This collaboration was a great choice .... Music and lyrics really written for this superb voice .... Excellent.

Beautiful vocals..amazing collab..wonderful work!

what a wonderful tension and performance, great tune!

Great piece and collaboration, superb vocal !

Heard this on Delhya's site, had to drop over here to compliment you on a great song and what amazing vocals from Delhya. Johnny

A grandly beautiful production 🤍 Superb emotion

Music and lyrics: Jose Miguel Millán
Lyrics, Vocals, backing vocals and vocal production: Delhya
For more DelhyA please check: on.soundcloud.com/cZwUB

Proud and  honored to once again have the invaluable collaboration of DelhyA, on this very personal and key song in the future concept album.

Lyrics:

My old notebook (with) my youth poems 
Thinking no one was the same forgotten moldy in a chest
Never found lips (that) wanted to declime 

My old canvases full of greys 
No one else was able to paint 
Moldy forgotten unfortunate 
Never found eyes that contemplate 

Suddenly
No more grey (just Pink)
I claim 
It was 
A sunny day (summer day)
You came 
That day (What a day)
I saw 
in your eyes
my legacy 
was you. (Was you). 

My life has never been the same since the day you came
Only the see the sun shining through the rain since the day you came

my footsteps in the sand, 
a land that no one could step on.
erased by the ocean tide, 
no one can follow them

Suddenly
No more grey (just Pink)
I claim 
It was 
A sunny day (summer day)
You came 
That day (What a day)
I saw 
in your eyes
my legacy 
was you. (Was you). 

My life has never been the same since the day you came
Only the see the sun shining through the rain since the day you came

Legacy - with DelhyA - Lyrics on description

This track is a collaboration with Synline (Tokyo) on.soundcloud.com/bzQWw

Synline shares ... I thought this song would be suitable for the opening of the album. When I asked SeaShea for guitar, he not only contributed his usual electric guitar but also created some tracks with synthesizers. The song, initially incomplete, reached its completion through his efforts. Collaboration has been a fulfilling experience.
Composition and Sampling collage by Synline
Guitars, Synthesizers and arrangement by SeaShea
We hope you enjoy.

'Into the Underworld' Synline=SeaShea

Happy Friday to my SC friends. Today’s musical offering is very special to me because it signifies a breaking away from my old patterns. Long story short… old Justin was pretty set in his music making/production routines (solo work belongs on solo albums. Collab work belongs on collab albums. And never the two shall meet). 

But new Justin is proving to be surprisingly more flexible in his thinking; an interesting (I might even go as far as to say… shocking) result of my new paradigm. And while it might seem like a ‘nothing burger’ to most people… the way my brain is wired, this is a huge change… and one I am grateful for.

So today I happily offer my first collab song, also intended for my first hybrid album. The song is called ‘Life In Twilight’… and my guest artist is our dear friend, Carlos Vivanco (https://soundcloud.com/carlosvivanco-1, https://carlosvivanco1.bandcamp.com), offering up the lovely Alto Sax and Guitar you hear in this piece

If you haven’t already crossed paths with Carlos, you are missing out. He is one of the most prolific people I have encountered in my travels. He plays about 30+ instruments, each with impressive skill. And if the instrument doesn’t exist... he creates it himself. And 'musician' is just one aspect of his inspiring and adventurous life. He is a great example of a person who discovered his passions early, and is now living a beautiful life pursuing those passions. We need more people like him in this world, reminding us of what is truly important.

On a personal level, the stuff Carlos has taught me over the years has helped me ease into this new sober life with tremendous grace. The music theory and instrumental lessons have helped make my sonic worlds more sophisticated (and therefore more rewarding to craft). And the moving and breathing meditations (Chi energy exercises) have proven fundamental to my mental/spiritual well being too. Needless to say, he has been a major influence in my evolving life; and I will be forever grateful. 

Carlos, I am honored beyond words that you are the guest artist on my first hybrid album. It signifies a great new direction for me. I’m excited to be on this path, and I’m glad you agreed to join me. 

To everyone else, we hope you enjoy “Life In Twilight”, the first of two new songs with Carlos that will ultimately wrap up my upcoming album “What Color Is Your Paradox?” 

(And yes... this is the last song I still had in the archives from my little break; originally finished on 1/20/2024. It's all going to be new content from here on out). :)

Paradox?

Life In Twilight | Carlos Vivanco & GrevusAnjl

The Carpet Jam by Jeamland feat. PJ Project & Martin Jansen & joerxworx

2024/2/26

Website

koyomi


Dedicating my piano part in this song to my Dad who lives in Tennessee in The Smoky Mountains. Hell, I guess I'll dedicate my part to his best friend Ronnie too. 
I only play a small part in this song which is the piano, but I will tell you that the folks I'm playing with are really great people and a lot of fun jamming with. 

