My writing playlist

Alaska

Ship in a Bottle ~ Fin

Seasons

Bright orange walls

'Underworld' - Track 03
BARGAINING

(Instrumental by Tykun II)

Insecure

Stomping bass, frenzied city street beats, joyful vocals, and an electric guitar solo like a siren, this raucous riot of a single sees Mulele Matondo Afrika collaborating with world renowned world music artist Jupiter Bokondji on irresistibly impelling Afro-rock grooves, written and recorded in Jupiter's music shrine, in the Lemba district of Kinshasa, DR Congo, the capital of music.

Kinshasa Kiese is an homage to the vibrant musical city these rebel musicians call home… Welcome to Kinshasa!

X Jupiter Bokondji - Kinshasa Kiese

flakebelly // dandelion

https://linktr.ee/flakebelly
https://songwhip.com/flakebelly

(P) 2023 flakebelly - all rights reserved
(C) 2023 flakebelly - all rights reserved

Dandelion

Buy Me Here!

TPC301 - "Sub" Prod X James Santiago

Stay

Winter Song

Group Mudita chants Lokah Samastah Sukhino Bhavantu during a satsang at Yoga Vidya in Bad Meinberg, Germany. More mantra kirtan mp3 recordings can be listen at  y-v.de/mantra-kirtan - or as videos at my.yoga-vidya.org/members/Mantras/videos

Lokah Samastah Sukhino Bhavantu is a Sanskrit mantra which means:

“May all beings everywhere be happy and free, and may the thoughts, words, and actions of my own life contribute in some way to that happiness and to that freedom for all.”

By chanting this mantra, we move from our personal self and radiate a prayer of love for the world around us. It takes us from the egoic, little self, and its limited world view, and radiates from us global wellbeing. It is a reminder we are a part of the universe and can positively impact all of creation.

Follow us on our other online channels:
⚛️ Facebook: www.facebook.com/YogaVidya/
⚛️ Instagram: www.instagram.com/yogavidya_de/

Our website:
⚛️ www.yoga-vidya.de/

Lokah Samastah Sukhino Bhavantu chanted by Group Mudita

Seabird by Ceitidh Mac
Release Date 10th November 2023

All tracks written by Ceitidh Mac
Cello / Tenor Guitar / Synth / Vocals - Ceitidh Mac
Vibraphone / Drums - Will Hammond
Drums - Francesca Knowles
Recorded/Mixed by Sam Grant @ Blank Studios, Newcastle
Mastered by Kevin Tuffy
Production on 'Goldfinches' - Calum Howard

Artwork by Janina Sabaliauskaite

Sail Away - Ceitidh Mac

LoopDiggers Sunday Roulette N°132
additional bass, drums, synth, percs, and beeda baddas by meorkat

BEEDAXBADDA [LoopDiggers Sunday Roulette N°132]

This Beat Was Made By Average Bleach Drinker 
LYRICS BELOW
Nowadays- governments sellin us fake weed-
Plugs stuck bargaining margins to make meets-
Fuck- argueing' over a couple dollars you see-
It costs more for me to tolerate than scholarship fees-
We only free as a dog with no collar and fleas-
The way we live man we might as well of borrowed the green-
Feelin dread when its work on my caller ID-
But i need bread- thats for sure- so i crawl to my knees-
What can i say? No opportunity in my way-
Its more free being broke than in jail for makin plays-
No joke but this life getting stail- its no place-
For your growth- or your soul- set to fail- and misplace-
Anyway-
Back to jugglin jargin- jugular huntin in the jungle thinkin fuck an apartment-
My thought fungal- and they militant, rather hit where its started-
Hear em bitch about the consequence quiet when shit departed-
Think i made it when they riot to my shit or im a target-
Or you find my cd's or tapes in flea markets-
Wear this mask up in a bank but never a red carpet-
If you worship your celebrities you are fuckin-
Ugh

Nevermind- nothin worse than evil thoughts in a clever mind-
Seein shots ring- the spot- never bettered mine-
Be the type to have a glock in the dresser-
Iron stocked in the sweater if the weather fine-
Ease the hike in the pressure when the treasure climb-
Either that or tell a teller all the cheddar mine-
Whatevers better, trynna rap and have some leisure time-
Treat this shit like im professor this yo lecture time-
Im boutta pepper minds with word from the weber-
Rhymes verbs and some stellar lines-
Displeasure from you people hellen keller blind-
Try to teach ya 'for you fellas hit the cellar-
Lined up for the debtors- I-
Rather see us people come together-
Find trust-
In these letters-
Time to bust at opressors-
Sigh- 

