Soul Groove is about getting into the groove and into your soul. The band was created by Nik Almenor and Brad Scriven who have a vision to play some of the grass roots music from the soul era while adding today's influence with Funk, Blues, R&B and Jazz sound.

Band Line up: -
Rachel Hannah - Lead Vocals
Nik Almenor - Guitar, Vocals & Keys
Brad Scriven - Sax, Keys & Backing vocals
Sebastian Buitrago - Bass Guitar
Todd Orchard - Drummer
Rachel's lead vocals are something to behold. So sit back, close your eyes or get up and dance. Nik has had extensive experience in the industry across many Genre's, bands & recording appointments across the globe while Brad has jumped from the corporate closet to get back in to his passion from over 20 years ago. Sebastian's solid groove on Bass all the way from Columbia along with Todd's extensive experience with Drums / Percussion, these lads know how to make the engine room work.

These lads have Soul...

B3AT LOGIC Has a Fast growing Passion for Techno as well as a Solid Dedication To Progressive Psy-Trance.

To me Playing music to a crowd of people is the purest and most humble form of Expressing yourself.... You say a lot without actually saying anything. 
I believe a good DJ reads his crowd an takes them on a journey:-) 

Over the past 10 years my main passion was playing vinyl... collecting records an just having fun. 2 Years ago Shaun Stone An Vernon Hayes (DJ NEMESIS) urged me to take my music to the next level an start putting myself out there:-) 

So My first session playing out was on SensationsFM Radio! Playing Progressive Psy-Trance which is my main passion... Shortly there after i got invited again to Play SensationsFM back to back with DJ Nemesis this time playing more of a tech vibe which was totally new to me but it was insane.

From there i WAS privileged enough to get some Play Time at ORIGIN on the ENGINE room which by far was the highlight of my playing career. 

Some of the Highlights of my career so far have been Playing Biosphere Music festival in Durban South Africa 2 years in a row 2014 & 2015  both times on my birthday. Definitely also Playing On a Big Protoculture night at Origin Night club in Durban & Then Most recently getting Booked to Play Moksha Psychedelic spring Gathering At Hornbill in Johannesburg South Africa in 2015 


My Idea of music is open an my view is that we all have hero's.... Strive to learn an grown to that level an then become there hero that helps those younger an as passionate to reach their goals! after all The IDEA of the Electronic DANCE Movement is PLUR ... PEACE LOVE UNITY RESPECT! 

Description

Music Is my journey an I invite everyone along for the ride. I try my best not to put my choices of what i play in a BOX... that simply limits ones potential. I am always exploring new Genre's an open to working with other DJ's to create a platform for the younger generation to get a chance to play out more:-)

Contact me on 
bookings.beatlogic@gmail.com
wrbarnard82@gmail.com
Mobile No : +264 81 159 9586 
Facebook DJ Page : https://www.facebook.com/b3atlogic 
Facebook: Willie Barnard

THANK YOU FOR ALL THE SUPPORT … YOu GUYS ALL ROCK!!! 

Smash Acoustic Stringed Music with Electro Dance Music and you get the first wave of ELECTRO SHINE. The experience is best described as a musical circus with multi-platinum artist Big Kenny as the Ringmaster bringing together a fusion of the most talented artists in genres like EDM, Americana, country, reggae, rock, pop, and hip-hop. 

Big Kenny calls it, "The New Movement of Muzika Without Prejudice."

“I had this idea several years ago, and we started experimenting at the UofC (University of Creativity) in our mad laboratories!  Insane talent crossed my path at just the right time, practically on my doorstep, as if sent by the Ultimate Creator himself!  I have been on a mission since song one with this project,” said Big Kenny.”  We started making Electro Shine because it just made us feel good.  I figured, if it made us feel that good, it would do the same for others. I want to bring more people together in a really fun way. As a Godfather of the MuzikMafia and a  leader of the Freak Parade, I do not take that lightly!!” 

In addition to this new sound, Big Kenny has created a new music model that truly embraces the “Muzika Without Prejudice” mantra through Glotown Records. “Glotown Records is run by an eager bunch of geniuses all looking to be a beacon for creativity,” says Kenny.   “It’s a singles-based label focused on artist/producer collaborations releasing only the best of the best one at a time, and continuously!  And, Electro Shine leads the way on this experimental adventure!” 

The University of Creativity and Last Dollar Studios attracts the greatest minds and talent from across the globe. Electro Shine has been furthered by principle contributions from “the Maestro of Electro,” CheBacca, also known as Che.  Che has worked with acts like Lindsey Stirling, DJ Poet, MNDR, and Connor Cruise

And with the intensive collaboration of ChessBoxer, the musical duo of Ross Holmes and Matt Menefee, the music-embraced organic instruments side by side with the synthesis of EDM.

“Brother Bacca is brilliant with beats and tracks, -- dude can sing too! And ChessBoxer freaked me out when I first heard them at a dinner at a preacher's house. I didn’t know how anyone could make such sounds on a banjo and fiddle -- Now I know,” says Kenny.

Together, these three powerhouses of music create an eclectic fusion of beats, instrumentation, and feel-good lyrics. The Electro Shine sound is truly something that hasn’t been heard before from what might typically be thought of as an unlikely pairing.