Cast of Characters:

mistermark-- @user-432503709 -- Lead and harmony vocals, synth guitar intro, auxiliary percussion, mix, arrangement, and production
TexMex Shaman–@texmex-shaman –Stephen– guitar, banjo, and mastering
Llanpsych -- @llanpsych -- Tez – mix and production
J.J. Terrell–@j-j-terrell –piano 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and vocal harmonies
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, mandolin, and lap steel
This song began when Josh asked the rest of the guys if they'd be willing to put together a couple of songs for his father as a Christmas present. His dad is from West Virginia, and Josh was born there, too. The original version featured Josh's son, Marshall, singing the lead with him, and hearing his grandson sing a song about West Virginia really meant a lot to elder Clary. Of course, everyone was enthusiastically generous in giving their time, effort, and skill to Josh's family for the holiday. This song also has special meaning for JJ and Ken in relation to their fathers, as well. JJ's dad has had a rough year with his health. He also is a musician who inspired and encouraged JJ to play music. His dad also likes this song, so it was fun for him to present it to him, as well. Ken, who's father never really supported his decision to be a rock-and-roller, loves this version of the song we did, and made Ken know how proud of him he is in regard to it, which really meant a lot to Ken, too. Another cool connection Ken has to this song is that whilest attending elementary school, he was in the same school choral cohort with the Maria Carey. He actually sang this song with her when they were kids. Also, we feel like we should acknowledge Artur's dog, even though Artur isn't in on this one, his dog loves country music and responded enthusiastically to this one.
  The story of the song itself is a little convoluted. After Josh asked for everyone's help, Ken laid down a rudimentary beat, to which Josh started the tonal part with the bass. Stephen added the guitar and banjo soon after, and Josh added the mandolin shortly after that. JJ inserted his piano around this time, too. We pretty much had it working enough for Josh and his son to sing it for his dad. Tez mixed that version perfectly suited to the occasion. 
  After presenting Josh's dad with the present, it sat for about a month, until we asked Mark if he'd get in on it, too. Mark not only sang it better the JD, but also arranged it so there is an instrumental break now. He also added the guitar lick at the very beginning. Ken took the opportunity of having Mark's great vocals to sing against to add his cunning harmonies. Then Mark, being the perfectionist that he is, noticed that the slide part was missing from the second verse. So, Josh added it. Mark also mixed this version, with Stephen doing some mastering at the end. 
  We hope you enjoy listening to this as much as we enjoyed putting this personally meaningful piece together.



Country Roads (Eclectic Collective)

Link to cover art;

https://pixabay.com/photos/bridge-highway-road-architecture-7859045/

RiZLiX - Content

Eyes That Talk

Je suis décivilisation 
Je suis l'ensauvagement
Je suis renarde dans votre Eden
Je suis la loi du ventre
Je suis ces invincibles amarantes
Je suis chasseresse de chasseurs
Je suis tétanisation
Je suis alors fulgurance rebelle
Je suis une murmuration féerique à l'heure dorée.
Je suis endêvée par votre passivité
Je suis l'improbable qui te guette
Je suis ainsi l'assise substantielle
Je suis mycorhizes 
Je suis ces sentiers prompts à vous faire saliver
Je suis la spirale de fuites
Je suis aussi incendie désiré
Je suis violette tel l'aconit 
Je suis sagesse car sans sang
Je suis l'évolution par tous ignorée
Je suis la badass à la hache et au cœur de glace
Je suis syntropie
Je suis notre sourire stellaire

Decivilization

This is messy and rough, more like a demo -- it was all done in my scratch pad context (FL Studio), but then again the subject is messy and rough.

Take You Down

I can take you down
I can bring you right down put your face down to it
I can wait around ready for you

you are free to change your mind
you are free to leave this life behind
there's an open door but you don't go through it

I try to get away clean but you got me in a hold
you put your fingers in my head and I loose control
how will I ever be satisfied

I can help with the pain for a little while
cause you know it really just ain't my style
to let you feel what I'm doing when I'm doin it

got what I need and I need it
where does it end now
now that I've paid with my freedom

I just want to be free from all the craving of the night
hey yeah will there ever be a time when I feel it

Take You Down

Original Composition: Jean-Pierre DUBOIS
Arrangement and piano performance: Debra Buesking

Thank you to Jean-Pierre Dubois for allowing me to play his pieces in my own fashion.  It's a great pleasure for me.

Also thank you to David Dunham for mastering my piano tracks.
 Listen to David's beautiful music here: @david-dunhamuser589535203

Chansonnette Matinale (Arrangement on original music by Jean-Pierre DUBOIS)

I had something inside that must fly free.
NeoClassical
Modern Classical
Soundtrack
OST
BSO
Not Quite Classical
And ….  Prog rock. 

https://youtube.com/channel/UCFn6yvzY1gKi7lheBTK-Ftw
@TheBirdInside

Legacy - with DelhyA - Lyrics on description

The Bird Inside

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