Los Angeles's Tom Larsson, DJs and produces colorful, and unconventional house music in addition to helping run Surface Area Records out of Los Angeles. Tom's music embodies the surrealism of Hollywood, Haze of Southern California, and the warmth of Swedish house music. Growing up in Topanga Canyon, a small hippie town known for its surf and 70s classic rock history, Tom has always been surrounded by the bohemian parts of society. In his teenage years, he became obsessed with creating DJ mixes that quickly grew from an obsession into a career, earning his place to play at respected clubs like Riche in Stockholm and Shore Bar in Los Angeles. Growing up with Swedes as parents, Tom was exposed to Swedish classics and more specifically the nostalgic sounds coming from Sweden. Tom's interest in Swedish music grew and eventually landed his full attention in the current Swedish house scene. Today, Tom’s music is a combination of all his exposures, and many would pinpoint it as something that would be released by Studio Barnhus, a record Label in Stockholm Sweden. Tom now resides in Berlin, enrolled at the university, Catalyst, where he is studying Electronic music in the notorious halls of Funkhaus. Tom sounds represent the life of having a Swedish upbringing in Los Angeles, and now the experimental and boundary-pushing nature of Berlin.
For Booking,
Email: TomLar@me.com
US +1310(460)8450
Euro +49 171 8158961
Born and raised in Los Angeles, currently based in Berlin/ Los Angeles

Chicago house music legend Mike Dunn, has been DJing and producing music for over twenty years. Hailing from Englewood, Chicago, Mike started out DJing at the local block parties that took place playing disco, funk, soul and prototype Chicago house tracks.
“I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live. A lot of my early tracks came from me doing them at the party when the party was going on. I’d save it in memory and bring it home and polish it up. But I listen to it now and it’s like, damn… didn’t use enough cleaner!”
Word soon spread about his talents and Mike was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug, resulting in his first release in 1987, “Dance You Mutha” on Westbrook Records, he also started to produce and engineer for other Chicago artists, such as Armando, Fast Eddie and K-Alexi Shelby.
More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”, some times under the name Mike Dunn but also under aliases such as MD Connection, MDIII and QX-1.
He continued to produce and release throughout the 1990s, with releases on labels such as Nervous, Nitestuff and Tribal America, whilst also working with other producers and vocalists such as Syleena Johnson, Byron Stingley, Mina Jackson, Kool Rock Steady and Kym English to name a few.
More recently tracks like Phreaky MF’ on French label Robsoul and ‘God Made Me Phunky’, re-released on Defected records, have raised his profile and delivered his music to new audiences. Whilst new interest in Mike’s original old school jamz have taken him to work with the new generation of house and techno producers and labels, demonstrated on tracks such as ‘It’s the Music’ produced by Murphy Jaxx and more recently ‘Touch the Sky’ produced by Alden Tyrell and released on Clone’s Jack for Daze imprint.
After a long absence from DJing in Europe, Mike returned last year, playing at clubs such as Panorama Bar, Fabric, Concrete and Sub Club, and festivals such as Glastonbury, Electric Forrest and numerous others across Europe and US, demonstrating why the Chicago OG is still very much in demand.
2017 see’s Mike Dunn celebrating 30 years of Acid & Chicago house since his debut release back in 87’ with ‘Dance You Mutha’. To celebrate Mike’s releasing a single and album on moreaboutmusic and a full ’30 Years of house’ tour. 2017 will also see the launch of his own label Blackball Muzik…
The Phreaky MF is back…

Management: mark@moreaboutmusic.com

Bookings:

Instagram: lindqvistlukas 

lukas.lindqvist67@gmail.com

https://www.beatstars.com/luckylukes/feed

Producer from Stockholm

Art Collective | Label | Events | Mix Series

Huset is an online electronic music sharing platform and event organization. Our ambition is to bring light upon undiscovered talent within the underground scene.

For demo submission and bookings: dejavumusicmgmt@gmail.com
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Upcoming event
Kollektivet Huset x Brillo @ Taverna Brillo 6/3-20 (Stockholm)
→ Nils Berghagen (Huset - Stockholm)
→ EMPHI (Stockholm)
→ Philip Andrén (Stockholm / Falsterbo)

Past events
Huset Residents & Friends @ Glashuset 21/12-18 (Stockholm)
→ Nils Berghagen [Huset - Stockholm]
→ Johan Rehnmark [Huset - Lund / Stockholm]
→ Ingefära [Stockholm] 
→ Lingheim b2b Inanna [KB-rummet - Stockholm]
→ Petrina Hinas [Huset - Lund / Stockholm]
→ MAGY [Kulturklubben - Stockholm / Malmö]

Huset Presents: Enter The Rabbit Hole 11/16-18 (Lund) 
→ Huset residents [Stockholm / NYC]
→ Simon SG [Huset - Stockholm]
→ Elin Beckman [Kulturklubben - Lund / Malmö]
→ MAGY [Kulturklubben - Stockholm / Malmö]
→ Naître B2B Karan [Lund / Malmö]
→ Carl Richter [H.H.A.S.// FAUNA - Malmö]

Together with his fantastic producer DJ Morgan, Horny German debuted with his first single ”Ultimate Party” in early 2019. The song instantly became a top-hit but was removed due to its offensive lyrics. Since then, Horny German has always pushed himself to the limit with his ironic and iconic German songs. I recommend you to not search for the artist name on other platforms.

DISCLAIMER: Horny German is a stereotypical figure and is made for entertaining purposes. DO NOT Think his songs are not satire.

Prod Lukas Lindqvist is following