GET STAR6 FROM iTUNES NOW:
 http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=324146285&mt=8

Star6 is a highly-addictive sound remix instrument that allows you to create an infinite variety of amazing sounds from your own samples or by using our free presets. Chop up beats with a flick of the wrist! Pitch any sample up and down like a Theremin!  Use the iPhone's accelerometer to control Star6's powerful granular synthesis engine to change the Pitch, Speed, Gate, Sample Order, Sample Size and Randomness of the samples. Record it all with the press of a button and download recordings to your computer in a flash. Star6 is the first fully-featured, performance-grade sample instrument for the iPhone. We've worked to make it a fun yet practical tool for musicians of every skill level, play around with it and explore for yourself!

Star6 is a collaboration between musician Jason Forrest and Agile Partners, makers of GuitarToolkit.  Follow us on Twitter (@star6app) to get all the release news and check our website (www.star6app.com) to see Star6 in action!

    
  Works well on all generations of iPhones and iPod touches. Fully compatible with iPhone OS 3.0.

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DRUM N BASS.

In the late 1980s and early 1990s, a growing nightclub and overnight outdoor event culture gave birth to a new electronic music style called rave music, which, much like hip-hop, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres and, occasionally, samples of music, dialogue and effects from films and television programmes. But rave music tended to feature stronger bass sounds and a faster tempo (127 to over 140) beats per minute (BPM) than that of early house music. This subgenre was known as "hardcore" rave but from as early as 1992, some musical tracks made up of these high-tempo break beats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno" and later just "jungle", which became recognised as a separate musical genre popular at raves and on pirate radio in Britain. It is important to note when discussing the history of Drum n Bass that prior to Jungle, rave music was getting faster and more experimental. Professional DJ & producer C.K. states, "There was a progression as far as the speed of music is concerned. Anyone buying vinyl every week from 1989 to 1992 noticed this."
By 1994 jungle had begun to gain mainstream popularity and fans of the music (often referred to as junglists) became a more recognisable part of British youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including the raggamuffin sound, dancehall, MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in the choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dancehall-based Jamaican music culture prevalent in London. Whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass.
As the genre became generally more polished and sophisticated technically, it began to expand its reach from pirate radio to commercial stations and gain widespread acceptance (circa 1995–1997). It also began to split into recognizable subgenres such as jump-up and Hardstep. As a lighter and often jazz-influenced style of drum and bass gained mainstream appeal, additional subgenres emerged including techstep (circa 1996–1997) which drew greater influence from techno music and the soundscapes of science fiction and anime films.
The popularity of drum and bass at its commercial peak ran parallel to several other homegrown dance styles in the UK including big beat and hard house. But towards the turn of the millennium its popularity was deemed to have dwindled as the UK garage style known as speed garage yielded several hit singles. Speed garage shared high tempos and heavy basslines with drum and bass but otherwise followed the established conventions of "house music", with this and its freshness giving it an advantage commercially. London DJ/producer C.K. says, "It is often forgotten by my students that a type of music called "Garage House" existed in the late 1980s alongside Hip House, Acid House and other forms of House music." He continues, "This new Garage of the mid 90s was not a form of House or a progression of Garage House. The beats and tempo that define House are entirely different. This did cause further confusion in the presence of new House music of the mid 1990s being played alongside what was now being called Garage." Despite this, the emergence of further subgenres and related styles such as liquid funk brought a wave of new artists incorporating new ideas and techniques, supporting continual evolution of the genre. To this day drum and bass makes frequent appearances in mainstream media and popular culture including in television, as well as being a major reference point for subsequent genres such as grime and dubstep and successful artists including Chase & Status and Australia's Pendulum.

Musical features.

Opinions vary on what constitutes "real" drum and bass as it incorporates a number of scenes and styles, from the highly electronic, industrial sounds of techstep through to the use of conventional, acoustic instrumentation that characterise the more jazz-influenced end of the spectrum. The sounds of drum and bass are extremely varied due to the range of influences behind the music.
Drum and bass could at one time be defined as a strictly electronic musical genre with the only "live" element being the DJ's selection and mixing of records during a set. "Live" drum and bass using electric, electronic and acoustic instruments played by musicians on stage would emerge in the ensuing years of the genre's development.

Influences.

A very obvious and strong influence on junglefever and drum and bass, thanks to the British African-Caribbean sound system scene, is the original Jamaican dub and reggae sound, with pioneers like King Tubby, Peter Tosh, Sly & Robbie, Bill Laswell, Lee Perry, Mad Professor, Roots Radics, Bob Marley and Buju Banton heavily influencing the music. This influence has lessened with time but is still evident with many tracks containing ragga vocals.
As a musical style built around funk or syncopated rock & roll breaks, James Brown, Al Green, Marvin Gaye, Ella Fitzgerald, Gladys Knight & the Pips, Billie Holiday, Aretha Franklin, Otis Redding, the Supremes, the Commodores, Jerry Lee Lewis and even Michael Jackson, are funky influences on the music. One of the most influential tracks in drum and bass history was Amen Brother by The Winstons, containing a drum solo which went on to be known as the "Amen break", which after being extensively used in early hip hop music, went on to become the basis for the rhythms used in drum and bass.
By the late 1980s and early 1990s the tradition of break-beat use in hip-hop production had influenced the sound of breakbeat hardcore which in turn lead to the emergence of jungle, drum and bass, and other genres that shared the same use of broken beats. Drum and bass shares many musical characteristics with hip-hop, though it is nowadays mostly stripped of lyrics. Grandmaster Flash, Afrika Bambaata, Run DMC, Public Enemy, Schooly D, N.W.A, Kid Frost, Wu-Tang Clan, Dr. Dre, Mos Def, Beastie Boys and the Pharcyde are very often directly sampled, regardless of their general influence.
Miles Davis has also been named as a possible influence, and blues artists like Leadbelly, Robert Johnson, Charlie Patton, Muddy Waters & B.B King have also been cited by producers as inspirations. Even modern avant-garde composers such as Henryk Gorecki have received mention.
Clearly drum and bass has been influenced by other music genres, though influences from sources external to the electronic dance music scene perhaps lessened following the shifts from jungle to drum and bass, and through to so-called "intelligent drum and bass" and techstep. It still remains a fusion music style.
Many tracks belonging to other genres are 'remixed' into drum and bass versions. The quality of these remixes varies from the simple and primitive adding of broken beats to a vocal track or to complete reworkings that may exceed the original in quality and effort put into them. Original artists will often ask for drum and bass remixes of their tracks to be made in order to spark further interest in their tracks (for example, Aphrodite's remix of Jungle Brothers' "Jungle Brother").
Some tracks are illegally remixed and released on white label (technically bootleg), often to acclaim. For example, DJ Zinc's remix of The Fugees' "Ready or Not", also known as "Fugee Or Not", was eventually released with the Fugees' permission after talk of legal action, though coincidentally the Fugees' version infringed Enya's copyright to an earlier song. White labels along with dubplates play an important part in drum and bass musical culture.

Other notable influences

Kevin Saunderson released a series of bass-heavy, minimal techno cuts as Reese/The Reese Project in the late '80s which were hugely influential in drum and bass terms. One of his more infamous basslines (Reese - "Just Want Another Chance", Incognito Records, 1988) was indeed sampled on Renegade's Terrorist and countless others since, being known simply as the 'Reese' bassline. He followed these up with equally influential (and bassline-heavy) tracks in the UK hardcore style as Tronik House in 1991/1992. Another Detroit artist who was important for the scene is Carl Craig. The sampled-up jazz break on Carl Craig's Bug in the Bassbin was also influential on the newly emerging sound, DJs at the Rage club used to play it pitched up (increased speed) as far as their Technics record decks would go.
Both the New York breakbeat and the Miami Bass scenes were strongly influenced by the 'freestyle' sound of New York, Chicago and Miami in the 1980s which incorporated electro, disco and Latin flavours, and which was in turn a key influence on the UK's acid house/hardcore/rave scene.

