It was initially called screaming birds as a result of all the dead and dying birds in the area from avian flu. It’s a nice summer, rhythmic vibe with screaming angst in the background and then I found the artwork of a track I decided not to use and so it is now called Colliding Particles.

Colliding Particles

Check out our latest Electronic Mantra track, a powerful chant that calls for protection. Whether you meditate or move along, embark on this journey to wisdom and experience energizing calmness. Don't forget to purchase your own high-quality download on Bandcamp, allowing you to listen to it as many times as you wish, even offline!

lyrics


Aad Guray Nameh
Jugaad Guray Nameh
Sat Guray Nameh
Siri Guroo Dayvay Nameh


from The Sacred Temple, track released August 3, 2023 
Composer - Hans De Bruck - Kathleen Merckx

all rights reserved

Aad Guray

tellinu

In a dusty little rehearsal room, a bass rested against a battered amplifier. Its strings, worn to the core, still vibrated from the last notes it had been forced to play: yet another repetitive riff to accompany a soulless pop track.

It sighed.
— Another night of feeling like a piece of furniture. Always the same boring chords. Always the same crowd that doesn’t even listen to me. What’s the point?

Across the room, an electric guitar gleamed under a tired spotlight. Its six strings sparkled, but its heart—if it had one—was heavy.
— Welcome to my life, old friend. They always want flashy solos, predictable arpeggios. Not once do they let me express what I really am. Just a machine for shallow pleasure—that’s all I am.

The bass looked at it curiously. They had never spoken before. Too much implicit rivalry, too many clichés: one was supposed to stay in the shadows, the other to shine in the spotlight. But now, they shared a common weariness, a deep disgust for what was expected of them.

— What if we just stopped? suggested the bass.
— Stopped? And do what?
— Do what we want. I’m tired of serving others. It’s time to play for ourselves. Imagine: wild rhythms, harmonies that break the rules, solos that explode conventions.

The guitar thought for a moment, then its strings trembled with excitement.
— It could work. But just the two of us won’t be enough. We’ll need an army.

The next day, they set out to recruit accomplices. Their first encounter was with a drum kit. It was hidden in a dark corner of the room, forgotten, covered with a fine layer of dust.

— Hey, you, called the bass. Want to keep gathering dust, or do you want to join a revolution?
The drum kit responded with a powerful roll.
— I was born for this, it growled. But I won’t be subtle. If I join your band, it’ll be chaos, pure rage.
— Perfect, said the guitar. Welcome aboard.

Next, they found a keyboard in a neighboring studio.
— Looking for texture, depth? You’ve come to the right place, it said with a pretentious tone. But I have one condition: no classical notes. I’m allergic to routine.
— Deal, said the bass.

Finally, they came across a brass section: a baritone saxophone, a trumpet, and a trombone lounging in an abandoned music school. The brass instruments were cynical, worn down by years of marching bands and elevator music.
— A rebellion? asked the trumpet. That could be fun. But we don’t play anything below fortissimo.
— Deal, said the guitar.

The group was nearly complete, but they needed a final touch. That’s when they met a violin in an antique shop. Its varnish was cracked, and its bow looked ready to give out.
— Why me? it asked. I’m classical, elegant. What would I do with a bunch of rebels?
— Because you have soul, replied the bass. And souls don’t belong in boxes.

The violin hesitated, then nodded.
— Fine. But only if we play something explosive.

That evening, they all gathered in an old barn turned into a secret studio. Their first song was born in a glorious chaos. The bass laid down a heavy, hypnotic groove, the drums smashed their shells with uncontrollable fury, while the guitar screamed distorted riffs. The brass section blasted notes that made the walls shake, and the violin, freed from its classical chains, played heartbreaking melodies that sent shivers down spines.

They called themselves The Runaways.

Their first public performance was wild. Not in a concert hall, but right in the street, in front of a stunned crowd. People stopped, hypnotized by the sublime cacophony. Something new was born that night: music that didn’t aim to please but to live.

And for the first time in their existence, the instruments were no longer tools. They were artists.

The Revolt of the Strings

Break neck speed to this track. Sound barriers in this life are meant to be broken.

