samarinda

Visions Of Frail Light

VIOLA IN SP.

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Live recording (excerpt) of 'Wildfires' as performed at the WFS festival on June 5th, 2022 in the New Music Lab at Sonology. 

Stereo reduction from the 192 speakers used during the performance.

Wildfires - (Live WFS, excerpt)

Video;
youtu.be/IdVaF7w4_as

Genres;
#Electronic
#Pop

Made in #Ableton (2023)

Midnight Vibe

This is the title track from The Lonely Bell's EP, 'The Outer Banks'.

Stream/Buy/Download :
thelonelybell.bandcamp.com/album/the-outer-banks

The Outer Banks

Friction n° 20

for promotional purposes only:
Liza Lim: Ronda – The Spinning World (2016)
for 9 musicians: horn, tpt, tbn, harp, perc, vln, vla, vc, dbass + Smetak instruments (Ronda, Tres Sois, Piston Cretino)
Premiere: 25 February 2017, Ensemble Modern conduced by Vimbayi Kaziboni, Alte Oper, Frankfurt
Programme note: https://limprogrammenotes.wordpress.com/2016/12/26/ronda-the-spinning-world-2017/

Liza Lim: Ronda (The Spinning World), 2016

Performed by Arditti Quartet and SWR Symphonieorchester on February 8, 2020 at ECLAT Festival.
Conductor: Michael Wendeberg

About the work:

Named after a quotation from an essay written by Tim Rutherford-Johnson, in which he reflects on the research I had conducted at Hagia Sophia and the extent of its possibilities in unlocking the social memories of an architecture, “… like dissolving ancient amber and letting a trapped insect fly away” is a work composed for simultaneous string quartet and large orchestra that was premiered by the Arditti Quartet and the SWR Symphonieorchester in 2020 at the ECLAT Festival.  The work is simultaneous in the sense that it consists of two interdependent works, namely a string quartet and an orchestral work, which can be performed together or as stand-alone works. As such, the string quartet is not conceived as a concertino group, nor is it regarded as an ensemble of two violins, viola, and cello; but rather as a medium based on its own specific collection of gestures and movements.

“… like dissolving ancient amber…” is based on a hybrid structure modeled after the actual architecture of the Fatih Mosque and what I developed as the hypothetical architecture of the Church of the Holy Apostles. The intention behind this hybrid structure was not to simulate or to map out space, or to render a fixed point of observation for a specific narrative, but to develop a sonic-temporal architecture emerging from two spaces, as a form of resistance re-imagined through embodiment.

"... like dissolving ancient amber and letting a trapped insect fly away."

Étude N°1, "Les Agrégats"
Étude N°2, pour la main gauche, "Arachne"

Piano : Bertrand Chamayou
Auditorium de Radio France, Maison de la Radio
2 octobre 2020 - création

Deux Études Pour Piano

YRobin

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