Drum and bass (elements).

The genre places great importance on the "bass line", a deep sub-bass musical pattern which can be felt physically through powerful sound systems due to the low-range frequencies favoured. There has been considerable exploration of different timbres in the bass line region, particularly within techstep. The bass lines most notably originate from sampled sources or synthesizers. Bass lines performed with a bass instrument, whether it is electric, acoustic or a double bass, are less common but examples can be found in the work of bands such as Shapeshifter, Squarepusher, Roni Size and STS9.
Of equal importance is the "808" kick drum, an artificially pitch-downed or elongated bass drum sound sampled from Roland's classic TR-808 drum machine, and a sound which has been subject to an enormous amount of experimentation over the years.
The complex syncopation of the drum tracks' breakbeat, is another facet of production on which producers can spend a very large amount of time. The Amen break is generally acknowledged to have been the most-used (and often considered the most powerful) break in drum and bass.
The Amen break was synonymous with early drum and bass productions but other samples have had a significant impact, including the Apache, Funky Drummer, "Soul Pride", "Scorpio" and "Think (About It)" breaks.
Many drum and bass tracks have featured more than one sampled breakbeat in them and a technique of switching between two breaks after each bar developed. Examples of this can be heard on mid-90s releases such as J Majik's "Your Sound". A more recent commonly used break is the Tramen, which combines the Amen break, a James Brown funk breakbeat ("Tighten Up" or "Samurai" break) and an Alex Reece drum and bass breakbeat.
The relatively fast drum beat forms a canvas on which a producer can create tracks to appeal to almost any taste and often will form only a background to the other elements of the music. Syncopated breakbeats remain the most distinctive element as without these a high-tempo 4/4 dance track could be classified as techno or gabber.

Tempo.

Drum and bass is usually between 160–180 BPM, in contrast to other breakbeat-based dance styles such as nu skool breaks, which maintain a slower pace at around 130–140 BPM. A general upward trend in tempo has been observed during the evolution of drum and bass. The earliest forms of drum and bass clocked in at around 130 bpm in 1990/1991, speeding up to around 155–165 BPM by 1993. Since around 1996, drum and bass tempos have predominantly stayed in the 170–180 range. Recently some producers have started to once again produce tracks with slower tempos (that is, in the 150s and 160s), but the mid-170 tempo is still the hallmark of the drum and bass sound.
A track combining the same elements (broken beat, bass, production techniques) as a drum and bass track, but with a slower tempo (say 140 BPM), might not be drum and bass but a drum and bass-influenced breakbeat track.

Context.

Drum and bass exhibits a full frequency response which can only be appreciated on sound systems which can handle very low frequencies. As befits its name, the bass element of the music is particularly pronounced, with the comparatively sparse arrangements of drum and bass tracks allowing room for basslines that are deeper than most other forms of dance music. Consequently, drum and bass parties are often advertised as featuring uncommonly loud and bass-heavy sound systems.
There are however many albums specifically designed for personal listening. The mix CD is a particularly popular form of release, with a big name DJ/producer mixing live, or on a computer, a variety of tracks for personal listening. Additionally, there are many albums containing unmixed tracks, suited for home or car listening.

Many mixing points begin or end with the "drop". The drop is the point in a track where a switch of rhythm or bassline occurs and usually follows a recognizable build section and "breakdown". Sometimes the drop is used to switch between tracks, layering components of different tracks, though as the two records may be simply ambient breakdowns at this point, though some DJs prefer to combine breakbeats, a more difficult exercise. Some drops are so popular that the DJ will "rewind" or "reload" or "lift up" by spinning the record back and restarting it at the build. "The drop" is often a key point from the point of view of the dancefloor, since the drumbreaks often fade out to leave an ambient intro playing. When the beats re-commence they are often more complex and accompanied by a heavier bassline, encouraging the crowd to dance.
DJ support (that is playing a track) in a club atmosphere or on radio is critical in track success, even if the track producer is well known.[36] To this end, DJs will receive dubplates a long time before a general release of a track, sometimes many months before, in order to spark interest in it as well as benefit the DJ (exclusive and early access to tracks is a hallmark of DJ success, for example, the case of Andy C).
DJs are often accompanied by one or more MCs, drawing on the genre's roots in hip hop and reggae/ragga.
MCs do not generally receive the same level of recognition as producer/DJs and some events are specifically marketed as being MC free. There are relatively few well-known drum and bass MCs, Stevie Hyper D (deceased R.I.P.), MC GQ, Dynamite MC, MC Fats, MC Conrad, Shabba D, MC Navigator,Fat Man Dee, MC Robbie Dee, Trigga, Skibadee, Bassman, MC Stamina, MC Fun, Evil B, Trigga, Harry Shotta MC Foxy and MC Infinity as examples.

Live drum and bass

Aphrodite at 2009 Moscow action of the Pirate Station: Immortal. World's largest drum and bass festival.
Many music groups and musicians have taken drum and bass to live performances, which features an acoustic drum kit, synthesizers, bass (upright or electric), and other instruments. Samplers have also been taken live by playing samples on drum pads or synthesizers, assigning samples to a specific drum pad or key. MCs are frequently featured in live performances. Acts to take note of on the live drum and bass scene include Dirtyphonics, Modestep, Roni Size, Salmonella Dub, Shapeshifter, Pendulum, La Phaze and Chase & Status, who perform their tracks live. The DnB scene is still thriving in many urban areas, with a particularly strong showing in LA among such dedicated clubs as The Dragonfly. This has given both of these bands a way to access the mainstream, giving drum and bass a more commercial edge. Some bands have even taken the term somewhat literally, such as Lightning Bolt, The White Mice, Comparative Anatomy (band) and Death From Above 1979.

Subgenres.

Smaller scenes within the drum and bass community have developed and the scene as a whole has become much more fractured into specific sub-genres, including:
Hardstep (A harder style of Dubstep and Drum 'n' Bass which uses hard basslines and heavy yet simple electronic melodies for example, The Panacea)
Jump-Up,
Liquid funk (or simply "Liquid" - drawing heavily on harmonic grooves and samples from Funk, Jazz, Soul, R&B, House, Disco, and Synthpop)
Sambass (or "Brazilian Drum and Bass")
Techstep (or "Tech" Drum 'n' bass)
Neurofunk (or "Neuro" is the progression from Techstep)
Drumstep (Half time Drum & Bass, heavily influenced by Dubstep

Erstwhile disco party starters, occasional radio hosts and podcasters. Brewed in Nottingham, drunk in London.

Set up by DJs Nick Shaw and Ed Cotton and promoter Olly Hewett, Basement Boogaloo began life beneath the streets of Nottingham and developed into one of the city's best-loved parties. It had three simple ingredients: a dancefloor full of like-minded musical souls, a crystal-clear sound system and some of the best DJ talent from across the disco galaxy. 

Here you can listen to some of our radio shows and mixes from the past few years.

