Eidola 

aɪˈdoʊlə

noun, plural of Eidolon:

1.
a specter or phantom; apparition.

2.
an ideal.

The art and music we create as a six person group is the manifestation of our combined character, (com)passions, intrinsic inspiration, and exploratory tendencies; both inside the sonic spectrum, and within the context of this spiritual narrative. 

Thank you for taking the time to look and listen. 

"These five have harnessed an ability to seemingly slow you down in a world that is racing around you at an unrelenting pace to the point of feeling every moment of their art. Before you know it, you will be breathing slowly, staring blankly and your jaw will be on the floor and those around you are staring in an odd misunderstanding." -Nanobot Rock 

"With The Great Glass Elephant Eidola presents an honest, rewarding and spiritual debut album with music divided in 12 versatile tracks, full of emotion and passion." - Echoes and Dust

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After three albums fronting alternative rock band Ours, Jimmy Gnecco has recently made the most personal and affecting album of his career. Self-produced and titled ‘The Heart,’ it’s a watershed work which sees Jimmy drop his guard and raise the bar. The prevailing mood is one of beautiful melancholy, but ‘The Heart’ has dignity and integrity in spades. We all have to reckon with loss and the events that have shaped us sooner or later, and this record is Jimmy Gnecco’s compelling attempt to do just that. Its elegant, elegiac songs are slow-growers that get right under the skin.

Singer-songwriter Dan Reardon’s latest collection of emotive, broadly resonant, and well-crafted modern rock is already gaining traction as its leadoff single is added nationally to college radio. The album release is his most introspective and exhilarating statement, aptly titled Soul Searcher (Right Me Up Records), and uses stories from an outside perspective to offer listeners inspiration to uplift their lives and foster thought provoking moments. Dan is bilingual in Spanish and has also released a Spanish version of the hit single “King of My World”.  The album also features a collaborative effort from iconic engineers and producers such as Michael James (Jane’s Addiction, Chicago, Edwin McCain), and David Donnelly (Aerosmith, Journey, Red Hot Chili Peppers).  

“The title definitely represents a repertoire of self-reflection and the desire to achieve contentment and happiness in life.  I think all of the songs on this record, whether slow or upbeat in tempo, exude a positive, encouraging feeling,” Dan confides. “My goal in creating this record was to tell a compelling story in each song that every listener could relate to.”

The album is a focused and well-crafted collection of irresistible and inspiring modern rock with standout tracks “King Of My World”—the leadoff single already becoming a fixture on college radio—“Change The World,” and “Breathe.” “’King Of My World’ takes you on a euphoric journey of love and living in a fantasy world in the palm of your hands,“ Dan explains. “Change The World” is an invigorating track about surrendering to love and carefree living. “Breathe” is a stately and sentimental track featuring some of Dan’s finest lyrics.  The album will be distributed through the respected outlet Orchard Distribution. 

Dan is an emerging songwriter with a rich music career history. As a solo artist, and part of the beloved band Soundside, he’s played well over 500 shows. Soundside recorded five studio records, one in Spanish—garnering him prime exposure in Spanish speaking markets. Soundside has shared the stage with artists such as Berlin, Days Of The New, The Tubes, and the New York Dolls. Dan has also performed on The Steve Harvey Show and at a variety of prestigious venues, including The Knitting Factory, The House Of Blues, The Hard Rock Café, and NYC’s venerated Crash Mansion. His solo career has been something of a rebirth allowing him to revisit his roots in Dave Matthews Band style music with his signature aesthetic of optimistic and broadly resonant lyrics and accomplished guitar playing.  He’s previously released two well-received solo albums. 
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“Music for the sensually inclined.” – Buzzbands LA
"Hyper-sexed sensual alt-soul grooves." – Time Out NY
"How the libido sounds." – The San Diego Reader
“If you’re ever feeling down about anything at all, we would recommend listening to music by Smoota. The lyrics to his songs will make you think, love, and smile before its end." – Grungecake
"Combines the slinky DIY funk grooves of Shuggie Otis with the offbeat, trippy, psychedelic stoner charm of James Pants, all topped off with a sly pervy streak that winks toward Serge Gainsbourg and the P-Funk mob.”  – Other Music

Smoota’s new album PHEROMONES is an arousing soak in the hot tub of your sexual imagination. Inspired by the warm and sensual sounds of 70’s soul, Smoota’s follow-up to his 2013 debut FETISHES is a risqué exploration of the modern sexual landscape. A New York City musician who has worked with TV On The Radio, Run The Jewels, Sufjan Stevens, Steven Tyler, Aaron Neville, and many others, Smoota performed all the music on Pheromones himself, adding only backup vocals, strings, and a (fake?) orgasm from a friend in Australia. With a unique mix of honesty, curiosity, and sly humor, the album puts both a dip in your hip and a smile on your face. Touching on the polyamorous urge, happy S&M relationships, taboo lust, erotic intimacy, and more, Pheromones will turn out the lights, liberate your mind, arouse your body, and then make you breakfast in the morning.

'Hyper-sexed sensual alt-soul grooves' (Time Out NY). 

'How the libido sounds' (San Diego Reader). 

'One of the year's most surprising records' (Other Music).

www.smoota.com

Recorded over several years in his basement studio in Brooklyn, Smoota's second LP will continue his unique musical exploration of sexual desire and its complex intersection with love. Written and performed almost entirely by himself, Smoota’s follow-up to his 2013 debut, FETISHES will continue his one-of-a-kind blend of honesty, humor and wordplay to shine a light on the beautiful and often mind-boggling displays of lust, devotion, happiness and pain we employ to both fall in love and get it on.

