In this special episode recorded with an audience at Edinburgh International Film Festival 2022, Girls On Film celebrate EIFF’s 75th anniversary with an all-star line-up including Julia Davis, Jackie van Beek and Armağan Ballantyne from NUDE TUESDAY; director and co-writer of ZUHAL Nazli Elif Durlu;  EIFF 2022’s Creative Director Kristy Matheson, and  film critics Wendy Mitchell and Finn Halligan.


First up, the NUDE TUESDAY team talks about their mutual obsessions with each others’ work, non-sexual nudity on screen and developing a new language for the film.

Next on stage is Kristy Matheson, the Creative Director of the Edinburgh International Film Festival 2022, who tells Anna how she selects a festival programme, and outlines her top picks from this 75th edition of the festival.

The director of ZUHAL Nazli Elif Durlu then joins Anna and Kristy to share how she developed her film after meeting someone who heard cat noises in her apartment, which no one else could hear.
 
Finally, critics Finn Halligan and Wendy Mitchell join Anna on stage to discuss their 2022 festival picks. From the audience, Antonia Campbell-Hughes shares some insight on her directorial debut  IT IS IN US ALL.



Films, Television productions and directors mentioned in this  episode include: THE BREAKER UPPERERS, NIGHTY NIGHT, HUMAN REMAINS, NUDE TUESDAY, SIGHTSEERS, AAAAAAAAH!, NOTHING COMPARES, ZUHAL, KINUYO TANAKA, STILL WORKING 9 TO 5, LOLA, AFTERSUN, CLEAN, IT IS IN US ALL.

You can listen to the Nude Tuesday podcast here: https://podcasts.apple.com/nz/podcast/the-nude-tuesday-podcast/id1630048038

Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold. Audio Producer: Cam Griff with Little Bird Creative. Intern: Grace Delve. House band: MX Tyrants.
With special thanks to the EIFF 2022 team and Chris Boyd at Cornershop PR for their support.

Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast

Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:

www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

This episode was produced in partnership with EIFF

Ep 123: Live at Edinburgh International Film Festival 2022 with the Nude Tuesday crew and more

Let us transport you to the Karlovy Vary International Film Festival 2023, where Girls On Film recorded an episode with an audience of festival goers. Host Anna Smith is joined by critics and filmmakers who are full of film recommendations, as well as thought-provoking and poignant conversation.  

First to join Anna are critics Wendy Ide and Marya E Gates, who speak about which films they’ve loved, and the strong array of female-focused films playing at KVIFF. They review La Chimera, starring Josh O'Connor and Isabella Rossellini. Marya talks about Georgian film Blackbird Blackbird Blackberry, and both of them discuss the ‘hot-topic’ Past Lives, that has been capturing the attention of film lovers since its debut in Sundance earlier this year.

Next, Anna welcomes Myriam Sassine, producer of Dancing on the Edge of a Volcano, a Lebanese documentary that tells the story of a film crew navigating making a feature in the aftermath of the Beirut explosion in August 2020. Myriam discusses the challenges she faced whilst producing the film, as well as explaining the connections she established with the survivors in the filmmaking process.

Our last guests are producer Elaheh Nobakht and director Negin Ahmadi, whose film Dream’s Gate tells the personal journey of Negin as she enters the war zone in North Syria, along with a group of young women who are determined to fight back. Elaheh, who translates for Negin, explains the importance of portraying women’s stories in her films and how this personal reflection highlights the moments of joy within the conflict. Elaheh also speaks about her experience as an independent Iranian producer.

This episode is sponsored by Magnum.

Films mentioned in this episode include:

La Chimera
Past Lives (UK release 8 September 2023)
The Girls Are Alright
Blackbird Blackbird Blackberry
My Happy Family
A Room of My Own (available to stream on Klassiki)
The Mother of all Lies
Slow
Dancing on the Edge of a Volcano
Costa Brava, Lebanon (available on Netflix)
Dream’s Gate
Inside the Yellow Cocoon
Anatomy of a Fall
In Camera

Find out more about KVIFF here: www.kviff.com

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. 

