serve to raise awareness of the existence of such technologies and as a warning.

At the beginning I would like to sincerely apologize that I am responding to comments late and I am sometimes unable to keep up with listening to your work, but I still work full-time in a profession that has absolutely nothing to do with music and I have my duties towards family and home.

To everyone who flew into my corner on SoundCloud: I am grateful for your support with likes, shares and thank you for the great comments. Please don't hesitate to suggest changes to my music in them. Thanks to this, the next songs will be better and better.

All my music is MIDI (except some drum loops), played/created by me and edited in Ableton Live.

---------------------------

Born in 1970. Music fan since 1985. Now heaving fun with making music. I'm self-taught, playing everything by ear. Started in 1990's but due to certain circumstances left in 1998 until April 2022. My music is created in Ableton Live 11 Intro (until december 2022) and 11 Standard with mostly free plug-ins. Fan of soundtracks (my personal heros are John Williams, Clint Mansell, Philip Glass, Thomas Newman, Hybrid, Hans Zimmer and much more), world music (Dead Can Dance), chillout (Bent, Zero7, Groove Armada, St. Germain, Air, Röyksopp, Kosheen and more), trip-hop (Massive Attack, Portishead), acid jazz (Us 3), fusion (Pat Metheny Group, Dirty Loops), progressive rock (Porcupine Tree), classical (Tchaikovsky, Mozart, Debussy, Orff, Mussorgsky) electronica (Imogen Heap), IDM/House (Moderat, Apparat, Plaid) and electronic music (Vangelis, Kraftwerk, Isao Tomita, Marek Biliński, J.J. Jarre).

Still learning how to produce music.

FB https://www.facebook.com/profile.php?id=61580446084765

SYREL : C’est un algorithme de fiabilité symbolique basé sur la méthode des Cutset utilisées en ingénierie.

Mais sérieusement, Sy...rel était photographe publicitaire à Montréal dans une vie antérieure avant d'être ingénieur et maintenant compositeur et producteur de musique orchestrale, de bande sonore, de jazz et d'électro tout en profitant de sa retraite. 

SYREL: A Symbolic Reliability Algorithm Based on Path and Cutset Methods used in engineering.

But really, Sy...rel was an advertising photographer in a previous life before being an engineer and is now an orchestral, soundtrack, jazz and electro music composer and producer while enjoying retirement. 

https://soundcloud.com/user-461764443

Dystopia

Syrel

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