Massive Plays

Shock the Algorithm

Vihara Gamage

Pearson

Copy of South Florida Native

100% certifiable hustler. so many questions.

pregunta

When Will I See You Again

When Will I See You Again?

Got away to the railroad tracks
By the river, on our backs
Look at the sky, it’s been so long
We are older but we’re acting young

Beautiful day to get away
Forget the job and the bills to pay
Laying under the sycamores
You are mine and I am yours
So let’s talk about... 
Where do we go from here?
Should we plan it out
Where do we go from here?

Stayin’ in and layin’ low
Try to do what’s apropo
Worry about the things I see
Just a plague of idiocy

A bunch of clowns took over the place
Need a plan B just in case
Gonna have to check my gut 
Brace myself for who knows what
Got me wondering 
Where do we go from here?
Doesn’t look too good
Where do we go from here?

Fell in love with someone who
Sees the world just like I do
Talked about some deeper shit
Really got down into it
We hit a groove and kept it going 
Giving space and getting along
Fast forward it up to today
We’re still together and turning gray
No need to ask, baby
Where do we go, where do we go from here?
I think we know, honey
Where do we go from here

Words and music by David F Wagoner

Fresh Candy

Where Do We Go?

┃Pitakavare┃පිටකවරේ┃Live Sinhala (Vocal & Guitar) Cover by Vihara Gamage┃Age 13┃Vihara Gamage Live Sinhala (Vocal & Guitar) Covers┃15.02.2024┃

Singer        : Sanjeew Lonliyes
Lyricist       : Attidiye Pugngnarathana Thero
Composer : Sanjeew Lonliyes

┃Unedited Live Sinhala (Vocal & Guitar) Cover by Vihara Gamage┃At the age of 14 ┃15.02.2024┃

YouTube:  
https://www.youtube.com/@ViharaGamage

Facebook:
https://www.facebook.com/ViharaGamageMusic

TikTok:
https://www.tiktok.com/@viharagamagemusic

SoundCloud:
https://soundcloud.com/vihara-gamage

Instagram
https://www.instagram.com/viharagamagemusic

X-Twitter
https://twitter.com/ViharaGamage

Disclaimer : The following audiovisual is strictly meant for promotional purposes. The original copyrights are solely owned by the company or the original artists or record labels. We do not wish to make any commercial use of this audio or video, which is intended to showcase the creativity of the artists involved.

┃Pitakavare┃පිටකවරේ┃Live Sinhala (Vocal & Guitar) Cover by Vihara Gamage┃Age 13┃15.02.2024┃

Taken from the upcoming debut full length album (planned to be released March 1st - "Rock and Roll Kills").
(p) & (c), 2024.
Youtube link: https://www.youtube.com/watch?v=80YWaTAt8Gc
-------------------------------------------
lyrics:
We've been through a lot, a lot of shit
now it's time to fight, fight against
against this depression and evil vibe
this is the time we will take over our lives

We've been submersed deep deep down
we've lost our faith into this evil town
we have to get back, get back to our own feet
we had enough, enough with this shit!

and now we have our head up high
we know what it's true and never dies
and now we step up with god's command
we won't take it anymore, not get stuck into the sand

It won't take forever just to reach our dream
it won't take forever to delete the bad scene
it won't take forever to hold your hand
it won't take forever to the promised land

it won't take forever to live again
it won't take forever to face the sun
it won't take forever, it won't take forever!

Rock and Roll Kills

It Won't Take Forever

Creation 2.6 - Human Nature

Instruments of the forest make the best music.

Creation 2.2 - Foliage Ensamble

Creation 2.3 - Foliage Ensemble

When you're done creating... Rest Less, Celebrate More!

Creation 2.7 - Restless

I was fortunate to attend the International Health Institute conference in London last month and there were sessions run by a woman so passionate and committed to change to improve the delivery of healthcare to the masses and I thought her partner would be so proud . . .

Eccentricity so Beautiful

While life and limb can shatter          
It’s only hearts that matter - In our world - Darlin’ girl
You’re out there proselytizing.
And it’s so mesmerising - that’s your way – an ordinary day   

Something about you rising up      
Is cutting through my filling heart - it’s only love
On your soap box agent change
With so much to de-arrange - with a blast
            
Eccentricity so Beautiful (that’s you girl -it’s your world)

Those rank iconoclasts
Bathe in their master class - impervious - in Ivory towers
Talk as if they’ve got the plan
Line up and shake their hands - feel the grip - the hand of power

You’re raisin’ it from ground up
Changing at the speed of trust – with such feel 
Building leaders everywhere
Co-produce no limit skies – that’s our dream

Eccentricity so Beautiful (that’s you girl -it’s your world)