Sigh

..."Yeah so what had happened was that i was doing some cleaning up in a stack of old CD-rs and i found this CD with two tracks on it. I am pretty sure that those are the two very first tracks that i ever recorded and burned on CD-r back in late 1999 or early 2000. This was around the time that i started messing around with computers trying to make electronic music''...

links:
www.pertin-nce.ca
https://pertin-nce.bandcamp.com
https://the-end-is-near.bandcamp.com
https://bleupulp.bandcamp.com
https://mixcloud.com/pertin 
https://facebook.com/pertinnce
https://facebook.com/bleupulp2000
https://facebook.com/then2014
https://soundcloud.com/pertin-nce 
https://twitch.tv/bleupulp
https://lafaceb.live

Bleupulp - The Last 15 Years

Respite

This song is called "Prosperity", I wrote it about the prosperity I bring into every relationship, and the love I have for myself.

Metamorphosis 

Prosperity

🏳️‍🌈🖤

~₱Ʉ₮ ₮Ⱨł₴ Ø₦ ɎØɄⱤ ₱ⱤØ₣łⱠɆ ł₣ ɎØɄ ₱Ʉ₴ⱧɆĐ ₳ ĐØØⱤ ₮Ⱨ₳₮ ₴₳łĐ ₱ɄⱠⱠ~

He/They/It/Thon/Xe/Bun
mih/eh

If you are homophobic then please don’t talk to me, you wouldn’t survive the amount of gayness I have
















https://m.youtube.com/watch?v=dQw4w9WgXcQ

Indie, Acoustic & Psychedelic music from The Western Isles of Scotland.

Hidden away in the windswept landscapes of the Outer Hebrides, flakebelly shapes songs that wander between psychedelic indie rock, folk-jazz, and the quiet strangeness of the everyday. Acoustic warmth, blues-stained guitars, jazz-streaked piano, and dreamlike textures fold into each other, creating music that drifts between clarity and haze.

His track In Parks Of Tall Trees found its way to Tom Robinson’s BBC 6 Music Introducing Mixtape, a small ripple in what has become a steady tide of restless ideas. From first picking up a guitar in the late 90s and stumbling through those formative songs in the early 2000s - many of which later resurfaced on Apprentice Green - flakebelly’s path has been one of constant diversion and reinvention. The early singles collections - The Orkney Tapes (2022) and The Christmas Morning Outcome (2023) - were restless, experimental documents of sound-searching, sketchbooks where ideas were tested, broken apart, and pieced together again in the pursuit of a voice. Those experiments fed directly into the indie-folk EP Behaviours (2022), the rough-edged Lo Fidelity (2024), and the kaleidoscopic album Apprentice Green (2024), described by SNACK Magazine as “like being Alice in Wonderland, transported through a maze of moments in flakebelly’s imagination.”

Now comes The Boy In The Diving Bell - out now - a 17-track reckoning with past ghosts, unfinished business, and the fragments of memory that refuse to settle. It is a psych alt-folk soup of acoustic laments, fractured tape loops, and warped dreamscapes. Much of the sound was dragged through the teeth of a battered 1960s reel-to-reel, used not as a recorder but as an instrument - reels halted, jolted, rewound, coaxed into blurples, screeches, and ghostly echoes. Mistakes are left in, first takes are preferred, imperfections celebrated. The result is an antidote to the sterilised sheen of digital perfection and the creeping spread of AI-reproduced music: deliberately irregular, defiantly human. In keeping with that spirit, the album is not available on Spotify or Apple Music. It lives on Bandcamp, CD, and vinyl, with a single concession to SoundCloud’s chaos.

The Boy In The Diving Bell is only the beginning - the first of three interconnected albums, the demos for which are already written. Yet even as that arc unfolds, flakebelly has begun detouring into a very different landscape: a new project built from vinyl samples, drum loops, and dirty guitars driven through vintage outboard gear, cassette recorders, and battered mixers. It is dark, abrasive, and deliberately uncomfortable - sound pushed to the point of collapse, distorted tape glued together with transformer saturation, live mixes through old delay units, dials twisted until frequencies scream. If The Diving Bell trilogy is haunted by memory, this parallel work dives into raw sound destruction and the strange beauty of degradation.

True to his solitary instincts, flakebelly writes, records, and produces everything from his home studio. The result is music that feels lived-in and handmade - always shifting, never fixed, and forever searching for new shapes in the sound.

All socials: @flakebelly //

"Extensive and wildly eclectic sonic adventures" - Tom Robinson, BBC 6 Music

"flakebelly is ultimately the sort of the artist we need more of – a genuine weirdo-auteur carving his own path purely for the love of the game." - Lewis Wade, Is This Music?

"Refreshingly individual and very likeable" - Neil March, Trust The Doc Media

Dandelion

flakebelly

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