With Big Kenny at the helm, he powers the engine behind the madness and has the passion to propel it into an unforgettable experience. Big Kenny is a real rock and roll farm boy from Culpeper, VA, and seems just as comfortable in a London Dance Club as at a Virginia Barn Dance.   As a singer, songwriter and producer, he’s powered through the world of music in in acts like luvjOi, the Muzik Mafia and, more notably, the multi-platinum, Grammy Nominated, country rock duo, Big and Rich.  

The first Electro Shine single, "Dance Upon the Solid Ground" will be released April 16, 2013 everywhere and features EDM producer Chebacca, instrumental strings duo ChessBoxer, and Big Kenny.    

Look for additional Electro Shine singles in the months to come featuring multi talented artists such as Ky-Mani Marley and his son; and wordsmith KJ Marley, son and grandson of reggae icon, Bob Marley; Cowboy Troy, country hick hop artist and rapper; Megan Mullins, singer, dancer, and fiddle virtuoso;  as well as the magical guitar sounds of Dave Stewart, musician/songwriter/producer and one-half of British duo Eurythmics.  

“If you think this list sounds like a cast of characters, then you better stick around because we are just getting started,” says Kami Knake, who along with Marc Oswald, manages Electro Shine.  Kami  says, “Expect future collaborations from anyone under the sun.  There are no limits or boundaries here.  This really is Muzika Without Prejudice.  When you come see our musical circus out on the road, it's going to look like one gigantic melting pot of life!  Glow stick kids, farmers, cowboys, rappers, break dancers, and hipsters all coming together to celebrate music in perfect harmony!  This sound makes everyone want to dance, laugh and smile.  It's contagious!  I want to live in this world forever!” 



Coldwave Records is an electronic dance music record label based in Brazil. Its founder, Eliezer Hofstaetter (also known as Coldbeat), has been in business since June 2011. Later on, at August 21, 2012, he has founded Coldwave Records, a record label aimed to develop the potential of new talents within the various genres of music, help them spread their music and help them understand the music business.

We're glad to be part of our artists' history, participating in some of their achievements. See below some of them:

- TOP#3 Electro House Releases on Beatport;
- TOP#9 Glitch Hop Releases on Beatport;
- TOP#11 Big Room Releases on Beatport;
- TOP#12 House Releases on Beatport;
- TOP#24 Dubstep Releases on Beatport;
- TOP#28 Trance Releases on Beatport;
- TOP#44 Psy-Trance Releases on Beatport;
- TOP#49 Progressive House Releases on Beatport;
- TOP#52 Glitch Hop Tracks on Beatport;
- TOP#55 Hip-Hop Tracks on Beatport;
- TOP#63 Electronica/ Downtempo Releases on Beatport;
- TOP#63 DJ Tools Tracks on Beatport;
- TOP#84 Overall Releases (all genres) Chart on Beatport.

Besides that, we can also mention:
- TOP#30 ZipDJ charts several times (peak position TOP#7);
- Several Beatport features at main pages and 'TOP#10 Must Hear EDM Tracks';
- Features at main pages and TOP#100 sales at Traxsource, SatelliteEDM, DJTunes, and TrackItDown;
- Features at EDM Network, DI.fm, Label Engine blog;
- DigitalDJPool TOP#48.

... among many more...

If you are an established artist, with a solid music and a good presence at social networks, and you are looking for high-quality services, a label that can put your music in the right hands, give you proper feedback/support statistics for a better understanding of the music business, opportunities to join solid releases plus assistance to help you improve your work, you'll be more than welcome to join the Coldwave Records team.

Find us on the internet:

Facebook - https://www.facebook.com/coldwaverecords
Twitter - https://twitter.com/ColdwaveRecords
Soundcloud - https://soundcloud.com/coldwaverecords
Bandcamp - https://coldwaverecords.bandcamp.com/
YouTube - https://www.youtube.com/c/ColdwaveRecords
Instagram - https://www.instagram.com/Coldwave_Records/
Beatport - https://www.beatport.com/label/coldwave-records/28275
JunoDownload - https://www.junodownload.com/labels/Coldwave/releases/?order=date_down
ToneDen - https://www.toneden.io/coldwaverecords
Spotify - https://open.spotify.com/user/coldwaverecords
Blog (for free downloads) - https://radio.coldwavestore.com/

Demos to Coldwave Records: http://bit.ly/CWdemos
Subscribe to our NEW e-mail newsletter: http://bit.ly/CWnewsl
DJs! Get our promos for free, subscribe: http://bit.ly/CWnewsl

Begin of activities - June 2011

Coldwave Records - founded at August 2012

Coldwave Store - launched at July 2018

Ehtraxx and B-SidEhtraxx are associated brands of Coldwave Records.