Host: Anna Smith. 
Executive Producer: Hedda Archbold
Audio Producer: Emma Butt
Assistant Producer: Eleanor Hardy
House band: MX Tyrants

Ep 155: Must-see movies and docs - Girls On Film live at Karlovy Vary International Film Festival

With us this episode are filmmaker Janis Pugh & actor, director & writer Tilda Cobham-Hervey - just two of the brilliant women showcased at the Edinburgh Festivals 2023. Anna Smith also gives top tips of other female-led highlights of the Edinburgh International Festival, Edinburgh Fringe, Edinburgh International Book Festival, and - of course -  Edinburgh International Film Festival. 

Our first guest is Janis Pugh, writer/director of Chuck Chuck Baby which will receive its World Premiere at Edinburgh International Film Festival on 20th August. The feature is a musical comedy drama that celebrates female working class friendship and love in Wales. Helen, played by Louise Brealey (Sherlock, Smack the Pony) is stuck packing chickens by night and by day cares for a dying mother figure. Her life takes an unexpected turn with the return of Joanne, played by Annabel Scholey (Being Human, Walking on Sunshine). Janis Pugh joins Anna for a lively chat about her personal experiences of working in a chicken factory in Wales, and talks about the camaraderie she saw that inspired the film. She also explains why love is at the heart of the film, and talks about the fragile male character of Gary, played by Celyn Jones.

We also chat with actor, director & writer Tilda Cobham-Hervey who, as well as working in film and TV, also works in live art and is bringing her intimate audio adventure Two Strangers Walk Into A Bar… to the Fringe. Tilda chats about her journey to making the production, and her love of immersive live experience, as well as the effects that the piece has on the two-strong audience. Anna Smith will be sharing her reaction to the piece as she updates live from the festivals, so stay tuned on the socials below. 

Find out more about Edinburgh Festivals and book tickets at www.edinburghfestivalcity.com/

Chuck Chuck Baby will have its World Premiere on 20th August, follow Girls On Film for info on its wider release https://www.eif.co.uk/events/eiff-chuck-chuck-baby 

Two Strangers Walk Into A Bar… is playing at House of Oz from 4th to 27th August https://www.houseofoz.co.uk/2023/two-strangers 

Anoushka Shankar will be appearing in Edinburgh International Festival on 27th August https://www.eif.co.uk/events/anoushka-shankar 

Festival highlights: 

Edinburgh International Film Festival - details at www.eif.co.uk/edinburgh-international-film-festival
Your Fat Friend, Jeanie Finlay
Past Lives, Celine Song
Showing Up, Kelly Reichardt 
Scrapper, Charlotte Regan
Is There Anybody Out There?, Ella Glendinining
The Strange Case of Dr Jekyll and Mr Hyde, Hope Dickson Leach 

Edinburgh International Book Festival - at  www.edbookfest.co.uk
What I Run Towards Will Strengthen Me, Sarah Polley 

Edinburgh Festival Fringe - all at https://tickets.edfringe.com/
Work in Progress, Rose Matafeo
Composition, Leila Navabi
Dugzi Dayz, Sabrina Ali
Unforgettable Girl, Elisabeth Gunawan
MEAT, Elle Dillon-Reams

Other films mentioned in this episode include: 
House, Janis Pugh
52 Tuesdays, Sophie Hyde, 2013

Other TV mentioned in this episode include: 
The Lost Flowers of Alice Hart, Glendyn Ivin, 2023

Other theatre mentioned in this episode includes: 
Funeral, Ontroerend Goed (tickets.edfringe.com/whats-on/funeral)

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Producer: Lydia Scott
Audio Producer: Emma Butt
Assistant Producer: Eleanor Hardy
House band: MX Tyrants
This episode is in partnership with Festivals Edinburgh

Ep 157: Edinburgh Festivals Special: film, theatre and more with Janis Pugh and Tilda Cobham-Hervey

In this episode Girls On Film is at the 20th edition of Glasgow Film Festival. Anna Smith sits down with Festival Director Allison Gardner, then has an exclusive interview with the director of Love Lies Bleeding Rose Glass, with Oscar-nominated director of The Teacher Farah Nabulsi, and with BAFTA-nominated director of Edge of Summer Lucy Cohen.

First up, Director of GFF Allison Gardner picks out some of her festival highlights, from Ava DuVernay’s Origin to Viggo Mortensen’s The Dead Don’t Hurt which she describes as a ‘feminist western’. Allison talks about the unique programming at GFF with 126 films included at the festival this year. She picks out the ‘Love is sweet oh!’ strand programmed by Tomiwa Folorunso, the ‘Gestures of Memory’ strand programmed by Natasha Thembiso Ruwona, and ‘What Will the Men Wear?’ programmed by Rosie Beattie. 

