Really cool track fam 🎶🙌🏼🎶👌🏼🔥🔥🔥 Ive added this to both of my spotify playlists for other artists. Epic work 👉🏼🎶🔥🔥🔥🙏🏼✌🏼❤️

Dude!! you are so creative! I mean the way you arranged this song is Dope!! the clapping thing, the bluesy guitars. Great job!!r

I love this! I can feel that you`re doing your thing, you`re a genuine artist and i follow right away!!

Original and well constructed, excellent! - ❤️Love, 🕊️Peace, 🙏Respect

Intro (Out of the Blue)

7 oct., Car Ta bonté vaut mieux que la vie

It’s autumn, somehow summer got behind me 
Yeah it’s autumn, you know always it has to be
Looking through a mirror to our misty mountain springtime; sweetest love I ever saw
Sunny, funny, honeybee smiling face; now I love you more.

Seasons leaves are turning, but they’re not falling to forget
Yeah it’s autumn, but it’s not nearly winter yet
Looking through a mirror to our hazy crazy springtime; wildest love I ever saw
Sunny, funny, honeybee smiling face; you know I love you more.

It’s autumn, somehow summer got behind me
Yeah it’s autumn, you know it always has to be
Looking through a mirror to our dreamy crystal fountain; deepest love I ever saw
Sunny, funny, honeybee smiling face; yes I love you more.

Autumn

@enigmacurry made a song
@mystique_wind added to it

S03E12 - Inner Rhymes

Replicators

02 - Hiroyuki Sanada - 骸 mukuro

SEIZURES - Morning Star

Stilles Zimmer

flakebelly  // pop song ninja

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(C) 2021 flakebelly - all rights reserved

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Pop Song Ninja

Days of entropy / collaboration with Pablo Dario Martin Fontana

Ryu / Acoustic guitar, Program, Voice
Pablo D. Martin Fontana / Electric guitar
https://soundcloud.com/pablo-d-m-fontana

Days of entropy. It's all heading for chaos.
Days of entropy. We are all in turmoil.

It was two o'clock in the morning
and not much snow had fallen.
A quiet New Year's Day greeted us.
In a different mean than before.

It seems that order always breaks down
and heat is always lost.

Days of entropy. It's all heading for chaos.
Days of entropy. We are all in turmoil.

I hardly ever leave the house anymore.
All my work is done on the Web.
Will this state of affairs become the norm?
Will we start to evolve in some strange way?

The changes are unpredictable
and the situation seems to be getting worse.

Days of entropy. It's all heading for chaos.
Days of entropy. We are all in turmoil.

Days Of Entropy / collaboration with Pablo Dario Martin Fontana

One 20 three

Indie, Acoustic & Psychedelic music from The Western Isles of Scotland.

Hidden away in the windswept landscapes of the Outer Hebrides, flakebelly shapes songs that wander between psychedelic indie rock, folk-jazz, and the quiet strangeness of the everyday. Acoustic warmth, blues-stained guitars, jazz-streaked piano, and dreamlike textures fold into each other, creating music that drifts between clarity and haze.

His track In Parks Of Tall Trees found its way to Tom Robinson’s BBC 6 Music Introducing Mixtape, a small ripple in what has become a steady tide of restless ideas. From first picking up a guitar in the late 90s and stumbling through those formative songs in the early 2000s - many of which later resurfaced on Apprentice Green - flakebelly’s path has been one of constant diversion and reinvention. The early singles collections - The Orkney Tapes (2022) and The Christmas Morning Outcome (2023) - were restless, experimental documents of sound-searching, sketchbooks where ideas were tested, broken apart, and pieced together again in the pursuit of a voice. Those experiments fed directly into the indie-folk EP Behaviours (2022), the rough-edged Lo Fidelity (2024), and the kaleidoscopic album Apprentice Green (2024), described by SNACK Magazine as “like being Alice in Wonderland, transported through a maze of moments in flakebelly’s imagination.”

Now comes The Boy In The Diving Bell - out now - a 17-track reckoning with past ghosts, unfinished business, and the fragments of memory that refuse to settle. It is a psych alt-folk soup of acoustic laments, fractured tape loops, and warped dreamscapes. Much of the sound was dragged through the teeth of a battered 1960s reel-to-reel, used not as a recorder but as an instrument - reels halted, jolted, rewound, coaxed into blurples, screeches, and ghostly echoes. Mistakes are left in, first takes are preferred, imperfections celebrated. The result is an antidote to the sterilised sheen of digital perfection and the creeping spread of AI-reproduced music: deliberately irregular, defiantly human.

The Boy In The Diving Bell is only the beginning - the first of three interconnected albums, the demos for which are already written. Yet even as that arc unfolds, flakebelly has begun detouring into a very different landscape: a new project built from vinyl samples, drum loops, and dirty guitars driven through vintage outboard gear, cassette recorders, and battered mixers. It is dark, abrasive, and deliberately uncomfortable - sound pushed to the point of collapse, distorted tape glued together with transformer saturation, live mixes through old delay units, dials twisted until frequencies scream. If The Diving Bell trilogy is haunted by memory, this parallel work dives into raw sound destruction and the strange beauty of degradation.

True to his solitary instincts, flakebelly writes, records, and produces everything from his home studio. The result is music that feels lived-in and handmade - always shifting, never fixed, and forever searching for new shapes in the sound.

All socials: @flakebelly //

"Extensive and wildly eclectic sonic adventures" - Tom Robinson, BBC 6 Music

"flakebelly is ultimately the sort of the artist we need more of – a genuine weirdo-auteur carving his own path purely for the love of the game." - Lewis Wade, Is This Music?

"Refreshingly individual and very likeable" - Neil March, Trust The Doc Media

Pop Song Ninja

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