Last review: Jan. 03, 2019

____________________________________________________________________
The N'djinn is up & running ...

13.12 // Pulovăr ❆ for The Selfless Selfish (Bucharest)

16.12 // Bar.Ton (Bucharest)
____________________________________________________________________

02.05 /// POSITIVE ISOLATION @ Studio dB (Wedding) - https://ra.co/events/2142924

16.05 /// LISTENING SESH @ Unkompress (Kreuzberg)

20.05 /// sektgarten @ about blank (Friedrichshain) - https://ra.co/events/2157941

24.05 /// Rhythmus im Blut @ King Georg (Köln) - https://rausgegangen.de/en/events/rhythmus-im-blut-mit-ndjinn-0/

31.05 // Honey Loops @ Paloma (Kotti) - https://ra.co/events/2110293

12.07 :// elements @ about blank (Friedrichshain) - b2b2b w/ Lena Brumby & Ed Herbst >>> https://ra.co/events/2191651

22.07 :// sektgarten x a ghost in the machine @ about blank (Friedrichshain) - b2b w/ Ezy Fischel >>> https://ra.co/events/2195731

09.08 // Open-Air @ Jungfernheide (Berlin)

24.08 // Durușa Summer Hills (Maramureș, Romania)
____________________________________________________________________

Greetings fellow Earthling!

3rd-person biotechnograph cut-up, pasted, and edited by 1 person in a 2-dimensional space; reads throughout the 4th dimension:

An engine, in the following referred to by the term "N'djinn", is a machine designed to convert one form of energy into another.
In ultra-modern usage, N'djinn describes a device, akin to a steam engine as well as an internal combustion engine, that burn or otherwise consume fuel in order to perform, and this by way of thrust, thereby bestowing motion upon otherwise inert entities. Such entities are usually dispersed, but will have a strong tendency to unite due to the high-intensity exposure to (e)motion. Admittedly, the thrust-output emits the greatest amount of exhaustion because the method of producing thrust is directly related to the reproduction of sound. In other words, despite having a high level of endurance, N'djinn is not a perpetuum mobile.
Nevertheless, time is short, so to improve efficiency, the scope of N'djinn has increased, and so the rate at which N'djinn produces work. The higher forces and pressures created by these changes creates vibrations throughout an unknown universe. The operations brought about by N'djinn typically has a positive impact upon air quality and ambient sound levels. N'djinn can indeed also be understood as a thermoacoustic device that uses both low and high-amplitude sound waves to pump heat from one place to another, typically from vinyl via turntables and mixer through membranes; ultimately reaching the sensory organs of all entities exposed to these waves. In general, the thermoacoustics of N'djinn can be divided into captivated wave and travelling wave devices, i.e. recordings of and/or live performances. In either case N'djinn uses electrical energy to produce musical energy, usually through the interaction of magnetic fields and current-carrying conductors. Given that the majority of recordings utilized in both settings are defined by their rotation, N'djinn's speed is measured in revolutions per minute (RPM), while N'djinn's impact is measured in beats per minute (BPM). Regarding the case of sound levels, N'djinn's operation is always undertaken with respect to the sources of the system in question.

Yet N'djinn is a hybrid; not only a machine capable of setting things in motion, but also a genie capable of assuming human form and exercising supranatural influence over people.
The existence of N'djinn can be proven, even though arguments concerning the origin of N'djinn are beyond human comprehension.
The body encapsulating N'djinn must either be ethereal or made of solid material; if composed merely of the former, it would not able to do hard work, like carrying heavy records. If composed of the latter, it would be visible to any human with functional eyes.
Based on a so-called "modern" world-view, reinterpretated references to N'djinn as a microorganism in the grand scheme of things or an undetectable uncivilized person also occur.
The supernaturality of N'djinn does not mean it transcends nature, but that it might appear so in relation to the ordinary/everyday perception of nature. As an entity it is "natural" in the classical philosopical sense by consisting of an element, undergoing change and being bound in time and space. Thus it is not purely spiritual, but also physical in nature, being able to interact in a tactile manner with people and objects, and also subject to bodily sensations like sights and sounds. N'djinn supposedly comes from a sublunary realm, prone to reflection, however in equal measure related to the solar wind and may even appear - as an element of surprise - in mists or sandstorms.

Bless you

Hi! I'm a 30 years old unemployed enthusiast of technology, networks and computing.

I'm a computer programmer especially interested in Python, and the fields of Ontological Engineering and Natural language processing.
I have a basic-medium knowledge of 3d engine geometry programming, including DirectX and OpenGL, and multimedia programming, and digital audio processing.
I also have a solid understanding of the C and C++ programming languages (about 15 years of experience), formal grammars and some notions about compiler principles and techniques. I also had programmed the assembler for the IA32 architecture using MASM32 and TASM32.
At present i'm very dedicated in programming web-crawlers, i had programmed with Python/Urllib2 and also with Java/Nutch. I'm very interested in, and profoundly impressed by, the projects Lucene, Solr, and Hadoop of the Apache foundation.
I Love Debian. It has changed my life. Happyness.

My great passion for life is computer programming, but, on the other hand, music is my great hobbie. I have never received academic formation on musical issues, but learned by myself the basics.
I had been recently mesmerized by the CSound and CSoundQt open-source projects.


Bio Jamez:

Dutch producer Jamez has had a hand in more good records than most of us have had hot dinners. Apart from the by-no-means trifling matter of co-producing  house record – 51 Days’ ‘Paper Moon’ – he’s also been at the birth of the Trancesetters, the splendidly-named Tata Box Inhibitors, P.I.M.P., Loophole, Amfibian, Mindfunk and an ever-expanding list of inventively-spelt production credits. You’d wonder, looking at the fellow’s discography, whether he ever got any kip (we’ve been assured by his family that he does).

