Beautiful intro. There is a notable influence of Chopin but also a rich mixture of Middle Eastern harmony that makes this work very interesting and unique.

Very beautifully emotional piano playing and vocals! Classical and also ethnic taste is very unique and impressive!

🌲🍄🐸🍄🌲 ⁂©All Rights Reserved 09-2025
©Mixer, Mastering, Creator, Pro Sound Equipment: Lady ElectroTrek    
***

Until The Light Is Reached

Crogunk's Phonk-King Forest Adventure

The Battle

Longing (Rework 2025)

Remixes

Looking Back (Remix 2025

Looking Back (Remix 2025)

Öoove

never too old for love

Track 5 from Wigmore Allen Gibbons 2025 release called FRINGE - available at www.terrywigmore.com/wigmore-allen-gibbons

*Keith makes observations everywhere he goes, and in this instance, his tours of local castles led to this idea - those great, huge, thickly-hewn doors are actually hung on very small hinges. Of course, Terry sees the image as a metaphor -great change often begins with small starts. Literal or metaphorical? We 'll leave that up to the listener.

Great Doors Open

    I walked along a beach…soft sand at my feet
    I travelled past a man…his chin down on his chest
    This man is not asleep…He’s too long past all that I guess
    It may sound pretty stupid, yet…there it is
    Great doors open on small hinges
    I don’t care no more…I don’t care
    I don’t care no more…I don’t care… 
    Great doors open on small hinges
    On this unmitigated nightmare
    No one walks the lonely path I trod
    More disasters left by the wayside
    At the time, didn’t look so bad

    1.47 (Instrumental Break)
    
    He joined in halfway through the movie
    He ain’t gunna chew this cabbage twice
    That dozy man out on the causeway
    Awoke upon his own advice
    Great doors open on small hinges 
    He don’t care no more…he just don’t care
    He don’t care no more…he just don’t care
    Great doors open on small hinges

Wigmore: Music, Production
Allen: Vocals, Lyrics, Guitars, Bass

Great Doors

My Interpretation of an Old Czech Song (Byla Cesta, Byla Ušlapaná / A Path Well Trodden)

Recording sessions from  16/04/2025 - 24/09/2025.
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, 
Sony, SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

The Fool's Trap

◄The Fool's Trap►

Title: The House in the Woods, Part I
It was the kind of Sunday that felt like an Indian Summer—soft golden light filtering through the canopy, the hum of tires on gravel, and the scent of pine and late-blooming wildflowers drifting through the open windows. Harry and Elise had no destination, only the pleasure of each other's company and the winding road ahead.
As they rounded a bend, Elise leaned forward, her eyes catching something through the thicket.
“Darling, please slow down and turn around,” she said, her voice tinged with wonder. “Did you see that home back there?”
Harry glanced in the rearview mirror, puzzled. “No,” he replied, “but I’ll go back for you, dear.”
He reversed slowly, the tires crunching over fallen leaves. There, nestled deep in the woods at the end of a long dirt path, stood a Victorian house—its silhouette grand yet weary, like a forgotten melody. The gables were ornate, the windows tall and shuttered, and ivy curled around the porch railings like nature’s embrace.
Elise stepped out of the car, drawn as if by memory. “It looks like it’s been waiting,” she whispered.
Harry joined her, brushing aside a low-hanging branch. “Waiting for what?”
She didn’t answer. Instead, she walked toward the house, each step stirring the silence. The air grew cooler, the light dimmer beneath the trees. A strange feeling came over her being, as if someone was watching and following them.  A rusty hinged door creaked open with a cry, as the couple crossed the threshold into a place where time had folded in on itself. 
Inside, dust danced in shafts of light. A piano stood in the parlor, its keys yellowed but intact. Portraits lined the walls… faces half-faded, eyes that seemed to follow. Elise ran her fingers along the banister, pausing at a carved initial: E.
“Harry,” she said, her voice trembling, “I think I’ve been here before.” (To be continued... )

