lifeonplanetsmusic@gmail.com

Life On Planets is a solo project melding soul, R&B, and house. The artist’s eclectic sound took him from the streets of Baltimore to cities the world over. Join Life as he weaves live performance with electronics to bring the house party to the dance floor. 

For more new music/shows go to: jemi.so/lifeonplanets

Diving deep into soundscapes for over 25 years, PRVOTSKY is the musical brainchild of a passionate composer whose journey from hobbyist to professional has been nothing short of transformative.

With each release, PRVOTSKY invites listeners into a realm where melodies intertwine with emotions, crafting sonic landscapes that resonate with the soul. From ambient whispers to pulsating beats, each track is a testament to years of dedication and artistic evolution.

Embracing the limitless possibilities of music production, PRVOTSKY ventures fearlessly into uncharted territories, constantly pushing boundaries and reinventing sound. With every album, a new chapter unfolds, weaving together tales of inspiration and creativity.

Join the journey and experience the transformative power of music with PRVOTSKY. Let the rhythms guide you, the melodies move you, and the beats inspire you to embrace the magic of sound.

Hi, I'm a producer, DJ & label-owner from South-London.

Crafting & curating nothing but drum & bass music with soul.

If you want to reach out, say hello at: fastsoulmusicdnb@gmail.com

ROW bookings: tom.jones@unitedtalent.com
North America: mrodriguez@teamwass.com

Hooverphonic is a Belgian band founded by Alex Callier and Raymond Geerts.
They became triphop icons when they released their first album 'A New Stereophonic Sound Spectacular' in 1996 and their second album 'Blue Wonder Power Milk' in 1998.  With the single 'Mad About You' of the third album 'The Magnificent Tree' they conquered the world.
In 2016 Hooverphonic releases 'In Wonderland', their first multi-vocalist album with a variety of eclectic sounds blending the typical Hooverphonic strings with new electronics.


Wilkinson has cemented himself as one of the most successful stars in global dance music. Following countless club anthems he released chart topping singles 'Half Light', ‘Dirty Love’and the Double Platinum selling ‘Afterglow’ which landed at #8 on the UK Chart. To date he's sold 4 million singles & been streamed over half a BILLION times! His debut album 'Lasers Not Included' went to number 1 on the official Dance Chart and his tour schedule takes him across the globe performing everywhere from Glastonbury, Auckland, Las Vegas and Ibiza. He’s gone on to build a fierce live reputation over the last 6 years, selling out London's Roundhouse and Brixton Academy three times! Having remixed & collaborated with the likes of RagNBone Man, The Prodigy, Wretch32 and Becky Hill, he's scooped ‘Best Single’, ‘Best Album’, ‘Best Video’ & ‘Best Producer’ at the National D&B Awards. His second, album ‘Hypnotic’ (2017) became the most successful D&B album of the year, winning him an army of loyal supporters & some unlikely fans from the likes of Skrillex & even Elton John! 2020 saw Wilkinson team up with fellow D&B titan Sub Focus to release their collab album ‘Portals’. The record charted at #1 on the Official Dance Chart & saw all 3 singles playlisted by Radio1. 2022 has seen the release of his 4th album ‘Cognition’ including hit Top40 Chart singles ‘Used To This’ and ‘Here For You’. The album charted at #3 in New Zealand and topped official dance charts globally.

Doodling on guitars whilst never losing focus of the actual song. That is the common ground on which Still Trees and Still Trees’ Simon Graupner aka Shelter Boy base their music. Under his new alias Simon has built a shelter for his own songs, which shine in a quite different light than the pompous Still Trees indie-rock. On his first release under this name Simon presents a sound like Saturday afternoon sunlight that blissfully shines through the four songs on the first EP. A sound that invites you to laze about. It’s worthwhile listening closely though. The clear vocals follow a simple melody and are entangled in a web of very sophisticated guitar patterns. There is no distortion in Shelter Boy’s home, it is clean but not sterile. Everything sounds like it’s where it belongs. The guitar is clearly in the foreground but leaves enough space for the rhythm section to groove along. Everything is arranged casually without any part of it being arbitrary.

Mac Demarco is quite an obvious influence but so are the British bands that have previously had an impact on the choruses of Shelter Boy’s main band Still Trees. The influence is clearly audible without the direction being predefined or anything being copied. Additionally Shelter Boy’s Music is emotionally flexible: it is just as good on a rainy day when you don’t feel like going out as it is on a sunny day in the park. When forced to describe his own sound Simon would say it is dreampop. If you need a label, that would be fitting. The the fizzy guitar lines sparkle in one moment only to ascend to a chorus that bid to sing along but don’t necessarily provoke it. A sound to raise your glass to with friends of well thought out pop music, only to carry on doing so all night. When you wake up slightly hungover the next morning Shelter Boy will still be the right soundtrack for your day.

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