Over the course of 7 or so years, the parties moved from Bar None (a tiny basement bolthole) to the Maze (a rowdy local venue which perfectly suited the night's sweaty brand of hedonism) via famed bank holiday all-dayers and NYE shakedowns in Notts, and appearances at the Electric Chair, the Electric Elephant and the Garden Festival in Croatia. The gang also hosted a series of parties and two killer NYEs at The Star of Bethnal Green and a series of more intimate basement affairs in Stoke Newington, London.

Basement Boogaloo would have been nothing without the guests it hosted over the years. Consisting of a fine selection of family and friends and some bona fide scene heavyweights, they included: 

Mark E; PBR Streetgang; Trus'me; The Revenge; Toby Tobias; Pete Herbert; Bill Brewster; Leo Zero; Ray Mang; Wild Geese; Horse Meat Disco; Ashley Beedle; Faze Action; Daniele Baldelli; Cosmo; Ame; Maurice Fulton; Domu; Crazy P; Greg Wilson; Stuart Patterson; Dave Jarvis; Unabombers; Ilija Rudman; Zed Bias; Chris Duckenfield; Yam Who?; Semtek (Don't Be Afraid); Electric Minds; Flash Atkins; James Holroyd; Rob Bright; Schmoov!; Office Gossip; Lovebirds; Atjazz; Mudd; Red Rack 'Em; Rhythm Plate; Winston Hazel; Moonboots; Matty J & Ben Terry (The Pool / Tirk); Alex Phountzi (Bugz in the Attic); Alex Chase (Stones Throw / One-Handed Music); The Whole Truth; Jon K (Eyes Down); Solid State (Society); Chris Lowlife (Lights Down Low); Simon Mansell & DJ Da Costa (Southport Weekender); Annabel Fraser (Hupendi); Keep On Magazine DJs; Rick Donohue; Deepsoul3; Jigsawmusic; Francis Wooff; Fran Green; Mr Hill (aka Dru Skillz); Legendary Tone; Mark Rayner; Ed Challands ... and not forgetting sometime resident and Nottingham legend, Beane.

Jay Blahnik is a Philadelphia-based recording artist, songwriter, producer, choreographer, actor, writer/stage director, model and humanitarian. Born in Washington DC, he moved to Camden, NJ (a city most noted for it’s alarming crime and poverty rates) at age five where he witnessed homicides and other violent behaviors take place on the playground daily. To cope, Blahnik used his creative talents as therapeutic outlets to escape the dangers of his neighborhood.  Each talent was masterfully honed through focused study and participation in school glee clubs/choirs, dance groups and debate teams. Collectively, these affiliations provided him with the confidence, skill and experience necessary to create and perform at levels unmatched by his peers. Inspired by Janet Jackson, Stevie Wonder and LL Cool J, he began to write lyrics of hope, stories of a better life and sounds that made his entire community dance. By age 15, Blahnik had written and produced an album.
Blahnik has three studio albums to his credit.  Many have characterized his sound as an action film that is complete with a storyline, plot and climax. The recent releases of “Boom Box,” “ME,” and “American Thumpdalina,” have landed at #1 on ReverbNation's US House Music and Electronic Dance Music (EDM) Charts; as well as #1 Globally for House (12/13-Present).  On the NumberOneMusic’s Charts, Blahnik held 31 TOP 20 slots in a single week (ending 8/1/2014), including #1 Pop and #1 Dance for both the US and the entire WORLD (in ALL countries); while the first two singles reaching #14 on the Independent Music Network Charts and #15 on the Indie Charts. Blahnik further charted on the UK’s Top 40 and Dance Charts with a remix of “Boom Box” that was produced by Xeraph, US Twitter Real-Time Charts and on the Euro Progressive House and R&B/Rap Charts; thus earning him two 2015 Artist in Music Award Nominations for Best Electronica/Dance Artist and Best Music Video (Directed by Jay Blahnik). 

Because his artistic career intersects at music, theatre and dance, Blahnik's live performances are epic Broadway-styled extravaganzas. His intricate and larger-than-life street styled choreography has earned him a reputation among noted celebrity talents such as Ashanti, Brice Vick, Karl Jackson, Vivica Fox and Jade Starling as a trailblazer. His sci-fi music videos were added to World News and MTVs websites and shown in heavy rotation during NYC’s Fashion Week.  While on his current US promotional tour in support of his “Boom Box” LP, Blahnik is also working on new music, film and stage productions with a host of producers, directors and artist worldwide. This celebrated artist and humanitarian has received numerous awards for innovation, revolutionary and award-winning choreography, and for tireless international work to improve the lives of others as noted below:
KEY ACCOMPLISHMENTS:   
Over 100,000 albums sold   
*Album: Boom Box (data unavailable)
*Album: I Don’t Like You sold over 65,000 copies  
*Album: Notorious (renamed to Watch OUT) sold over 50,000 copies  
Produced, choreographed and co-performed with R & B Princess, Ashanti (2012)   
Featured editorial on Black Entertainment Television’s (BET) website (2012)   
Featured editorial in the New York Times (2012)   
Featured editorial in ELLE Magazine (2004 & 2006)   
Mazzoni Center (Get Real Project)   
COLOURS Organization (Community Promise Project)   
National Institute of Allergy and Infectious Diseases (NIAID) HIV Vaccine Research Education Initiative (Be the Generation Project) 

Awards:   
Legacy Award, New York City Black Pride (2014)
Inducted into the Hall of Fame for Lifetime Achievement, Jack and Andre Mizrahi Ballroom Awards Ball (2013)   
Ball/House & Pageant (B/HAP) Activism Award, B/HAP Communities Conference Health Disparities’ and Leadership Conference- Abounding Prosperity (10/06/2012)   
Albert Evisu Outstanding Award, Gay Men’s Health Crisis House of Latex Project (8/18/2012)   
Champion of Change Awards, IMPACT at the International AIDS Conference, Washington, DC (7/25/2012) Award for Lifetime Achievement, Crystal Ball (2012)   
Kwame Ferragamo Banks Lifetime Achievement Award, COLOURS Organization, Inc. (2011)   
Kiyoshi Kuromiya Award for Prevention, AIDS Education Month Committee at Philadelphia FIGHT (2011)   
Angel Vizcaya Icon Award, Timotheus Smart & Company’s Icon Fashion & Awards Show (2011)   
Hall of Fame for Lifetime Ballroom Achievement, Dorian Corey Awards Ball (2010)   
Outstanding Community Service Award, City of Baltimore by Mayor Rawlings-Blake (2010) 
Proclamation from the City of Philadelphia by Mayor Michael Nutter (2010) 
Editor’s Choice Award, Poetry.com (2006)

LEGACY and INFLUENCE:   
Acclaimed Hit-maker and Producer, Whey Cooler states, “Working with Blahnik is an experience that is never anything short of amazing. His musical insight, energy and passion punctuate who he is as an artist and a person.” 

Legendary International DJ and Producer Vjuan Allure said, “Working with Jay Blahnik is a collaborative effort in which you will certainly come out of with more ideas than you went in with. Each time that we work together the experience is expressive and imaginative.” 

Legendary 80s recording artist, Jade Starling, exclaims, “Working with the Legendary Jay Blahnik was one of the highlights of my year. His vision and technique on the Boom Box Album should be recognized for years to come!” 

World-renowned Celebrity Choreographer, Brice Vick shares, “When you mention, Hard Work, Dedication, Passionate and Talented, the first name that comes to mind is Jay Blahnik. A true artist to be watched!” 