Jamez, for those that haven’t been paying attention, was part of a Dutch triumvirate – the other two being Dobre and DJ Zki – that helped transform European house music in the early 90s. Working closely with Dutch outfit Touché Records, they produced a series of consistently great singles of wildly differing styles ranging from the jazzy (Jamshed), deep (51 Days) and the acclaimed harder style of Tata Box Inhibitors and Trancesetters. While most UK DJ's looked to the US for new records, oddly, lots of American DJs – Danny Tenaglia being a particular fan – championed this new European style (Underworld’s Darren Emerson was also an early supporter of Touché’s releases).

Like many a young European, Jamez was turned on to dance music via the burgeoning rap scene of the eighties, before hooking up with Dobre who, as luck would have it, had a small home-studio. Experiments in dance ensued. A meeting with DJ Zki at a radio station completed the Three Musketeers’ line-up. Early releases came out through fellow countryman Robin ‘Jaydee’ Albers’ First Impressions label, but it was through Touché Records – started with Dobre – that Jamez and his cohorts gained international recognition.
Both 51 Days’ mournful ‘Paper Moon’ and Trancesetters’ heavy-hitting ‘The Search’ were massive New York club hits. Plenty of others were staples in DJs’ boxes around the world, probably because Jamez has mastered the art of syncopated and punchy beats, mellifluous keyboards and catchy hooks. Soulful dance music, in other words. As a remixer, Jamez is no slouch, either, having turned in superb mixes of Paperclip People’s ‘The Climax’, X-Press 2’s strident ‘The Sound’, Humate's 'Choose Life' and a stunning rerub of Der Dritte Raum’s ‘Alienoid’, transforming it into a hypnotically textural house cut. The list goes on and on.

After more than 100 releases on world class labels, numerous remixes and many appearances on compilations, he definetly put his mark down.

As a DJ he also did his part. Flying from one city to the other, keeping the crowds shouting for more. His mix of techno and tech house takes the listener on a journey through unknown territories, well known hights and deep smooth plains.

After a well deserved sabbatical Jamez returned to the scene in 2008, where he hooked up with Soulboy. In the summer of 2009 Christian Smith (Smith & Selway) did a remix for Trancesetters 'The Search'. The track had big support from Hernan Cattaneo, James Zabiela, John Digweed and Adam Beyer. Together with Soulboy, they produced the track Surface Tension, which was in 2009 Kevin Saunderson's summers favourite and was frequently heard on Ibiza Global Radio. Not only he is frequently asked for remixes but 2010 will be the year of launching his own label Repressure Recordings together with Soulboy and his management team A&G Agency.
In 2012 Jamez left Repressure to focus all his attention on his label Rough Cut Records. The sister label of Touché records which he started in 1995. Aim of the label is to try to be a bit different then everyone else. A mixture between all electronic music styles is possible.

Discography 03-2014
Releases:
X-Mod Man – Regret EP (Rough Cut, 2014)

The Electric 10 – Pacific EP (Rough Cut, 2014)

Moon Madness – Timeclock EP (Rough Cut, 2013)

Jamez – C Through (Rough Cut, 2013)

Accent – Too Much Heat (Rough Cut, 2013)

Bonemachine – Fall Out EP (Rough Cut, 2013)

Loophole – Blast From The Past EP (Rough Cut, 2013)

J.Roks – Faster EP (Rough Cut, 2013)

Underground Baseheads – Crossed EP (Rough Cut, 2013)

Lemonsoul – Hekla EP (Rough Cut, 2013)

Jamez – Alibi EP (Rough Cut, 2013)

Jamez & Soulboy – Sexy Lady part 2 (Omnis, 2012)

Jamez – Drumspirit (Repressure, 2012)

Jamez feat Jerome – Chasing Dreams (Repressure, 2012)

Jamez – Breakfast EP (Sounds R Us, 2012)

Jamez & Soulboy – Redone EP (Eyepatch Recordings, 2012)

Milo Moraes & Jamez – Tarantula EP (Naked Lunch, 2012)

Jamez & Soulboy – Superstar DJ (Repressure, 2011)

Tatoine – Open Air (Repressure, 2011)

Loophole – Seems Logic (Repressure, 2011)

Jamez – Sound Activated (Repressure, 2011)

Jamez – Potato Tomato EP (Repressure, 2011)

The Electric 10 – We’re Electric, We’re 10 (Rough Cut, 2011)

Jamez & Soulboy – Induction (Repressure, 2011)

Jamez – Four Seasons EP (Eyepatch, 2011)

Jamez – Hope EP (Mistique, 2011)

Jamez & Soulboy – Halo EP (Eyepatch, 2011)

Tatoine – Sometimes EP (Repressure, 2011)

Jamez & Soulboy – We Want It (Repressure, 2011)

Jamez – Crime EP (Naked Lunch, 2011)

Jamez & Soulboy – Lockdown EP (Rough Cut, 2011)

Loophole – Fortress EP (Repressure, 2011)

Jamez – Glock EP (Rough Cut, 2011)

Jamez Feat Jerome – Sex Addiction (Repressure, 2011)