Exhausted but so energized - Trying to catch you in the eye - Need you close. 
I call you aphrodisiac - Hotel room take care of that – 
On that note

ECCENTRICITY SO BEAUTIFUL

Cast of Characters:
John_Anthony-- @john-anthony-871225464 --guitar, mandolin
The Mysterious Decibel-- @themysteriousdecibel – vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and high harmony on the end vocals
TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals
This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole (The Eclectic Collective with John Anthony)

While we wait for BARDS: Of The Shimmering Seraphs to finish physical production, in the meantime we are forging ahead with a new crop of songs for the next album. The next album will serve as a continuation of the oracle deck concept, featuring songs about "objects" - the first of which be this little song about the magical horn of the elusive and beautiful Aardvark Girl. It is also about a recently discovered strange dwarf planet at the farthest reaches of our solar system.

Gǃkúnǁʼhòmdímà  was discovered on 19 Oct 2007 at the Palomar observatory in California, at 9:09 UT. Gkunhomdima is a member of the extended scattered disc and is a trans-Neptunian object (TNO). Its orbit is inclined 23° off the ecliptic and is quite elliptical. It was knocked out of a normal orbit early in the history of the solar system, probably as Neptune migrated outward to its current position, which gives the high  inclination of Gkunhomdima’s orbit. However, there is no known orbital resonance with any other planetary body, except for its binary companion. Its ‘moon’, or secondary is called G!o’e !Hu (pronounced GOH ay KOO). Goeku means ‘horn’, or Oryx horn. And that takes us to a bit of mythology.

Gǃkúnǁʼhòmdímà is also the Beautiful Aardvark Girl of Juǀʼhoan mythology, who sometimes appears in the stories of other San peoples as a python girl or elephant girl; she defends her people and punishes wrongdoers using gǁámígǁàmì spines [devil’s thorn plant], a rain-cloud full of hail, and her magical oryx horn.

Drums and percussion, keyboards, backup vocals: R Thomas
Guitars, Mandolin, Melodica, Bass, Lead vocals, backup vocals: PS Perkins

LYRICS:
-------------------------------
Aardvark girl, come trumpet your horn
Bellow your clarion call
Summon your dark and impenetrable cloud
And let your hailstones fall

Are we just ants crawling around on the ground
Are we just termites in a crumbling mound

Scatter the poisoned thorns in their lane
May they tread upon those in their path
The stinging in their feet shall remind them
They’ll be dead before their next bath

Aardvark girl burrow down in your den
The night will be ending soon
The Oryx are gathered at the watering hole
And your face is in the moon

Are we just ants crawling around on the ground
Are we just termites in a crumbling mound
We are just ants crawling around on the ground
We are just termites in a crumbling mound

The Oryx of the Aardvark Girl

'Walking The Straight And Narrow' A laid back Fusion/Smooth Jazz track...For those "not quite so rushed" moments in life...

Walking The Straight And Narrow

Come back to me, into the arms of longing,  
Let's count the stars together again.  
The night is still, but my heart calls out for you,  
Without you, every moment is only half a world.

The night is still

┃Cups - Song┃When I’m Gone┃Live English (Vocal & Guitar) Cover by Vihara Gamage┃Age 14 ┃Vihara Gamage Live English (Vocal & Guitar) Covers┃15.07.2024┃

Singer          : Anna Kendrick
Lyricists       : A. P. Carter, Heloise Tunstall-Behrens & Luisa Gerstein 
Composers :  A. P. Carter & Luisa Gerstein

┃Unedited Live English (Vocal & Guitar) Cover by Vihara Gamage┃At the age of 14 ┃15.07.2024┃

Disclaimer : The following audiovisual is strictly meant for promotional purposes. The original copyrights are solely owned by the company or the original artists or record labels. We do not wish to make any commercial use of this audio or video, which is intended to showcase the creativity of the artists involved.

┃Cups - Song┃When I’m Gone┃Live English (Vocal & Guitar) Cover by Vihara Gamage┃Age 14┃15.07.2024┃

A fun demo of a super silly song

Vocals/lyrics: Annie Stone
Piano: Russ Stone
Production/Guitar: Graham Carpenter 

***THIS SONG HAS A SWEAR IN IT!!!!!!***

F*** You Money Demo

I’m calling out today
There’s not much to say
If I’m honest, there’s just someplace else I’d rather be

Always doing what I ought to do
And now I laugh at all I thought I knew
Cuz if I’ve learned anything at all it’s that this life is fleeting.

There’s not much I’m sure of in this life
But one thing is for sure.
When I’m 84
I’ll never wish I’d worked more.

Took some time off a bit ago
I gave it up to watch the kids grow
I’m satisfied ‘cause somebody wise told me they're only young once.

