I pull at the drawer and it resists me for a moment, the way things do when they've settled into themselves over time. There is that particular sound—wood sliding against wood—and then suddenly it gives way, revealing its contents with a quiet rattle. Morning light streams over each object; items that have rested in darkness since the last time I visited, their colors now vivid and startling. It is as if the drawer itself has been safeguarding small treasures meant only for me.


Mastering by Inner Most

Album artwork by Salka Rosinkranz
https://www.salkarosinkranz.com/

@serpuline @preciousmoment @powerdynamics @wardizemoth @land_scap3 @rotabega @still-life-doves @montanhadeluz @user-492249249 @yyyafffeee @dj_spur @elfani8 @philgeraldi

（ミ￣ー￣ミ）
https://freesound.org/people/inner_most_garden/packs/43520/

Drawerful

Inner Most 

Gather

Inner Most 🍃 Looking for my glasses

GARGANTUAN COLLAPSE - MODERN GRIEF 
(DAWN021)
50 limited copies
CD
ft @vinakonda
@gargantuan-collapse
Produced by @modern-collapse & @gargantuang
Mastered by @lastrackqlf
Photos by Melchior Tersen
Dawn 2024

Modern Grief

Cirrhose Direct (feat. Vina Konda)

Experimental duo 'games' present 4 new recordings that show off their full-spectrum production. A hauntingly exciting and beautiful escape from silence, Quarter Tone Sub is an exploration of bass, distortion and compression – reinterpreting composition and engineering.

Written/Produced by Jorge Camacho & Lawrence Goodwin
Mastered by Ike Zwanikken
Art by Jorge Camacho

sizgud

Many Worlds w/ slyn & Coromandel - 19/05/2025

DWELL TIME for Dublab Radio (07.08.25)

By Joonas Siren aka Forces:

"In June 2024 I was in the midst of making a new live set for an upcoming concert. Instead of making new tracks, I decided to use archival recordings and experiments from the past 20-22 years that I have stored in six old external hard drives. I wrote a SuperCollider algorithm to select audio randomly from a massive folder, where all the archived audio was copied. The recordings range from early ‘00 Board of Canada inspired electronica, to analog noise/drone recordings around ‘06-09, to ‘11 modular synth improvisations, to all the way forward to unused SuperCollider experiments of recent years.

Using the algorithm was uncanny. I encountered a lot of sounds that I have no memory of ever making. This felt like unearthing deep, hidden sediments of myself.

What do these different layers reveal? Much has changed during these years of music making, personally and historically. The early recordings have a sense of melancholy and longing that I can’t quite access anymore. Still they are distantly familiar. During those years, my gaze was turned inwards to personal struggles and a sense of sadness that I wanted to reflect with my music. Nowadays, I want to focus on more general discourses instead of personal ones.

After the concert, I used the SuperCollider algorithm again to make this album. All the tracks have been chosen by it. The algorithm also provides some additional manipulation like sudden jump-cuts and fx’s while recording. Only some fade-outs and mastering have been edited
afterwards.

I hope that the serendipitous nature of the album reveals something hidden, perhaps interesting, beautiful or meaningful, among the shifting aural sediments of different temporalities."

Full project releases July 18, 2025

Artwork by Ronja-Elina Kappl
Cassette Design by Manu-Sophie Linder
Produced, written, mixed by Joonas Siren
Mastering by Ioannis Nafpliotis

Cassette / Digital

Forces - Catastrophism

XENIA REAPER - spinblurr

🖤🌀

The first single 'Sucker' from Beau Mahadev's debut 12" record 'Subterra' out 31st October on INDEX:Records 

@beaumahadev

https://indexrecords.bandcamp.com/album/subterra

"INDEX:Records is enamoured to present the accomplished debut record by New York City resident, Beau Mahadev – 8-parts of dreamy vocals and wet-textured IDM-pop.

To some extent, this album arriving at INDEX:Records has been over 3 years in the making: we were first introduced to Beau’s work at GLOB in Denver (during our USA tour in 2023), at an event hosted by a dear friend, filled with lovely peeps. We were totally blown away by Beau’s performance and knew within a few minutes of their set starting that we wanted to release an album with them someday. Now, here it is: Subterra. Featuring tasty collaborations with {iii}, Uza A'amo and Yau Hei ASJ.

Vinyl limited to 200 copies. Front sleeve by Chiu. Design by Conna Haraway."

pre-order

Beau Mahadev – Sucker [INDEX:020]

ABSORBED on LYL Radio, aired September 18 2025

Organiser, musician & new friend, Luhung Hsai offers a guide to contemporary DIY music in Taiwan. In this episode, Luhung presents an hour-something-long introduction to the avant-garde, noise, hardcore sounds being made around her, emerging in and around Taipei city. 

Essential brain rattling for all tourists and those of us removed from the activities on ground + I imagine a kind of timestamp for the overlapping scenes & artists who are captured in this snapshot.

Tracklist:
Highard- Unknow (demo)
檳榔袋鼠 Betelnut Kangaroo - 電荷 Electronic Lotus
Sundialll - Rice Field Flute, Rain Chant, Cave Ambient
SPIT! - I HATE BANANA
Toxic Bald - 教育 education
純平回家了 - 大度路 (demo)
Anteng Tsai - 依莎貝爾撐竿跳
漂流出口Outlet Drift-塑膠袋裡的牙齒
林子寧(Lin Tzu-Ning)、唐曼婷(Tang Man-ting)、黃葻 (Huang Lan) - 自然萬物Ⅱ
Moxina - Hit the Wall (SHENG Remix)
張明福 王玉花-來自臺灣底層的聲音（貳） 都蘭之戀 
Yu Ching 黃雨晴 - No No Love
Bo Yin - Reverberation

@lyl_radio

🖤🌀

Nirvana Haldar