Jamez & Soulboy – Surface Tension (Qaitek, 2011)

P.I.M.P. – Freak Out (Rough Cut, 2011)

Jamez & Soulboy – Fierce EP (Repressure, 2011)

Jamez – 24h Deepness EP (Eyepatch, 2011)

Jamez – Under Pressure EP (Rough Cut, 2010)

Jamez & Soulboy – Define The Moment EP (Tracer, 2010)

Jamez & Soulboy – Sexy Lady (Omnis, 2010)

Jamez – Give Me Some Space (Rough Cut, 2010)

Jamez & Soulboy – Fridge EP (Repressure, 2010)

Jamez – Sick  (digital track) (Stolen Moments, 2010)

Jamez & Soulboy – Soulshape (ODA digital, 2010)

Jamez & Soulboy feat. Chappell – Part of Me (digital EP) (Sniff your ears, 2010)

Jamez & Soulboy – Give In (digital EP) (Digital Noise records, 2010)

Soulboy & Jamez feat. Chappell – All Good (digital EP) (Dos Palomas Negras, 2009)

Dark Territory – Schmerztanz EP (Dark Territory records, 2008)

Black Lemon – Change (digital album) (Progrez, 2005)

Dark Territory – Libera Me (CD album) (Dark Wings, 2005)

Trancesetters – Beatfreak (12″) (Touché, 2005)

Float – Da Flavor (digital EP)) (Musashi, 2005)

Tetraflux – Okinawan (12″) (Touché, 2004)

Kimodo Dragons – Unreachable Love (12″) (Bonzai Urban, 2004)

Float – We are one (12″) (Musashi, 2004)

Jamez presents X-Mod Man – Burglary (12″) (Traxstars, 2004)

Alex & Vince – Brazil (12″) (Musashi, 2004)

Jamez – People Will Believe (12″) (Future Groove, 2003)

Jamez – Energy Of Life (12″) (Furure Groove, 2003)

Jamez – Dreamchasing (LP/CD album) (Future Groove, 2003)

Loophole – Situations (12″) (Touché, 2003)

Parallel – The Under Control E.P. (12″) (Immigrant, 2003)

P.I.M.P. – Ekkovibe (12″) (Touché, 2003)

Tatoine – Summerwind (12″) (Touché, 2003)

Trancesetters – The Saga (12″) (Touché, 2002)

P.I.M.P. – Why? (12″) (Touché, 2002)

MRE – Boombastic (12″) (Le Petit Prince, 2002)

Trancesetters – Synergy (12″) (Touché, 2002)

MRE – The Deep Edge prt 2 (12″) (Marc et Claude’s, 2002)

Loophole – Supathang (12″) (Touché, 2001)

Tetraflux – Forever (12″) (Touché, 2001)

Zupazonik – Horrorkisses (12″) (Eukatech, 2000)

The Electric 10 – Horizontal (12″) (Le Petit Prince, 2000)

Tatoine – Music (12″) (Touché, 2000)

Tata Box Inhibitors – Freet (12″) (Touché, 2000)

MRE – Rushdown (12″) (Marc et Claude’s, 2000)

Jamez & Derric – Virtualize (12″) (Turtle Trax, 2000)

Fortress vs Lemonsoul – Sun (12″) (Superstition, 2000)

Fortress – Core (12″) (Superstition UK, 2000)

Fortress – An Angel Saved My Life (Superstition, 2000)

Float – Nothing Seems Real (12″) (Superstition, 2000)

51 Days – Feel So High (Touché, 2000)

Jamez – Perfert (12″) (Rough Cut, 1999)

Jamez & Derric – Bounce (12″) (Rough Cut, 1999)

Loophole – Driven By Dreams (12″) (Touché, 1999)

MRE- The Deep Edge (12″) (Le Petit Prince, 1999)

Tech Funk – Kill The Groove (12″) (Fonky Fibe, 1999)

The Electric 10 – Minimal Exploitation (12″) (Le Petit Prince, 1999)

Trancesetters – Roaches (12″) (Touché, 1999)

Underground Baseheads – This is a Track (12″) (Groove Alert, 1998)

The Phunk Room – The Rhythm (12″) (Fonky Fibe, 1998)

The Electric 10 – Mown (12″) (White Label, 1998)

The Electric 10 – Signs Of Time (12″) (Rough Cut, 1998)

O’Hare – Searchin’ (12″) (Aspro, 1998)

The Electric 10 – Anything (12″) (Rough Cut, 1998)

MRE – Bodyrock (12″) (Le Petit Prince, 1998)

Junction Box – Carrot (12″) (Focus, 1998)

Jamez vs X-Mod Man – Housemusic (12″) (Subspace, 1998)

Jamez & Drifter – Abusers (12″) (Quaint, 1998)

Jamez – Energy (12″) (Rough Cut, 1998)

Dobre & Jamez – Kikbek (12″) (Rough Cut, 1998)

Daydreamer – All I Need (12″) (WOS, 1998)

Chi – On My Mind (12″) (Red Label, 1998)

Bonemachine – The Fix (12″) (Aspro, 1998)

Accent – Dispare (12″) (Rough Cut, 1997)

