SONG FOR NOA AMARU

Help Me - EP MASTER v1.wav

When the railway runs along the coast, right beside the sea, there are many tunnels. Sometimes they’re so narrow that two tracks must draw near to one another to pass through. That’s how a strange love story begins between them.
This is a song I wrote around the year 2000, one of my last. I think it has a good mood. I’ve remixed and partially rearranged it.
You can still hear the warm tone of the Washburn, along with the old Yamaha’s sounds (including the flute). The sax — reworked by me  — is kindly provided by Dropgun Samples.
Still, as always, everything is very handcrafted.

Below is the English translation of the lyrics.

They converged at the tunnel’s mouth,
suddenly parallel —
twins of the railway.
They looked at each other, studied each other,
just enough
to not quite grasp
how much the one beside you knows of you.
They hesitated, thinking of the road behind:
companions in adventure,
but now unsure why.
And then they stared at the night gaping inside the tunnel:
a magnificent promise
to be traveled on the thread of fantasy.

“Inside this darkness, maybe we will never part,
under this shadow, maybe you’ll finally know me,
after this night, who knows where you’ll fall asleep —
perhaps closer to the sea…”

They parted at the tunnel’s edge,
but a narrow wall concealed a silence
charged with jealousy,
shaped like fear — fear of that strange kind of courtesy,
fear of the light,
fear of the end of the tunnel.
“Parallel track,
mirror born of the railway,
traitorous twin,
lover made of parody.
Don’t tell me that
after this darkness we’ll never part,
that under this shadow you’ll finally touch me,
that after this night, who knows where you’ll take me —
perhaps down by the sea…”

And at the end of that masterpiece of engineering,
only one of them
came rushing out of the tunnel;
on instinct, he turned and saw
that the sea was beside him,
and under the sea, the sky,
and beneath the sky — who knows what lies...

“After this darkness, surely we will never part,
inside this shadow, surely you’ll let go,
after this night, I cannot say where you’ll fall asleep —
perhaps closer to the sea…”

----

Confluirono all'ingresso della galleria
improvvisamente paralleli 
gemelli della ferrovia.
Si guardarono, si studiarono quel tanto che
non basta a misurare sino in fondo
quello che hai di fianco cosa sa di te.
Indugiarono, pensarono alla strada dietro di sé:
compagni di avventura,
ma ora non capivano perché.
E poi guardarono la notte spalancata nella galleria:
magnifica promessa
da viaggiare sul filo della fantasia

"dentro questo buio forse noi non ci separeremo mai,
sotto questo scuro tu finalmente mi conoscerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

Si congedarono sulla bocca della galleria,
ma parete stretta nasconde silenzio
fatto a carica di gelosia,
fatto a forma di paura di quella stranissima cortesia,
paura della luce
paura della fine della galleria.
"Binario parallelo,
specchio generato dalla ferrovia,
gemello traditore,
amante da parodia.
Non dirmi che 
dopo questo buio noi non ci separaremo mai,
che sotto questo scuro tu finalmente mi toccherai,
che dopo questa notte poi chissà dove mi accompagnerai,
forse giù vicino al mare ..."

E alla fine di quel capolavoro di ingegneria,
di loro uno solo
usciva di corsa dalla galleria;
d'istinto si voltò e vide che
c'era il mare di fianco a sé,
e sotto il mare il cielo,
e sotto il cielo chissa cosa c'è ...

"dopo questo buio certo noi non ci separeremo mai,
dentro questo scuro tu sicuramente ti abbandonerai,
dopo questa notte poi non so dire dove ti addormenterai,
forse più vicino al mare ..."

----

Composed by Michele Ansani (1999)
Posted on SoundCloud: 2025, May 16

Down by the sea [Viaggio di nozze] *

https://soundcloud.com/negative-headphone: many keyboards, drums, percussion, mix, production, artwork.
https://soundcloud.com/ruizzoidman21centurions: original theme, composition, bass, rhythm guitar, drums.

Intimate jam got me this bass theme, which I developed with geometrical tones and fractal rhythmic, and offered to my old friend Negative Headphone. You should know his fabulous response on any musical style, and here is a proof of it. Enjoy!