Internationally Acclaimed Entertainer, Ashanti shares, “I called on Jay in 2012 to produce the opening music for a show that I was headlining in Washington DC during their annual pride events.  Not only did he live up to his reputation by delivering a HOT track, he also showed up and co-performed it with me.  He is an artist and producer on the rise and one that I would work with again.”

Celebrity Hairstylist, Karl Jackson exclaims, “I’ve had the pleasure of working with Jay on several of my celebrity hair and fashion shows around the world and his ability to train/coach my models has and continues to be essential.  He brings the “DIVA” out of the models by building their confidence and enhancing their talents.  His performance and choreography in the actual shows has continued to electrify my audiences with high energy, precision moves and all out production!

Legendary Hollywood Actress, Vivica A. Fox shares, “I have attended and hosted several of Karl Jackson’s Celebrity Hair and Fashion Shows and the highlight is always the dynamic dancing and productions!!! It always leaves me looking forward to more.  

PAST RELEASES: 
American Thumpdalina (Thumpin’ TSUNAMI Revolution Remix, 2014)
American Thumpdalina (Accapella Vocals, 2014) 
American Thumpdalina (Music Video Remix, 2014) 
American Thumpdalina Music Video  (Directed by Jay Blahnik, 2014) 
American Thumpdalina (Whey Cooler & Jay Blahnik, 2014) 
ME (Accapella Vocals- Kitsune Flash Mob Rock Remix) 
ME (Kitsune Flash Mob Rock Remix) 
Boom Box Album (Whey Cooler & Jay Blahnik, 2013) 
ME Music Video (Directed by Shawn Barfield, 2013)   
ME Single (Whey Cooler & Jay Blahnik, 2013)   
Body-The Beats Taking Over Promotional Single ONLY (Whey Cooler)
Boom Box Music Video (Directed by Shawn Barfield, 2013)
Boom Box Single (Whey Cooler & Jay Blahnik, 2013)
Rock Da Bellz (Whey Cooler & Jay Blahnik, 2013)


use any of my beats for anything you want for free. 
 enjoy and support us on bandcamp @ https://nolabelsrecords.bandcamp.com (there's some electronic/idm & mash-ups too)

#free #beats #hiphop #rap #instrumentals #idm #edm #dance #electronic #hip-hop #rap-instrumental #beat #hip-hop-instrumental #instrumental
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Riff Raff
RJD2
Royce da 5'9"
RZA
Slick Rick
Snoop Dogg
Sean Combs
Sean Price
Shaggy 2 Dope
Shaquille O'Neal
Shawnna
Shawty Lo
Sheek Louch
Silkk the Shocker
Sir Mix-a-Lot
Ski Mask the Slump God
Slick Rick
Slim Thug
Smoke DZA
Smokepurpp
Snoop Dogg
Soulja Boy
Soulja Slim
Spider Loc
Sticky Fingaz
Suga Free
Suge Knight
Swizz Beatz
T.I.
T-Bone
T-Pain
T. Mills
T.I.
Takeoff
Talib Kweli
Tay-K
Tech N9ne
Tee Grizzley
Tiffany Foxx
Timbaland
Tony Yayo
Too Short
Tory Lanez
Trae tha Truth
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Travis Scott
Tray Deee
Trey Songz
Trick Daddy
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Troy Ave
Tupac Shakur
Turf Talk
Turk
Tweedy Bird Loc
Twista
Ty Dolla Sign
Tyga
Tyler, The Creator
U-God
Ugly God
Uncle Murda
Wyclef Jean
Waka Flocka Flame
Warren G
Webbie
The Weeknd
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Ya Boy
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YoungBoy Never Broke Again
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Yung Joc
Z-Ro
Zack de la Rocha

"On Top By A Longshot" is brought to you by Longshot Productions in Collaboration with Longshot Marketing. Owner and founder Jeff Long is a Marketing Genius and has put together one of the Greatest Underground CDs in the United States: "On Top By A Longshot." You have Alabama's Hottest Underground Artist and future Mega Star M.P. Who was voted "Best Underground Artist" on Chamillionaire.com. Plus you have C Whisky with his “mic breaking capabilities” and unbelievable metaphors..  All Marketing by Longshot Marketing… Contact Jeff (831) 325-1645 for more info... Share this link on your facebook: cdbaby.com/ontopbyalongshot