So, throw the money out the door.
Fuck it I can always make more.
You can take it all away cuz the money can’t replace these summer months.

There’s not much I’m sure of in this life
But when I reach my end,
Reminiscing about back when
I know I won’t regret a second spent with them

There’s not much I’m sure of in this life,
But this one is a fact
The ones you love and the days you have
There’s some things in life you just don’t get back

Not Much I'm Sure Of

Can you take your own advice?  In an embarrassed junk yard I heard someone saying..."Maybe we’ll find that sometimes you’ll know things I don’t know and maybe even giggle, and sometimes I’ll know things that you don’t know, and have to smile cause I can’t help it, and you won’t know why.  And the things that each one of us know are the same things, just at different times".

Vacation People

Big revamp of a song I wrote a few years ago , moral of the song is do not pray for rain ! Me , Axel and Andrea have a cracker out on the 4th of October , then me and Dave Cooper on the 11th , just finished a belter with Charlotte , loads in the pipeline again . Now , a little tale for anyone having trouble with Soundclouds 2fa ( two factor authentication ) if you are trying to monetize your songs . I spent almost a week tearing my hair out , I couldn't sign in , but I think I've found the answer . If your codes keep getting refused , switch your automatic time/date on your mobile off , then on again , it'll sync everything , a reset was all it took to get my codes accepted , such a simple thing that took me 6 days to work out for myself as the Help Centre didn't once respond to my problem ! And make sure you copy the back up codes in case it all goes wrong again . I hope this helps anyone who is having the same issue as I had , solved it by chance , no help was available !

No Album

The Flood

La mer y était belle chancelante et cruelle
Les bleus gris s’allongent pour des reflets

Evidence, c’est la danse du bord de mer
Enivrante comme le sel au goût amer
Captivante dans les reflux solitaires
La vague est là, comme des bras en l’air

Nous aspire dans les regrets les souvenirs reviennent
Et non plus de   vents mauvais des poussières de haine
Les flots lumineux ne font pas nos peines
Ni nos espoirs déçus ils nous enchainent.

Chorus

Eternelles, sont les vagues dans les veines
Superficielles, libèrent les corps

Toujours le fil de l’eau éclaire
Même les vagues ordinaires
Dans les flots bleus où l’on se perd
Il y a … la mer

La Mer

J’ENTENDS RIEN J’ENTENDS RIEN
J’ENTENDS PLUS RIEN DE RIEN DE RIEN
Y’A TROP DE TINTOUIN
J’ENTENDS PLUS LES CLAMEURS
LES ARMES AUTOMATIQUES
J’ENTENDS PLUS LA MUSIQUE 
TOUS LES SONS COULENT À PIC		         
TITANIC TITANIC

J’ENTENDS RIEN J’ENTENDS RIEN
J’ENTENDS PLUS RIEN DE RIEN DE RIEN
ET ÇA FAIT DU BIEN
J’ENTENDS PLUS LA COLÈRE
LE VENIN LA VIPÈRE
J’ENTENDS PLUS LA PANIQUE
NI LES TAC NI LES TIC
TITANIC TITANIC

J’ENTENDS RIEN J’ENTENDS RIEN
J’ENTENDS PLUS RIEN DE RIEN DE RIEN
TOUT CE BARATIN
                  
C’EST LE MONDE DU SILENCE
PLUS DE SON PLUS DE SENS
QUAND ON Y PENSE

LE MONDE EST SOURD
LES TEMPS SONT LOURDS

ECOUTE

J'ENTENDS RIEN  (Lyrics)

Written 11 years ago: recalls the days when music was vinyl only and a magical retreat from disabling matters of the heart


33 RPM NIRVANA

Flattened faces pressed up against the glass
It’s well known no-one needs to ask
People talking ‘bout how I’m feeling
If they were me yes they’d be reeling
They’d need time and recuperation
But at night I take up station
Hanging around in 33 RPM Nirvana
Getting away to 33 RPM Nirvana 

She’s a stranger that’s her right to choose
Who can blame her she don’t like old news
You might say she’s one go getter
And why did she not treat me better
I admit I loved her deeply
But right now I’m kind of sleepy
Hanging around in 33 RPM Nirvana
Getting away in 33 RPM Nirvana 

I’m pulling the curtains and switching it on
Watching the tone arm lower onto my black vinyl

Drifting away now the music is my river
Not analyzing I’m seeking separation
Through the mists of time I wander
What is life I’m bound to ponder
Gonna get to shrug my shoulders
Moving on and getting bolder
Hanging around in 33 RPM Nirvana
Getting away in 33 RPM Nirvana

33 RPM Nirvana

LYRICS 
I heard her coming in at midnight
I said honey where you been
She said I've been to the movies
With Sue and my best friend Janine