Batagurbaska – Silence (12″) (Red Label, 1997)

Accent – L.U.V. (12″) (Rough Cut, 1997)

Bonemachine vs Boom – Hardwave (12″) (Rough Cut, 1997)

Jeremy Jarz – Smooth Candy (12″) (Spiritual, 1997)

Loophole – New Primitivsm (12″) (Touché, 1997)

Mindfunk – Experience (12″) (Rough Cut, 1997)

P.I.M.P. – Assymilate (12″) (Alien, 1997)

Mindfunk – Mindfunk (12″) (Rough Cut, 1997)

The Electric 10 – Freakin’ (12″) (Rough Cut, 1997)

The Electric 10 – Down Under (12″) (Rough Cut, 1997)

X-Mod Man – Help (12″) (Subspace, 1997)

Underground Baseheads – Let Us Move (12″) (Groove Alert, 1996)

X-Mod Man – Hoodlem (12″) (Rough Cut, 1996)

The Electric 10 – Planet Earth (12″) (Rough Cut, 1996)

Tata Box Inhibitors – Insane (12″) (Touché, 1996)

P.I.M.P. – First Encounter (12″) (Touché, 1996)

Omicron – Check it! (12″) (Red Label, 1996)

Moon Madness – Quito (12″) (Tova, 1996)

Loophole – Fakeland (12″) (Touché, 1996)

Kappa – Listen (12″) (Red Label, 1996)

Jeremy Jarz – Do It To Me (12″) (Spiritual, 1996)

Jeremy Jarz – Shudder (12″) (Spiritual, 1996)

Jamez – Darklands (12″) (Rough Cut, 1996)

Bonemachine – Pianic (12″) (Aspro, 1996)

Bonemachine – Minimall EP (12″) (Aspro, 1996)

Accent – Stepaside (12″) (Rough Cut, 1996)

Amfibian – Pa Relax (12″) (Touché, 1995)

Boom-Box – Get It Girl (12″) (Jam, 1995)

Delta – Poppin’ (12″) (Red Label, 1995)

Beta (Jamez) – Music (12″) (Red Label, 1995)

Loophole – Deephole (12″) (Touché, 1995)

Street Asylum – Without Love (12″) (Jam, 1995)

Sublevel People – Land Of Pleasure (12″) (Jam, 1995)

Tata Box Inhibitors – Protein (12″) (Touché, 1995)

Tetraflux – The Untold Story (12″) (Touché, 1995)

Trancesetters – The Search (12″) (Touché, 1995)

Trancesetters – Drive (12″) (Touché, 1994)

Tata Box Inhibitors – Plasmids (12″) (Touché, 1994)

P.I.M.P. – The Light (12″) (Touché, 1994)

Trancesetters – Secrets Of Meditation (12″) (First Impression, 1994)

Trancesetters – Fantasising or Hallucinating EP (12″) (First Impression, 1994)

Tic Toc – Git On Up (12″) (Jam, 1994)

Mudcake – It’s Time To Groove (12″) (Jam, 1994)

Mackino – El Dia Festivo (12″) (First Impression, 1994)

Jamshed – Women And Whiskey (12″) (Touché, 1994)

Trancesetters – An Ambient Ecstacy (12″) (First Impression, 1993)

Remixes:
Trancesetters – The Search (Kling Klong, 2014)

Jimmy Galle – When Cats Attack (Rough Cut, 2014)

IDR3N – Elix (Rough Cut, 2013)

IDR3N – Rhobbot (Rough Cut, 2013)

Kompressor – Fat Beat (Rough Cut, 2013)

Accent – Too Much Heat (Rough Cut, 2013)

J.Roks – Rocking (Rough Cut, 2013)

Koishii & Hush – I’ll Be There (Grammaton Recordings, 2013)

Tribal Warriors – 08 (Bonzai Basiks, 2013)

Rolando Vallice – Disagree (Repressure, 2013)

Ozan Kanik- Mr White (Omnis, 2012)

Sexy Lucy – 5th Avenue (Dance Through Life, 2012)

Ernest Luminor – Jaga (Pure Substance, 2012)

Calbos – The Grind (Sounds R Us, 2012)

Carlos Rios – Tragedy (Repressure, 2012)

Eddie Matos – Hypnotized (People That Make The Music, 2012)

Gabriella Penn – 10 Angels On A Pin (Repressure, 2012)

Oz Romita – Intensive Care (Omnis, 2012)

Gforty – Let’s Beat (Repressure, 2012)

Orlando Voorn – No Fear (Repressure, 2012)

Jamez feat Jerome – Chasing Dreams (Repressure, 2012)

Andre Salata – 3060 (Repressure, 2012)

Ernest Luminor – Mnemonic (Polytechnic, 2012)

Jamez – Drumspirit (Repressure, 2012)

Ernest Luminor – Illusory (Polytechnic, 2012)

Oz Romita – Superb (Bonzai Basiks, 2012)

Josel & Pedro – A Shrine To Disorder (Polytechnic, 2012)

Jamez – Under Pressure (Rough Cut, 2012)

DJHD – The Recipe Is Funk Soul Groove (Tall House Underground, 2012)

Exploit – Offshoot (Repressure, 2012)

Mainer – The Mirror (Repressure, 2012)