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keywords: Lil wayne Mac Dre Too Short mp205 
remix
mac mall
2012
2013 
dub  Run-D.M.C.  Public Enemy 2Pac Eric B. & Rakim Jay-Z OutKast N.W.A
Notorious B.I.G.  Grandmaster Flash & the Furious Five A Tribe Called Quest
 Nas Ice Cube LL Cool J  De La Soul Kanye West nishin verdiano
 Scarface Big Daddy Kane
 Dr. Dre  Wu-Tang Clan Eminem UGK
 Boogie Down Productions The Beastie Boys
 Slick Rick EPMD Snoop Dogg MC Lyte
 Gang Starr Afrika Bambaataa Kool G Rap
 Kurtis Blow The Roots E-40
 Common The Jungle Brothers
 Whodini Ghostface Killah Lauryn Hill Eightball & MJG Goodie MOB Too $hort
 Bone Thugs N Harmony Mos Def Salt N Pepa Busta Rhymes Digital Underground
 Lil Wayne Pete Rock & CL Smooth The Fugees
DJ Jazzy Jeff & the Fresh Prince  T.I.
 Queen Latifah Raekwon The Cold Crush Brothers Redman
 Eazy-E Talib Kweli Lil Kim Ludacris
 Naughty By Nature Little Brother
 Heavy D Geto Boys
Jean Grae Cypress Hill
 DMX dead prez Mobb Deep
 Digable Planets KRS-One The Pharcyde
 Missy Elliott Ice-T Lupe Fiasco Brand Nubian Ras Kass Arrested Development
Kool Keith Dr. Octagon The Funky Four 50 Cent Eve
 The Sugarhill Gang Method Man
Del the Funkee Homosapien Jeezy Da Brat
 Big Punisher Schoolly D The D.O.C.
 X-Clan Big L Diddy/Puff Daddy Mystikal Foxy Brown
Souls of Mischief DJ Qwik Stetsasonic
Treacherous Three MF Doom
SHO. - "WHAT U KNOW BOUT ME" 
SOULJA BOY FEATURING TRAE - "1 FO DA MONEY" 
PLEASURE P AKA MARCUS COOPER - "ALL THE WAY TURNED UP" 
BLOODRAW - "COMIN' IN" 
MAC GDVD & DEREZ - "TILL I DIE - WE DON'T DIE" 
DaboyNat FEATURING Luney Tunez - "STAR CITY" 
Sham Pain - "African Butt" 
GNERO FEATURING BIG VENE "GET DAT CRIB" 
KERTASY - "NO ROUNDS" (DIRTY) 
PROJECT BABIES FEATURING LOU DIAMOND - "ICE ON MY EARS" (DIRTY) 
YUNG JOC FEATURING LIL TWIST, LIL JJ - "IN MY OWN LANE" (DIRTY) 
BUN B - "MR. HIT DAT LICK" 
Teairra Mari – From My Head To My Heart 
JellyRoll featuring Lil Wyte Pop Another PILL 
Darkan Ft Kevin Roldan – Yo Te Amo 
DUTCH DEFOE - "SWITCH HITTER (MORE YOLA)" 
BOO ROSSINI FEATURING LIL WAYNE - "WHIP IT LIKE A SLAVE" 
Chamillionaire FEATURING Slick Rick - "Hip Hop Police"(dirty) 
Killer Mike FEATURING Brisco & Savion Saddam - "Down South Anthem" 
3.KOCKIEE FEATURING JAVON BLACK - "TIP TOE" 
JUVENILE FEATURING GUCCI MANE - "GOTTA GET IT" 
CONSCIENCE/DAVILLE DABRIS - "SUPERSOAKER" 
DOM KENNEDY - "MENACE BEACH" 
PLAYA C FEATURING JOKAMAN & SPARK DAWG - "I'MA ROLL ONE" 
STATZ 441 FEATURING SNOW THA PRODUCT - "IT WENT DOWN" 
OJ DA JUICEMAN FEATURING PRINCESS (CRIME MOB) - "STUPID" 
RASHEEDA - "HERE I GO" 
WONDER GIRLS - "NOBODY" 
WONDER GIRLS - "TELL ME" 
Space CowBoy featuring Vistoso Bosses - "Party Like Animals" 
LOOSE CANNON FEATURING C-RIDE - "U'KNOW BOUT IT" 
2PM - "HEARTBEAT" 
LuNeY TuNeZ FEATURING Hardy Boyz - "We In Da Club Like Bow" 
VP FEATURING HAKEEM THE DREAM - "WE WANNA PARTY" 
BRISCO FEATURING LIL WAYNE - "IN THE HOOD" 
Dime - "REAR VIEW" 
IE - "I'M DA SH**" (DIRTY) 
MAC GDVD & DEREZ - "TILL I DIE - WE DON'T DIE" 
SCANDLE - "WONDERFULL DAY" 
GUTTA MOUF FEATURING PUMP GAGES - "MONEY MOVES" 
BLOODRAW - "COMIN' IN" 
EBONY EYEZ - "NICE GIRLS FINISH" 
NU JERZEY DEVIL FEATURING LIL WAYNE - "DIFFERENT GIRLS" 
BUN B - "TRANSFORM YA" 
3 DEEP - "WATCH MY SHOES" 
BIG SID FEATURING J-DAWG AND LACEMODE - "HUSTLE ALL DAY" 
BIG KUNTRY FEATURING SHAWTY REDD - "COLD WORLD" 
BIG KUNTRY KING FEATURING YUNG LA AND YO GOTTI - "LEAN" 
DORROUGH FEATURING YO GOTTI - "HOOD BI*H FETISH" 
BALI - "DO WHAT I WANNA DO" 
LIL JOHN FEATURING LMFAO - "OUTTA YOUR MIND" 
2ELEVEN - "LIGHTS, KAMERA, ACTION" 
MUSE - "RESISTANCE" 
MRZ. SMITH - "CUTE BOYZ" 
JASON DERULO - "WHATCHA SAY" 
ONE CHANCE FEATURING T-PAIN - "ALL THE WAY TURNT UP" (NAPPY BOY REMIX) 
DIDDY - DIRTY MONEY - "ANGELS" FEATURING THE NOTORIOUS B.I.G. (DIRTY) 
SADE - "FLOW" 
SADE - "SOLDIER OF LOVE" 
SADE FEATURING MAINO - "SOLDIER OF LOVE" (REMIX) 
MARY J. BLIGE - "KITCHEN" 
JUSTIN BIEBER - "ONE LESS LONELY GIRL" 
TAM TAM & 6TRE - "U BOPN" 
RISKAY - "GUTTA BITCH" 
RISKAY - "FUCK BOI" 
CANDI REDD - "GUTTA MAMI BOSS" 
EBONY EYEZ - "DON'T TOUCH" 
KEVIN COSSOM FEATURING SCHIFE - "TAKE THE CLUB OVA" 
DORROUGH - "NUMBER 23" 
KHIA - "HATER WALK" (DIRTY EDIT) 
K-BOY THA PRINCE - "SHUT IT DOWN" 
STEVIE STONE FEATURING DA HOGG & OJ DA JUICE MAN - "PACK & DELIVER" 
STEVIE STONE - "WAIT A MINUTE" 
STEVIE STONE FEATURING TECH N9NE - "MIDWEST EXPLOSION" 
BIG HUD - "WHATS WRONG WIT DEM'" 
QUEEN KONG - "ON THE POLE" (DIRTY) 
QUEEN KONG - "EVERYTHING I NEED" (DIRTY) 
CANDI REDD - "INDEPENDENT BITCHES" 
CANDI REDD & SURREALL - "DON'T DO ME" (GIRLS) 
GANGSTA BOO - "NECESSARY" 
GANGSTA BOO FEATURING LACHAT - "BITCH DON'T LOOK" 
SPARKDAWG FEATURING GUDDA GUDDA & YA BOY - "DRANK N DANK" 
SOUNDCHILD CREW - "U COULD NEVA SEE ME" (REMIX) 
PEEP SHO - "GET MONEY" 
XO - "HUH" (DIRTY) 
XO - "CLUB HOPPA" (DIRTY EDIT) 
OJ DA JUICEMAN - "OHH 4SHO" 
OJ DA JUICEMAN - "COP A CHICKEN" 
OJ DA JUICEMAN FEATURING GUCCI MANE - "MAKE THA TRAP SAY AYE" 
OJ DA JUICEMAN, R KELLY - "POPPIN" 
PLA - "PRESTO" 
SPACESHIP OHAYSES - "ACT A FOOL" 