Music composed and performed by Jennifer L. Jones
Story Concept, Characters, Development of Story by Jennifer L. Jones with a little help from Copilot

The House in the Woods, Part 1

Professor Pezhman Mosleh – Iranian Composer – Poet – Writer / Cinema Philosopher and scholar in music history
Professor Pezhman Mosleh is the first person in is a pioneer in Iranian neo romanticism style. And according to SABC News (South African Broadcasting Corporation) he is inspired by Beethoven and Chopin in composing music. The Nelson Mandela World Foundation also recognized his dedication to Mandela, which Nelson Mandela himself had heard, and honored Professor Mosleh for his “cultural contribution to promoting peace and raising global awareness.” This work was also published on the website of the famous European newspaper, Le Monde.
According to the Iranian Cinema Press Agency, Pezhman Mosleh is a musician who intertwines philosophy with music.
The world’s youngest pianist, four-year-old Ava Sadeghipour, is a student of Professor Mosleh.
Comments:
Dr. Irvin David Yalom, one of the most prominent intellectual figures in the world and one of the most influential psychiatrists and authors of the 20th and 21st centuries, has written about Professor Pezhman Mosleh: 
"I've received many tributes but none touched me as yours did. You are both a musician and a fine poet. An eminent Iranian composer, Pezhman Mosleh, has honored me with this gift."  
Professor Rebecca Goldstein, a renowned philosopher and author and winner of the National Humanities Medal in the United States, has also spoken in a note about the beauty of the union of philosophy and music in Professor Mosleh’s work:
“Professor Pezhman Mosleh’s work is a unique music and an artistic treasure.”
The Nelson Mandela World Foundation also recognized his dedication to Mandela, which Nelson Mandela himself had heard, and honored Professor Mosleh for his “cultural contribution to promoting peace and raising global awareness.” This work was also published on the website of the famous European newspaper, Le Monde.
Mosleh is the only Iranian artist whose works have been described by media outlets such as SABC News as inspired by Chopin and Beethoven; yet, they believe that what pulses through his melodies is not merely a Western legacy—these works are deeply intertwined with the roots of Iran.
This mysterious interweaving of the subtlety of Western thought and the warmth of the Eastern soul is the very unique essence that sets Mosleh’s art apart from others.
"Music Information Center of Poland" believes that the music of Mosleh is close to Zbigniew Priesner’s works, who is The renowned Polish composer and creator of the scores for Krzysztof Kieślowski’s movies.
Dr. Ruthellen Josselson, the outstanding psychotherapist, researcher, editor of the APA journal qualitative psychology, has also said: “Professor Pezhman Mosleh is a true artist whose work touched me deeply”.
Dr. David Spiegel, Professor Robert Holub, Daniel Dennett and Dr. Molyn Leszcz —prominent figures worldwide—have also praised his works and ideas.
Yael Goldstein Love, American novelist, editor and book critic, co-founder and editorial director of the literary studio Plympton,, said: “The Prof. Mosleh’s work is deeply moving and beautiful.”
Master Milad Kiai, an outstanding Iranian composer and musician, says: “The great artist, Professor Pezhman Mosleh, have always been the pride of Iranian culture and music.”
Master Mohammad Nouri, one of the greatest singers in the history of Iran, wrote:
“Pezhman Mosleh is the voice of thought within music.”
Professor Mohammad Sarir, Chairman of the Board of the Iranian Music House, expressed his appreciation for Professor Pezhman Mosleh by saying:
“He is a master who has performed my works in a beautiful and worthy manner.”
He also praised Professor Mosleh’s valuable achievements in the fields of culture and thought, emphasizing their profound significance.
The works and activities of Professor Mosleh have always transcended the boundaries of art and have also been influential in the philosophical, educational, and social fields.

Reperformance of the Song Estrangements: Pezhman Mosleh

Mary

Recent comments

Mike Molino

Chihiro MATSUMOTO(JETTT)

D'mendo Boteli

D'mendo Boteli

Related tracks