An in-demand musician in New York, Smoota has toured for years with art rock legends TV On The Radio. He has also recorded and performed with a wide variety of artists, including hip hop sensations Run The Jewels, rock legend Steven Tyler, EDM phenoms Pretty Lights and Griz, New Orleans superstar Aaron Neville, indie icon Sufjan Stevens, and soul queen Sharon Jones. 

But for his own music, Smoota draws inspiration from his deep collection of soul, funk, disco and R&B records. Filled with sounds from rare 70s and 80s synths and drum machines, his sensual and funky grooves are a fresh take on the slow jams and dance classics of sex crooners like Marvin Gaye, Serge Gainsbourg, Willie Hutch and Smokey Robinson.

But while sonically the music pulls from the heyday of groovy music, lyrically Smoota writes from 2018 and beyond, addressing ideas more often examined in literature and European art films than in music. His new album will address the polyamorous urge, happy S&M relationships, taboo lust for one’s in-laws, the complexity of the female orgasm, the connection between masturbation and intercourse and more.

For Programm, it’s been a slow build towards their debut album. Getting there meant discovering how to make music that they wanted to make, instead of music confined to genre conventions or outward expectations. The band collected influences from all over the spectrum, with stops in drone, electronic minimalism and eastern progressions, refining each sonic detail and enabling each other’s intense perfectionism in the process. Programm discovered and refined their hybrid electronic-rock sound as they wrote, rewrote, recorded and rerecorded.
The band’s sound refined even more as they met Alexandre Bonenfant (Metz, Crystal Castles), who helped them filter their polyglot psychedelia into dark but accessible melody-laden compositions that hit the sweet spot between Portishead, Broadcast and The Horrors. Programmed and sequenced, but also warm and full, Jacob Soma and Jackie Game’s vocals bringing out the best in each other, supported by Mark Game (keys, synth) and Andrew Reesor (drums) they’ve created a rich sound that Flare Magazine calls “highly addictive.”
Now reenergized and refocused, Programm have created a live show that can only be described as a hypnotic wall of sound, gaining them stage time alongside Deaf Heaven, Zola Jesus and Titus Andronicus to name a few.

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REMOTE is recognized today as one of the figureheads of the French electro scene . Spanning over ten years, their music has always managed to escape predefined etiquettes and their project has always remained true and coherent over time.

Their first release “ASTROGLIDE” was hailed by the press as one of the best maxis of the year 2003. Their follow up EP “HENRY GOES DIRTY” went beyond confirming their promising début, by achieving a unique and novel blend of electro rock and pop, which was to become their creative signature, and still is to this day. In 2005, the duo collaborated with Jennifer Cardini under the name JENNIFER GOES DIRTY, and signed their first release for KILL THE DJ records: a very cold and synthetic interpretation of the classic track “AMOUREUX SOLITAIRE”. Both romantic and very successful on the dance floor, the track gained immediate critical and professional acclaim, and was played by numerous respected artists such as Tiga, James Holden, Tiefschwartz and Ivan Smagghe. “TIMESLESS”, another track from the EP went on to become a classic reference of the underground electronic scene.

Their first album, “DARK ENOUGH”,catapulted them into a new dimension, as spearheads of the revival of the electronic music scene. The album which was composed of tracks originally composed for their maxis, proved to be slow and stunningly counter current to the minimal trend of the moment. The stage was set for a musical storm to be unleashed, and Carpenter was never very far away from it.

Through REMOTE, the musical genres of techno and disco have successfully been combined on the dance floor. Their music is purposely brutal, yet true to the Detroit Ghetto style: “We want our techno to be contemporary, without sacrificing its acid house or techno roots, and without giving in to the trends of minimal sound design.”

REMOTE matured alongside the KILL THE DJ family, with artists such as Chloe and Ivan Smagghe. Together they were key actors of the wonder years of the cult PULP club in Paris, in a nightlife scene that advocated a certain sense of irreverence, or even insubordination. It is a philosophy that can be felt in their music: dark yet warm, hard yet sensitive. REMOTE’s sound tears through dance floors in a sweaty, organic manner.

**Latest Release: April, 2022 on Cuete Recordings: <a href="https://www.traxsource.com/track/9829583/ookpik-vaults-original-mix" rel="nofollow" target="_blank">Self-Medication</a>

Stream & Download other releases:
<a href="https://self-medication.bandcamp.com/" rel="nofollow" target="_blank">Self-Medication</a>.

Self-Medication resides reclusively, but not exclusively, in Toronto, making downtempo, electronic music laden with a polarity of glitchy beats and wavering ambience, and combining a pharma-cocktail of electronic post-rock, indie, electro-acoustics, and experimental ether. The band creates a healthy blend of organic and inorganic, using a wide and interesting menu of analog and digital sound sources.
Earlier works featured fairly guitar-prominent trip-hop & post-rock elements, with vocals awash in delay and reverb; while later works have been more synthesizer-laden instrumental tracks. But there are no rules, and anything could happen.&#13;
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love,
john
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Check out:
- <a href="http://soundcloud.com/mc-rumblebasskin" rel="nofollow" target="_blank">MC Rumblebasskin</a>
- <a href="http://soundcloud.com/rob-silva-3" rel="nofollow" target="_blank">Clever Engine</a>
- <a href="https://soundcloud.com/octopus-is-home" rel="nofollow" target="_blank">Octopus is home.</a>

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Right is arbitrary; wrong is redundant.&#13;
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sukardi is following