SEAN P - "EVERYWHERE WE GO" 
AZIZZ - "LETS GO, LETS GO" 
MS SASSI - "U C ME" 
DUTCH DEFOE - "OPIUM RIDER" 
MISS BRI - "HOOD HOOD HOOD" 
MISS BRI - "HE DON'T WANT THAT" 
MICA SWAIN FEATURING WAKA FLOCKA - "BODY TALK" 
SHELLA - "GORGEOUS" (CLEAN) 
PHARAOH - "WHO DAT PIMPIN'" 
TRAI'D FEATURING OJ DA JUICEMAN - "I DOOBIE" 
ILLFLUENT - "FOR THE DJ" 
SHOWKASE - "ALIEN" 
SPARKDAWG FEATURING DORROUGH X CHARLIE BOY – “O MY” 
DRAKE - "KING LEON" 
LIL BOOSIE - "TIGHT WHIPS" 
LIL BOOSIE - "WHERE YA HEAD" 
FELLA FEATURING PLIES - "BUDDIES" 
MZ. FE - "STILLETOES" 
YOUNG MONEY FEATURING BIRDMAN - "FUCK DA BULLS" (DIRTY EDIT) 
MARY J. BLIGE - "I AM" 
ROBIN THICKE - "SEX THERAPY (LIVE)" (SLOW CUT) 
RISKAY - "WHEN THE DRAWLS DROP" (SLOW CUT) 
AMAZE & GILLIE DA KID - "STUDIO RODEO" (SLOW CUT) 
LIL BOOSIE - "SO SEXY BOOSIE" (SLOW CUT) 
FUTURE - "LOVE IN THE SKY" (JET MIX V8 EXTENDED) 
YUNG FLASH - "FAVORITE POSITION" (SLOW CUT) 
ROGER THAT - "YOUNG MONEY" 
SNOOP DOGG - "ON MY LEVEL" (SLOW CUT) 
GLASSES MALONE featuring SNOOP DOGG & JAY ROCK - "BEFORE IT ALL ENDS" 
BIG STACKSSS - "BELL RINGIN'" 
YOUNG JEEZY - "TRAP OR DIE PART 2" 
DA KAPERZ FEATURING JD & DA BRAT - "JUST FOR U" 
DA KAPERZ FEATURING CARL MOE - "DON'T STOP" 
DRU HILL - "LOVE M.D.” 
JACKIE CHAIN - "MACK A BITCH" 
BENZINO FEATURING LLOYD - "STREETS IS TALKIN" 
TED SMOOTH AND LORE'L - "ON TO THE NEXT ONE" 
YING YANG TWINS - "SHE GOIN" 
THE DREAM - "LOVE KING" 
CODIZZLE FEATURING LUDACRIS - "TOUCH YOUR TOES" 
NUCCI REYO - “THE CRAZIES” 
LOUISIANA CA$H - "WALK WIT A DIP" 
HEAVEN SENT THUGS - "THUG LIKE ME" 
MOE.DIAMONDZ - "YUMMI YUMMI" 
HEAD ICE & TIFF LUCHIANA - "HOTTEST IN THE HOOD" 
LADY DOLLA - "4 MY CLICK" 
LADY DOLLA - "RIDE THAT" 
CHNA DOLL AKA MZ.904 - "BOOSIE WHERE YOU AT" 
SHELLA 'THA BLASIAN' - "GORGEOUS" 
GABANA - "CUTE GIRL"" 
CHOCOLATE - "MY HOMIE" 
LADY DUET - "DOPE GURL TWURK" 
LADY DUET - "GET A TASTE" 
LADY DUET - "DONT CHA CALL MY PHN" 
MS. PEACHES - "I GOT FLAVOR" 
MS. PEACHES - "I DON'T WANT YOUR MAN" 
SHAY BOOGIE - "DIAMOND RIMS" 
SHAY BOOGIE - "CHOPPIN PAPER" 
LARCENYCASH - "SO MUCH PAPER" 
BELLA DONNA - "AMSTERDAM TO LB" 
DPRHYME - "MO" 
YHAI PORTIER - "SET ME FREE" 
BOSSALINI - "A CHICK LIKE ME" 
CHANTELAY - "MY NIGGA SAYS HIS THURSTY" 
CHANTELAY - "BIG GIRL" 
V V BROWN - "SHARK IN THE WATER" 
DAY DAY - "SCHOOL BOY" 
DAY DAY - "I' M ROCKSTAR" 
TJE AUSTIN - "HOLLY WOULD" 
SEVEN DIGITS - "MOJO" 
BLUE FLAME FEATURING AHDEDOTT - "I'M FROM THE HOOD" 
CIARA FEATURING JUSTIN TIMBERLAKE - "LOVE & SEX & MAGIC"(THD PRELUDE RECORDS REMIX)
 FIRST UP FAM - SQUID KEY, SLIM, LUCK - "GO SHAWTY" 
KELIS - "ACAPELLA" 
JAY Z - "ON TO THE NEXT ONE" 
PRISCILLA RENEA - "DOLLHOUSE" 
LADY GAGA - "THE FAME" 
LADY GAGA - "DANCE IN THE DARK" 
MARIO FEATURING KELLY ROWLAND - "THINKIN' BOUT YOU" (REMIX) 
SUSAN BOYLE - "WILD HORSES" (SLOW CUT) 
JOELL ORTIZ - "TAKING MY BALL" 
QDM - "4 MY TOWN" 
LADY GAGA - "SPEECHLESS" (SLOW CUT) 
LADY GAGA - "MONSTER" 
BIG SHANE FEATURING GUCCI MANE & DIRT DIG - "FED EX." 
MISS B. FEATURING FLO RIDA - "TURN IT UP" 
MUFFY FEATURING GUCCI - "GET EM GIRLS" 
YUNG JOC FEATURING LIL JON - "WHERE DA HOES" 
MONET - "BOUNCE THAT ASS" (SUPER REMIXXX) 
DEM TWISTIT BOYZ FEATURING YOUNG QUAY, LIL FAME, LIL MAAL - "LIC DAT PUSSY" 
RISKAY - "DIS YO PUSSY" 
RISKAY - "GET ON YO JOB" 
RISKAY - "BLOW YO BRAINS OUT" 
RISKAY - "DOLLAS OVA DICKS" 
HONEE - "DO SOMETHING" 
HONEE - "DIMEPIECE" 
HONEE - "SISTER LOOKIN" (REMIX) 
CHNA DOLL AKA MZ.904 - "BOOSIE WHERE U AT" 
ZAY CASH - "BUBBLE FOR A BUTT" 
GANGSTA BOO FEATURING SHAWNNA - "BOOTY SWITCH" 
RUIN FEATURING OJ DA JUICEMAN - "WE WANGIN" 
OJ DA JUICEMAN - "GETTIN MONEY" 
LLOYD FEATURING J. HOLIDAY & NICKI MINAJ - "TAKE IT OFF" 
YOUNG MONEY FEATURING LLOYD, NICKI MINAJ - "BEDROCK" 
SWAG FEATURING GUCCI MANE - "ICE ON ME" 
ORMANDY - "OKIE DOKE" 
DORROUGH - "WIRED TO THE T" 
MZ. MACK - "PUSSY GAME" 
MZ. FE - "DO MY DANCE" 
KILLA KIM - "LOOK LIKE EM" 
RENA - "REAL BIG" 
SURREALL - "I'M AH MODEL" 
SURREALL - "SOMEBODY CALL NASA" 
LADY DON - "LOSE CONTROL" 
RED DIAMOND - "THE REAL" 
MISS B - "FALL UP N DA CLUB" 
KITTY KAT - "FITNESS CLASS" 
EBONY EYEZ - "NICE GIRLS FINISH LAST" 
MZ. E BABY - "SO FRESH" 
50 CENT FEATURING EMINEM - "PSYCHO" 
NYAH AKA THE REAL MS. MONROE FEATURING DIDDY BOP - "4EVA" 
SASHA THA BADDEST - "MAKE MO' MONEY" 
HEZELEO - "DROP IT TO THE GROUND" 
MZ FE - "STILETTOS" 
SUMMER ROSS - "TWISTED" 
GUOP BOYZ - "EAT IT" (DIRTY VERSION) 
CZAR BLACK - "YOU CAN GET IT" 
YOUNG QUAY FEATURING OAK CLIFF ASSASSIN - "DO YA THANG" 
BIG CHIEF - "WHEN U GONE LET ME?" (DIRTY EDIT) 
PIKE - "BIG TIME BACHELOR" (DIRTY EDIT) 
BEASLE - "MILLIONZ" 
RANDI - "GET FRESH" 
ALICIA KEYS - "TRY SLEEPING WITH A BROKEN HEART" 
DORROUGH FEATURING TUM TUM - "TRUNK GO BANG" 
MZ JUBILEE - "SWITCH'EM" 
LUNEY TUNEZ - "FREAK EM DRESS FREAK EM JEAN" (DIRTY) 
LADY DOLLA – "NO PANTIES ON" 
NICKY2STATES - "BETTA WATCH THAT BITCH" (DIRTY EDIT) 
B.G.FEATURING SOLJA SLIM, PLIES, C-MURDER, YOUNG BUCK, & LIL BOOSIE - "NIGGA OWE ME" (EXTENDED CLIP)
 B.G. FEATURING MANNIE FRESH & GAR - "MY HOOD" 
FAB BAKER BOY - "O.M.G.(OH MY GOSH)" 
