Xuân Thì - GiGi Hương Giang I IN THE MOONLIGHT 
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IN THE MOONLIGHT 
Chuỗi đêm nhạc và ẩm thực trên tầng cao giữa lòng thành phố 
Saltus - Rooftop Gem Center | 8 Nguyễn Bỉnh Kiêm, Đakao, Q.1, TP. HCM 
𝙄𝙣 𝙩𝙝𝙚 𝙢𝙤𝙤𝙣𝙡𝙞𝙜𝙝𝙩 - 𝙄𝙣 𝙩𝙝𝙚 𝙢𝙤𝙤𝙙 𝙛𝙤𝙧 𝙡𝙤𝙫𝙚
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Xuân Thì - GiGi Hương Giang

TÊN ALBUM: LP CƠN MƯA PHÙN - NGUYÊN HÀ, LÂN NHÃ
CA SĨ: NGUYÊN HÀ, LÂN NHÃ
THỂ LOẠI: ĐĨA THAN / LP VIỆT NAM
DANH SÁCH BÀI HÁT
Mặt A:

1. Chiều Tím

2. Vết Lăn Trầm

3. Tình Khúc Cho Em

4. Dư Âm 

Mặt B:

1. Sắc Màu

2. Cơn Mưa Phùn

3. Khi Giấc Mơ Về

4. Thoát Ly

5. Tiếng Mưa Đêm

B3. Khi Giac Mo Ve - Nguyen Ha

B2. Con Mua Phun - Lan Nha - Nguyen Ha

Toi Voi Troi Bo Vo
Tôi với trời bơ vơ

Tran Thu Ha - Toi Voi Troi Bo Vo (Tung Giang)

Inspired by some recent reading of Kierkegaard's Purity of Heart Is To Will One Thing.   This idea of man living in time and at the same time always responsible and answerable to the Eternal. The idea of the eleventh hour has perhaps been cheapened in the 20th and 21st century; the term has almost certainly been abused, used ironically to serve this or that end.  But the irony of ironies, indeed the irony of irony itself, is that the Eleventh Hour is ever with us as this kind of hint or ambassador of Eternity, this final moment in time before time slips away. 

Eleventh Hour

“They said the blues were six feet under. We’re still dancin’ on the dirt.”

Six Feet Above the Blues is a 15-track resurrection of grit, ghosts, and grit-your-teeth redemption. Born from rusted strings, roadside sermons, and moonshine confessions, this debut album blends Southern Gothic storytelling with boot-stomping energy and the haunted soul of outlaw folk.

Through swamp fog and shotgun sermons, you’ll meet:

A hollow-eyed preacher who barters salvation in shadows

A hellhound more loyal than any man

A banjo cursed with blood

And a narrator who swears “God Don’t Ride Shotgun”

Whether it’s the eerie waltz of “Rattlesnake Waltz,” the foot-stomping fury of “Train Don’t Stop for Sinners,” or the rowdy last call in “Ashes in the Ale,” this record walks the line between sin and salvation — and leans hard toward the former.

Fueled by banjo, bowed bass, gang vocals, and enough smoke to choke a saint, this is music for the outlaws, the almost-gone, and the ones who never stayed buried.

🪕 Come raise a glass with the damned — you’re only six feet above the blues, after all.
credits


Một đời người, một rừng cây - Hà Anh Tuấn

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