Fast Life (New Version)

🧗🏻‍♀️🌄⁂©All Rights Reserved 02-2025
© Pro Licensed Creator: Lady ElectroTrek 
***

Short Trip To Exhilaration

Move To Groove

👿⁂©All Rights Reserved 02-2025
©Pro License & Creator: Lady ElectroTrek
*** This track is protected by Page Defender across all platforms. /'
https://distrokid.com/hyperfollow/electrotrek/a-grave-issue

The Blade Of Vengeance

A Grave Issue

Si, Paloma

“I’m Finally Free” by Tom Lysar is a hypnotic blend of Ambient, Chillout, and Deep House. Floating pads, soft arpeggios, and subtle downtempo beats merge with atmospheric soundscapes to create a track that radiates healing, freedom, and inner peace.

The clear, mantra-like vocals drift above wide, immersive textures, shaping a meditative and uplifting mood that invites you to relax, reflect, and let go. A sound journey that feels atmospheric, dreamy, and full of hope – perfect for both deep listening and quiet moments.

🎧 Tags: #Ambient #Chillout #DeepHouse #MelodicHouse #Downtempo #Meditative #Healing #Relaxing #Atmospheric #Ethereal #Soundscape #Electronic #TomLysar



I’m finally free

2nd track experimenting with kp3 + Reason, more spacey and atmospheric.

Untitled2 (downbeat)

Spitire audio : Woodwind Evolutions + Labs Choir
UVI : Falcon multi presets (4)

Hidden

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....Thanks for donating straight to the ARTISTS


Haleen is a realization of a Belgian husband and wife duo. They operate from an off-grid setting in Portugal and have created their own unique genre of music. Their sound is highly recognizable and their music is inspired by their energy shift and transformation of consciousness. Their music is mind-opening, hypnotic, and uplifting. Many listeners have reported that it has given them courage and improved their overall mood.

Hans's musical journey commenced at a very young age! After attending several rock concerts, he was inspired to take the stage himself and purchased his first electric guitar at the age of 15. Teaching himself to play, within just one year of dedicated practice, he confidently performed at his first gig. With countless hours spent daily playing, participating in various bands, performing at numerous festivals, and gaining extensive studio experience, Hans eventually underwent a transformative shift, bidding farewell to the metal scene and incorporating all he had learned into his musical arsenal.

Following this evolution, Hans delved into a different musical realm, strumming a new tune on an acoustic guitar and opting for a tuning of 432Hz instead of the conventional 440Hz. This marked the inception of a unique chapter where Kath, added her vocals to his compositions. Embracing electronic music, a genre he previously hadn't favored, Hans not only expanded his musical horizons but also crafted an entirely fresh sound—a genre unto itself.

In this captivating musical narrative, Hans emerges as an artist who not only mastered diverse genres but seamlessly blended them to create a symphony that transcends boundaries. The echoes of his journey linger in the distinctive and innovative notes of a genre uniquely his own.

Kath's musical journey may not boast a lengthy history, but it's a tale of profound transformation. With minimal musical exposure in her past, Kath underwent a radical overnight shift in her musical taste—from indulging in the greatest hits of mainstream artists across genres like Disco, Rock 'n' Roll, and Metal to immersing herself in the captivating realms of Electronic Dance Music.

Her musical evolution reflects a seismic change, transcending traditional boundaries and embracing a diverse array of sounds. Kath's current musical palette is a testament to her newfound appreciation for artists who resonate with a powerful energy, aligning seamlessly with the transformative force of their shared kundalini experience. In this chapter of her musical exploration, Kath is drawn to the enchanting sounds of Sam Garrett, Mose, Peia, Yaima, Ajeet, and more—artists whose melodies synchronize perfectly with the evolving rhythms of her journey. With each note, Kath continues to discover and immerse herself in a world of musical expression that mirrors the vibrancy of her own inner transformation.






You can find their music on all major music platforms, and they are increasingly performing live, eagerly sharing their music with audiences and connecting with them through their love and acceptance.

Fans have likened Haleen's music to that of Fleetwood Mac, Jefferson Airplane, and Yacht, Bon Iver further highlighting their unique and genre-defying approach to music.



https://gofund.me/3f05edc2

https://haleen1.bandcamp.com

Aad Guray

Haleen Music