ALJA JACKSON - "N**** BE TRIPPIN'" (MAIN) 
ALJA JACKSON - "PEARL STREET REPRESENTA" (MAIN) 
GRAND PRIX - "BAM IT GIRL" (DIRTY EDIT) 
HAZE ENT FEATURING GLASSES MALONE, KONCRETO & B DIAMOND - "MR. INTERNATIONAL" 
ROBIN THICKE FEATURING NIKKI MINAJ - "SHAKE IT FOR DADDY" 
ANGIE STONE - "I AIN'T HEARING U" 
N'DAMBI - "THE WORLD IS A BEAT" (DIRTY EDIT) 
BEETIKI FEATURING BAMBU - "BROWN BOMBER" 
YOUNG STAR - "I GOT IT" 
LADY BLISS - "OFF THE WIRE" 
KITA BOO - "WATCH ME CRANK IT" 
BIGG JIGG - "FLY AS A PLANE" 
BIGG JIGG - "GET IT" 
BIGG JIGG - "GUCCI GIRL" 
LIL BOOSIE - "SEND 1 AIN'T SCARED" 
NIKKI NICOLE - "TIPPY TAGZ" 
LIL YOUNG - "SHE WAS A BAD CHICK" 
JHA JHA FEATURING GEETEE - "5 STAR" (REMIX BARBIE DISS) 
LIKSHOTS - "WHAT IT IS" 
PHOENIX - "THE FIRESTARTER" 
KRISTINIA DEBARGE - "POWERLESS" 
BRICK SQUAD - "CANDY LADY" 
ROCKO – “NUMBERS” 
CHOPPER CITY - “SOMEBODY CALL THE DOCTOR” 
KEKE PALMER - "SUPER JERKIN" 
JANEL PARRISH - "RAINY DAY" 
GIRLICIOUS - "BABY DOLL" 
BLAQ TYE FEATURING LENA - "SKINNY JEANS" (CLUB-DUB MIX) 
8BALL & MJG - "TEN TOES DOWN" 
B.G. – "LIKE YEA" 
WACKA FLOCKA FEATURING OJ DA JUICEMAN – "FLEXIN" 
AMIYA & TAMIYA - "WORK" 
KIA SHINE FEATURING YOUNG DRO & MAINO - "CHECKIN' MY FRESH" 
LADY LEGACY - "FUCK WHAT YOU SAY" 
VENOM - "YES MA'AM SLAM" 
LADY LEGACY - "YOU DIDN'T KNOW SIZARIZED" 
MICA SWAIN - "SHAWTY THERE DA TRUTH" 
LADY BENJAMIN - "PAY A PIMP" 
LADY BENJAMIN - "GIRLZ LISTEN I SEEN" 
LADY LUCK - "SEXY BILL CLEAN" 
DEM TWINZ - "SHE GOT" 
MIA X - "I GET DA PAPER" 
ALLEY BOY – “SHIESTER” 
AXTION - "RUBBERBAND MONEY" 
LADY LEGACY - "RUN DAT SHIT" 
G-STYLE - "GANGSTA" 
PRIMO BROWN FEATURING A-WAX - "ME & MY NIGGAZ" 
OMG GIRLS - "AIN'T NOBODY THINKIN BOUT YOU" 
BIG-B - "I WISH AH MOTHER FUCKA WOULD" 
BOSS PLAYA - "KEEP FUCKIN ME" 
MELONYE - "ON IT" 
LIL HYPE - "KUSH N BEANS" 
YUNG KEE - "I BE ON DAT GOOD" 
ROB DEE - "CAME TO HAVE FUN" 
THE BANGZ - “BOYS WITH TATTOOS(WE JERKIN’)" 
CLIQUE GIRLZ - "INCREDIBLE" 
JIMMIE REIGN - "DIFFERENT PERSON" 
LIL BABY - "IM FEELIN YA" 
MONEY BOYZ - "MYSPACE PRO" 
SHADINA - "IF U STILL LOVE ME" 
MC LYTE - "I CRAM TO UNDERSTAND U" 
BROOKE HOGAN - "THE REDEMPTION" 
JORDIN SPARKS - "BATTLEFIELD" 
TEENA MARIE - "YOU BABY" 
PINK - "FUNHOUSE" 
ORIANTHI - "ACCORDING TO YOU" 
CASCADA - "EVACUATE THE DANCEFLOOR" 
KE$HA - "TIK TOK" 
COLETTE CARR - "BACK IT UP" 
SHAKIRA - "GIVE IT UP TO ME" 
SHAKIRA - "SHE WOLF" 
TAYLOR SWIFT - "YOU BELONG WITH ME" 
BRITNEY SPEARS - "3" 
USTIN BIEBER - "ONE TIME" 
TAYLOR SWIFT FEATURING T-PAIN - "THUG STORY" 
MADONNA - "CELEBRATION" 
GREEN DAY - "21ST CENTURY BREAKDOWN" 
LIL JON FEATURING LMFAO - "OUT OF YOUR MIND" 
LIL JON FEATURING PASTOR TROY - "THROW IT UP PT 2" 
YOUNG JEEZY & TREY SONGZ - "SAY AAH" 
JIM JONES FEATURING REV RUN - "WISHING ON A SUCKER MC" 
WU MASSACRE - "METH VS. CHEF PART 2" 
RED CAFE FEATURING FABOLOUS - "I'M ILL" 
KRS-ONE & BUCKSHOT FEATURING TALIB KWELI & GEO OF BLUE SCHOLARS - "OH REALLY" 
LIL HAZE FEATURING DORROUGH & RICH BOY - "SWAGG ON" 
TREY SONGZ FEATURING USHER & KERI HILSON - "I INVENTED SEX" 
SAV KILLZ & J-RONIN FEATURING SHA STIMULI & SKYZOO - "BROOKLYN RENAISSANCE" 
SAV KILLZ & J-RONIN FEATURING VAST AIRE, LORD LIFE, BARON & TRAX - "MURDER 1" 
CURREN$Y - "FAMOUS" 
XZIBIT - "HURT LOCKER" 
FRANK RAMZ - "TRAITOR" 
LIL BOOSIE - "BOOSIE WE GONE MISS YOU" 
NINO BLAC - "DAT CHEWIN" 
KNOC TURN'AL, CA$HIS, & ONE-2 - "JUST LIKE US" 
ALICIA KEYS - "EMPIRE STATE OF MIND 2" 
N'DAMBI - "CAN'T HARDLY WAIT" 
MAIYSHA - "SLEDGEHAMMER" 
T-RAW - "45 ON MY SIDE" 
GUCCI MANE FEATURING PHARRELL -"HAVE IT ALL" 
YO GOTTI FEATURING YUNG L.A., J FUTURISTIC, ZEDZILLA & ALL STAR - "I'LL RIDE, I'LL DIE"
 PLIES FEATURING KERI HILSON - "MEDICINE" 
SUSAN BOYLE - "I DREAMED A DREAM" 
YOUNG MONEY - "ROGER THAT" (DIRTY EDIT) 
C.O. CAKES - "SOUNDS GOOD" 
HOLLYWOOD - "SHE GOT IT " 
2 PISTOLS FEATURING RAY J & J.U.S.T.I.C.E. LEAGUE - "YOU KNOW ME" 
NEW BOYZ FEATURING RAY J - "TIE ME DOWN" 
THE BANGZ FEATURING NEW BOYZ - "FOUND MY SWAG" 
YOUNG SKEE FEATURING 2 PISTOLS - "BABY BEND IT OVA" 
BUTTONS - "TIC TAC TOE" 
BIG BUSH -"I GET MONEY" 
GOLD D - "SPACE BALLIN" 
FREDDY CASH - "CASH" 
B.O.B. - (BOBBY RAY) - "NOTHING ON YOU" 
BEYOND BELIEF - "TAKE THIS FROM HERE" 
ALI VEGAS - "LOVE AT 1ST SIGHT" 
SEAN FALYON - "WONDERFUL LIFE" 
JAHEIM - "AIN'T LEAVIN' WITHOUT YOU" 
WIZ KHALIFA - "THIS PLANE" 
D-BLACK - "OK, YOU'RE RIGHT" 
THE NOISETTES - "DON'T UPSET THE RHYTHM (GO BABY GO)" 
INFINITY - "ROLL WIT CHA" 
NINA ROSS - "TRAFFICKING" 
F.C.C. - "POCKETS ON SWOLE" 
MIKA MEANS - "WHAT THEY SAY" 
THE REAL DIAMOND - "I'M A STAR" 
THE REAL DIAMOND - "ALWAYS STRAPPED" 
JACKIE CHAIN & TAM TAM - "IM THERE" 
BIG BANK BLACK - "TRY IT OUT" 
CHARLIE BOY FEATURING SLIM THUG - "I LOOK GOOD" 
HOTSTYLZ -"AUNTIE BOOTY" 
SLIM THUG - "FUCK U" 
XTASY - "DIS COOCHIE" 
LOLA MONROE - "BOSS BITCH WORLD MIXTAPE" 
TRILLOGY - "WARNING" 
KANARY DIAMONDS - "MONEY" 
DY FEATURING FLO RIDA - "SHOE GAME" 
D. MALONE - "PUCKER UP" 
JASMINE MARCHE' FEATURING G MAY - "FLY" 
MZ. ROSS - "SET IT OFF" 
Tamika Scott FEATURING Trina. Rasheeda & Gloss Da Boss - "Say Ahh" (Remix) 
SWAZY BABY - "HALF OF IT"