She said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said what was the movie
And she said I don't know
I didn't take no notice
It was just somewhere to go

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

Instrumental

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I said why was you talking
Is there something I should know
She said now honey don't be silly
But her face just let it show

And she said we been talking
Seemed like for hours and hours
I said why don't you call me
You know that I worry, She said I'm sorry

I heard her coming in at midnight

Fade




Coming in at Midnight

Track 7 from the album, 'In The Pink', by Robin and Hilary Bailey (digital re-master 2006), (c) 1986 Robin Bailey

Little Green

Born with the moon in Cancer
Choose her a name she will answer to
Call her green and the winters cannot fade her
Call her green for the children who've made her
Little green, be a gypsy dancer

He went to California
Hearing that everything's warmer there
So you write him a letter and say "Her eyes are blue"
He sends you a poem and she's lost to you
Little green he's a non-conformer

Just a little green
Like the color when the spring is born
There'll be crocuses to bring to school tomorrow
Just a little green
Like the nights when the Northern lights perform
There'll be icicles and birthday clothes
And sometimes there'll be sorrow

Child with a child pretending
Weary of lies you are sending home
So you sign all the papers in the family name
You're sad and you're sorry but you're not ashamed
Little green have a happy ending

Just a little green
Like the color when the spring is born
There'll be crocuses to bring to school tomorrow
Just a little green
Like the nights when the Northern lights perform
There'll be icicles and birthday clothes
And sometimes there'll be sorrow


	Joni Mitchell - 1970

	Arranged by Robin Bailey  xii1986

In The Pink

Little Green

Until When Will I Remain Alone

Outlaw s Grin

01 DONT FADE ME OUT MASTER 2024

I Stare Into Darkness

Where You Going Now

PERSUASIVE CHAOS


*** LYRICS ***

[Verse 1]
Sitting by the window, watchin' the rain,
Every drop a whisper, echoes my pain.
When will I meet you, where do you hide?
Feels like I'm walkin' this road on a lonely ride.
Searching for the sun in a world turned grey,
Just a flicker of hope to brighten my day.

[Chorus]
When will I meet you, so I'm not so blue?
The one who'll hold me close, see me through.
No stressin' over things that don't matter at all,
With the sunshine of you, I'll stand tall.
Oh, make my life yellow, paint it bright,
When will I meet you, come into my sight?

[Verse 2]
Life's a puzzle, but the pieces are lost,
Searching for the warmth, knowin’ the cost.
You’re the melody that plays in my head,
A tune so sweet, it chases the dread.
In a world filled with chaos, I crave that peace,
A love that’s unbreakable, a sweet release.

[Chorus]

[Bridge]
Maybe it’s a dream, but I know it’s true,
There's a heart out there, beating just for you.
We'll dance through the dark, find our way home,
In each other’s arms, we’ll never be alone.

[Chorus]

[Outro]
So here I am waitin', just lookin' for a sign,
A spark in the night, a love so divine.
When will I meet you? The question remains,
But I won’t give up, for love breaks the chains.



When Will I Meet You?

why do you still linger in my frontal lobe?

but when will that be?

'UK originator Dave Seaman returns to Sincopat for his first full release for the label...'

Read More : http://whenwedip.com/2018/07/moonwalk-dave-seaman-sincopat/

Follow : @moonwalk-mw // @daveseaman // @sincopat

Connect: When We Dip on Spotify - open.spotify.com/user/whenwedip

www.whenwedip.com
YT >>> youtube.com/user/whenwedip
FB >>> facebook.com/wwdofficial
IN >>> instagram.com/whenwedip/
TW >>> twitter.com/WhenWeDip

Premiere: Dave Seaman - Slippery Beast (Moonwalk Remix) [Sincopat]

Del Wags is the music of Dave Wagoner: a collection of homemade tunes meant to please no particular demographic. Dave is a one- man show of rhythm guitar loops recorded in the basement, choruses born in the shower, lyrics written on the couch, and tracks mixed on the laptop (and the occasional cover). Go ahead, tap your feet.

I played only acoustic guitar and harmonica for many years, playing the same covers alone and occasionally with friends. I never thought I wanted an electric guitar or lots of music gear because I didn't want to accumulate more things. In 2019 by chance I obtained a cheap electric guitar from a friend, and my life changed as this new tool unlocked a creative door. During Covid I bought a looper and a keyboard and began teaching myself to play it, and the creative door flew wide open. I challenged myself to ride the learning curve of home computer music production. I re-tapped into my poetry-writing brain from high school and songs began flying out of me. I haven't been this creative since I was a teenager and it's pure joy.

I'm thankful to have a place here to share my creations, make connections with others, and hear so much unique and wonderful music and sound from people all over the world.