Oz Romita – Sputnik (Mint & Mustard, 2012)

A.Paul – Flam (Naked Lunch, 2012)

Jimmy Galle – Yoghurt (Repressure, 2012)

Oz Romita – Soundblaster (Mint & Mustard, 2011)

Oz Romita – Rolling (Mint & Mustard, 2011)

Oz Romita – Levelized (Mint & Mustard, 2011)

Angelo D’Onorio – Analogue Wet (Repressure, 2011)

Spetterphat – A Small Flashback (Repressure, 2011)

Oz Romita – Amsterdam Sound (USB, 2011)

Bas Thomas – Second 2 None (Repressure, 2011)

Oz Romita – Hot Spot Shield (Pirelli, 2011)

Oz Romita – The Ultimate (Mint & Mustard, 2011)

Oz Romita – All Night Long (USB, 2011)

Oz Romita – Speed Optimizer (Repressure, 2011)

Spetterphat – In Stereo Sky (Repressure, 2011)

Oz Romita – Techn-o-Matic (Balkan Connection, 2011)

Ignacio Demaria – Friday (Bonzai Basiks, 2011)

Tatoine – Sometimes EP (Repressure, 2011)

Jamez & Soulboy – We Want It (Repressure, 2011)

Loophole – Fortress EP (Repressure, 2011)

Jamez – Glock EP (Rough Cut, 2011)

Jamez Feat Jerome – Sex Addiction (Repressure, 2011)

P.I.M.P. – Freak Out (Repressure, 2011)

Ernest Luminor – Mnemonic (Polytechnic, 2011)

Josel & Pedro – Probity (Polytechnic 2011)

Jamez & Soulboy – Julunggul (Repressure, 2011)

Jamez – Under Pressure (Rough Cut, 2010)

Astro Nivo – Vinortsa (Omnis, 2010)

Matan Caspi feat. Marcus Pearson – Simply Beautiful (Open Bar, 2010)

Jamez – Give Me Some Space (Rough Cut, 2010)

Robert G Roy – Fameless (Omnis, 2010)

Jamez & Soulboy – Fridge (Repressure, 2010)

Ben Shaw – Tempest (Omnis, 2010)

Rosie Romero – Marambi (Omnis, 2010)

Stuttering Monk -  Tales Of Sisquo (Tall House Digital, 2010)

Astro Nivo – Hasamba (Omnis, 2010)

Ernest Luminor – Illusory (Polytechnic, 2010)

Dandi & Ugo – Cx Tre (Neverending, 2010)

Lady Mary Sound feat Anaud Strong – The Sound Revolution (DLM, 2010)

Citizen Kain and Phuture Traxx – Libido (Neverending, 2010)

Jeison Torres – I heard her groove (ADS, 2010)

Montana – You and me forever (Bomba, 2010)

Laurent & Lewis – One for a moment (Cherry Juice, 2009)

Vinnie M – Solid (Made 2 Dance, 2009)

Johnny Deekay – Vibrationz (Intentionz Muzik, 2009)

Sara Noxx – Superior Love (Prussia, 2009)

Jeffed – Love part 2 (Hi9 records, 2008)

Sleepthief – The Chauffeur (Neurodisc, 2007)

Sleepthief – Eurodice (Neurodisc, 2006)

Isis Signum – Energy (Advanced Synergy, 2005)

Angel Theory – Transmission EP (Ground Under Productions, 2004)

Villanord – Impact (Touché, 2003)

Soulkeeper – Deeper (Voidcom, 2002)

P.A. – Entangled (Touché, 2002)

Marc et Claude – Loving you (Positiva, 2001)

Mark NRG – Starlight (Superstition, 2001)

Contrast feat. Lex Empress – Natural Incident (Alien, 2001)

Tall Paul – Rock da house (VC / Virgin, 2001)

Len Faki presents S**t -Tha way you like it  (Tide, 2001)

Maurice – Feline (Distinct’ive, 2001)

Plastika – Anwser (3345 recordings, 2001)

Vic 20 & Sinclair – Nikita (Future Groove, 2001)

Miller and Floyd – Time (Grand Casino, 2000)

Cevin Fisher – The freaks come out (3345 recordings, 2000)

Humate – Choose life! (Superstition, 2000)

Kadoc – Clap your hands (Underground Sound of Amsterdam, 1998)

Victor Calderone – Price of love (Cyber, 1998)

DJ Don & Svenson – My beat shoot back (Wiggle /EMI, 1998)

Mel O’Ween – The king (Red label, 1997)

Sterac – Secret life mixes prt 2 (100% Pure, 1997)

Sterac – Secret life mixes prt 1 (100% Pure, 1996)

T-Ragga – Lo-Lo (Vintage, 1996)

Laidback Luke – Act the fool (Touché, 1996)

Der Dritte Raum – Alieniod (Harthouse, 1996)

T.N.T. – Dancin’ (Xtra Nova, 1996)

Norton – A fall down from Prague (Touché, 1996)

Angela Lewis – Dream come true (Vintage, 1996)

Capricorn – Walking on the moon (Labyrinth / R&S, 1996)

Psychedelic Research Lab – Keep on climbing (Spiritual, 1996)