Next up Anna welcomes back Rose Glass to Girls On Film, who first appeared in Episode 60 to discuss her debut Saint Maud, which also showed at GFF in 2019. This year Rose is back with her hotly-anticipated second feature, Love Lies Bleeding, which had its UK premiere as the Opening Gala film at GFF. With Anna, Rose talks about the ‘dream’ casting of Kristen Stewart as moody heartthrob Lou, who meets amateur bodybuilder Jackie when she turns up in Lou’s sleepy hometown. The pair fall hard for one another and Rose describes crafting their fantastical love story, with co-writer Weronika Tofilska, which has ‘one foot in reality, and one foot somewhere stranger’... 

Anna also speaks to Oscar-nominated director Farah Nabulsi, whose debut feature The Teacher is showing at GFF. Anna asked Farah about her journey into filmmaking, from a background in business to directing her first short The Present, which went on to be nominated for the 2021 Oscar for Best Live Action Short Film.

Finally, Anna speaks with BAFTA-nominated director Lucy Cohen, whose coming-of-age film Edge of Summer tells the story of 11-year-old Evie on holiday in Cornwall in the early 1990s. When she meets local boy Adam, a mysterious discovery down an old tin mine changes everything. Lucy talks to Anna about her influences in exploring childhood on screen, citing Ratcatcher (Lynne Ramsay, 1999) and Walkabout (Nicolas Roeg, 1771), and about her excitement to be showing the film at Glasgow Film Festival. 

Thank you to our partners for this episode, Glasgow Film Festival. 

The festival runs from 28 February to 10 March. 

To buy tickets visit the Glasgow Film Festival website glasgowfilmfest.org/home/

Love Lies Bleeding is in UK cinemas from 3 May 2024.

You can watch The Teacher in Glasgow on Monday 4 March 2024  at 6pm and Tuesday 5 March 2024 at 3.15pm.

You can watch Edge of Summer in Glasgow on Friday 8 March 2024 at 8.30pm and Saturday 9 March 2024 at 3.45pm.

Other films mentioned in the podcast: 
The Mask (Charles Russell, 1994)
Origin (Ava DuVernay, 2023)
The Dead Don’t Hurt (Viggo Mortensen, 2024) 
Lousy Carter (Bob Byington, 2023)
The Teacher’s Lounge (Ilker Catak, 2023)
Thelma and Louise (Ridley Scott, 1991)
Walkabout (Nicolas Roeg, 1971)
Ratcatcher (Lynne Ramsay, 1999)
The Present (Farah Nabulsi, 2021)
Saint Maud (Rose Glass, 2019)
Girl (Adura Onashile, 2023)
Daisies (Vera Chitylova, 1966)

The views and opinions expressed in this podcast are those of the speakers and not necessarily those of the organisation or its affiliates.

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Producer: Charlotte Matheson
House band: MX Tyrants

© HLA Agency

Ep 173: Love Lies Bleeding exclusive with director Rose Glass and more at Glasgow Film Festival

Young Irish actor Lola Petticrew (A Bump Along The Way) joins Anna to chat about her new comedy Dating Amber, directed by David Freyne. She plays Amber, a lesbian schoolgirl who pretends to date Eddie (Fionn O'Shea - Normal People) so the pair can pose as straight. As Eddie struggles with his sexual identity, he and Amber grow closer. Lola talks frankly about the film, her friendship with her co-star and her own journey to coming out as queer.
Carrie Lyell, the editor of DIVA magazine, is our guest reviewer and discusses Dating Amber with Anna. The two critics also revisit the 1999 film But I'm A Cheerleader, a comedy set in a gay conversion camp and starring Natasha Lyonne. They also pay tribute to Girls On Film favourite Booksmart.

All films are available on Amazon Prime Video, our partner for this episode.

Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast

Follow us on Twitter:
www.twitter.com/GirlsOnFilm_Pod
www.twitter.com/annasmithjourno
www.twitter.com/primevideouk
www.twitter.com/seej

Watch Girls On Film's latest show on the BFI's YouTube channel: 

https://youtu.be/Opl7aSOiQs4

Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.

