Name: WOULDN'T KNOW ANY DIFFERENT by Matt 'Norrie' Williams
Duration: 6 min 4 s
Description: An emotional ballad in 6\8 with a Rock-ish edge.

Nice punch at 2:16 man! Sounds great! Cool song! Good vocals!

thanks Colter. I wrote this song around 1992 and it was part of my bands' set for years.., a big fan favourite. I thought it was time to record it how I'd always heard it in my head.

Great song with a brilliant guitar solo! A super arrangement too!

Music/Arrangement/Production/Vocals/Lyrics by Achazia
Saxophone: Edward Bryant

My sister.
Why do you wheap..
My sister.
Why do you not sleep..


I have walked within myself
miles and miles without a word.
 there is no easy way out here.
THat can ease this kind of hurt.

This is not my worries.
That you keep it to your own.
But now that I am by your side.
You will never be alone.


My sister.
I wish there was a way..
My sister.
Don't fear the truth at break of day..

I have walked within myself.
to share this secret, if I dare.
You will the only one.
be there, be close, be near.

Sister's Secret feat. Edward Bryant

The future’s so bright shades aren’t going to help.

Tomorrow Will Be Fine

A deep and dark song about sorrow and sadness. Initially written on piano, I decided to add dissonances and abstract soundscapes. I am very happy that Michael leaned into the dark theme and wrote sparse lyrics with a lot of meaning in between the words. 

Nadine de Macedo: composition, arrangement, piano, synthesizer, production
Michael Karns: vocals, lyrics

Cover design: Nadine de Macedo
Photography: Cristian Palmer

Where to find us:
https://www.youtube.com/@nadinedemacedo
https://michaelkarns.bandcamp.com

==== LYRICS ====

I'm on my own
Here alone
Almost at the bottom
How did we fail?

Did we change?
How are you?
Because I found
Something inside
Something close to us

It's only some words
Calling out 
Calling to me
From our yesterdays

Deep inside 
We knew it from the start
A love too good
To be true
    
Help me
Help me understand
This new land
Desolate and blue

In the end
It's always been us
You and me
On our own journey

To a new place
It's only some words
Calling to me
From our yesterdays

Deep inside 
We knew it from the start
A love too good
To be true

Calling To Me

Original Chris Rea 1989
Docvet : Vocal & acoustic guitar

The Road To Hell

Beyond Laniakea and the Supercluster there lies The Great Wall...apparently its only 10,000,000 light years across...  I think I'm running out of space...
I asked chatgtp how long it would take to travel that far in the fastest human built machine and it came up with this:

The fastest human-built machine so far is NASA's Parker Solar Probe, which reaches speeds of about 430,000 miles per hour (700,000 km/h) when slingshotting around the Sun.

Let's break it down:

Distance: 10 million light-years = 5.88 x 10¹⁹ miles
Speed: 430,000 miles per hour
Time: Distance ÷ Speed
Time = 1.37 x 10¹⁴ hours
= 15.6 billion years

So it would take the Parker Solar Probe roughly 15.6 billion years to travel 10 million light-years, assuming it could maintain that speed (which it can't).

That's longer than the current age of the universe (around 13.8 billion years).

My head hurts...

The Great Wall

When i heard this beautiful and wonderful instrumental, the lyrics came out of nothing... like they were already written and waiting to be harvested.
 The Bird Inside has his own SCpage with neoclassic gems and pearls!

https://soundcloud.com/user-525836600

https://soundcloud.com/user-525836600/summer-fools-feat-saskiagoethals?si=cdbc827d99354377a13dee099da71e24&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing


Summer Fools

Two fools, you and me,
Summer fools
We believed
Summer love
We believe
That the summer
will last a lifetime
endlessly

Summer fools, you and me
Like a split second
Can last an eternity

The sunrays warm our face,
Seawaves washing up and down,
This paradise this place
It feels like time erased every trace of summer love

el tiempo borrará todo rastro de amor de verano

summer fools (collab: The Bird Inside)

Fast and furious.. a hardrock/metal track of the 80ies ..enjoy!
Werner Dannemann   g/voc  composer/arr.   P.Garattoni:  dr/arr.
W.Kallert:  bass
Pee Gee  : lyrics

02 Rosa Lee

An emotional ballad in 6\8 with a Rock-ish edge. 

WOULDN'T KNOW ANY DIFFERENT

your way

Verse 1]
I hear ‘em talk in the hallway,
But I don’t need the small talk, no way.
Why leave when the ceiling’s mine?
I can drift and design
Every getaway line —
It’s only a matter of time.

[Verse 2]
She said,
"You know I can’t stay."
Well, I never wanted her to anyway.
Guess I’ll do better,
Write a letter,
But I know in my mind
It’s only a matter of time.

[Chorus] (Hookier & More Repetitive)
I’m in my room (my room, my room),
And that’s where I’ll stay (I’ll stay, I’ll stay).
Who wants to see the light of day?
When you can dream about going
And never knowing —
Yeah, all in good time, all in good time.

[Bridge] (Short, punchy, easy to chant)
Clock keeps turning, I’m not moving,
Plans keep burning, never choosing.
Doors stay closed,
Curtains drawn tight —
Guess I’ll go… but not tonight.

[Final Chorus]
I’m in my room (my room, my room),
And that’s where I’ll stay (I’ll stay, I’ll stay).
Who wants to see the light of day?
When you can dream about going
And never knowing —
Yeah, all in good time, all in good time.

Here Comes the Oligarch

I started my songwriting career playing in a power trio in the late 80's and early 90's as Singer and Guitarist around London and Essex, England. Moved to Brighton, England in the mid 90's and formed another power trio which became a 4 piece and had some success around the millennium supporting well known bands and playing headline shows around England.

Around this time I met Tony Clarke, best known for producing the Moody Blues and many other great acts. I worked with Tony for over a decade and he taught me the fundamental elements of mixing and producing. Many years later I met Mykel Dunn who ran his own studio in Kent, England. We started writing together and he completed my education in mixing. Myke and I went on to write music for TV shows and adverts and are still great friends and music partners. 

I recently had the absolute pleasure of producing, mixing and playing backing instruments on Ryan Athey's first album 'Next Same Town' which has been successful in it's first few months of release.

The pieces I post here are my own. Written, performed, mixed and produced entirely by myself  in my home studio in East Sussex, England (apart from a couple of numbers in Bandolier which were collaborations with Mykel Dunn). 
I am in my element when creating sound and enjoy experimenting with different styles ranging from Pop, Rock, Folk and Country to Orchestral, Ambient and Electronic. I don't use AI engines at all but It's all music to me and I hope you enjoy what you hear. 

WOULDN'T KNOW ANY DIFFERENT

Matt 'Norrie' Williams

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