F-Action – Thanks to you (Push & Pull, 1996)

Professeur Bubble – Club 6 (Aspro, 1996)

X-Press 2 – The Sound (Logic, 1996)

Alex – Le Turbo Personnel (Aspro, 1996)

Celvin Rotane – You’ve got to be you (Alphabet City, 1996)

Darlesia – Everlasting (Eye Q, 1996)

Felix Da Housecat – The chaos engine (Touché, 1995)

G-Man – You’re a bitch (Main Room, 1995)

Paperclip People – The Climax (Ministry of Sound, 1995)

Kamasutra – Night walk (Touché, 1994)

D.R.U Determined.
Revolutionary. Unstoppable. These are fitting words
to describe Dru, the R&B/Soul/Pop singer & songwriter. “A soulful vibe
comes through in everything I do,” says Dru, whose musical influences
include Usher, Marvin Gaye, D’Angelo, Jodeci, and Stevie Wonder.
Dru’s first solo album, The One, which was released in 2008, earned
critical acclaim, including 3.5 out of 4 stars from the Toronto Star
newspaper. The first three singles, “The One”, “Stay with Me (Always)”,
and “Seasons” garnered strong chart positions at CHR/Top 40 and Hot AC
radio stations across Canada.
 The One was also released in Japan on JVC.
Born Andrew Omar Grange, Dru grew up in Mississauga along with his
three older brothers and one younger sister, where the qualities of
dedication, perseverance, and solid work ethic were instilled by his
mechanic father and nurse mother.
After years of developing his vocal talent, Dru’s early success came during
his time as lead singer of the R&B group In Essence, whose debut album
The Master Plan earned a JUNO Award, MuchMusic Award, and a
SOCAN #1 Award (for the club hit, “You Will Never Find”) In 2004.
After the group parted ways in 2007, Dru’s artistic reinvention was
bolstered by a tiny, but powerful source – his daughter and biggest
supporter, now 11, to whom he credits being the engine behind his drive to
make it as a solo artist.
Although he enjoyed the group dynamic of In Essence, and the special
moments shared with his fellow group members, and friends since high
school, Dru is now well settled into his comfort zone as a solo artist. “I’m
really enjoying being able to put out my own vision and my own sound “ my
own voice, ”says Dru. Working with a team of hit making
songwriters and producers motivated Dru to take his talent to a new level
and increased his desire to reach a broader audience both as a singer and
as a songwriter. Dru demonstrated his versatility as a vocalist when he was
featured on Doman & Gooding’s high energy Dance hit single, “Runnin” in
2009, which earned him another JUNO nomination for “Dance Recording
of The Year”.
Songwriting ace Rupert Gayle (Shiloh, Keshia Chanté, maxi priest ), super
producer Alex Greggs (*NSYNC, Britney Spears, Shakira), and platinum
songwriter Evan Bogart (Beyoncé, Rihanna, Jason Derulo) cowrote
a number of tracks for Dru’s second album On The Brink. Drus album “On The Brink included his smash hit singles, “ Gettin it in” and “She Can Ride” both singles earned Dru a Gold Plaque for selling over 50,000 digital downloads each with a combined amount of over 100,000 digital downloads. The third single released from On the Brink was called “Love Collision” which earned Dru another JUNO nomination in 2014 for reggae recording of the year.
In 2014 Dru put out “Deja vu”, produced by heavy hitters Baseline and
Kuya productions. “Deja vu” also earned Dru another JUNO nomination for
R&B Soul Recording of the year this past april 2016 at the Junos in
Calgary. Over the past 6 months Dru has recorded about 30 new songs for his new EP set to be to released 2018. “I’m so excited for this
new project, i have definitely taken it back to where i started, soulful
emotional r&b music”, Dru says. 2016 Don’t be Afraid”, Written by Dru and his
new producer Steve “Hollywood” was released and to date has over 700k streams on spotify and over 500k views on youtube.

The Alan Kelly Gang sit firmly at the cutting edge of the Traditional and World music scene. Fronted by Ireland’s piano accordion maestro, described by New York’s Irish Voice as “in league with the best piano accordionists in the world”, and with three critically acclaimed masters of their craft in tow, the gang have been taking audiences by storm impressing both music lover and critic alike. 

Their new album The Last Bell, which has been over a year in the making, is a pristine collection of original and traditional music. Recorded over two live sessions in Rathcoole, Co. Dublin with an outstanding cast of cohorts: Alan Kelly (piano accordion), Steph Geremia (flute /vocal /sax & whistle), Alasdair White (fiddle), Tony Byrne (guitar), Manus Lunny (bouzouki), Ewan Vernal (bass), Martin O’Neill (bodhran) and Jim Higgins (percussion), the album captures a certain magic that can only happen when such outstanding musicians are locked away, working and playing together in musical solidarity.

On this outing, there is a great sense of maturity and joie de vivre as the three melody players: Alan, Steph and Alasdair weave and playfully bounce off one another, while the engine room of guitar, percussion, and bass underpin a solid bed of groove. Also welcoming Capercaille’s Manus Lunny on board and into the Producer’s chair, he has brought along his distinctive panache to the 12 tracks – 8 instrumentals and 4 songs.

Chinweuba Paderau is following