Ep 38: Actor Lola Petticrew on coming-out comedy Dating Amber + reviews with Carrie Lyell (DIVA mag)

It’s Pride season!  And we’re bringing you a packed Pride special. Actress and vocal LGBTQ+ advocate Bella Thorne joins Anna to talk pansexuality, love and support in the queer community, and the power of social media to make real social change. She also unpacks her starring role in Bonnie & Clyde-style crime thriller Infamous, as well as quirky college comedy The Duff. 

Plus, guest critic and Dr of Film Becca Harrison drops in to review three brilliant queer films you can stream for a Pride celebration on your sofa: bittersweet political Brit-flick Pride, Todd Haynes’ Oscar-nominated lesbian love story Carol, and recent Girls On Film guest Desiree Akhavan’s bisexual comedy drama Appropriate Behaviour. 
All films are available on Amazon Prime Video, our partner for this episode.

Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast

Follow us on Twitter: www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno 
www.twitter.com/primevideouk www.twitter.com/@BeccaEHarrison
www.twitter.com/@bellathorne

Watch Girls On Film's latest show on the BFI's YouTube channel: https://youtu.be/Opl7aSOiQs4

Girls On Film is an HLA production, exec produced by Hedda Archbold and audio produced by Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.

Ep 39: Pride special with Bella Thorne + queer classics reviewed with Becca Harrison

The writers of Legally Blonde join us to spill the inside story on the beloved 2001 comedy starring Reese Witherspoon as perky law student Elle Woods. Kristen “Kiwi” Smith and Karen McCullah talk about adapting Amanda Brown’s novel for the big screen, describing the moment of inspiration for the iconic ‘bend and snap’ move and revealing which cast member was difficult to handle on set…
Meanwhile, Empire film critic Helen O’Hara talks about her own legal past and revisits Legally Blonde with host Anna Smith. The pair also discuss other films with female lawyers, from A Time To Kill to On The Basis of Sex.
Thanks to listener Rehna Azim for suggesting an episode on female lawyers on film, and to our partners, Amazon Prime. All films are available on Amazon Prime now.

Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast
Follow us on Twitter: www.twitter.com/GirlsOnFilm_Pod
www.twitter.com/annasmithjourno 
www.twitter.com/primevideouk 

Watch Girls On Film on the BFI’s YouTube channel

https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z

Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Intern: Heather Dempsey.

Ep 44: Legally Blonde Exclusive + Female Lawyers on Film

Chemical Hearts stars Coral Peña and Kara Young join Anna for a spirited conversation about brown queer love on screen, describing how their characters were developed from Krystal Sutherland’s novel. They talk about their real-life friendship, their support network on set, and share what they’ve been watching at home, from Pose to I May Destroy You.
Award-winning Young Adult author Tanya Byrne also shares her passion for LGBTQ+ stories and raises an interesting point about M/M love stories and mainstream success. She also has a top TED talk tip for those keen to bring authenticity to their writing.

Chemical Hearts is on Amazon Prime Video now.

Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast

Follow us on Twitter: www.twitter.com/GirlsOnFilm_Pod
www.twitter.com/annasmithjourno 
www.twitter.com/primevideouk 

Watch Girls On Film on the BFI’s YouTube channel

https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z

Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.

Ep 45: Coral Peña and Kara Young talk Chemical Hearts & young queer love on screen

Eliza Scanlen joins Anna for an exclusive interview about her new film Babyteeth, a bitterly funny and moving drama directed by Shannon Murphy. She also talks about working with Greta Gerwig on Little Women, and her hopes for women in the film industry.

Film critic Larushka Ivan-Zadeh reviews Babyteeth with Anna, along with two other female-directed films: Summerland and Make Up.

Finally, we talk about an intriguing new test for films: the Clit Test...

Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast

Follow us on Twitter: www.twitter.com/GirlsOnFilm_Pod
www.twitter.com/annasmithjourno 

Watch Girls On Film on the BFI’s YouTube channel

https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z

Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey.

Ep 46: Eliza Scanlen talks Babyteeth & Little Women + Summerland & Make Up reviewed

This episode dives into Truth Seekers, the new paranormal Prime Video series and latest collaborative effort of Simon Pegg and Nick Frost. Anna Smith talks to its two female stars: Susan Wokoma (Helen) and Emma D’Arcy (Astrid). 