So I've  been playing tunes at clubs, bars, parties. festivals and on the radio since the 80s and part of Soul Buggin' since 2005 ( I think).
Soul Buggin' is a DJ collective based in Nottingham consisting of local spinners Wrighty, Beane, Mark A & Elmo. Concentrating on all things 'soul' our record collections span some 5 decades and take in everything from dusty 45's from yesteryear, latin shufflers from brazil, glitterball disco gear, crazy futuristic grooves from Detroit, insane broken jams from West London, old school boogie joints or solid underground house. Quite simply, if its got soul coursing through it's veins us monkeys will play it. Our Soul Buggin' parties happen every couple of months in various basements and sauce dens in Nottingham and have played host to many superb guest DJs including: Benji B, Spinna, Jazzanova, Mr Scruff, Phil Asher, Ashley Beedle, Aroop Roy, Lone, Domu, Jamz Supernova, Ray Mang, Colin Curtis, Horse Meat Disco, Luke Una, Bill Brewster, Dego,  Ron Basejam, Atjazz, Al Kent,  DiY and many more.

Diggin' in the crates since '88... Fade is a UK based DJ, who gained early success while entering local DJ battles in the South West area.

He's gone on to collaborate with several music artists from his home town of Gloucester (Incl. No Morals/Danger/Griz-O), as well as being recruited to teach DJing at his local Youth Service Head Quarters. 

He has held DJ residencies across the South West & Midlands since 2001, in addition to working with music magazines (Big Daddy/Grandslam), major record labels (Atlantic/Warner - on campaigns for: Jay Z/J Cole/Lupe Fiasco etc) and music equipment brands (DJ Tech/Magma/Mixars) - while also featuring on various national & regional radio stations (BBC Radio 1/Deja Vu/Galaxy).

He's shared stages with UK artists such as Children Of Zeus, Estelle, Skepta, Terri Walker & Wiley, as well as world-renowned international DJs like Yella (NWA) & Grandmaster Flash!

In 2010, he founded his own events brand "WAX", as a response to the music industry's hard push away from the vinyl record format.

Catch Fade live online every week from 10pm (UK) for #WAXWednesday...

https://www.twitch.tv/DeeJayFade

Social Media:

https://www.instagram.com/DeeJayFade/
https://twitter.com/DeeJayFade
https://www.facebook.com/DeeJayFadeOfficial

In the early 80's I started breaking &amp; listening to break beats such as Midnight Star, Herby Hancock, The Soul Sonic Force, Grandmaster Flash... Then through the break dancing culture, I started listening to early hip hop such as Whodini, Koo Moe Dee, Run DMC, The Fat Boys, Eric B. &amp; Rakim, The Juice Crew, The Gucci Crew, The Boogy Boys..... Ever since I have been listening and studying Hip Hop. As a teenager I started going to underground shows &amp; fell in love with Jungle &amp; Drum n' Bass, You can probably here the influence in some of my beats. I always wanted to try my hand @ production but never did until about a year and a half ago when I was visiting my son &amp; lady up North in the Bay area, where I met Savvy, who has the same passion for music that I do. We started out about a 2 years ago messing around with a downloaded studio called Mix Craft, &amp; from there I went out and purchased Reason 4.0 &amp; we have been collaborating ever since &amp; decided to form our crew called "THE HAVNOTS". We have been working hard ever since to learn Reason 4.0 without schooling what so ever, &amp; this is what we have been coming up with. We truly hope you like our beats &amp; style. Please feel free to leave us some feedback &amp; or suggestions. You can also check us out here on soundcloud under "The Havnots aka Beat Bumz".

-BLESS
KERSE

Current Influences:
(producers)
The Snow Goons, The Hit Farmers, Al Tarba, King Magnetic, Dj Eclipse, Adlib, Sick Nature, J-Nyce, Thoro tracks, Static Selecta.....

(Artist)
 Savage Brothers,Terminology, Reks, Pace One, Jedi Mind Tricks, Vendetta Kingz, Psych Ward, Wyze Minds, Tragic Allies, Dark Shades, Creative Juices, Rip Shop, Wildelux, Last Kind, ATMA, EdOG, Craig G, Demoz, Sick Six, La Coka Nostra, The Closers, Red Eye, Rusty Jux, Mok &amp; tone, Rocc Spotz, Action Bronson, Official Pistol Gang, Killer Relyk, Dro Pescie, Malay Sparks, Wais P, Slain, Tyga Axe, Clip Hittaz, Celph Titled, RA The Rugged man, D.I.T.C, Culure Six, Critical Madness, Little Vic, DefCon 3, Side Effect, Godilla, Just 1, Jugganot, Rebel Diaz, Spits Gemz, Crayz Wallz, Powder..... And the rest of the UNDERGROUND heads who are doing it real big right now. 

Can't forget my DnB influences:
DJ CRAZE, MING &amp; FS, DJ HYPE, ED RUSH &amp; OPTICAL, DJ SS, A GUY CALLED GERALD, BUSY B, SHY FX, D STAR, DJ SWAMP, STAR SCREAM, RAW, APX1, CRS, OSCAR THE GROUCH, JOSH SWISSMAN, HERETIC(119 CREW), PASCAL, DYLAN, ROBIN KAOS, DJ INSTINCT, FLUX &amp; RINSE, DEACON, KONFLICT, BRYAN GEE, GOLDIE, MAINFRAME, TETRADIN, GYROMITE, MY UK Homies "DARREN P &amp; MC LYDON",can't forget my L.A. influences &amp; homies, MIZTAH LEX, Q45, SDF1, ALDER, DJ W (The whole DRUNK n' BASS CREW,) BLANG, The HEAVY HITTAHS, RUFF n' STRONG, CASKET, WERD MC, MC DRE &amp; last but not least, my crew TWISTED BASS KREW aka TAKTIX, &amp; RELIK!

Irma Claudia is following