F-Money Action

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded, mixed and mastered using Logic.
Guitars played: Taylor 714CE in DADGAD tuning (Capo 9th Fret)
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
SONG NOTES:
This song reflects my growing awareness of the incomprehensible nature of a star in the sky, which has captivated the imagination of humanity since the dawn of time. All that amazing energy, captured in a little word of just three letters, the sun. 
LYRICS:
Such a little word “the sun”
With all its mystery 
Yet, without the sun my friend
Where oh where would we be?

With colours that glisten and dance all around
As far as the eye can see 
Without the sun tell me my friend
Where oh where would we be 

For who can say how it does what it does 
Painting the sky so blue
As pretty a picture as I’ve ever seen
Oh the things the sun can do

The years come and go like the ocean tide
But is time ever what it seems?
Without the sun, tell me my friend
Where oh where would we be?

Chorus

A Little Word

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, Sigma acoustic guitar, lyrics, vocals, and composition
SunnyBeck-- @sunnybeck — Beck — synth and MIDI composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
This is a love song written about Josh's favorite band, Phish. He came up with the chords on his acoustic guitar, and shared it with the group. This was written with Beck in mind, though, too, as he knew she'd be contributing her magic to this one, too. Even when it was just the acoustic guitar set to a looper beat, she came up with many of the parts you hear throughout. Although, she also readjusted and redid a lot of it, too, throughout the process. Ken was the next piece of the puzzle to jump in. He laid down his perfect drums beats to it in only one or two tries, giving it the groove it needed. After Ken laid down the beat, that allowed Josh to add his bass to the mix, too. It was almost done musically, but it needed a lead guitar, which Josh also put in there. Before it was finished, though, JJ weighed in with his clever organ, which can be heard from about 2:30 on. When it was all wrapped up musically, Josh also sang his lyrics, which are written from the perspective of two Phish heads conversing about the imminent Phish show, which is always a big, exciting event. 
  Josh has seen almost 70 Phish shows in his life, and he hopes his adoration for the band is evident in this song. This is the second song Eclectic Collective have done with Beck, and we all hope for many more, too. She's a fantastic musician, with a wonderfully deep well of creativity. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Josh Clary:

Are you gonna meet me at the show tonight
Am I gonna see you at the show?
What songs do you think they’ll play tonight?
I’ve been waiting all year to go

You should check out last night’s set list
The show was packed with killer songs
Is there any one that you’ve been chasing?
I love it when the crowd all sings along
 
Trey’s been stirring up all the great jams
Page rules the keyboards from his throne
Mike digs the groove so deep and he stands
On Fishman’s beats that shake our bones
 
Hope you have your ticket for the show tonight
I know these days they’re on our phones
Some spun wook is always tripping
Looking for profundity in all the songs

Every now and then they have to just stop spinning 
Stare at the lights, and sing along
So I know we’ll hear some great things tonight
Every time I go, my mind gets blown
After in the lot I know I’ll eat a grilled cheese

Trading Mics For Phish Pages- Eclectic Collective w/ SunnyBeck

Introspection

Little Website

The vibe strives to capture a glimpse of the dream house genre of the mid-1990s.

Thanks for listening. If you enjoy, pls like and/or repost, which would be greatly appreciated. Cheers.

Calls of Past

Unwell.m4a

Music by Ambient Annie. Master & Production by BotNikStudio2, Bottna, Sweden.

BADLANDS LULLABY

Original by America 1971
Lead vocal : Debbie Lynn

A Horse With No Name

Recorded in Modesto, Ca.  Featuring Vibraphone solo. Gibson 335 Electric Guitar solo. Selmer Soprano Saxophone solo. Stand-up Acoustic Bass. Fender Rhodes Electric Piano Rhythm. Gibson L6 Electric Guitar Rhythm. Acoustic Drum kit Full set. Percussion, Ago Go Bells. Mark Tree Chimes, Zildjian 22" Ride & Crash Cymbal.

Carmel

Close to You

Close to you

VERSE 1
Time is like a fire burning
It grows until the air runs out
Grace can keep the pages turning
Learn just what this life’s about

CHORUS
Would you believe it, if it hits you in the face
Could you receive it, if by losing wins the race
There is a season, for the best things in the world
Finding the reason, every day takes its own turn

VERSE 2
Shadows creep but dawn is waking
Hope can grow from seeds of doubt
Distance fades when hearts keep searching
Where the light can lead us out

CHORUS
Would you believe it, if it hits you in the face
Could you receive it, if by losing wins the race
There is a season, for the best things in the world
Finding the reason, every day takes its own turn

BRIDGE
Sun up
Sun down

CHORUS
Would you believe it, if it hits you in the face
Could you receive it, if by losing wins the race
There is a season, for the best things in the world
Finding the reason, every day takes its own turn

Sun up
Sun down
Sun up
Sun down

Sun Up Sun Down

Thx for visiting and listening, I am an amateur guitarist, play a little keybord, bass and drums too. I love music.

A Horse With No Name

Little Man