First, Susan (Chewing Gum, Year of the Rabbit) tells Anna how she prepared for the role of Helen and enthusiastically recalls what it was like to work with comic icons Simon and Nick. She further talks about discussing representation on set and celebrates the process of ageing in women. Stay tuned as Susan shares her very own spectral sighting…

Next up, Emma (Hanna, Misbehaviour) delves into Astrid’s mentality and tells Anna about a particular onset mishap. Discussing the nostalgic movies referenced in Truth Seekers, they consider whether there has been an improvement in the way that horror movies treat their female characters. Finally, Emma talks gun-wielding in Prime Video series Hanna and shares her personal connection to the spiritual world.

Film and TV Recommendations:

Susan: La Haine, Pose

Emma: The Sopranos, True Blood, I May Destroy You, the Coen brothers films, and anything with Frances McDormand!

Anna: For Sama, Love Child

Other mentions: Spaced (on Prime Video), The Cornetto Trilogy (watch all 3 movies on Prime Video), Chewing Gum, Year of the Rabbit, Hereditary, Midsommar (on Prime Video), Prime Suspect, The Exorcist, Invasion of the Body Snatchers

This episode is in partnership with Amazon Prime Video.

Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast

Follow us on socials:
www.instagram.com/girlsonfilm_podcast/
www.facebook.com/girlsonfilmpodcast
www.twitter.com/GirlsOnFilm_Pod
www.twitter.com/annasmithjourno 

www.twitter.com/primevideouk

Watch Girls On Film on the BFI’s YouTube channel: https://www.youtube.com/playlist?list=PLXvkgGofjDzj5mCFL89QKZsN5Tgr3vn7z

Girls On Film is an HLA production. Executive producer: Hedda Archbold. Producer: Jane Long. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

Ep 54: Phantoms and Feminism with Truth Seekers stars Susan Wokoma and Emma D'Arcy

In the latest isolation pod, Anna chats to two creatives who are championing complex female characters in film, including intimate insights into women’s mental health.

Anna first chats to Tuppence Middleton, the star of mystery-thriller Disappearance at Clifton Hill. Inspired by the personal experiences of writer-director Albert Shin, the film follows Abby, a young woman haunted by childhood memories of witnessing a possible kidnapping. Tuppence talks about playing a flawed female protagonist and delves into the intricacies of Abby’s mind. She further explains how she found a convincing bond with her onscreen sister and takes a look back at her career so far, reflecting on past feminist roles.

Anna then talks to writer-director Rose Glass, whose debut feature Saint Maud achieved critical acclaim when it hit cinemas last year. This psychological-horror film follows Maud (Morfydd Clark), a reclusive nurse who becomes obsessed with saving the soul of her dying patient (Jennifer Ehle). Rose unpacks the individual acting styles of Morfydd and Jennifer, and dives into how she brought the complex character of Maud to life. They also discuss the surprising style of the film, Rose’s cinematic influences and the use of William Blake in the story.

Saint Maud is available on DVD, Blu Ray and digital from 1st February 2021.

Disappearance at Clifton Hill is on Netflix in the UK now.

Other movie mentions: Trap for Cinderella, A Woman Under the Influence, In Her Place, Skeletons, Mank, The Current War, Repulsion, Rosemary’s Baby, The Tenant, Persona, The Silence, Through a Glass Darkly, Taxi Driver.

Become a patron of Girls on Film on Patreon here: www.patreon.com/girlsonfilmpodcast

Follow us on socials:
www.instagram.com/girlsonfilm_podcast/
www.facebook.com/girlsonfilmpodcast
www.twitter.com/GirlsOnFilm_Pod
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

Girls On Film is an HLA production. Executive producer: Hedda Archbold. Audio Producer: Tom Whalley. Principal Partner: Peter Brewer. Assistant Producer and Social Media Manager: Heather Dempsey. Intern: Elliana Jay.

Ep 60: Actor Tuppence Middleton + Saint Maud director Rose Glass talk female mental health on screen

Girls On Film is a film review podcast from a female perspective, hosted by film critic and broadcaster Anna Smith and produced by co-founder Hedda Archbold at HLA Agency

Ep 173: Love Lies Bleeding exclusive with director Rose Glass and more at Glasgow Film Festival

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