Fractal Shenanigans (with Negative Headphone)

Loosely based on the traditional song.  120 bpm. (Painting: Manuel M. Remartinez)

Loch Lomond (Interpretation)

(Dragging My Butt) Into The Sunshine

WELL IF YOU HAVE PLAN TO MOTOR WEST
TRAVEL MY WAY THAT’S THE BEST
TAKE THE HIGHWAY GET YOUR KICKS
OUT ON ROUTE 66  

WE SAID IT ONCE WE CAN SAY TWICE
3 BLIND MICE AFTER A FARMER’S WIFE

LET’S CHANGE OUR PLANS I SUGGEST
AND TRAVEL EAST INSTEAD OF WEST
SWITCH THE SUN OF SAN ANTONE
WITH THE DRIZZLE AND MIST OF BRIGHTON  

WE’VE SAID IT ONCE WE CAN SAY IT THRICE
3 BLIND MICE WITH A CARVING KNIFE
ROLL ON THE DICE

THANK YOU BERRY FOR YOUR LICKS
THANK YOU GARY FOR YOUR KICKS
WE’RE ALL KIDS OF THE WIDOW WITH A SHAWL
BEING MATES IS SUCH A BALL  

3 BLIND MICE AND A TAG WITH NO PRICE
DID YOU EVER SEE SUCH A THING IN YOUR LIFE ?

GONE FROM MISSOURI
AVEC MA SOURIS
DESTINATION POURRY DOWNTOWN LE PARADIS 
UN TOUR PAR LA MAIRIE ET CHOPER LE FERRY 
SI ON L’A FAIT BEFORE ON PEUT LE FAIRE ENCORE

3 BLIND MICE ON A GRAIN OF RICE
WHERE YOU AND I TOGETHER ARE ENGRAVED FOR LIFE

THERE’S MANY A ROADS 66
FIND YOUR OWN MAKE YOUR PICK
AS LONG AS THE ROAD HAS NO END
BUT GOOD OLD FRIENDS ARE UP AROUND THE BEND

PEACE AND LOVE AND SUGAR AND SPICE
EVERLASTING CHILDHOOD WITH 3 BLIND MICE

BUT IF YOU HAVE PLAN TO MOTOR WEST
TRAVEL MY WAY THAT’S THE BEST
TAKE THE HIGHWAY GET YOUR KICKS
OUT ON ROUTE 66  

HAIL HAIL ROCK N’ROLL
BEING MATES IS SUCH A BALL
COS THE HIGHER WE GET THE SOFTER WE FALL

SEE HOW THEY RUN














3 BLIND MICE (Lyrics) + Gary Reeves on drums and Barbara Browning ad. vocals

A little bit of tropicana to warm up a cold damp UK afternoon!
Thank you always for your kind reposts plays and playlists!!!

Primavera

Pierre and JC Bordetti productions (c) 06/2025.

Composed, arranged, performed, and produced by:
Pierre Bordetti and Jean-Claude Bordetti on drums.

Lyrics
Lost in the night, under silver beams, Drifting through cosmic, endless dreams. 
A thousand lights whisper my name, Guiding me home through time and flame.

Stars above, shining so bright, Lighting up the lonely night. Tell me tales of space and time, Sing me songs, make the world divine.

Fullness

ALMOST MY ALWAYS (Cooper/Jones)
© 2025 All Rights Reserved 2025 

You were almost my always 
Close to sharing all our days 
We nearly made it but fell apart 
Now all that’s left are two broken hearts 
You were almost my always 

We tumbled as things moved fast
Like snow in an avalanche 
But extinguished all too soon
Was the flame that was new
The wind changed, oh so did you 

You were almost my always 
Close to sharing all our days 
We nearly made it but fell apart 
Now all that’s left are two broken hearts 
You were almost my always 

The heat of our passion, so intense 
For a while we made perfect sense 
But out of the blue and into the red 
I’m left lying on an empty bed 
I didn’t think we would ever end

You were almost my always 
Close to sharing all our days 
We nearly made it but fell apart 
Now all that’s left are two broken hearts 
You were almost my always 

You were smoke and mirrors instead of true 
Giving signals I was the one for you 
We came unstuck when you had to go

Was your love only there for show
I guess now I’ll never know 

You were almost my always 
Close to sharing all our days 
We nearly made it but fell apart 
Now all that’s left are two broken hearts 
You were almost my always 
  
You were almost my always 
You were almost my always 
You were almost my always 
Woh…oh…oh…
You were almost my always

Help Me - EP MASTER v1.wav

Tony Slone